Somewhere: Movie Review
Somewhere
Rating: 6/10
Cast: Stephen Dorff, Elle Fanning, Michelle Monaghan
Director: Sofia Coppolla
After winning us over with the Virgin Suicides and Lost in Translation, Sofia
Coppolla returns with this tale of a Hollywood bad boy spending his days in a
hotel.
Stephen Dorff gives a brilliant turn as Johnny Marco, who's living a life of
excess as he works through a press junket and life beyond. Disconnected from
life and lacking any real emotional connection aside from the obligatory few
sexual liaisons, Marco's life is changed when he receives an unexpected visit
from his daughter, Cleo (played by another of the prodigious Fanning clan).
Marco takes Cleo in and out on the road to Italy with him as he does
publicity for his new film and picks up an award - but when he returns to
America, he starts to realise that he's lacking the emotional connection in his
life&
Somewhere is trademark Coppolla all over - long, lingering shots peppered
with silent moments run rampant through this film (which isn't going to be to
everyone's taste). The director also wrote the story as well so it's very much
an arthouse passion project.
But it's incredibly catchy, hypnotic and at times, ethereal- sort of like
watching a cloud in motion; it kind of wafts past you and you appreciate its
fragility but then move on.
Stephen Dorff commands the screen with a believable and strong performance as
the washed out Hollywood bad boy who's lost. Dozing off while twins pole dance
for him is just one of the character highlights and signs of the emotional state
of the guy.
However, he's more than matched by Elle Fanning as his daughter - it's clear
there's another Fanning talent on the way through as well.
The pair make a likeable duo and thanks to Copolla's direction which sees
plenty of shots holding on people, places and events, it's a welcome relief from
all the fast paced and frenetic film making these days. Be warned - It won't be
to everyone's tastes though.
Thursday, 16 December 2010
Tron: Legacy Movie Review
Tron: Legacy Movie Review
Tron Legacy
Rating: 6/10
Cast: Jeff Bridges, Garrett Hedlund, Olivia Wilde, Bruce Boxleitner, Michael Sheen
Director: Joseph Kosinski
It's the sequel that's been nearly 30 years in the making.
Garrett Hedlund stars as Sam Flynn, the son of former inventor and computer genius, Kevin (Jeff Bridges). Kevin disappeared nearly 30 years ago, leaving behind Sam, a major company Encom and a lot of questions.
Since that disappearance, Sam's now grown up and is somewhat restless, flitting between being the CEO of Encom and running into trouble with the law.
But when he receives word from family friend Alan (Boxleitner) that a page was sent from Flynn's arcade (run by Kevin in the 80s), he heads to see how that's possible and if his father is truly still alive.
And then, he's sucked into the world of the computer run Grid and into a fight for his life - as well as the fate of our universe hanging in his hands.
Tron Legacy is this year's Avatar.
That is to say, last year while everyone was raving about Avatar and its special effects (rightfully so I'll add), I wasn't blown away by the story and the characters within.
I think, unfortunately, the same is true of Tron.
Visually and aesthetically, I was gobsmacked by the digital world they've created for this - it looks stunning and is spectacular with its vibrant neon blues and oranges standing out in the Blade Runneresque computer world. Scenes of combat, reminiscent of the gladiator's arena from Roman times, are also sensationally shot.Coupled with an incredible electronic soundtrack of dizzyingly good synth from Daft Punk, the cyber-look of this film is, hands down, easily one of the best of the year.
If not, the best.
But the problem comes with the overall plot.
Let's start with the good though - Olivia Wilde is a brilliant naïf in this - she plays Quorra, someone born of the virtual world and provides some of the humour. Likewise, Michael Sheen's seriously OTT cameo brings some much needed relief.
While Tron Legacy is admirably and well acted by Jeff Bridges and Garrett Hedlund, it's a little disappointing in terms of the characters and slightly clunking dialogue. Bridges plays a sort of self appointed guru in this - as well as a digitally younger version of himself (again, impressively executed).
At times, when he's spouting philosophies and dialogue like "You're messing with my Zen thing", there's a danger of his head disappearing firmly up his virtual ass. Coupled with a distinct lack of real substance and emotional connection, the over riding feeling with Tron Legacy is that the script could have been so much more.
As simple cinematic spectacle, Tron Legacy is one of the best of the year without a shadow of a doubt; just don't expect to have your heart moved as much as perhaps you should.
Tron Legacy
Rating: 6/10
Cast: Jeff Bridges, Garrett Hedlund, Olivia Wilde, Bruce Boxleitner, Michael Sheen
Director: Joseph Kosinski
It's the sequel that's been nearly 30 years in the making.
Garrett Hedlund stars as Sam Flynn, the son of former inventor and computer genius, Kevin (Jeff Bridges). Kevin disappeared nearly 30 years ago, leaving behind Sam, a major company Encom and a lot of questions.
Since that disappearance, Sam's now grown up and is somewhat restless, flitting between being the CEO of Encom and running into trouble with the law.
But when he receives word from family friend Alan (Boxleitner) that a page was sent from Flynn's arcade (run by Kevin in the 80s), he heads to see how that's possible and if his father is truly still alive.
And then, he's sucked into the world of the computer run Grid and into a fight for his life - as well as the fate of our universe hanging in his hands.
Tron Legacy is this year's Avatar.
That is to say, last year while everyone was raving about Avatar and its special effects (rightfully so I'll add), I wasn't blown away by the story and the characters within.
I think, unfortunately, the same is true of Tron.
Visually and aesthetically, I was gobsmacked by the digital world they've created for this - it looks stunning and is spectacular with its vibrant neon blues and oranges standing out in the Blade Runneresque computer world. Scenes of combat, reminiscent of the gladiator's arena from Roman times, are also sensationally shot.Coupled with an incredible electronic soundtrack of dizzyingly good synth from Daft Punk, the cyber-look of this film is, hands down, easily one of the best of the year.
If not, the best.
But the problem comes with the overall plot.
Let's start with the good though - Olivia Wilde is a brilliant naïf in this - she plays Quorra, someone born of the virtual world and provides some of the humour. Likewise, Michael Sheen's seriously OTT cameo brings some much needed relief.
While Tron Legacy is admirably and well acted by Jeff Bridges and Garrett Hedlund, it's a little disappointing in terms of the characters and slightly clunking dialogue. Bridges plays a sort of self appointed guru in this - as well as a digitally younger version of himself (again, impressively executed).
At times, when he's spouting philosophies and dialogue like "You're messing with my Zen thing", there's a danger of his head disappearing firmly up his virtual ass. Coupled with a distinct lack of real substance and emotional connection, the over riding feeling with Tron Legacy is that the script could have been so much more.
As simple cinematic spectacle, Tron Legacy is one of the best of the year without a shadow of a doubt; just don't expect to have your heart moved as much as perhaps you should.
Wednesday, 15 December 2010
Avatar: Collector's Edition: Blu Ray Review
Avatar: Collector's Edition: Blu Ray Review
Avatar - Collector's Edition
Rating: M
Released by Roadshow Home Entertainment
One year after it hit the cinemas and shook the box office of all its cash, and on the heels of its own DVD release, comes this collector's extended edition of Avatar.
James Cameron's film's already been critiqued by many as the amazing effects/ shoddy plot so what's the point of this release?
Well, with an extended opening plus extra footage within the film, it serves to extend and enrich the visit to Pandora - with three versions of the film making up one disc and the other two devoted to extras (including docos and deleted scenes), there's certainly much to enjoy on the set (even if you're not blown away by the story of the film).
Avatar's collector's edition is essential viewing as it really does go a long way to build the experience of what went into the cinematic phenomenon - and with two other films on the way, it's clearly only just the beginning. Sure, it's not the most perfect film ever, but for spectacle (and in clear HD) it really is impressive.
Rating: 7/10
Avatar - Collector's Edition
Rating: M
Released by Roadshow Home Entertainment
One year after it hit the cinemas and shook the box office of all its cash, and on the heels of its own DVD release, comes this collector's extended edition of Avatar.
James Cameron's film's already been critiqued by many as the amazing effects/ shoddy plot so what's the point of this release?
Well, with an extended opening plus extra footage within the film, it serves to extend and enrich the visit to Pandora - with three versions of the film making up one disc and the other two devoted to extras (including docos and deleted scenes), there's certainly much to enjoy on the set (even if you're not blown away by the story of the film).
Avatar's collector's edition is essential viewing as it really does go a long way to build the experience of what went into the cinematic phenomenon - and with two other films on the way, it's clearly only just the beginning. Sure, it's not the most perfect film ever, but for spectacle (and in clear HD) it really is impressive.
Rating: 7/10
Monday, 13 December 2010
Knight and Day: Blu Ray Review
Knight and Day: Blu Ray Review
Knight and Day -
Released by Roadshow
Rating: M
It's rare these days to get a seasonal blockbuster film which takes a fresh look at the tired action genre.
Knight And Day is that film - Tom Cruise and Cameron Diaz reteam in this action comedy. Diaz is a ditzyish June Havens who's on the way to her sister's for wedding duties; while at the airport, she literally bumps into Tom Cruise's enigmatic, beaming and slightly cocky Roy Miller.
There's an instant attraction and spark between them - and soon June finds she's on the same flight as Roy as the plane takes off.
But then things get a bit weird. As June freshens up in the bathroom, Miller becomes an action hero and despatches all of those on the plane who're trying to kill him.
After the plane's set down, Miller explains to June that the FBI (in the form of Peter Sarsgaard) will come looking for her and she's not to trust anyone.
So, June finds herself thrust into Miller's world and sent on a globetrotting quest&.in more ways than she could have expected.
Part of the joy of Knight and Day is how the plot unfolds (hence very little spoilers here) because it doesn't conform initially to your expectations. The mystery remains well until half way through the film - Mangold and the writers seem to have subverted the expectations of the traditional winter time blockbuster - while there's an action sequence at the start on the plane, a lot of it's broken up by the quick dialogue and interaction between the beaming Cruise and wide grin Diaz.
It's their sparky relationship which powers the majority of the film (although it lapses into a few stock action scenes later on) and peppered with some great one liners and funny moments, it makes for an entertaining mix and a refreshing piece of cinema.
Once the full extent of the plot is revealed, there is a bit of a lull, but thanks to good solid supporting performances of Paul Dano as a boy genius and Peter Sarsgaard as an FBI agent, it's no drag to get to the end.
Knight and Day is a welcome entrant into the sometimes tired comedy action thriller genre - and a welcome distraction from the school holiday movie fodder.
Extras: The release comes in a specially extended cut and includes featurettes, music videos and the viral videos which were shot for the film. A solid if unspectacular bunch for the film.
Rating: 7/10
Knight and Day -
Released by Roadshow
Rating: M
It's rare these days to get a seasonal blockbuster film which takes a fresh look at the tired action genre.
Knight And Day is that film - Tom Cruise and Cameron Diaz reteam in this action comedy. Diaz is a ditzyish June Havens who's on the way to her sister's for wedding duties; while at the airport, she literally bumps into Tom Cruise's enigmatic, beaming and slightly cocky Roy Miller.
There's an instant attraction and spark between them - and soon June finds she's on the same flight as Roy as the plane takes off.
But then things get a bit weird. As June freshens up in the bathroom, Miller becomes an action hero and despatches all of those on the plane who're trying to kill him.
After the plane's set down, Miller explains to June that the FBI (in the form of Peter Sarsgaard) will come looking for her and she's not to trust anyone.
So, June finds herself thrust into Miller's world and sent on a globetrotting quest&.in more ways than she could have expected.
Part of the joy of Knight and Day is how the plot unfolds (hence very little spoilers here) because it doesn't conform initially to your expectations. The mystery remains well until half way through the film - Mangold and the writers seem to have subverted the expectations of the traditional winter time blockbuster - while there's an action sequence at the start on the plane, a lot of it's broken up by the quick dialogue and interaction between the beaming Cruise and wide grin Diaz.
It's their sparky relationship which powers the majority of the film (although it lapses into a few stock action scenes later on) and peppered with some great one liners and funny moments, it makes for an entertaining mix and a refreshing piece of cinema.
Once the full extent of the plot is revealed, there is a bit of a lull, but thanks to good solid supporting performances of Paul Dano as a boy genius and Peter Sarsgaard as an FBI agent, it's no drag to get to the end.
Knight and Day is a welcome entrant into the sometimes tired comedy action thriller genre - and a welcome distraction from the school holiday movie fodder.
Extras: The release comes in a specially extended cut and includes featurettes, music videos and the viral videos which were shot for the film. A solid if unspectacular bunch for the film.
Rating: 7/10
Thursday, 9 December 2010
Megamind: Movie Review
Megamind: Movie Review
.Megamind
Rating: 7/10
Cast: Will Ferrell, Brad Pitt, Tina Fey, David Cross, Jonah Hill
Director: Tom McGrath
So with the endless, long summer holidays just around the corner, there's a push to keep the kids entertained.
Enter the latest animated outing, this time from Dreamworks and starring Will Ferrell in Megamind.
Ferrell is big blue headed supervillain Megamind, a kind of cross between the Mars Attacks creatures and the Mekon. Dispatched from his dying planet by his parents, he begins a rivalry with Metroman (voiced by Brad Pitt), who was also sent from a dying world by family.
But unlike Metroman who landed in an estate with well to do parents, Megamind crashed into the penitentiary and was brought up as a villain.
After years of rivalry "where Metroman would win some battles, but I (Megamind) would almost win others," Megamind finally gains the upper hand and kills Metroman off.
However, after the initial thrill of dispatching his lifelong rival, ole Bluey realizes that his life is quite empty without someone to thwart his dastardly plans - and so conceives to give superpowers to a regular schlub to give him purpose in life.
Those powers go accidentally to Hal (played by Jonah Hill) who's in love with reporter Roxanne (Tina Fey). But when Hal's rejected, the world has a new villain to fight&.and it's upto Megamind to save the day.
Thematically similar in many ways to this year's Despicable Me, Megamind is still good quality family fare with a spark of originality about it.
But it takes a little while to settle in - the initial 3D with things being thrown in the air is lazy and unoriginal (and seems to be only there to showcase the fact the film is in 3D).
Once the film's settled down, there's much to enjoy though - with unexpected humour and great one liners through out (some of which will require a second viewing to really pick up on.)
There's also plenty of riffing on the Superman myth; right from the opening sequence to Megamind becoming a Brandoesque mentor to Hal when he gives him new powers. There's also some great visual gags peppering the film throughout - the best of which is an Obama inspired poster which amuses greatly.
While Ferrell brings his patented lunatic schtick and absurd banter to the role and the rest of the cast do well, yet it's Arrested Development's David Cross who really shines in this.
As Megamind's minion, a sort of fish in a goldfish bowl atop a robot, Cross is just brilliant with some of the best lines.
It's inevitable there'll be a sequel to this given how well it's already done in the states and to be honest, you can't do worse than this family entertainment piece to kill off a little time during the Christmas holidays.
.Megamind
Rating: 7/10
Cast: Will Ferrell, Brad Pitt, Tina Fey, David Cross, Jonah Hill
Director: Tom McGrath
So with the endless, long summer holidays just around the corner, there's a push to keep the kids entertained.
Enter the latest animated outing, this time from Dreamworks and starring Will Ferrell in Megamind.
Ferrell is big blue headed supervillain Megamind, a kind of cross between the Mars Attacks creatures and the Mekon. Dispatched from his dying planet by his parents, he begins a rivalry with Metroman (voiced by Brad Pitt), who was also sent from a dying world by family.
But unlike Metroman who landed in an estate with well to do parents, Megamind crashed into the penitentiary and was brought up as a villain.
After years of rivalry "where Metroman would win some battles, but I (Megamind) would almost win others," Megamind finally gains the upper hand and kills Metroman off.
However, after the initial thrill of dispatching his lifelong rival, ole Bluey realizes that his life is quite empty without someone to thwart his dastardly plans - and so conceives to give superpowers to a regular schlub to give him purpose in life.
Those powers go accidentally to Hal (played by Jonah Hill) who's in love with reporter Roxanne (Tina Fey). But when Hal's rejected, the world has a new villain to fight&.and it's upto Megamind to save the day.
Thematically similar in many ways to this year's Despicable Me, Megamind is still good quality family fare with a spark of originality about it.
But it takes a little while to settle in - the initial 3D with things being thrown in the air is lazy and unoriginal (and seems to be only there to showcase the fact the film is in 3D).
Once the film's settled down, there's much to enjoy though - with unexpected humour and great one liners through out (some of which will require a second viewing to really pick up on.)
There's also plenty of riffing on the Superman myth; right from the opening sequence to Megamind becoming a Brandoesque mentor to Hal when he gives him new powers. There's also some great visual gags peppering the film throughout - the best of which is an Obama inspired poster which amuses greatly.
While Ferrell brings his patented lunatic schtick and absurd banter to the role and the rest of the cast do well, yet it's Arrested Development's David Cross who really shines in this.
As Megamind's minion, a sort of fish in a goldfish bowl atop a robot, Cross is just brilliant with some of the best lines.
It's inevitable there'll be a sequel to this given how well it's already done in the states and to be honest, you can't do worse than this family entertainment piece to kill off a little time during the Christmas holidays.
The Chronicles of Narnia: Voyage of the Dawn Treader; Movie Review
The Chronicles of Narnia: Voyage of the Dawn Treader; Movie Review
The Chronicles of Narnia - The Voyage of the Dawn Treader
Rating: 5/10
Cast: Ben Barnes, Skandar Keynes, Georgie Henley, Will Poulter
Director: Michael Apted
In this latest Narnia film, which has taken a while to arrive on the big screen following Disney's decision to leave the franchise behind, it's back to the land of Narnia for the Pevensie siblings, Edmund and Lucy (Skandar Keynes and Georgie Henley).
Via a portrait of a ship on the sea, the duo - along with pesky cousin Eustace (Son of Rambow's Will Poulter) - are pulled back into the world and straight onto the ship, the Dawn Treader - and its quest.
Under the helmship of King Caspian (Ben Barnes), the gang are trying to locate the seven Lords and their seven swords to try and banish evil from Narnia.
But as all of them fall deeper into the quest, their faith and resolve are tested by the dark forces at play in Narnia.
The Voyage of the Dawn Treader is a film which feels like it's from another time in many ways.
It's a very traditional family piece which will appeal to the younger end of the market - and certainly the kids in the audience with whom I saw the film were entranced by certain parts and the antics of animated, swash buckling mouse Reepicheep (voiced by Simon Pegg) as well as by Will Poulter's terribly annoying Eustace.
There's swashbuckling aplenty at any given moment in this - any excuse to take out swords and have a bit of a fight; unfortunately that leads to the film feeling a tad repetitive throughout as it negotiates "the fight, get captured, escape plot" running through.
Complete with comments such as "Evil has the upper hand", the film misfires a little and doesn't fully engage a wider audience. The kids do a reasonable job of giving their characters some life - and the majority of the laughs go to stuck up Eustace and Reepicheep, but there's little to keep the older section of the audience feeling like they're watching something new here.
That said, there are some pretty impressive effects; the scene where the water comes gushing out of the picture and brings the kids back to Narnia is well done - and the evil green mist floating around adds a layer of much needed menace.
Sure, there's messages in there about faith, being true to yourself and dealing with temptations (which some will understand more than others) but the unspectacular Voyage of the Dawn Treader treads dangerously into the territory of Voyage of the Yawn Treader.
The Chronicles of Narnia - The Voyage of the Dawn Treader
Rating: 5/10
Cast: Ben Barnes, Skandar Keynes, Georgie Henley, Will Poulter
Director: Michael Apted
In this latest Narnia film, which has taken a while to arrive on the big screen following Disney's decision to leave the franchise behind, it's back to the land of Narnia for the Pevensie siblings, Edmund and Lucy (Skandar Keynes and Georgie Henley).
Via a portrait of a ship on the sea, the duo - along with pesky cousin Eustace (Son of Rambow's Will Poulter) - are pulled back into the world and straight onto the ship, the Dawn Treader - and its quest.
Under the helmship of King Caspian (Ben Barnes), the gang are trying to locate the seven Lords and their seven swords to try and banish evil from Narnia.
But as all of them fall deeper into the quest, their faith and resolve are tested by the dark forces at play in Narnia.
The Voyage of the Dawn Treader is a film which feels like it's from another time in many ways.
It's a very traditional family piece which will appeal to the younger end of the market - and certainly the kids in the audience with whom I saw the film were entranced by certain parts and the antics of animated, swash buckling mouse Reepicheep (voiced by Simon Pegg) as well as by Will Poulter's terribly annoying Eustace.
There's swashbuckling aplenty at any given moment in this - any excuse to take out swords and have a bit of a fight; unfortunately that leads to the film feeling a tad repetitive throughout as it negotiates "the fight, get captured, escape plot" running through.
Complete with comments such as "Evil has the upper hand", the film misfires a little and doesn't fully engage a wider audience. The kids do a reasonable job of giving their characters some life - and the majority of the laughs go to stuck up Eustace and Reepicheep, but there's little to keep the older section of the audience feeling like they're watching something new here.
That said, there are some pretty impressive effects; the scene where the water comes gushing out of the picture and brings the kids back to Narnia is well done - and the evil green mist floating around adds a layer of much needed menace.
Sure, there's messages in there about faith, being true to yourself and dealing with temptations (which some will understand more than others) but the unspectacular Voyage of the Dawn Treader treads dangerously into the territory of Voyage of the Yawn Treader.
Thursday, 2 December 2010
Rare Exports: A Christmas Tale: Movie Review
Rare Exports: A Christmas Tale: Movie Review
Rare Exports: A Christmas Tale
Rating: 6/10
Cast: Tommi Korpela, Per Christian Ellefsen, Ville Virtanen, Jorma Tommila, Onni Tommila
Director: Jalmari Helander
A Finnish fantasy tale, Rare Exports is an odd beast.
It's set in the Finnish Korvatunturi mountains; it's there a series of miners on an archaeological dig believe they've unearthed one of the biggest secrets of the festive season: Santa Claus.
But while the digging goes on, a pack of hunters in a nearby village is beset by strange goings on; their reindeer are slaughtered and children begin to go missing. However, while the hunters are at a loss to what's going on, one child Pietari (Onni Tommila) seems to be fully aware of the danger they face....
Rare Exports is a twisted slice of Christmas fare; from its Gothic opening titles where the horror of a folklore Santa Claus is revealed, it's clear this isn't a tale of "ho, ho, ho" more like "ho, ho, holy heck what was that?"
There's some beautiful scenery though; the white crisp snow and the mountains look absolutely stunning on the screen; and images such as the slaughtered reindeer look at odds with that. However, that's what the director's gone for with this - it subtly pulls the carpet from under you when you least expect it.
There's a slow atmospheric build up to the big reveal about what's hunting the hunters and what the miners have uncovered; but when the jolts come, they're fairly effective and you won't look at Santa again without seeing a ghoulish emaciated figure with a glint of pure evil in its eyes looking back. It's also odd seeing zombie style imagery being associated with the festive season - but it's that kind of film.
Rare Exports is aiming for cult glory and is bound to be embraced by those who love it; it doesn't quite live up to the initial idea despite the dry dark humour on display. It's a slightly odd maqcabre take on the Christmas story - with its dalliances of the potential evil nature of Santas past, it shows a devilish glint in its eye. It's for that very reason some will love it, and others will wonder why they do.
Rare Exports: A Christmas Tale
Rating: 6/10
Cast: Tommi Korpela, Per Christian Ellefsen, Ville Virtanen, Jorma Tommila, Onni Tommila
Director: Jalmari Helander
A Finnish fantasy tale, Rare Exports is an odd beast.
It's set in the Finnish Korvatunturi mountains; it's there a series of miners on an archaeological dig believe they've unearthed one of the biggest secrets of the festive season: Santa Claus.
But while the digging goes on, a pack of hunters in a nearby village is beset by strange goings on; their reindeer are slaughtered and children begin to go missing. However, while the hunters are at a loss to what's going on, one child Pietari (Onni Tommila) seems to be fully aware of the danger they face....
Rare Exports is a twisted slice of Christmas fare; from its Gothic opening titles where the horror of a folklore Santa Claus is revealed, it's clear this isn't a tale of "ho, ho, ho" more like "ho, ho, holy heck what was that?"
There's some beautiful scenery though; the white crisp snow and the mountains look absolutely stunning on the screen; and images such as the slaughtered reindeer look at odds with that. However, that's what the director's gone for with this - it subtly pulls the carpet from under you when you least expect it.
There's a slow atmospheric build up to the big reveal about what's hunting the hunters and what the miners have uncovered; but when the jolts come, they're fairly effective and you won't look at Santa again without seeing a ghoulish emaciated figure with a glint of pure evil in its eyes looking back. It's also odd seeing zombie style imagery being associated with the festive season - but it's that kind of film.
Rare Exports is aiming for cult glory and is bound to be embraced by those who love it; it doesn't quite live up to the initial idea despite the dry dark humour on display. It's a slightly odd maqcabre take on the Christmas story - with its dalliances of the potential evil nature of Santas past, it shows a devilish glint in its eye. It's for that very reason some will love it, and others will wonder why they do.
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