Skyline: Blu Ray Review
Skyline
Rating: M
Released by
Roadshow Entertainment
It's alien invasion time -
again.
A trip to LA to celebrate a friend's
birthday ends in absolute chaos for Eric Blafour and Scottie Thompson's Jarrod
and Elaine.
After a good night out, celebrating
with Terry (Donald "Turk from Scrubs" Faison), the gang awakes to find bright
blue hypnotic lights raining down over the city and huge machines invading the
city.
As they try to escape, it becomes clear
their chances to survive are limited - as are mankind's.
Skyline is an unmitigated missed opportunity of a film - replete with
some C List actors and some great FX, it's a weird combination which never quite
gels.
It's clear the directors are FX geniuses and
wizards because the initial shots of the skyline and alien invaders is quite
impressive. Less so is the story - which simply becomes a pick off the heroes
and see who survives kind of plot.
That said -
it's got to be seen for the unbelievable final sequences which depict life
within the spaceships themselves. Simply jaw dropping - and not in a good
way
Extras: Deleted scenes, extended
scenes, commentary - very little enticing.
Rating:
3/10
At Darren's World of Entertainment - a movie, DVD and game review blog. The latest movie and DVD reviews - plus game reviews as well. And cool stuff thrown in when I see it.
Tuesday, 10 May 2011
Monday, 9 May 2011
The Girl Who Kicked The Hornets' Nest: DVD Review
The Girl Who Kicked The Hornets' Nest: DVD Review
The Girl Who Kicked the Hornets' Nest
Rating: R16
Released by Vendetta Films
In the third film based on Stieg Larsson's books, the action takes up just moments after the close of the second film. Lisbeth Salander is being choppered to hospital, shot repeatedly and on the brink of death after tracking down her father Alexander Zalachenko and exacting her revenge.
Facing charges of attempted murder, Salander is trapped - with the police wanting to hurry her trial along and with the shadowy cabal The Section determined to get rid of her before their existence becomes known, her prospects don't look good.
But as ever, her faithful friend and journalist of the Millennium magazine Mikael Blomkvist (the ever stoic faced Nyqvist) is determined to clear her name.
The Girl Who Kicked The Hornet's Nest is a triumphant end to the trilogy - and while some will be put off by the lack of action, the tension in this one is nail biting.
Sure, with most of it taking place in drab corridors, inside a hospital or a courtroom, there's a lot more expected of the actors - and the main duo Rapace and Nyqvist deliver in spades.
It's the story which is more of the star this time (one character even remarks "It's like a classic Greek tragedy") as the various threads are drawn together in the web of decades old conspiracy, the drama is tautly pulled together; so much so that at the devastating end in the courtroom, the restrained directing and story telling works so much better because of it.
The best moment of this film though is the final scene - but talk of that is spoilery, so discover it yourself.
Extras: Interviews with the main actors and a trailer - not bad but a little disappointing given how the series has ended and a retrospective piece may have been in order.
Rating: 8/10
The Girl Who Kicked the Hornets' Nest
Rating: R16
Released by Vendetta Films
In the third film based on Stieg Larsson's books, the action takes up just moments after the close of the second film. Lisbeth Salander is being choppered to hospital, shot repeatedly and on the brink of death after tracking down her father Alexander Zalachenko and exacting her revenge.
Facing charges of attempted murder, Salander is trapped - with the police wanting to hurry her trial along and with the shadowy cabal The Section determined to get rid of her before their existence becomes known, her prospects don't look good.
But as ever, her faithful friend and journalist of the Millennium magazine Mikael Blomkvist (the ever stoic faced Nyqvist) is determined to clear her name.
The Girl Who Kicked The Hornet's Nest is a triumphant end to the trilogy - and while some will be put off by the lack of action, the tension in this one is nail biting.
Sure, with most of it taking place in drab corridors, inside a hospital or a courtroom, there's a lot more expected of the actors - and the main duo Rapace and Nyqvist deliver in spades.
It's the story which is more of the star this time (one character even remarks "It's like a classic Greek tragedy") as the various threads are drawn together in the web of decades old conspiracy, the drama is tautly pulled together; so much so that at the devastating end in the courtroom, the restrained directing and story telling works so much better because of it.
The best moment of this film though is the final scene - but talk of that is spoilery, so discover it yourself.
Extras: Interviews with the main actors and a trailer - not bad but a little disappointing given how the series has ended and a retrospective piece may have been in order.
Rating: 8/10
Sunday, 8 May 2011
The Insatiable Moon: DVD Review
The Insatiable Moon: DVD Review
The Insatiable Moon
Rating:M
Released by Vendetta
Shot on a shoestring budget when the Film Commission passed, The Insatiable is the story of Arthur (a tremendous powerhouse performance from Rawiri Paratene) who believes he's the second son of God and who frequents a halfway house run by Greg Johnson's Bob in Auckland's suburb of Ponsonby.
However, Arthur's life becomes permanently intertwined with Sara Wiseman's social worker at a time when the boarding house is threatened with closure.
With residents galvanized into trying to save their home from those who've got closed minds, the clock begins to tick - and Arthur starts to unravel.
The Insatiable Moon is a story of heart and compassion, populated with some truly brilliant and crowd pleasing performances from the central cast.
It's got audience pleasing moments throughout as well as some laughs but it's Paratene's impishness and charm which sees this film from beginning to end; with big eyes and a disarming grin, he's the heart and soul of the Insatiable Moon - and manages to bind the whole thing together.
Extras: Trailer, Interviews, outtakes and deleted scenes
Rating: 7/10
The Insatiable Moon
Rating:M
Released by Vendetta
Shot on a shoestring budget when the Film Commission passed, The Insatiable is the story of Arthur (a tremendous powerhouse performance from Rawiri Paratene) who believes he's the second son of God and who frequents a halfway house run by Greg Johnson's Bob in Auckland's suburb of Ponsonby.
However, Arthur's life becomes permanently intertwined with Sara Wiseman's social worker at a time when the boarding house is threatened with closure.
With residents galvanized into trying to save their home from those who've got closed minds, the clock begins to tick - and Arthur starts to unravel.
The Insatiable Moon is a story of heart and compassion, populated with some truly brilliant and crowd pleasing performances from the central cast.
It's got audience pleasing moments throughout as well as some laughs but it's Paratene's impishness and charm which sees this film from beginning to end; with big eyes and a disarming grin, he's the heart and soul of the Insatiable Moon - and manages to bind the whole thing together.
Extras: Trailer, Interviews, outtakes and deleted scenes
Rating: 7/10
Saturday, 7 May 2011
TRONLegacy: Blu Ray Review
TRONLegacy: Blu Ray Review
Tron Legacy
Rating: PG
Released by Disney
Nearly 30 years in the making comes the film Disney had high hopes for.
In TRON Legacy, Garrett Hedlund stars as Sam Flynn, the son of former inventor and computer genius, Kevin (Jeff Bridges). Kevin disappeared nearly 30 years ago, leaving behind Sam, a major company Encom and a lot of questions.
Since that disappearance, Sam's now grown up and is somewhat restless, flitting between being the CEO of Encom and running into trouble with the law.
But when he receives word from family friend Alan (Bruce Boxleitner) that a page was sent from Flynn's arcade (run by Kevin in the 80s), he heads to see how that's possible and if his father is truly still alive.
And then, he's sucked into the world of the computer run Grid and into a fight for his life.
Visually and aesthetically, I was gobsmacked by the digital world they've created for this - it looks stunning and is spectacular with its vibrant neon blues and oranges standing out in the Blade Runneresque computer world. Scenes of combat, reminiscent of the gladiator's arena from Roman times, are also sensationally shot.Coupled with an incredible electronic soundtrack of dizzyingly good synth from Daft Punk, the cyber-look of this film is, hands down, easily one of the best of the year.
But the problem comes with the overall plot. Or rather, a real lack of it.
With clunking dialogue, this lumbers from one scene to the next - and it's a real shame.
Not a major disaster by any stretch of the imagination - but if the story had measured upto the effects, it could have been unmissable.
Extras: Doco and cast info
Rating: 6/10
Tron Legacy
Rating: PG
Released by Disney
Nearly 30 years in the making comes the film Disney had high hopes for.
In TRON Legacy, Garrett Hedlund stars as Sam Flynn, the son of former inventor and computer genius, Kevin (Jeff Bridges). Kevin disappeared nearly 30 years ago, leaving behind Sam, a major company Encom and a lot of questions.
Since that disappearance, Sam's now grown up and is somewhat restless, flitting between being the CEO of Encom and running into trouble with the law.
But when he receives word from family friend Alan (Bruce Boxleitner) that a page was sent from Flynn's arcade (run by Kevin in the 80s), he heads to see how that's possible and if his father is truly still alive.
And then, he's sucked into the world of the computer run Grid and into a fight for his life.
Visually and aesthetically, I was gobsmacked by the digital world they've created for this - it looks stunning and is spectacular with its vibrant neon blues and oranges standing out in the Blade Runneresque computer world. Scenes of combat, reminiscent of the gladiator's arena from Roman times, are also sensationally shot.Coupled with an incredible electronic soundtrack of dizzyingly good synth from Daft Punk, the cyber-look of this film is, hands down, easily one of the best of the year.
But the problem comes with the overall plot. Or rather, a real lack of it.
With clunking dialogue, this lumbers from one scene to the next - and it's a real shame.
Not a major disaster by any stretch of the imagination - but if the story had measured upto the effects, it could have been unmissable.
Extras: Doco and cast info
Rating: 6/10
Thursday, 5 May 2011
Source Code: Movie Review
Source Code: Movie Review
Source Code
Rating: 8/10
Cast: Jake Gyllenhaal, Michelle Monaghan, Vera Farmiga, Jeffrey Wright
Director: Duncan Jones
From the director of last year's brilliant Moon, comes a new sci fi thriller which has heart and soul as well as intelligence and action.
Gyllenhaal stars as Captain Colter Stevens, who finds himself on a train and facing a woman Christina (Monaghan) he's convinced he's never met before.
To make matters worse, he looks in a mirror and sees the face looking back at him is not his own.
Before he's got time to make head or tail of what's going on, a bomb destroys the Chicago bound train - taking him, and all the passengers with it.
When he wakes up though, he finds himself being questioned by the military (led by Vera Farmiga) and trapped in a capsule.
They explain he's got just eight minutes on the train to find out who is responsible for bombing it and send him back in - and will keep doing so until he's successful.....
Source Code is perhaps one of the best scifi thrillers ever made - but more than that, it's a compelling film which is grounded in humanity rather than just scifi.
Duncan Jones seriously impressed with Moon and he builds even more here with this thrilling and exciting ride. It's a fiendishly intriguing premise which throws you right in at the beginning by giving you few clues and so immediately you empathise with Stevens as he tries to find out what's going on.
Gyllenhaal is mightily watchable as Stevens; as the truth unravels, you understand and really feel his puzzled viewpoint; the thing is, it's all due to Gyllenhaal and his steely determination mixed with vulnerability.
But credit must also go to Monaghan; her Christine becomes the emotional touchstone on the train and the reason Stevens keep coming back - she helps give the story the humanity it needs to keep it from simply being a thriller with a large dollop of sci fi.
The other star is the script - initially complex and layered, it rewards an intelligent audience who are willing to take the ride and embrace the mystery of what's going on on the train as well as what's going on with Stevens. It also helps the director's really invested a degree of real time into this - each section on the train lasts only 8 minutes so you begin to feel the desperation as the clock ticks toward the inevitable explosion. It's a sort of scifi Groundhog Day in many ways.
Source Code is one of the best films of 2011 - it's intelligent, ferociously good film making, and a brilliant experience which rewards with multiple viewings.
Source Code
Rating: 8/10
Cast: Jake Gyllenhaal, Michelle Monaghan, Vera Farmiga, Jeffrey Wright
Director: Duncan Jones
From the director of last year's brilliant Moon, comes a new sci fi thriller which has heart and soul as well as intelligence and action.
Gyllenhaal stars as Captain Colter Stevens, who finds himself on a train and facing a woman Christina (Monaghan) he's convinced he's never met before.
To make matters worse, he looks in a mirror and sees the face looking back at him is not his own.
Before he's got time to make head or tail of what's going on, a bomb destroys the Chicago bound train - taking him, and all the passengers with it.
When he wakes up though, he finds himself being questioned by the military (led by Vera Farmiga) and trapped in a capsule.
They explain he's got just eight minutes on the train to find out who is responsible for bombing it and send him back in - and will keep doing so until he's successful.....
Source Code is perhaps one of the best scifi thrillers ever made - but more than that, it's a compelling film which is grounded in humanity rather than just scifi.
Duncan Jones seriously impressed with Moon and he builds even more here with this thrilling and exciting ride. It's a fiendishly intriguing premise which throws you right in at the beginning by giving you few clues and so immediately you empathise with Stevens as he tries to find out what's going on.
Gyllenhaal is mightily watchable as Stevens; as the truth unravels, you understand and really feel his puzzled viewpoint; the thing is, it's all due to Gyllenhaal and his steely determination mixed with vulnerability.
But credit must also go to Monaghan; her Christine becomes the emotional touchstone on the train and the reason Stevens keep coming back - she helps give the story the humanity it needs to keep it from simply being a thriller with a large dollop of sci fi.
The other star is the script - initially complex and layered, it rewards an intelligent audience who are willing to take the ride and embrace the mystery of what's going on on the train as well as what's going on with Stevens. It also helps the director's really invested a degree of real time into this - each section on the train lasts only 8 minutes so you begin to feel the desperation as the clock ticks toward the inevitable explosion. It's a sort of scifi Groundhog Day in many ways.
Source Code is one of the best films of 2011 - it's intelligent, ferociously good film making, and a brilliant experience which rewards with multiple viewings.
Your Highness: Movie Review
Your Highness: Movie Review
Your Highness
Rating: 3/10
Cast: Danny McBride, James Franco, Natalie Portman, Zooey Deschanel, Damian Lewis, Charles Dance
Director: David Gordon Green
From the team behind stoner comedy Pineapple Express comes medieval romp Your Highness.
McBride plays Thadeous, a slacker prince who lives in the shadow of his more talented brother Fabious, played by James Franco.
When Fabious returns from a quest with his new bride to be Belladonna (Deschanel) whom he rescued from a tower, it seems happily ever after is on the cards.
But when Belladonna's snatched by evil wizard Lazar, the duo have to team up on an epic quest to save the bride-to-be and rid their kingdom of the evil which blights it....
Forget any level of sophistication here, Your Highness is not about the smarts.
With puerile humour throughout (albeit some amusing one liners) it's not aiming very high.
Both Franco and Portman (rocking a terribly dodgy English accent) go for high and mighty; Deschanel simply opts for sulky.
A little more effort into the script and maybe some mockery of the fantasy genre and this could have been better all round.
Instead it opts for crass, vulgar and a waste of those involved. The only saving grace is McBride who, with some deadpan delivery and some very dry moments just makes this (barely) tolerable.
Your Highness is more a case of swords and saucy language than anything else - a teen audience will be amused. Others will just roll their eyes.
Your Highness
Rating: 3/10
Cast: Danny McBride, James Franco, Natalie Portman, Zooey Deschanel, Damian Lewis, Charles Dance
Director: David Gordon Green
From the team behind stoner comedy Pineapple Express comes medieval romp Your Highness.
McBride plays Thadeous, a slacker prince who lives in the shadow of his more talented brother Fabious, played by James Franco.
When Fabious returns from a quest with his new bride to be Belladonna (Deschanel) whom he rescued from a tower, it seems happily ever after is on the cards.
But when Belladonna's snatched by evil wizard Lazar, the duo have to team up on an epic quest to save the bride-to-be and rid their kingdom of the evil which blights it....
Forget any level of sophistication here, Your Highness is not about the smarts.
With puerile humour throughout (albeit some amusing one liners) it's not aiming very high.
Both Franco and Portman (rocking a terribly dodgy English accent) go for high and mighty; Deschanel simply opts for sulky.
A little more effort into the script and maybe some mockery of the fantasy genre and this could have been better all round.
Instead it opts for crass, vulgar and a waste of those involved. The only saving grace is McBride who, with some deadpan delivery and some very dry moments just makes this (barely) tolerable.
Your Highness is more a case of swords and saucy language than anything else - a teen audience will be amused. Others will just roll their eyes.
Thursday, 28 April 2011
Thor: Movie Review
Thor: Movie Review
Thor
Rating: 8/10
Cast: Chris Hemsworth, Anthony Hopkins, Natalie Portman, Tom Hiddleston, Stellan Skarsgard
Director: Kenneth Branagh
So the Marvel universe continues its cinematic attempts to take over - this time with some help from a buffed up dude from Home and Away and a guy more likely to be known for Shakespeare.
Hemsworth plays Thor, a Norse god, who on the eve of his coronation as king is banished to Earth from Asgard by his father Odin (Hopkins) after he instigates an attack on the Frost Giants, a race with whom the Asgardians have been living in peace for years.
Dumped in New Mexico, Thor's found by Natalie Portman's scientist Jane Foster.
Convinced he needs to return to Asgard, Thor attempts to regain his mythic hammer (the source of his power) from a SHIELD facility.
But when he finds his powers have deserted him, Thor resigns himself to a life on earth.
However, back in Asgard, political machinations are afoot and Thor's brother Loki (a brilliantly reptilian Hiddleston) moves on the throne, prompting Thor's friends to try and bring him back....
Spectacularly epic, utterly engrossing and surprisingly funny, Thor is perhaps one of the best blockbusters in a while. Mixing Shakespearean motifs such as family betrayal, mistrust and revenge, it's clear to see why Branagh was attracted to this.
Hemsworth impresses as the petulantly arrogant god and Hopkins is suitably majestic as the regal Odin; each injecting their characters with the humanity and hubris needed of gods. Equally impressive is Hiddleston who brings the requisite element of mistrust to Loki that you're never quite sure whose side he's actually on - or what his motives truly are.
If there's to be a small quibble, it's that Portman and her team of scientists are a little underdeveloped - and the wonderful Kat Dennings is sidelined as simply comic relief.
The 3D serves really only to enrich the backdrops and isn't integral to the overall feel of Thor.
Yet, it's the Marvel universe which grows in depth with this latest adaptation - with crossover film The Avengers on the way, there's plenty to be done to lay the groundwork here. Mentions of Tony Stark, crossover characters from prior films and the obligatory Stan Lee cameo, this world is becoming more cinematically fleshed out than ever before - but not at the extent of alienating those who're not familiar with it all.
The winter blockbuster season is off to a simply Thorsome start.
Thor
Rating: 8/10
Cast: Chris Hemsworth, Anthony Hopkins, Natalie Portman, Tom Hiddleston, Stellan Skarsgard
Director: Kenneth Branagh
So the Marvel universe continues its cinematic attempts to take over - this time with some help from a buffed up dude from Home and Away and a guy more likely to be known for Shakespeare.
Hemsworth plays Thor, a Norse god, who on the eve of his coronation as king is banished to Earth from Asgard by his father Odin (Hopkins) after he instigates an attack on the Frost Giants, a race with whom the Asgardians have been living in peace for years.
Dumped in New Mexico, Thor's found by Natalie Portman's scientist Jane Foster.
Convinced he needs to return to Asgard, Thor attempts to regain his mythic hammer (the source of his power) from a SHIELD facility.
But when he finds his powers have deserted him, Thor resigns himself to a life on earth.
However, back in Asgard, political machinations are afoot and Thor's brother Loki (a brilliantly reptilian Hiddleston) moves on the throne, prompting Thor's friends to try and bring him back....
Spectacularly epic, utterly engrossing and surprisingly funny, Thor is perhaps one of the best blockbusters in a while. Mixing Shakespearean motifs such as family betrayal, mistrust and revenge, it's clear to see why Branagh was attracted to this.
Hemsworth impresses as the petulantly arrogant god and Hopkins is suitably majestic as the regal Odin; each injecting their characters with the humanity and hubris needed of gods. Equally impressive is Hiddleston who brings the requisite element of mistrust to Loki that you're never quite sure whose side he's actually on - or what his motives truly are.
If there's to be a small quibble, it's that Portman and her team of scientists are a little underdeveloped - and the wonderful Kat Dennings is sidelined as simply comic relief.
The 3D serves really only to enrich the backdrops and isn't integral to the overall feel of Thor.
Yet, it's the Marvel universe which grows in depth with this latest adaptation - with crossover film The Avengers on the way, there's plenty to be done to lay the groundwork here. Mentions of Tony Stark, crossover characters from prior films and the obligatory Stan Lee cameo, this world is becoming more cinematically fleshed out than ever before - but not at the extent of alienating those who're not familiar with it all.
The winter blockbuster season is off to a simply Thorsome start.
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