This Way Of Life: DVD Review
This Way Of Life
Rating: PG
Released by Vendetta Films
A
New Zealand doco about a family who live life to the full in the wilds of the
countryside, This Way of Life is the story of the Karena family - husband Peter
and wife Colleen and their six children, and their horses.
But it's also about more than that - it's about a simplicity of life
and a recognition of one's place in the world.
Peter works as a horse whisperer and lives off the land - when we
first meet him, he's skinning a deer in front of his son Malachi and educating
him on how the animal died so they can live.
Although Peter appears to have a philosophy about the world, it's
clear not everyone shares his views - within moments of meeting them, we learn
that Peter's father is evicting them from the family home because he's selling
up. Things get worse for the ever growing Karena family - but over the course of
85 minutes you won't find your spirit crushed at all.
In fact it's just the opposite.
Simply
shot and presented in a restrained way, This Way Of Life will win you over and
may make you think about moving on and abandoning the rat race.
This Way Of Life is a celebration of the family codes
and morals; beautifully shot, it shows what's great about the New Zealand
countryside and showcases a side of life - and an attitude - which makes your
heart sing.
While some of the story's narrative
leaves you wanting more information and you may get a little frustrated with a
lack of context over family rows, overall it's easy to see why the film has been
so lauded.
Extras: Massively
disappointing this only includes trailers for other releases - surely a follow
up interview with the family or something else would have helped? A major missed
opportunity.
Rating: 7/10
Friday, 16 July 2010
Thursday, 15 July 2010
Knight And Day: Movie Review
Knight And Day: Movie Review
Knight and Day
Rating: 7/10
Cast: Tom Cruise, Cameron Diaz, Peter Sarsgaard, Paul Dano
Director: James Mangold
It's rare these days to get a seasonal blockbuster film which takes a fresh look at the tired action genre.
Knight And Day is that film - Tom Cruise and Cameron Diaz reteam in this action comedy.
Diaz is a ditzyish June Havens who's on the way to her sister's for wedding duties; while at the airport, she literally bumps into Tom Cruise's enigmatic, beaming and slightly cocky Roy Miller.
There's an instant attraction and spark between them - and soon June finds she's on the same flight as Roy as the plane takes off.
But then things get a bit weird. As June freshens up in the bathroom, Miller becomes an action hero and despatches all of those on the plane who're trying to kill him.
After the plane's set down, Miller explains to June that the FBI (in the form of Peter Sarsgaard) will come looking for her and she's not to trust anyone.
So, June finds herself thrust into Miller's world and sent on a globetrotting quest&.in more ways than she could have expected.
Part of the joy of Knight and Day is how the plot unfolds (hence very little spoilers here) because it doesn't conform initially to your expectations. The mystery remains well until half way through the film - Mangold and the writers seem to have subverted the expectations of the traditional winter time blockbuster - while there's an action sequence at the start on the plane, a lot of it's broken up by the quick dialogue and interaction between the beaming Cruise and wide grin Diaz.
It's their sparky relationship which powers the majority of the film (although it lapses into a few stock action scenes later on) and peppered with some great one liners and funny moments, it makes for an entertaining mix and a refreshing piece of cinema.
Once the full extent of the plot is revealed, there is a bit of a lull, but thanks to good solid supporting performances of Paul Dano as a boy genius and Peter Sarsgaard as an FBI agent, it's no drag to get to the end.
There's also the clever way that while June is drugged, there's still plenty of action going on around her - but as she drifts in and out of consciousness, we see snippets of Miller on a boat with June as the passenger or being pushed out of a plane and sky diving. It's a very smart and astute way to offer something different.
But it's Tom Cruise who impresses most in this - with his continual 10,000 mega watt smile and cockiness throughout (and a lot of white grinning teeth), it's a reminder of how well he can command the screen when he's really on form.
Knight and Day is a welcome entrant into the sometimes tired comedy action thriller genre - and a welcome distraction from the school holiday movie fodder.
Knight and Day
Rating: 7/10
Cast: Tom Cruise, Cameron Diaz, Peter Sarsgaard, Paul Dano
Director: James Mangold
It's rare these days to get a seasonal blockbuster film which takes a fresh look at the tired action genre.
Knight And Day is that film - Tom Cruise and Cameron Diaz reteam in this action comedy.
Diaz is a ditzyish June Havens who's on the way to her sister's for wedding duties; while at the airport, she literally bumps into Tom Cruise's enigmatic, beaming and slightly cocky Roy Miller.
There's an instant attraction and spark between them - and soon June finds she's on the same flight as Roy as the plane takes off.
But then things get a bit weird. As June freshens up in the bathroom, Miller becomes an action hero and despatches all of those on the plane who're trying to kill him.
After the plane's set down, Miller explains to June that the FBI (in the form of Peter Sarsgaard) will come looking for her and she's not to trust anyone.
So, June finds herself thrust into Miller's world and sent on a globetrotting quest&.in more ways than she could have expected.
Part of the joy of Knight and Day is how the plot unfolds (hence very little spoilers here) because it doesn't conform initially to your expectations. The mystery remains well until half way through the film - Mangold and the writers seem to have subverted the expectations of the traditional winter time blockbuster - while there's an action sequence at the start on the plane, a lot of it's broken up by the quick dialogue and interaction between the beaming Cruise and wide grin Diaz.
It's their sparky relationship which powers the majority of the film (although it lapses into a few stock action scenes later on) and peppered with some great one liners and funny moments, it makes for an entertaining mix and a refreshing piece of cinema.
Once the full extent of the plot is revealed, there is a bit of a lull, but thanks to good solid supporting performances of Paul Dano as a boy genius and Peter Sarsgaard as an FBI agent, it's no drag to get to the end.
There's also the clever way that while June is drugged, there's still plenty of action going on around her - but as she drifts in and out of consciousness, we see snippets of Miller on a boat with June as the passenger or being pushed out of a plane and sky diving. It's a very smart and astute way to offer something different.
But it's Tom Cruise who impresses most in this - with his continual 10,000 mega watt smile and cockiness throughout (and a lot of white grinning teeth), it's a reminder of how well he can command the screen when he's really on form.
Knight and Day is a welcome entrant into the sometimes tired comedy action thriller genre - and a welcome distraction from the school holiday movie fodder.
The Imaginarium of Dr Parnassus: Blu Ray Review
The Imaginarium of Dr Parnassus: Blu Ray Review
The Imaginarium of Dr Parnassus
Rating: PG
Released by Sony Home Pictures
Forever determined to be known as Heath Ledger's final film this is the fantasy tale of Dr Parnassus (a wonderfully world weary Christopher Plummer) who travels the land with his carnival troupe (including Verne Troyer of Austin Powers fame) and his daughter Valentina (a porcelain doll like Lily Cole).
Granted immortality, Parnassus is locked in an ongoing battle with Tom Waits' Devil - and the Devil has arrived to collect his due. You see, years ago, Parnassus wagered his first born and now to stop the Devil taking what's his, he bets he can win over five souls.
Into this mélange of madness in modern day London, arrives Heath Ledger's shyster Tony. Mysteriously left for dead, he's taken in by the troupe - and could be the tipping point in Parnassus' quest to finally beat the Devil.
Yes, it's sprawling and a bit unfocussed at times, but The Imaginarium of Doctor Parnassus is perhaps one of the most visually original pieces of cinema you'll ever see - even on the small screen (and particularly in Blu Ray).
There are flashes of pure genius from director Terry Gilliam as he weaves his surreal web. It's a wonderfully talented ensemble cast who make this film work - and a real tribute to Gilliam's genius that the film continued with the likes of Jude Law and Colin Farrell coming onboard.
Recommended without a shadow of a doubt.
Extras: The disc is really a tribute to the Ledger legacy with exclusive featurettes forming the majority of the extras and a packed disc it is too.
Rating: 9/10
The Imaginarium of Dr Parnassus
Rating: PG
Released by Sony Home Pictures
Forever determined to be known as Heath Ledger's final film this is the fantasy tale of Dr Parnassus (a wonderfully world weary Christopher Plummer) who travels the land with his carnival troupe (including Verne Troyer of Austin Powers fame) and his daughter Valentina (a porcelain doll like Lily Cole).
Granted immortality, Parnassus is locked in an ongoing battle with Tom Waits' Devil - and the Devil has arrived to collect his due. You see, years ago, Parnassus wagered his first born and now to stop the Devil taking what's his, he bets he can win over five souls.
Into this mélange of madness in modern day London, arrives Heath Ledger's shyster Tony. Mysteriously left for dead, he's taken in by the troupe - and could be the tipping point in Parnassus' quest to finally beat the Devil.
Yes, it's sprawling and a bit unfocussed at times, but The Imaginarium of Doctor Parnassus is perhaps one of the most visually original pieces of cinema you'll ever see - even on the small screen (and particularly in Blu Ray).
There are flashes of pure genius from director Terry Gilliam as he weaves his surreal web. It's a wonderfully talented ensemble cast who make this film work - and a real tribute to Gilliam's genius that the film continued with the likes of Jude Law and Colin Farrell coming onboard.
Recommended without a shadow of a doubt.
Extras: The disc is really a tribute to the Ledger legacy with exclusive featurettes forming the majority of the extras and a packed disc it is too.
Rating: 9/10
Tuesday, 13 July 2010
Zombieland: DVD Review
Zombieland: DVD Review
Zombieland
Rating: MA15
Released by Sony Home Entertainment
From the opening slow mo titles which see zombies taking people out in very drawn out fashion to the final showdown at the end, Zombieland is one hell of a lot of fun.
Basically, thanks to a diseased burger, the entire US of A has been overrun with zombies, leaving just a few survivors determined to avoid being bitten.
The hero is Columbus (Jesse Eisenberg), a nerdy student who encounters Woody Harrelson's red neck Tallahassee one day as he tries to find out if his family's survived the apocalypse.
So teaming up, the duo head across America - however, on the way they encounter Wichita (Emma Stone) and Little Rock (Abigail Breslin) who manage to con them out of their car, guns and belongings. It appears the end of the world has still brought out the worst in some people -as well as that whole zombie flesh eating issue.
Zombieland is not your average undead film flick - for one thing, it's a terrifically fun ride, chock full of unexpected madness and laugh out loud moments.
But there's one defining moment to Zombieland which makes it so great - and that's the cameo appearance of a certain person (hint - who you gonna call) - it's a rare unexpected moment which helps the film sparkle, crackle and makes it a great night's entertainment.
Extras: Commentary with Woody and Jesse, behind the scenes, trailers and a feature about the zombification of the USA
Rating: 8/10
Zombieland
Rating: MA15
Released by Sony Home Entertainment
From the opening slow mo titles which see zombies taking people out in very drawn out fashion to the final showdown at the end, Zombieland is one hell of a lot of fun.
Basically, thanks to a diseased burger, the entire US of A has been overrun with zombies, leaving just a few survivors determined to avoid being bitten.
The hero is Columbus (Jesse Eisenberg), a nerdy student who encounters Woody Harrelson's red neck Tallahassee one day as he tries to find out if his family's survived the apocalypse.
So teaming up, the duo head across America - however, on the way they encounter Wichita (Emma Stone) and Little Rock (Abigail Breslin) who manage to con them out of their car, guns and belongings. It appears the end of the world has still brought out the worst in some people -as well as that whole zombie flesh eating issue.
Zombieland is not your average undead film flick - for one thing, it's a terrifically fun ride, chock full of unexpected madness and laugh out loud moments.
But there's one defining moment to Zombieland which makes it so great - and that's the cameo appearance of a certain person (hint - who you gonna call) - it's a rare unexpected moment which helps the film sparkle, crackle and makes it a great night's entertainment.
Extras: Commentary with Woody and Jesse, behind the scenes, trailers and a feature about the zombification of the USA
Rating: 8/10
Thursday, 8 July 2010
Predators: Movie Review
Predators: Movie Review
Predators
Rating: See below
Cast: Adrien Brody, Predators, Alice Braga, Danny Trejo, Topher Grace, Laurence Fishburne
Director: Nimord Antal
Back into the jungle we go...
Adrien Brody stars in this latest film in the Predators franchise which to be honest has taken quite a knocking since the Aliens vs Predators.
Brody's one of a group of 8 who wake up in freefall and just before landing in a jungle - as they come to, suspicions and mistrust arises as they try to work out where they are, why they're there and how to get away.
But the group - which includes a yakuza Japanese warrior, the FBI's most wanted, a Mexican hardman, a Sierra Leone soldier (to name but four) - soon finds out they're not alone on this planet - but are rather part of a game preserve and are being hunted by the Predators...
Produced by Robert Rodriguez, there was a lot riding on Predators to relaunch the series and revitalise what had been mocked for a while.
And it's unfortunate to say that this won't do much to help the series - but may actually put the final nail in the coffin.
Basicall,y this film is essentially another version of the very first one with Arnie in - even down to the ending; the guys in the jungle are picked off one by one by the Predators and soon realise they've got little chance of survival.
The biggest problem with this film is that it offers nothing new to the franchise or genre (aside from the idea that the Predators are divided into clans and hunting themselves) and really doesn't give them anywhere to go for the future.
There's hardly any tension as the 8 are hunted - aside from the obligatory rising crescendo of music and there's more clichés around than originality.
However, there are some pluses in this.
Chiefly it's one human element - Adrien Brody makes a good atypical lead; more of a thinking man's action hero who's immoral and will use people to draw the creatures out; Laurence Fishburne's role is more an extended cameo which sees him playing deranged quite well.
And there's some loose morals at work here as the gang of eight do what they can to try and survive - you're never quite sure who's going to stab who in the back.
Personally I feel this film was a missed opportunity to reinvent the Predator - but having said that, the two people who accompanied me to this (who are big Predator fans and male) loved seeing them back up on the screen again and enjoyed the whole affair. Their ratings were 7/10, 6/10 and mine was 3 /10 - so overall - 5/10
Predators
Rating: See below
Cast: Adrien Brody, Predators, Alice Braga, Danny Trejo, Topher Grace, Laurence Fishburne
Director: Nimord Antal
Back into the jungle we go...
Adrien Brody stars in this latest film in the Predators franchise which to be honest has taken quite a knocking since the Aliens vs Predators.
Brody's one of a group of 8 who wake up in freefall and just before landing in a jungle - as they come to, suspicions and mistrust arises as they try to work out where they are, why they're there and how to get away.
But the group - which includes a yakuza Japanese warrior, the FBI's most wanted, a Mexican hardman, a Sierra Leone soldier (to name but four) - soon finds out they're not alone on this planet - but are rather part of a game preserve and are being hunted by the Predators...
Produced by Robert Rodriguez, there was a lot riding on Predators to relaunch the series and revitalise what had been mocked for a while.
And it's unfortunate to say that this won't do much to help the series - but may actually put the final nail in the coffin.
Basicall,y this film is essentially another version of the very first one with Arnie in - even down to the ending; the guys in the jungle are picked off one by one by the Predators and soon realise they've got little chance of survival.
The biggest problem with this film is that it offers nothing new to the franchise or genre (aside from the idea that the Predators are divided into clans and hunting themselves) and really doesn't give them anywhere to go for the future.
There's hardly any tension as the 8 are hunted - aside from the obligatory rising crescendo of music and there's more clichés around than originality.
However, there are some pluses in this.
Chiefly it's one human element - Adrien Brody makes a good atypical lead; more of a thinking man's action hero who's immoral and will use people to draw the creatures out; Laurence Fishburne's role is more an extended cameo which sees him playing deranged quite well.
And there's some loose morals at work here as the gang of eight do what they can to try and survive - you're never quite sure who's going to stab who in the back.
Personally I feel this film was a missed opportunity to reinvent the Predator - but having said that, the two people who accompanied me to this (who are big Predator fans and male) loved seeing them back up on the screen again and enjoyed the whole affair. Their ratings were 7/10, 6/10 and mine was 3 /10 - so overall - 5/10
The Karate Kid: Movie Review
The Karate Kid: Movie Review
The Karate Kid
Rating: 6/10
Cast: Jaden Smith, Jackie Chan
Director: Harald Zwart
When you remake a classic, you're almost faced with an impossible task - improving an original respectfully and updating it for a new generation.
This version of the Karate Kid begins with Jaden Smith's 12 year old Dre Parker packing to leave Detroit as he and his widowed mum ( ) get ready to move to China for her new job.
But no sooner does Dre get to China and tries to settle into a life there, he finds himself squarely in trouble of the bullying kind after making googly eyes at a local girl.
When the bullies batter him, he ends up being saved by Jackie Chan's Mr Han - and determined to make sure he gets his revenge, he asks Han to teach him the kung fu ways after seeing a local academy in action.
So begins Little Dre's initiation into the martial arts - and on a collision course in a karate tournament with the bullies who blight his daily life&.
This new version of The Karate Kid isn't a bad attempt at revitalizing the franchise. Jackie Chan's dour Mr Han is in keeping with Chan's more recent roles as the sad underdog; his Mr Han is a damaged man who has a secret which is ripping his life apart.
And Jaden Smith is a surprise as Dre - the kid's got charisma (which is blown in some scenes) and presence worthy of his father Will; he's also got that cheeky way with a role which clearly runs in the family. He also shows a great degree of vulnerability in the role for one so young.
It's a little overlong in parts - and with a fair few slow mo shots of the training coupled with a crescendo of music to ensure the point is hammered home, it does lose its way at times when a bit of subtlety would have sufficed.
And the bullies' predilection for "No mercy" kung fu is clearly at odds with Dre and Han's approach which doesn't make the ultimate showdown as morally engaging as it could have been.
Yet, there's a genuine affection between the pair in their training partnership and the writers of this film have shied away from directly copying the infamous Wax On, Wax Off scene preferring shots of Dre hanging up a coat, dropping it on the floor and putting it on under Han's tutelage to teach him what he needs to know.
I have to admit to being quite partial to Chan's underacting - his sombre tone lends a credibility to this film and makes the scenes when he busts out the kung fu more thrilling.
Ultimately this Karate Kid just falls just a little short when compared to the original but thanks to the bond between the two, it's reasonable enough family entertainment
The Karate Kid
Rating: 6/10
Cast: Jaden Smith, Jackie Chan
Director: Harald Zwart
When you remake a classic, you're almost faced with an impossible task - improving an original respectfully and updating it for a new generation.
This version of the Karate Kid begins with Jaden Smith's 12 year old Dre Parker packing to leave Detroit as he and his widowed mum ( ) get ready to move to China for her new job.
But no sooner does Dre get to China and tries to settle into a life there, he finds himself squarely in trouble of the bullying kind after making googly eyes at a local girl.
When the bullies batter him, he ends up being saved by Jackie Chan's Mr Han - and determined to make sure he gets his revenge, he asks Han to teach him the kung fu ways after seeing a local academy in action.
So begins Little Dre's initiation into the martial arts - and on a collision course in a karate tournament with the bullies who blight his daily life&.
This new version of The Karate Kid isn't a bad attempt at revitalizing the franchise. Jackie Chan's dour Mr Han is in keeping with Chan's more recent roles as the sad underdog; his Mr Han is a damaged man who has a secret which is ripping his life apart.
And Jaden Smith is a surprise as Dre - the kid's got charisma (which is blown in some scenes) and presence worthy of his father Will; he's also got that cheeky way with a role which clearly runs in the family. He also shows a great degree of vulnerability in the role for one so young.
It's a little overlong in parts - and with a fair few slow mo shots of the training coupled with a crescendo of music to ensure the point is hammered home, it does lose its way at times when a bit of subtlety would have sufficed.
And the bullies' predilection for "No mercy" kung fu is clearly at odds with Dre and Han's approach which doesn't make the ultimate showdown as morally engaging as it could have been.
Yet, there's a genuine affection between the pair in their training partnership and the writers of this film have shied away from directly copying the infamous Wax On, Wax Off scene preferring shots of Dre hanging up a coat, dropping it on the floor and putting it on under Han's tutelage to teach him what he needs to know.
I have to admit to being quite partial to Chan's underacting - his sombre tone lends a credibility to this film and makes the scenes when he busts out the kung fu more thrilling.
Ultimately this Karate Kid just falls just a little short when compared to the original but thanks to the bond between the two, it's reasonable enough family entertainment
Monday, 5 July 2010
Welcome: Movie Review
Welcome: Movie Review
Welcome
Rating: 6/10
Cast: Vincent Lindon, Firat Ayverdi
Director: Philippe Loiret
Welcome is a film which will have you thinking long after the credits roll.
It's the story of Kurdish refugee Bilal (underplayed with quiet resolve by Firat Ayverdi) who is determined to make it to England to see his recently emigrated girlfriend and to get a better life.
So, initially he tries to get through the French border in a lorry along with a group of fellow refugees - and it's all going well until they hit Calais and Bilal, wearing a plastic bag on his head, has a panic attack and they're all busted.
Suddenly Bilal finds himself in France and one day upon seeing the white cliffs of Dover decides that he can swim for freedom and for a new life.
And that's how he meets Simon (a gruff Vincent Lindon) as he seeks swimming lessons from him.
Gradually a friendship is formed and Simon tries to do what he can to help Bilal...but will it be enough?
Welcome is an at times gritty and desperate affair, accurately recording the routine degradations and desperations of the refugee community. The sight of them with bags on their heads in the lorry as they head to Calais is depressing and claustrophobic; and as they converge on Bilal's swimming pool to shower and get thrown out of supermarkets it's a sad indictment of what our world's coming to.
Lindon's Simon undergoes a subtle change of character - initially gruff and with his head in the sand to the plight of the refugees, he gradually warms to the very quiet and determined Bilal and risks everything to help - including the wrath of the police who are hunting clandestines.
Welcome is a film about humanity and hope - and you may leave the cinema feeling initially depressed and saddened, but ultimately it's a provocatively underplayed affair which will haunt you.
Welcome
Rating: 6/10
Cast: Vincent Lindon, Firat Ayverdi
Director: Philippe Loiret
Welcome is a film which will have you thinking long after the credits roll.
It's the story of Kurdish refugee Bilal (underplayed with quiet resolve by Firat Ayverdi) who is determined to make it to England to see his recently emigrated girlfriend and to get a better life.
So, initially he tries to get through the French border in a lorry along with a group of fellow refugees - and it's all going well until they hit Calais and Bilal, wearing a plastic bag on his head, has a panic attack and they're all busted.
Suddenly Bilal finds himself in France and one day upon seeing the white cliffs of Dover decides that he can swim for freedom and for a new life.
And that's how he meets Simon (a gruff Vincent Lindon) as he seeks swimming lessons from him.
Gradually a friendship is formed and Simon tries to do what he can to help Bilal...but will it be enough?
Welcome is an at times gritty and desperate affair, accurately recording the routine degradations and desperations of the refugee community. The sight of them with bags on their heads in the lorry as they head to Calais is depressing and claustrophobic; and as they converge on Bilal's swimming pool to shower and get thrown out of supermarkets it's a sad indictment of what our world's coming to.
Lindon's Simon undergoes a subtle change of character - initially gruff and with his head in the sand to the plight of the refugees, he gradually warms to the very quiet and determined Bilal and risks everything to help - including the wrath of the police who are hunting clandestines.
Welcome is a film about humanity and hope - and you may leave the cinema feeling initially depressed and saddened, but ultimately it's a provocatively underplayed affair which will haunt you.
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