All Eyez on Me: Film Review
Cast: Demetrius Shipp Jr, Danai Gurira, Kat Graham, Lauren Cohan, Hill Harper
Director: Benny Boom
Tupac's legacy feels slightly squandered in this over-long formulaic biopic that seems more interested in hitting Tupac moments than going deeper.
A charismatic Shipp Jr channels the looks of the late rapper with ease as the film jumps back and forth in his timeline detailing Shakur's childhood, rise to rapper and struggle with the criticism aimed at gangsta rap.
Framed under the auspice of an interview from Clinton Correctional in 1995, Boom's film suffers from plenty of chopping and changing around early on, as the film sets out its intentions to capture the key moments of the life rather than to assemble a more coherent narrative and pertinent overview of Shakur's life.
With commentary on the injustices in Tupac's life, the mistreatment of African Americans and lots of angry outbursts from his mother (played by The Walking Dead's Michonne), the film seems to be aiming for incendiary but never fully catches fire.
In fairness, during the scenes of musical excellence, Bloom turns up the dial to 11 and the film crackles with the kind of electricity that's needed and was seen in the likes of Straight Outta Compton. But these are too few and far in between over the bum-numbing 140 minutes run time.
As the rise to Death Row Records settles in, it becomes clear that the script's less interested in providing fully fleshed out characters and is more interested in assuming characteristics and stereotypes for the likes of Sugg Knight and Snoop Dogg.
Ultimately, this slightly hollow and pedestrian approach to what really should have been a home-run means that All Eyez on Me ends up being something where you'd rather avert your eyes elsewhere. Time-hopping doesn't help generate a sense of emotional depth and ultimately when the end arrives, there's little to no feeling on the audience's behalf as it transpires on screen.
With little sense of flair, and a script that makes Tupac's life seem more disjointed (and in the case of legal arguments, more brief and simplistic than it is) All Eyez on Me fails to engender a sense of inspiration in its subject.