Shutter Island: DVD Review
Shutter Island
Rating: R16
Released by Universal Home Entertainment
Scorsese and di Caprio reteam for this spooky mystery thriller
adapted from the book by Dennis Lehane (who wrote Mystic River).
Di Caprio stars as US Marshall Teddy Daniels who's
sent to a mental asylum on Shutter Island to investigate the disappearance of an
inmate who is believed to still be somewhere on the island.
However, along with his partner Chuck (Mark Ruffalo), he finds his
investigation blocked at every turn by the doctors in charge of the facility
(chiefly Ben Kingsley's Dr Cawley).
As the pair
find themselves stranded on the island by a storm, Teddy starts to suffer from
flashbacks to the murder of his wife (Michelle Williams) and unsure of exactly
who to trust.
Shutter Island is a heady mix of
spooky, creepy and generally unsettling images, it's a real masterclass in film
making. It also looks wonderful on Blu Ray and is really quite disturbing.
Once again Martin Scorsese's created a cinematic
experience which is full of his trademark camera work and vision which builds a
claustrophobic world where you're never quite sure what's going on.
Along with a great use of soundtrack and silence, the overall
atmosphere is one of menace and uncertainty.
Sure,
you may work out what's going on but you won't understand all of it until the
end - and then you may be a little creeped out.
Extras: Behind the shutters and into the Lighthouse
featurettes - not much given the wealth of talent involved in this project.
Rating: 8/10
Monday, 5 July 2010
Bronson: DVD Review
Bronson: DVD Review
Bronson
Rating: R18
Released by Madman
Described on the cover as A Clockwork Orange for the 21st Century, this is an unforgiving biographical pic of the UK's most notorious criminal, Charles Bronson.
Played with a wonderful theatrical feel by Tom Hardy, this takes a look back at what shaped the man behind bars - and how one of the UK's most vicious criminals was created.
The story is told in a rather unusual and visually captivating way - in front of an audience, Bronson tells us he always wanted to be famous; with his bald head, polished dome and large handlebar moustache, he cuts a comical figure; almost clown-like in his mannerisms and speech - but heaven help you if you mock him - because there's also an explosion of violence around the corner.
And it's merely minutes before the fighting begins; Refn cuts directly back and forth from Bronson's speech on the stage to his taking on a series of guards and battering them black and blue.
It's jail where Bronson blooms gleefully cementing his title as a violent uncontrolled offender - and it's here the film becomes a little confrontational as it shows there's no hope of reform for this character.
However, it succeeds, thanks to the stunning and towering performance from Hardy himself; while Bronson's never going to be a likeable character, it's Hardy's performance which makes him so compelling to watch.
There's some great visual touches and an extension of the performance of a clown sees Bronson at his peak - Hardy's mesmerizing turn never sees you off guard; you're 100% sure of his propensity for explosive violence but yet you can't help but watch this portrayal.
Extras: Teaser trailers, commentary and interview with director Nicolas Winding Refn
Rating: 7/10
Bronson
Rating: R18
Released by Madman
Described on the cover as A Clockwork Orange for the 21st Century, this is an unforgiving biographical pic of the UK's most notorious criminal, Charles Bronson.
Played with a wonderful theatrical feel by Tom Hardy, this takes a look back at what shaped the man behind bars - and how one of the UK's most vicious criminals was created.
The story is told in a rather unusual and visually captivating way - in front of an audience, Bronson tells us he always wanted to be famous; with his bald head, polished dome and large handlebar moustache, he cuts a comical figure; almost clown-like in his mannerisms and speech - but heaven help you if you mock him - because there's also an explosion of violence around the corner.
And it's merely minutes before the fighting begins; Refn cuts directly back and forth from Bronson's speech on the stage to his taking on a series of guards and battering them black and blue.
It's jail where Bronson blooms gleefully cementing his title as a violent uncontrolled offender - and it's here the film becomes a little confrontational as it shows there's no hope of reform for this character.
However, it succeeds, thanks to the stunning and towering performance from Hardy himself; while Bronson's never going to be a likeable character, it's Hardy's performance which makes him so compelling to watch.
There's some great visual touches and an extension of the performance of a clown sees Bronson at his peak - Hardy's mesmerizing turn never sees you off guard; you're 100% sure of his propensity for explosive violence but yet you can't help but watch this portrayal.
Extras: Teaser trailers, commentary and interview with director Nicolas Winding Refn
Rating: 7/10
Thursday, 1 July 2010
Me And Orson Welles: Movie Review
Me And Orson Welles: Movie Review
Me And Orson Welles
Rating: 8/10
Cast: Zac Efron, Claire Danes, Eddie Marsan, Christian McKay
Director: Richard Linklater
1930s New York and young teen wannabe actor Richard Samuels (Zac Efron) finds himself on the steps of the Mercury Theatre.
Samuels is a dreamer and wants to tread the boards - and thanks to a chance meeting with soon to be legendary Orson Welles (a brilliant and stellar performance from Christian McKay), he finds himself cast in a minor role in Welles' Julius Caesar.
But from there, Samuels begins to learn the reality of the life backstage isn't all it's cracked up to be.
Particularly not when the director is Orson Welles, a brilliant, impetuous, temperamental and arrogant man who firmly believes the play's the thing.
Me and Orson Welles surprises on a few levels - it's a spot on recreation of 1930s New York (complete with a spry soundtrack) but it's the acting talent and the story which really shine.
While Zac Efron's better than you'd expect given his High School Musical pedigree, it's really Christian McKay who excels in his role as Orson. From the vocal performance and the perfect encapsulation of the volatile Welles, to the characteristics of the man who polarised many, McKay is spot on and emerges as the real winner of this film.
His Orson is a sleaze, the kind of man who takes ambulances to appointments to beat traffic, a real cad and bounder whose passion for performance eclipses everything else. And it's McKay's performance which eclipses everyone else - he steals every scene he's in and is scarily impressive.
Combined with a sweet central romance between Efron's character and Claire Danes' manager, Me And Orson Welles is an unexpected treat, well worth two hours of your time.
Me And Orson Welles
Rating: 8/10
Cast: Zac Efron, Claire Danes, Eddie Marsan, Christian McKay
Director: Richard Linklater
1930s New York and young teen wannabe actor Richard Samuels (Zac Efron) finds himself on the steps of the Mercury Theatre.
Samuels is a dreamer and wants to tread the boards - and thanks to a chance meeting with soon to be legendary Orson Welles (a brilliant and stellar performance from Christian McKay), he finds himself cast in a minor role in Welles' Julius Caesar.
But from there, Samuels begins to learn the reality of the life backstage isn't all it's cracked up to be.
Particularly not when the director is Orson Welles, a brilliant, impetuous, temperamental and arrogant man who firmly believes the play's the thing.
Me and Orson Welles surprises on a few levels - it's a spot on recreation of 1930s New York (complete with a spry soundtrack) but it's the acting talent and the story which really shine.
While Zac Efron's better than you'd expect given his High School Musical pedigree, it's really Christian McKay who excels in his role as Orson. From the vocal performance and the perfect encapsulation of the volatile Welles, to the characteristics of the man who polarised many, McKay is spot on and emerges as the real winner of this film.
His Orson is a sleaze, the kind of man who takes ambulances to appointments to beat traffic, a real cad and bounder whose passion for performance eclipses everything else. And it's McKay's performance which eclipses everyone else - he steals every scene he's in and is scarily impressive.
Combined with a sweet central romance between Efron's character and Claire Danes' manager, Me And Orson Welles is an unexpected treat, well worth two hours of your time.
Marmaduke: Movie Review
Marmaduke: Movie Review
Marmaduke
Rating: 4/10
Cast: Owen Wilson, Lee Pace, Keifer Sutherland, Steve Coogan, Emma Stone
Director: Tom Dey
School holidays are upon us once again - what with the choice of Shrek 4,Toy Story 3 or this latest Marmaduke, it's clear the fight is on for the family dollar.
Owen Wilson voices the great Dane Marmaduke (once a staple of American cartoons) in this mix of live action and CGI - the kind of dog who wreaks a bit of havoc around the family household in the midwest America- digging the lawn for bones, stealing food from the counter, the usual stuff.
But Marmaduke is loved by his family and so he can get away with it - his life is that of the top dog.
Until one day, his uptight owner Phil (Lee Pace) comes home and announces that the entire family are moving to California to work for William H Macy's organic dog food company.
With the rug pulled from under him, Marmaduke's plunged back into a world akin to high school as he tries to fit in with the new crowd out west. It's even worse when the Dog Park is like a playground - ruled by Kiefer Sutherland's wonderfully snarling Bosco and Marmaduke finds he's the odd pooch out.
It's not much better for Phil either and soon the entire family is facing some hard choices.
When a main character, animated or otherwise, looks directly at the camera and makes a farting noise, and then follows it with "I know it's juvenile but it's all I have" then you know you're not in for rocket science for 90 minutes.
The problem with Marmaduke is it plays too far to the younger end of the audience and is a little hard going for anyone over the age of 7 years old. While the talking animals work well, the makers of the film throw the spanner in the works by dropping some quite obvious CGI into the mix. While I'm not expecting miracles (it is after all a film about a dog who talks), it's a shame because the world they've created worked really well until that point.
Owen Wilson brings his laconic laidback tones to the pooch - and Sutherland does menacing well, but it's an unoriginal story which doesn't offer much into the mix.
Marmaduke may be a difficult watch for families - but it does impart some messages about family and priorities and what's important - which I guess is useful for the younger end of the spectrum. It's just that the older end of the family group may find it a little hard going and a real case of deja vu.
Marmaduke
Rating: 4/10
Cast: Owen Wilson, Lee Pace, Keifer Sutherland, Steve Coogan, Emma Stone
Director: Tom Dey
School holidays are upon us once again - what with the choice of Shrek 4,Toy Story 3 or this latest Marmaduke, it's clear the fight is on for the family dollar.
Owen Wilson voices the great Dane Marmaduke (once a staple of American cartoons) in this mix of live action and CGI - the kind of dog who wreaks a bit of havoc around the family household in the midwest America- digging the lawn for bones, stealing food from the counter, the usual stuff.
But Marmaduke is loved by his family and so he can get away with it - his life is that of the top dog.
Until one day, his uptight owner Phil (Lee Pace) comes home and announces that the entire family are moving to California to work for William H Macy's organic dog food company.
With the rug pulled from under him, Marmaduke's plunged back into a world akin to high school as he tries to fit in with the new crowd out west. It's even worse when the Dog Park is like a playground - ruled by Kiefer Sutherland's wonderfully snarling Bosco and Marmaduke finds he's the odd pooch out.
It's not much better for Phil either and soon the entire family is facing some hard choices.
When a main character, animated or otherwise, looks directly at the camera and makes a farting noise, and then follows it with "I know it's juvenile but it's all I have" then you know you're not in for rocket science for 90 minutes.
The problem with Marmaduke is it plays too far to the younger end of the audience and is a little hard going for anyone over the age of 7 years old. While the talking animals work well, the makers of the film throw the spanner in the works by dropping some quite obvious CGI into the mix. While I'm not expecting miracles (it is after all a film about a dog who talks), it's a shame because the world they've created worked really well until that point.
Owen Wilson brings his laconic laidback tones to the pooch - and Sutherland does menacing well, but it's an unoriginal story which doesn't offer much into the mix.
Marmaduke may be a difficult watch for families - but it does impart some messages about family and priorities and what's important - which I guess is useful for the younger end of the spectrum. It's just that the older end of the family group may find it a little hard going and a real case of deja vu.
Toy Story 3: Movie Review
Toy Story 3: Movie Review
Toy Story 3
Rating: 9/10
Cast: Woody, Buzz, Mr and Mrs Potato Head, Hamm, Rex, Andy, Jessie, Bullseye, Ken, Barbie - and many more
Director: Lee Unkrich
It's taken over a decade for the third Toy Story film to hit the screens - and man, was it worth the wait.
In this outing, Woody (Tom Hanks) and the rest of the Toy Gang (including Tim Allen's Buzz Lightyear) are worried they'll be left behind as their beloved owner Andy is about to leave home and head for college.
Faced with the option of being put in a bag in the attic, donated, binned or taken to college, reality hits hard for the group when Andy selects only Woody for a college toy buddy.
It gets even worse when a mix up sees the toys -along with Woody- accidentally donated to the local daycare, Sunnyside.
But the toys see it as a new lease on post Andy life - being played with daily is their view of a heaven.
How wrong they are.
Within moments of being there, they're mauled, smashed, vandalised and generally brutalised - and as they try to escape, they find their quest to get back to Andy's house hampered at every turn by Lotso Hugging Bear (voiced by Ned Beatty) who despite smelling of strawberries, has a bitter attitude on a toy's life..
It's upto Woody to once again save the day.
Toy Story 3 is an emotional blast - from the moment the lights went down in the IMAX theatre (you must see it on the biggest screen possible) to the moment someone utters the words "So long partner", this is epic, funny, heart warming stuff.
It starts off in the best possible way with an audacious scene which shows Woody as an action hero as he races to save a train load full of orphans from dying at the hands of the Evil Dr Pork Chop aka Hamm (aka John Ratzenberger). Quite simply it's a brilliant opening which showcases everything great about the Pixar animation fold - witty dialogue, ambitious scope coupled with child like imaginations.
Throughout the film, there's loads of great throwaway lines from various characters which pay homage to the fact they're now past it - "Let's see how much we're going for on eBay" being one of the best. And Pixar's even updated the world they live in - with Andy's sister wearing an iPod - how much the generation's changed in that decade.
(Although I have to admit, there's probably some who will say that it follows a similar pattern to other Toy Story films in that Woody, Buzz and the gang are all separated from Andy and have to return to him - so there's little else for them to explore story wise.)
But what hasn't changed is the story telling - warmth and heart and big adult issues like abandonment and facing your fate are in plentiful supply here. Along with new characters (the likes of Ken, Timothy Dalton's thespian hedgehog, Chuckles the Clown to name but a few), there's so much to love here. Ken in particular is one of the highlights - check out an exclusive scene which never made it to Toy Story 3's cinema release here to get some idea of his character!
Be aware though that parts of this film are like a nightmare for the younger end of the audience as they bubble with dark visions of life. A climactic final sequence which sees Woody and the gang facing the perils of the landfill is brooding, moody and full of adult angst - and even made one child in this preview start screaming.
All in all, Toy Story 3 is a delight; a real crowd pleasing treat to end perhaps one of the best trilogies of all time. Chocked full of gorgeous animation and genuinely funny lines, you may find yourself leaving the cinema wiping away tears of joy.
Toy Story 3
Rating: 9/10
Cast: Woody, Buzz, Mr and Mrs Potato Head, Hamm, Rex, Andy, Jessie, Bullseye, Ken, Barbie - and many more
Director: Lee Unkrich
It's taken over a decade for the third Toy Story film to hit the screens - and man, was it worth the wait.
In this outing, Woody (Tom Hanks) and the rest of the Toy Gang (including Tim Allen's Buzz Lightyear) are worried they'll be left behind as their beloved owner Andy is about to leave home and head for college.
Faced with the option of being put in a bag in the attic, donated, binned or taken to college, reality hits hard for the group when Andy selects only Woody for a college toy buddy.
It gets even worse when a mix up sees the toys -along with Woody- accidentally donated to the local daycare, Sunnyside.
But the toys see it as a new lease on post Andy life - being played with daily is their view of a heaven.
How wrong they are.
Within moments of being there, they're mauled, smashed, vandalised and generally brutalised - and as they try to escape, they find their quest to get back to Andy's house hampered at every turn by Lotso Hugging Bear (voiced by Ned Beatty) who despite smelling of strawberries, has a bitter attitude on a toy's life..
It's upto Woody to once again save the day.
Toy Story 3 is an emotional blast - from the moment the lights went down in the IMAX theatre (you must see it on the biggest screen possible) to the moment someone utters the words "So long partner", this is epic, funny, heart warming stuff.
It starts off in the best possible way with an audacious scene which shows Woody as an action hero as he races to save a train load full of orphans from dying at the hands of the Evil Dr Pork Chop aka Hamm (aka John Ratzenberger). Quite simply it's a brilliant opening which showcases everything great about the Pixar animation fold - witty dialogue, ambitious scope coupled with child like imaginations.
Throughout the film, there's loads of great throwaway lines from various characters which pay homage to the fact they're now past it - "Let's see how much we're going for on eBay" being one of the best. And Pixar's even updated the world they live in - with Andy's sister wearing an iPod - how much the generation's changed in that decade.
(Although I have to admit, there's probably some who will say that it follows a similar pattern to other Toy Story films in that Woody, Buzz and the gang are all separated from Andy and have to return to him - so there's little else for them to explore story wise.)
But what hasn't changed is the story telling - warmth and heart and big adult issues like abandonment and facing your fate are in plentiful supply here. Along with new characters (the likes of Ken, Timothy Dalton's thespian hedgehog, Chuckles the Clown to name but a few), there's so much to love here. Ken in particular is one of the highlights - check out an exclusive scene which never made it to Toy Story 3's cinema release here to get some idea of his character!
Be aware though that parts of this film are like a nightmare for the younger end of the audience as they bubble with dark visions of life. A climactic final sequence which sees Woody and the gang facing the perils of the landfill is brooding, moody and full of adult angst - and even made one child in this preview start screaming.
All in all, Toy Story 3 is a delight; a real crowd pleasing treat to end perhaps one of the best trilogies of all time. Chocked full of gorgeous animation and genuinely funny lines, you may find yourself leaving the cinema wiping away tears of joy.
The Twilight Saga: Eclipse - Movie Review
The Twilight Saga: Eclipse - Movie Review
The Twilight Saga: Eclipse
Rating: 7/10
Cast: Kristen Stewart, Robert Pattinson, Taylor Lautner, Dakota Fanning, Xavier Samuel, Bryce Dallas Howard, Peter Facinelli
Director: David Slade
Consequences of choice and yet more teen angst.
That's the two chief ingredients of this latest Twilight film to hit the cinema.
It's been 220 days since The Twilight Saga: New Moon fever swept the world - and the debate began over Team Jacob and Team Edward. Well, that and the swooning and lusty cat calls thanks to the gratuitous flesh on display in the Wolf Pack.
New Moon ended with Robert Pattinson's Edward asking Kristen Stewart's Bella to marry him - and this one follows on a short time after that initial proposal. Back in her home town of Forks, Bella's turning Edward down because he won't make her a vampire like she wants so that they can be together forever.
However, Bella's dad Charlie (a welcome infusion of humanity and humour amid the teenage angst) is keen for Bella to spend less time with Edward and a little more time with Jacob (Taylor Lautner) and her friends ahead of her graduation. But unknown to them, that's when Bella's decided she wants to become a vampire and part of the Cullen clan.
Things though are moving apace elsewhere with vamp Victoria (Bryce Dallas Howard) working on exacting her revenge on the Cullens following the death of her beau back in the first film. And as she forms her plan, Seattle is ravaged by a series of deaths which seem to be tied in with Bella and Edward's destiny...
Soon, an army of vampires is descending on Forks - and the choices Edward, Jacob and Bella make will have consequences for all those involved.
The third film in franchise is a marked change from the previous two - it's a slower more evenly paced kind of film with a lot more dialogue and bursts of action throughout. Consequently - and this is where divisions will form, my Twihard friends - some of the acting feels a little more stilted and the dialogue a bit cornier as the romance plays out (sample lines - 'I will fight for you until your heart stops beating' and ' Edward is my life.'). But to be fair, you expect that - and the audience which loves this film, won't care a jot for corniness and lines like those.
However, if you can get past that, this is actually a more mature film than the previous ones - with plenty of discussion about sex before marriage, consequences of Bella's choices and a fair degree of menace early on as the storm clouds begin to gather over Forks and its lovestruck inhabitants.
It's also richer in emotion and character - two of the Cullen clan get their back stories fleshed out immensely and there's quite the whiff of tragedy about their previous lives. And it's finally nice to acknowledge the fact that vampires are predators; the additional creatures we see in Eclipse (including fan fave Bree Tanner - who's got her own story - read a review of The Second Short Life of Bree Tanner here) are dangerous, evil creatures whose only desire is to satiate their blood lust.
That's not to say this isn't without its flaws - the final fight scenes between the Cullen clan, the wolves (whose CGI this time round is markedly improved) and the new born vampire army - as well as the Volturi's entrance (including the ethereal and sneering Jane) - feel a little rushed and end too quickly. Having had this level of menace hinted at throughout the film, it does feel like it's wrapped up a little too conveniently.
But ultimately, The Twilight Saga: Eclipse is once again about Bella, Jake and Edward (as well as the continuing antagonism between the vamps and the wolves) - and all the rest of the film is merely padding around that relentless triangular relationship. The characters this time have been given more grey edges. Edward is now more jealous and petty; Jacob continues his unrelenting quest to get Bella to admit she loves him and not the vamp, and Bella loses a lot of sympathy she gained from New Moon by being completely unsure of her choices.
The Twilight Saga: Eclipse may not win many new fans or converts to the cause thanks to some of its corny, aching angst - but with a richer story, stronger writing and more solid direction, it's one of the better Twilight films and one which the Twihards will once again covet. This series continues to be a phenomenon and Eclipse is a more measured entry into the genre.
Oh, and for the cougars out there, don't worry. Jake-Abs is back again (even giving birth to Edward's great line -'Does he not have a shirt?') so prepare your lustiest wolf whistle.
The Twilight Saga: Eclipse
Rating: 7/10
Cast: Kristen Stewart, Robert Pattinson, Taylor Lautner, Dakota Fanning, Xavier Samuel, Bryce Dallas Howard, Peter Facinelli
Director: David Slade
Consequences of choice and yet more teen angst.
That's the two chief ingredients of this latest Twilight film to hit the cinema.
It's been 220 days since The Twilight Saga: New Moon fever swept the world - and the debate began over Team Jacob and Team Edward. Well, that and the swooning and lusty cat calls thanks to the gratuitous flesh on display in the Wolf Pack.
New Moon ended with Robert Pattinson's Edward asking Kristen Stewart's Bella to marry him - and this one follows on a short time after that initial proposal. Back in her home town of Forks, Bella's turning Edward down because he won't make her a vampire like she wants so that they can be together forever.
However, Bella's dad Charlie (a welcome infusion of humanity and humour amid the teenage angst) is keen for Bella to spend less time with Edward and a little more time with Jacob (Taylor Lautner) and her friends ahead of her graduation. But unknown to them, that's when Bella's decided she wants to become a vampire and part of the Cullen clan.
Things though are moving apace elsewhere with vamp Victoria (Bryce Dallas Howard) working on exacting her revenge on the Cullens following the death of her beau back in the first film. And as she forms her plan, Seattle is ravaged by a series of deaths which seem to be tied in with Bella and Edward's destiny...
Soon, an army of vampires is descending on Forks - and the choices Edward, Jacob and Bella make will have consequences for all those involved.
The third film in franchise is a marked change from the previous two - it's a slower more evenly paced kind of film with a lot more dialogue and bursts of action throughout. Consequently - and this is where divisions will form, my Twihard friends - some of the acting feels a little more stilted and the dialogue a bit cornier as the romance plays out (sample lines - 'I will fight for you until your heart stops beating' and ' Edward is my life.'). But to be fair, you expect that - and the audience which loves this film, won't care a jot for corniness and lines like those.
However, if you can get past that, this is actually a more mature film than the previous ones - with plenty of discussion about sex before marriage, consequences of Bella's choices and a fair degree of menace early on as the storm clouds begin to gather over Forks and its lovestruck inhabitants.
It's also richer in emotion and character - two of the Cullen clan get their back stories fleshed out immensely and there's quite the whiff of tragedy about their previous lives. And it's finally nice to acknowledge the fact that vampires are predators; the additional creatures we see in Eclipse (including fan fave Bree Tanner - who's got her own story - read a review of The Second Short Life of Bree Tanner here) are dangerous, evil creatures whose only desire is to satiate their blood lust.
That's not to say this isn't without its flaws - the final fight scenes between the Cullen clan, the wolves (whose CGI this time round is markedly improved) and the new born vampire army - as well as the Volturi's entrance (including the ethereal and sneering Jane) - feel a little rushed and end too quickly. Having had this level of menace hinted at throughout the film, it does feel like it's wrapped up a little too conveniently.
But ultimately, The Twilight Saga: Eclipse is once again about Bella, Jake and Edward (as well as the continuing antagonism between the vamps and the wolves) - and all the rest of the film is merely padding around that relentless triangular relationship. The characters this time have been given more grey edges. Edward is now more jealous and petty; Jacob continues his unrelenting quest to get Bella to admit she loves him and not the vamp, and Bella loses a lot of sympathy she gained from New Moon by being completely unsure of her choices.
The Twilight Saga: Eclipse may not win many new fans or converts to the cause thanks to some of its corny, aching angst - but with a richer story, stronger writing and more solid direction, it's one of the better Twilight films and one which the Twihards will once again covet. This series continues to be a phenomenon and Eclipse is a more measured entry into the genre.
Oh, and for the cougars out there, don't worry. Jake-Abs is back again (even giving birth to Edward's great line -'Does he not have a shirt?') so prepare your lustiest wolf whistle.
Saturday, 26 June 2010
Dr Who: Dreamland: DVD Review
Dr Who: Dreamland: DVD Review
Dr Who: Dreamland
Rating: PG
Released by Roadshow Entertainment/ BBC
This animated treat was one of the spin offs for the gap year the BBC's flagship show took in 2009.
But fans of the show don't need to worry - while David Tennant may have been touring with Hamlet, he took time off to record the voiceover for this 40 minute computer animated adventure.
The 10th Doctor ends up in Roswell, New Mexico in 1958 - and on the eve of an alien invasion as the bug like Viperox look to steal an alien who crashed in the area (sounds familiar to fans of the UFO genre.)
However, 10's not alone - he's got two new animated companions along for the adventure.
While Dreamland may take a little bit to adjust to the chunky animation, it's a zippy paced adventure which hurtles along. The short segments of the original broadcast made this easy to digest and in its long form it's still quite the treat. Plus for fans of sci fi there's smart nods to Roswell and a cliffhanger moment that echoes Aliens in many ways.
The animators have thought big and the writer Phil Ford haven't lost trace of the smart dialogue - and once again, David Tennant looms large over this project.
Dreamland is a must for fans of the show.
Extras: A second disc collects together the UK highlights trio of episodes of Dr Who: Greatest Moments - there are 3 programmes here, all an hour long selected from episodes from the show's return in 2005. Packed with interviews from various members of the cast which have never been screened before, it's a fluffy insight into the show, its characters and its titular hero. However, that may anger purists of the show as they will argue the greatest moments have spanned the past 45 years and Doctors before Christopher Eccleston.
Rating: 7/10
Dr Who: Dreamland
Rating: PG
Released by Roadshow Entertainment/ BBC
This animated treat was one of the spin offs for the gap year the BBC's flagship show took in 2009.
But fans of the show don't need to worry - while David Tennant may have been touring with Hamlet, he took time off to record the voiceover for this 40 minute computer animated adventure.
The 10th Doctor ends up in Roswell, New Mexico in 1958 - and on the eve of an alien invasion as the bug like Viperox look to steal an alien who crashed in the area (sounds familiar to fans of the UFO genre.)
However, 10's not alone - he's got two new animated companions along for the adventure.
While Dreamland may take a little bit to adjust to the chunky animation, it's a zippy paced adventure which hurtles along. The short segments of the original broadcast made this easy to digest and in its long form it's still quite the treat. Plus for fans of sci fi there's smart nods to Roswell and a cliffhanger moment that echoes Aliens in many ways.
The animators have thought big and the writer Phil Ford haven't lost trace of the smart dialogue - and once again, David Tennant looms large over this project.
Dreamland is a must for fans of the show.
Extras: A second disc collects together the UK highlights trio of episodes of Dr Who: Greatest Moments - there are 3 programmes here, all an hour long selected from episodes from the show's return in 2005. Packed with interviews from various members of the cast which have never been screened before, it's a fluffy insight into the show, its characters and its titular hero. However, that may anger purists of the show as they will argue the greatest moments have spanned the past 45 years and Doctors before Christopher Eccleston.
Rating: 7/10
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Sex Tape: Movie Review Cast: Cameron Diaz, Jason Segal, Ellie Kemper, Rob Corddry, Rob Lowe Director: Jake Kasdan Predicated around the ... -
Brand new Oblivion posters unveiled Entertainment Weekly' s got the first look at some new Oblivion posters. The Oblivion posters s...
