Drag Me To Hell: DVD Review
Drag Me To Hell
Released by Roadshow Home
Entertainment
Rating: M
Cast: Alison Lohman, Justin Long, Lorna Raver
The words Sam Raimi and horror film are enough to make any cinephile quiver
with excitement.
And so it is with Drag Me To Hell which arrives on DVD - and will make any
night the perfect fright night fun.
Alison Lohman is Christine Brown, a loans officer, desperate for
promotion.
One day, when told she has to show more leadership and make tough decisions,
she chooses the wrong person to exert her authority on. That person is an old
lady in the form of Mrs. Sylvia Ganush (played by Lorna Raver) - when denied a
loan to stave off eviction and feeling humiliated, Mrs Ganush curses Christine.
The curse means Christine will be Dragged to Hell by a Lamia demon within three
days...
So Christine tries everything in her power to beat the curse and ensure she
lives on.
Drag Me To Hell is a scintillating return to the genre from the master Sam
Raimi - although it turns out the script was written some 10 years ago after the
end of the Evil Dead trilogy, Raimi's clearly been spending his time working out
how to perfect the spectacle - oh, and doing the 3 Spiderman films as well.
Granted, you pretty much know where some of the shocks and jolts are coming
in this film - but it's the gross out horror humour moments which are the best
for Drag Me To Hell. There's a few of those scattered around the film which are
just, to be blunt, icky and make you squirm in your chair. But what Raimi
manages to do, thanks to an at times deliberately deafening score is drag out
some of the tension in the film and really confound some of your expectations as
to when the shock's coming.
Drag Me To Hell is a restrained horror - it's not based purely on gore, but
seeks to freak you out of your cinema chair when you least expect it - and have
you laughing or groaning in disgust when you know you shouldn't. Lohman's
Christine is a sweet character, so well played by the actress - you really feel
for her as she starts to realise the level of threat she's up against - and
Raimi pulls an excellent performance out of her by making the acting straight up
and never veering into parody. There's scenes which will have you empathising
with Christine and as the wall of sound builds in your living room, you may find
yourself jumping when you least expect it.
On paper the elements of humour, gross out or otherwise, and horror shouldn't
work. But with a master like Sam Raimi behind the camera, Drag Me To Hell
succeeds in spades - it reinvigorates the smart horror genre which has become so
bogged down by the likes of the SAW franchise.
Extras: Production Video Diaries- would have been great to
have had more given how beloved Sam Raimi is.
Rating 8/10
Thursday, 21 January 2010
Coraline: DVD Review
Coraline: DVD Review
Coraline 3D
Released by Universal Home Entertainment
Rating: PG
Vocal Cast: Dakota Fanning, Teri Hatcher, Jennifer Saunders, Dawn French, Keith David
From the director of James and The Giant Peach, The Nightmare Before Christmas, and MonkeyBone comes Coraline, based on a book by renowned fantasy writer Neil Gaiman.
Coraline Jones (Dakota Fanning) has moved to a new apartment with her mother and father (Teri Hatcher and John Hodgman) - but she finds that her parents are too busy to get her settled in.
To her amazement during her exploration of the new drab home, she finds a locked door - which, when opened takes her through to an alternative version of her current life.
The trouble is, in this alternative world, her Other Mother and Other Father are much more attentive and she starts to feel maybe she should stay with this family (even though everyone in this world has buttons for eyes).
But she gradually begins to discover that not everything is as it seems in the new world&.can she escape back to her old life before it's too late?
There's much to love in this latest animated outing.
Coraline is a beautiful piece of Gothic tinged work - full of dark greys to start off with, its colour schemes are resplendent on the big screen TV - even the fact this film is in 3D and you can wear glasses in your home (much to the mirth and merriment of those around you)
They're vibrant and vivid to show the contrasts in Coraline's world and life - Coraline herself wears a bright yellow coat in her humdrum world - but when she goes through to the Other World, the garden comes to life with plush colours (blues, purples, reds) which really light up the screen.
It's a dark, cleverly animated fable which will scare some smaller children and is a cautionary tale (in some ways) of Mother Knows Best.
Coupled with its ethereal soundtrack (which is wonderfully evocative) and beautiful surroundings, it's quite the treat to behold - the subtleties of the 3D really bring the worlds to life.
The stars of the show - outside of the score and animation - are Teri Hatcher and Dakota Fanning; Hatcher in particular is both motherly and sinister and works hard to bring the Other Mother to life.
Coraline is a gothic horror film for children and adults alike - and it should be cherished and enjoyed - even if it does scare the little horrors senseless in places.
Rating 8/10
Coraline 3D
Released by Universal Home Entertainment
Rating: PG
Vocal Cast: Dakota Fanning, Teri Hatcher, Jennifer Saunders, Dawn French, Keith David
From the director of James and The Giant Peach, The Nightmare Before Christmas, and MonkeyBone comes Coraline, based on a book by renowned fantasy writer Neil Gaiman.
Coraline Jones (Dakota Fanning) has moved to a new apartment with her mother and father (Teri Hatcher and John Hodgman) - but she finds that her parents are too busy to get her settled in.
To her amazement during her exploration of the new drab home, she finds a locked door - which, when opened takes her through to an alternative version of her current life.
The trouble is, in this alternative world, her Other Mother and Other Father are much more attentive and she starts to feel maybe she should stay with this family (even though everyone in this world has buttons for eyes).
But she gradually begins to discover that not everything is as it seems in the new world&.can she escape back to her old life before it's too late?
There's much to love in this latest animated outing.
Coraline is a beautiful piece of Gothic tinged work - full of dark greys to start off with, its colour schemes are resplendent on the big screen TV - even the fact this film is in 3D and you can wear glasses in your home (much to the mirth and merriment of those around you)
They're vibrant and vivid to show the contrasts in Coraline's world and life - Coraline herself wears a bright yellow coat in her humdrum world - but when she goes through to the Other World, the garden comes to life with plush colours (blues, purples, reds) which really light up the screen.
It's a dark, cleverly animated fable which will scare some smaller children and is a cautionary tale (in some ways) of Mother Knows Best.
Coupled with its ethereal soundtrack (which is wonderfully evocative) and beautiful surroundings, it's quite the treat to behold - the subtleties of the 3D really bring the worlds to life.
The stars of the show - outside of the score and animation - are Teri Hatcher and Dakota Fanning; Hatcher in particular is both motherly and sinister and works hard to bring the Other Mother to life.
Coraline is a gothic horror film for children and adults alike - and it should be cherished and enjoyed - even if it does scare the little horrors senseless in places.
Rating 8/10
Astro Boy: Movie Review
Astro Boy: Movie Review
Rating: 6/10
Voice Cast: Freddie Highmore, Nicolas Cage, Bill Nighy, Donald Sutherland, Nathan Lane, Kristen Bell, Eugene Levy
Director: David Bowers
From the immensely popular Japanese Manga comics comes the big screen version of Astro Boy.
The film takes place in a future where the humans have been forced to abandon the planet and now live in Metro City, which floats high in the skies.
It's the tale of Toby (voiced by Freddie Highmore) a genius boy who suffers from an absentee scientist father Dr Tenma (Nicolas Cage in typical laconic mood). Tenma's involved in helping the military might of President Stone (Donald Sutherland) - however, one day his nosey son breaks into the lab and watches the unveiling of the Peacekeeper robot.
Unfortunately Toby's trapped when the robot goes beserk, and is vaporized. His grieving father then sets about building a robot replacement but soon realizes it's no substitute for his son and abandons him. Once the military find about robot Toby, they try to kill him off to retrieve his power source; ultimately Toby ends up on the surface of the discarded earth.
So left behind on a planet strewn with robot junk, Toby tries to find his place- and ends up embroiled in the fight to save the day when Stone's military re-election plans spiral out of control.
For an origin film, Astro Boy is a strange mixed bag - there's a mournful sadness running throughout as the absentee father tries to assuage his guilt after his son dies; there are overtures of Frankenstein mixed with hints of Gepetto/ Pinocchio as Tenma brings the robot Toby to life; there are some pretty terrible intelligent puns (Descartes before the Horse being the worst); there's Toby and the band of orphan children (a la Oliver Twist) on the surface trying to fit into the world; and there's Matt Lucas making an appearance as the head of a robot communist group which provides the comic relief.
But it scores well on some other fronts - the score when Astro Boy discovers he can fly for the first time coupled with the soundtrack during the fight scenes - just beautiful.
And then there's the animation - for a 2D film (and maybe we're spoiled a little these days with all this Avatar style 3D trickery) there are some beautifully eye popping moments. The final showdown scene shows a lushness of animated colours (purples, reds, blues) which have to be appreciated on the big screen and are just gorgeous.
Granted, Astro Boy is not the most original film - but for a younger core of the audience it will prove to be a diverting use of their time.
Rating: 6/10
Voice Cast: Freddie Highmore, Nicolas Cage, Bill Nighy, Donald Sutherland, Nathan Lane, Kristen Bell, Eugene Levy
Director: David Bowers
From the immensely popular Japanese Manga comics comes the big screen version of Astro Boy.
The film takes place in a future where the humans have been forced to abandon the planet and now live in Metro City, which floats high in the skies.
It's the tale of Toby (voiced by Freddie Highmore) a genius boy who suffers from an absentee scientist father Dr Tenma (Nicolas Cage in typical laconic mood). Tenma's involved in helping the military might of President Stone (Donald Sutherland) - however, one day his nosey son breaks into the lab and watches the unveiling of the Peacekeeper robot.
Unfortunately Toby's trapped when the robot goes beserk, and is vaporized. His grieving father then sets about building a robot replacement but soon realizes it's no substitute for his son and abandons him. Once the military find about robot Toby, they try to kill him off to retrieve his power source; ultimately Toby ends up on the surface of the discarded earth.
So left behind on a planet strewn with robot junk, Toby tries to find his place- and ends up embroiled in the fight to save the day when Stone's military re-election plans spiral out of control.
For an origin film, Astro Boy is a strange mixed bag - there's a mournful sadness running throughout as the absentee father tries to assuage his guilt after his son dies; there are overtures of Frankenstein mixed with hints of Gepetto/ Pinocchio as Tenma brings the robot Toby to life; there are some pretty terrible intelligent puns (Descartes before the Horse being the worst); there's Toby and the band of orphan children (a la Oliver Twist) on the surface trying to fit into the world; and there's Matt Lucas making an appearance as the head of a robot communist group which provides the comic relief.
But it scores well on some other fronts - the score when Astro Boy discovers he can fly for the first time coupled with the soundtrack during the fight scenes - just beautiful.
And then there's the animation - for a 2D film (and maybe we're spoiled a little these days with all this Avatar style 3D trickery) there are some beautifully eye popping moments. The final showdown scene shows a lushness of animated colours (purples, reds, blues) which have to be appreciated on the big screen and are just gorgeous.
Granted, Astro Boy is not the most original film - but for a younger core of the audience it will prove to be a diverting use of their time.
It's Complicated: Movie Review
It's Complicated: Movie Review
It's Complicated
Rating: 6/10
Cast: Meryl Streep, Alec Baldwin, Steve Martin, John Krasinski
Director: Nancy Meyers
In this romantic comedy, Meryl Streep is Jane who's divorced her philandering hubby Jack (Alec Baldwin) over a decade ago. Since then, she's carved herself a dandy life as she cooks and he's remarried to a younger model with a child.
However, as they come together to celebrate their son's graduation, the pair find there's still an attraction and against the odds begin an affair.
As they rekindle their relationship, it becomes clear that Jack's more into it than Jane as he views it as a reconciliation and a chance to get back together. So things are further complicated when Jane's architect Adam (a muted playing it straight Steve Martin) starts to develop feelings for her.
Ultimately things start to come to a head for Jane and she has to find her place in these relationships&
Meryl Streep was Golden Globe nominated for this piece - and it's easy to see why. It's clearly her film - and while Baldwin brings his roguish caddish comedy touch to the role, neither he nor Martin can compete with Streep - she's light years ahead of them on the screen.
She manages to brilliantly use a deftness of touch to make Jane the likeable element in this - left on the sidelines and unsure of how to get involved in relationships, her transition is plausible, pleasant and in places, funny. She gives a masterclass on bringing subtlety to the character.
Meyers wrote and directed this piece which not only benefits from some zingy one liners but an excellent ensemble cast; Martin underplays his sad sack Adam who's been divorced and unsure of the game for a while - and John Krasinski provides some much needed comic relief in places) but sadly suffers from a lull about 75 minutes in.
It's Complicated is going to appeal more to certain sector of the audience than some; putting it politely, as Nancy Meyers does great films for women, it's fair to say this charming comedy is squarely in the grab a bunch of your girlfriends and head to the flicks.
It's Complicated
Rating: 6/10
Cast: Meryl Streep, Alec Baldwin, Steve Martin, John Krasinski
Director: Nancy Meyers
In this romantic comedy, Meryl Streep is Jane who's divorced her philandering hubby Jack (Alec Baldwin) over a decade ago. Since then, she's carved herself a dandy life as she cooks and he's remarried to a younger model with a child.
However, as they come together to celebrate their son's graduation, the pair find there's still an attraction and against the odds begin an affair.
As they rekindle their relationship, it becomes clear that Jack's more into it than Jane as he views it as a reconciliation and a chance to get back together. So things are further complicated when Jane's architect Adam (a muted playing it straight Steve Martin) starts to develop feelings for her.
Ultimately things start to come to a head for Jane and she has to find her place in these relationships&
Meryl Streep was Golden Globe nominated for this piece - and it's easy to see why. It's clearly her film - and while Baldwin brings his roguish caddish comedy touch to the role, neither he nor Martin can compete with Streep - she's light years ahead of them on the screen.
She manages to brilliantly use a deftness of touch to make Jane the likeable element in this - left on the sidelines and unsure of how to get involved in relationships, her transition is plausible, pleasant and in places, funny. She gives a masterclass on bringing subtlety to the character.
Meyers wrote and directed this piece which not only benefits from some zingy one liners but an excellent ensemble cast; Martin underplays his sad sack Adam who's been divorced and unsure of the game for a while - and John Krasinski provides some much needed comic relief in places) but sadly suffers from a lull about 75 minutes in.
It's Complicated is going to appeal more to certain sector of the audience than some; putting it politely, as Nancy Meyers does great films for women, it's fair to say this charming comedy is squarely in the grab a bunch of your girlfriends and head to the flicks.
Land of The Long White Cloud: Movie Review
Land of The Long White Cloud: Movie Review
Rating: 7/10
Director: Florian Habicht
In this doco from director Florian Habicht, New Zealand's fishers are put under the microscope.
Shot at the annual Red Snapper Classic at Ninety Mile Beach in the Far North, this genial piece takes in the characters and attitudes which are found over the five day event.
With serious money up for grabs, Habicht wanders round capturing the goings on - both on and off the beach as the event gathers pace.
Land of the Long White Cloud is a fascinating insight into those who'll go for the sport of fishing - one of the greatest events on offer in this country, whether you want to be solo or part of a group.
Part of the charm of this relatively short doco is the personalities of those who inhabit the shores for the event.
There's a languid atmosphere amid the competition - and Habicht gets to pick brains and get the fishermen - and women - to open up and offer up their philosophies as the surf peals around them.
One reveals he'd buy socks with the money after he's spent so long hooking his own by accident while out; another talks about how they're normally a smartly turned out office boy who relishes the chances to throw it all off and stand around waiting to catch the big one.
It's an interesting and entertaining look as Habicht asks some of them if they can remember where they were when they heard Lady Di had died; or even if they watch the news - the danger is the casual viewer will think he's trivializing, but what's revealed is probably a more accurate snapshot of Kiwi life than any survey or census could find out.
The fishermen end up contemplating life against a truly wondrous backdrop of rolling waves and blue skies - and espouse such sentiments as: "Look after those you love." Sure, there's a level of cod philosophy here but you'll forgive it that in spades.
Land of the Long White Cloud will appeal to any of those who want to marvel in the majesty of Ninety Mile Beach and the wondrous bounty of the coastline - the most entertaining part though is definitely the human element - especially as you see them enjoying life after the rods have been put down for the night.
Overall, this is the kind of film which sums up precisely why Aotearoa is such a wonderful country - a heady mix of coast, surf and characters. Just don't be surprised if at the doco's conclusion, you have an overwhelming urge to head out for a day's fishing.
Rating: 7/10
Director: Florian Habicht
In this doco from director Florian Habicht, New Zealand's fishers are put under the microscope.
Shot at the annual Red Snapper Classic at Ninety Mile Beach in the Far North, this genial piece takes in the characters and attitudes which are found over the five day event.
With serious money up for grabs, Habicht wanders round capturing the goings on - both on and off the beach as the event gathers pace.
Land of the Long White Cloud is a fascinating insight into those who'll go for the sport of fishing - one of the greatest events on offer in this country, whether you want to be solo or part of a group.
Part of the charm of this relatively short doco is the personalities of those who inhabit the shores for the event.
There's a languid atmosphere amid the competition - and Habicht gets to pick brains and get the fishermen - and women - to open up and offer up their philosophies as the surf peals around them.
One reveals he'd buy socks with the money after he's spent so long hooking his own by accident while out; another talks about how they're normally a smartly turned out office boy who relishes the chances to throw it all off and stand around waiting to catch the big one.
It's an interesting and entertaining look as Habicht asks some of them if they can remember where they were when they heard Lady Di had died; or even if they watch the news - the danger is the casual viewer will think he's trivializing, but what's revealed is probably a more accurate snapshot of Kiwi life than any survey or census could find out.
The fishermen end up contemplating life against a truly wondrous backdrop of rolling waves and blue skies - and espouse such sentiments as: "Look after those you love." Sure, there's a level of cod philosophy here but you'll forgive it that in spades.
Land of the Long White Cloud will appeal to any of those who want to marvel in the majesty of Ninety Mile Beach and the wondrous bounty of the coastline - the most entertaining part though is definitely the human element - especially as you see them enjoying life after the rods have been put down for the night.
Overall, this is the kind of film which sums up precisely why Aotearoa is such a wonderful country - a heady mix of coast, surf and characters. Just don't be surprised if at the doco's conclusion, you have an overwhelming urge to head out for a day's fishing.
Sunday, 17 January 2010
Elegy: DVD Review
Elegy: DVD Review
Elegy
Released by Roadshow Home Entertainment
Rating: M
Cast: Penelope Cruz, Ben Kingsley, Dennis Hopper, Patricia Clarkson
New York college professor David Kepesh (Kingsley) appears to have it all - an easy 20 year long no strings attached relationship with a former student (Clarkson); a friend George O'Hearn (Hopper) who's always there for him.
But one day his world is completely changed by Cuban Consuela Castillo (Penelope Cruz) whom he meets in one of his classes.
Determined to have her, he pursues her and they end up involved in a passionate relationship which ignites feelings of possessiveness in Kepesh, who's secretly worried she will leave him because he's 30 years her senior.
However, the effects of their dalliance are long lasting - and devastating.
Based on the book The Dying Animal by Philip Roth, Elegy deals with the reality of growing old and of self worth.
It's supposed to be an engrossing examination of uncertainty and of instability - but it's ruined by the complete lack of chemistry between leads, Cruz and Kingsley.
Although they're supposed to have a passionate relationship, this lack of anything tangible between the two of them affects the overall feel of the film - and ultimately derails its central message.
It's also painfully slow - and whilst that sometimes allows for character development, I actually ended up feeling the film needed to hurry along as I was starting to get somewhat depressed by the way it all unfolded.
While I appreciate what Elegy was trying to do and deliver a meditation of life, lust and love, it feels a little at times as if Coxiet lost her way.
Some may find Elegy engrossing but others may feel some books don't translate well to the screen.
Extras: None
Rating: 4/10
Elegy
Released by Roadshow Home Entertainment
Rating: M
Cast: Penelope Cruz, Ben Kingsley, Dennis Hopper, Patricia Clarkson
New York college professor David Kepesh (Kingsley) appears to have it all - an easy 20 year long no strings attached relationship with a former student (Clarkson); a friend George O'Hearn (Hopper) who's always there for him.
But one day his world is completely changed by Cuban Consuela Castillo (Penelope Cruz) whom he meets in one of his classes.
Determined to have her, he pursues her and they end up involved in a passionate relationship which ignites feelings of possessiveness in Kepesh, who's secretly worried she will leave him because he's 30 years her senior.
However, the effects of their dalliance are long lasting - and devastating.
Based on the book The Dying Animal by Philip Roth, Elegy deals with the reality of growing old and of self worth.
It's supposed to be an engrossing examination of uncertainty and of instability - but it's ruined by the complete lack of chemistry between leads, Cruz and Kingsley.
Although they're supposed to have a passionate relationship, this lack of anything tangible between the two of them affects the overall feel of the film - and ultimately derails its central message.
It's also painfully slow - and whilst that sometimes allows for character development, I actually ended up feeling the film needed to hurry along as I was starting to get somewhat depressed by the way it all unfolded.
While I appreciate what Elegy was trying to do and deliver a meditation of life, lust and love, it feels a little at times as if Coxiet lost her way.
Some may find Elegy engrossing but others may feel some books don't translate well to the screen.
Extras: None
Rating: 4/10
Friday, 15 January 2010
Sunshine Cleaning: DVD Review
Sunshine Cleaning: DVD Review
Sunshine Cleaning
Released by Madman Entertainment
Rating: M
Cast: Amy Adams, Emily Blunt, Steve Zahn, Alan Arkin
A film about cracking into the world of crime scene cleaning sounds like an interesting premise - and one which is currently not flooding the silver screen.
Sunshine Cleaning from New Zealand director Christine Jeffs is certainly fresh in places - and irritating in others.
The ever wonderful Amy Adams is Rose Lorkowski, a single mother whose son is forever getting into trouble at school.
Her unreliable sister Norah (Blunt) is flaking from one job to the next - the pair basically want a get rich quick scheme to pull their life out of the mundanity which has befallen them after high school promised so much.
Rose is having an affair with Steve Zahn's cop and he suggests one day there's good money in the forensic clean up business.
Throw in an oddball father (Alan Arkin) and you have pretty much a recipe for some quality screen time. And to a point you do.
But the central characters Rose and Norah (and to an extent Alan Arkin's character) are quite irritating after prolonged exposure - riddled with neuroses and character quirks, which had they been underplayed would have been endearing.
Unfortunately after about 20 minutes, they may get a bit too annoying for you.
Sunshine Cleaning feels in parts a lot like Little Miss Sunshine - which is no bad thing - and it has a lot of humour throughout - Blunt and Adams are good in their respective roles but their characters feel a little too stereotyped at times - Adams' Rose is having a lazy affair with a cop; Blunt's Norah is too kooky (witness her following a daughter whose wallet was found at a crime scene).
And the pair's secretly troubled parental relationship is a story thread which could have been seen coming a mile off.
Overall, Sunshine Cleaning feels a little bit too forced at times - whether that's the fault of the screenplay or the director I'm not 100% sure. It's not a bad film - it's just with such an original premise, it could have been so much more.
Extras: Theatrical trailer, Deleted scenes - not an inspiring selection for a film with such a great central cast.
Rating: 6/10
Sunshine Cleaning
Released by Madman Entertainment
Rating: M
Cast: Amy Adams, Emily Blunt, Steve Zahn, Alan Arkin
A film about cracking into the world of crime scene cleaning sounds like an interesting premise - and one which is currently not flooding the silver screen.
Sunshine Cleaning from New Zealand director Christine Jeffs is certainly fresh in places - and irritating in others.
The ever wonderful Amy Adams is Rose Lorkowski, a single mother whose son is forever getting into trouble at school.
Her unreliable sister Norah (Blunt) is flaking from one job to the next - the pair basically want a get rich quick scheme to pull their life out of the mundanity which has befallen them after high school promised so much.
Rose is having an affair with Steve Zahn's cop and he suggests one day there's good money in the forensic clean up business.
Throw in an oddball father (Alan Arkin) and you have pretty much a recipe for some quality screen time. And to a point you do.
But the central characters Rose and Norah (and to an extent Alan Arkin's character) are quite irritating after prolonged exposure - riddled with neuroses and character quirks, which had they been underplayed would have been endearing.
Unfortunately after about 20 minutes, they may get a bit too annoying for you.
Sunshine Cleaning feels in parts a lot like Little Miss Sunshine - which is no bad thing - and it has a lot of humour throughout - Blunt and Adams are good in their respective roles but their characters feel a little too stereotyped at times - Adams' Rose is having a lazy affair with a cop; Blunt's Norah is too kooky (witness her following a daughter whose wallet was found at a crime scene).
And the pair's secretly troubled parental relationship is a story thread which could have been seen coming a mile off.
Overall, Sunshine Cleaning feels a little bit too forced at times - whether that's the fault of the screenplay or the director I'm not 100% sure. It's not a bad film - it's just with such an original premise, it could have been so much more.
Extras: Theatrical trailer, Deleted scenes - not an inspiring selection for a film with such a great central cast.
Rating: 6/10
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