Game Review - Resistance 3
Resistance 3
Released by Insomniac Games
Platform: PS3
Third time is the charm, right?
In this latest
from the prolific and much loved Insomniac Games and the Resistance series, it's
four years since the end of Resistance 2.
Sentinel
Joseph Capelli has given up fighting the Chimeran menace. Now he's in hiding
with other survivors, including his wife and young son.
But when
Dr. Fyodor Malikov arrives with the opportunity to deliver a blow to the
occupying Chimeran force, Capelli must leave his family and journey the
harrowing road from Oklahoma to New York City.
However, the Chimera menace is everywhere to be seen along the way -
and Capelli needs to be smart and sensibly armed if he's going to win the
day.
A first person sci fi shooter with a 1950s
setting, Resistance 3 is playable, terrifying and engrossing to say the
least.
But it's not just a case of shooting and
running, hoping that tactic will save the day. You actually have to be a little
bit smarter than the average gamer and work out how best to use weapons so you
don't deplete your ammo while on a killing spree; it's also wise to use your
brain to realise when it's best to hide and when it's best to try and avoid the
Chimera.
However, that's not always easy - and when
some of the Chimera, such as the ones which are essentially suicide chemical
blobs target you, sometimes you just can't get away fast enough.
Weaponry such as a Deadeye sniper rifle, a nitrogen
freezing ray and various types of grenades all get upgraded with constant use -
and so ultimately, Capelli becomes somewhat of a fighting force.
The online components of Resistance 3 are also a boon
too - by logging on, you can join others to work together to get rid of the
Chimera or try to seize areas in combat simulation games such as steal the flag
etc. The player cooperative facilities are a great asset to the game and also
give you a chance to feel that the gameplay in Resistance 3 is actually global
rather than one man taking on the might of the marauding baddies.
The developers though, have wisely chosen to ground
the whole game in a human element as Capelli does whatever he can to protect his
wife and young son. It's a nice touch with adds a bit of heart to the cutscenes
and a poignant urgency to the campaigns as you immerse yourself in this
world.
All in all, Resistance 3 is one of the best
FPS games I've played - time to sign up and join to protect the future of the
world!
Rating: 8/10
Friday, 16 September 2011
Source Code: Blu Ray Review
Source Code: Blu Ray Review
Source Code
Rating: M
Released by Hopscotch and Roadshow
From the director of last year's brilliant Moon, comes a new sci fi thriller which has heart and soul as well as intelligence and action.
Jake Gyllenhaal stars as Captain Colter Stevens, who finds himself on a train and facing a woman Christina (Bridget Monaghan) he's convinced he's never met before.
To make matters worse, he looks in a mirror and sees the face looking back at him is not his own.
Before he's got time to make head or tail of what's going on, a bomb destroys the Chicago bound train - taking him, and all the passengers with it.
When he wakes up though, he finds himself being questioned by the military (led by Vera Farmiga) and trapped in a capsule.
They explain he's got just eight minutes on the train to find out who is responsible for bombing it and send him back in - and will keep doing so until he's successful.....
Source Code is perhaps one of the best scifi thrillers ever made - but more than that, it's a compelling film which is grounded in humanity rather than just scifi.
Duncan Jones seriously impressed with Moon and he builds even more here with this thrilling and exciting ride. It's a fiendishly intriguing premise which throws you right in at the beginning by giving you few clues and so immediately you empathise with Stevens as he tries to find out what's going on.
Gyllenhaal is mightily watchable as Stevens; as the truth unravels, you understand and really feel his puzzled viewpoint; the thing is, it's all due to Gyllenhaal and his steely determination mixed with vulnerability.
But credit must also go to Monaghan; her Christine becomes the emotional touchstone on the train and the reason Stevens keep coming back - she helps give the story the humanity it needs to keep it from simply being a thriller with a large dollop of sci fi.
The other star is the script - initially complex and layered, it rewards an intelligent audience who are willing to take the ride and embrace the mystery of what's going on on the train as well as what's going on with Stevens.
Source Code is one of the best films of 2011 - it's intelligent, ferociously good film making, and a brilliant experience which rewards with multiple viewings.
Extras: Cast and crew interviews, commentary with Jake Gyllenhaal and writer Ben Ripley
Rating: 8/10
Source Code
Rating: M
Released by Hopscotch and Roadshow
From the director of last year's brilliant Moon, comes a new sci fi thriller which has heart and soul as well as intelligence and action.
Jake Gyllenhaal stars as Captain Colter Stevens, who finds himself on a train and facing a woman Christina (Bridget Monaghan) he's convinced he's never met before.
To make matters worse, he looks in a mirror and sees the face looking back at him is not his own.
Before he's got time to make head or tail of what's going on, a bomb destroys the Chicago bound train - taking him, and all the passengers with it.
When he wakes up though, he finds himself being questioned by the military (led by Vera Farmiga) and trapped in a capsule.
They explain he's got just eight minutes on the train to find out who is responsible for bombing it and send him back in - and will keep doing so until he's successful.....
Source Code is perhaps one of the best scifi thrillers ever made - but more than that, it's a compelling film which is grounded in humanity rather than just scifi.
Duncan Jones seriously impressed with Moon and he builds even more here with this thrilling and exciting ride. It's a fiendishly intriguing premise which throws you right in at the beginning by giving you few clues and so immediately you empathise with Stevens as he tries to find out what's going on.
Gyllenhaal is mightily watchable as Stevens; as the truth unravels, you understand and really feel his puzzled viewpoint; the thing is, it's all due to Gyllenhaal and his steely determination mixed with vulnerability.
But credit must also go to Monaghan; her Christine becomes the emotional touchstone on the train and the reason Stevens keep coming back - she helps give the story the humanity it needs to keep it from simply being a thriller with a large dollop of sci fi.
The other star is the script - initially complex and layered, it rewards an intelligent audience who are willing to take the ride and embrace the mystery of what's going on on the train as well as what's going on with Stevens.
Source Code is one of the best films of 2011 - it's intelligent, ferociously good film making, and a brilliant experience which rewards with multiple viewings.
Extras: Cast and crew interviews, commentary with Jake Gyllenhaal and writer Ben Ripley
Rating: 8/10
Thursday, 15 September 2011
Friends With Benefits: Movie Review
Friends With Benefits: Movie Review
Friends With Benefits
Rating: 7/10
Cast: Mila Kunis, Justin Timberlake, Patricia Clarkson, Richard Jenkins, Woody Harrelson
Director: Will Gluck
Haven't we already done this before with No Strings Attached starring Ashton Kutcher and Natalie Portman in the past 12 months?
Well, sort of.
Mila Kunis stars as corporate headhunter Jamie who first meets graphic designer Dylan Harper (Justin Timberlake) when she's trying to get him to relocate from LA to take a job with GQ in New York. Harper's initially reticent to take the post as he's not convinced the move is the right thing for him. But Jamie takes him for a night on the town and that persuades him to up sticks and move to the Big Apple.
But Harper doesn't really know anyone and so he latches onto Jamie and the two become friends.
Who then decide a little casual sex won't necessarily be a bad thing - as long as it doesn't lead to complications....
As romantic comedies go, Friends With Benefits is a bouncy, fun, light, frothy cappuccino of the genre; it's got a pacy opening and some zingy funny dialogue - as well as young things exposing a fair bit (and butt) of flesh.
That in mind, it's actually got a fair bit going for it - in particular, Kunis who cut her comedic chops on TV sitcom, That 70s Show. She outshines Timberlake in comic timing, playful sexiness and great delivery of some punchy oneliners while batting those big seductive eyes. It's not that Timberlake's terrible, just that he's not on the same level as her when it comes to the comedy and ends up more goofy than plausible.
There's a bit of a lull when the film relocates from the fun of NY to Harper's more serious home family situation in LA and despite another brilliant turn from Richard Jenkin, the energy dip nearly becomes critical for the movie.
A good solid ensemble cast, including a cameo from the superb Emma Stone, a hippyish free loving Patricia Clarkson as Jamie's mother and Woody Harrelson as a gay sports editor at GQ makes this something a little less predictable for the rom com genre. Sure, there's a bit of dissecting of the tenets of the rom-com world by the pair as they scoff at the banalities and predictabilities of Hollywood's romantic world view (even former Grey's Anatomy starlet and now romcom stable Katherine Heigl gets dissed), but it's all part of the overall mix.
All in all, despite the blatantly shoe-horned in product placement and repeated flash mobbing, Friends With Benefits will surprise you - it'll make you laugh when you don't expect it and actually leave you with a fluffy glow as you depart the cinema.
Friends With Benefits
Rating: 7/10
Cast: Mila Kunis, Justin Timberlake, Patricia Clarkson, Richard Jenkins, Woody Harrelson
Director: Will Gluck
Haven't we already done this before with No Strings Attached starring Ashton Kutcher and Natalie Portman in the past 12 months?
Well, sort of.
Mila Kunis stars as corporate headhunter Jamie who first meets graphic designer Dylan Harper (Justin Timberlake) when she's trying to get him to relocate from LA to take a job with GQ in New York. Harper's initially reticent to take the post as he's not convinced the move is the right thing for him. But Jamie takes him for a night on the town and that persuades him to up sticks and move to the Big Apple.
But Harper doesn't really know anyone and so he latches onto Jamie and the two become friends.
Who then decide a little casual sex won't necessarily be a bad thing - as long as it doesn't lead to complications....
As romantic comedies go, Friends With Benefits is a bouncy, fun, light, frothy cappuccino of the genre; it's got a pacy opening and some zingy funny dialogue - as well as young things exposing a fair bit (and butt) of flesh.
That in mind, it's actually got a fair bit going for it - in particular, Kunis who cut her comedic chops on TV sitcom, That 70s Show. She outshines Timberlake in comic timing, playful sexiness and great delivery of some punchy oneliners while batting those big seductive eyes. It's not that Timberlake's terrible, just that he's not on the same level as her when it comes to the comedy and ends up more goofy than plausible.
There's a bit of a lull when the film relocates from the fun of NY to Harper's more serious home family situation in LA and despite another brilliant turn from Richard Jenkin, the energy dip nearly becomes critical for the movie.
A good solid ensemble cast, including a cameo from the superb Emma Stone, a hippyish free loving Patricia Clarkson as Jamie's mother and Woody Harrelson as a gay sports editor at GQ makes this something a little less predictable for the rom com genre. Sure, there's a bit of dissecting of the tenets of the rom-com world by the pair as they scoff at the banalities and predictabilities of Hollywood's romantic world view (even former Grey's Anatomy starlet and now romcom stable Katherine Heigl gets dissed), but it's all part of the overall mix.
All in all, despite the blatantly shoe-horned in product placement and repeated flash mobbing, Friends With Benefits will surprise you - it'll make you laugh when you don't expect it and actually leave you with a fluffy glow as you depart the cinema.
The Help: Movie Review
The Help: Movie Review
The Help
Rating: 6/10
Cast: Emma Stone, Viola Davis, Bryce Dallas Howard, Jessica Chastain, Octavia Spencer
Director: Tate Taylor
Taken from a best selling novel published in 2009 by Kathryn Stockett, The Help stars the very talented Emma Stone as Skeeter Phelan in the time of the Civil Rights movement in 1960s America.
The film follows Skeeter's relationship with Aibileen (Viola Davis), an African American maid who's been raising white children for many years. It also charts her time with fellow maid Minny (Spencer) whose outspoken nature has got her fired from several positions.
Skeeter's just finished university and decides the way into journalism is to try and pitch an article about the maids and their relationships and tales of working with the prejudices and racism of 1960s America.
But as the story unfolds, it appears all kinds of relationships are about to be tested in Jackson, the heartland of the American South.
It's into inspirational and formulaic chick flick territory we go with The Help - a tale that covers all the bases from the time with a solid performance from a good ensemble.
Once again, Emma Stone demonstrates why she's fast becoming Hollywood's go to girl for slightly feisty chicks with a heart; she's very watchable in this as her character trail blazes the fight against racism; Viola Davis is stoic as the long suffering Aibileen who is the victim of prissy bitchy Hilly Holbrook (Bryce Dallas Howard) the leader of a snooty pack of women and Octavia Spencer brings a smattering of humour to the maid who takes vengeance on Hilly after years of mistreatment.
That's the thing with The Help; it does exactly what it says on the tin. While it's a little overlong and could have done with a hint of editing, this tale of empowerment and standing up, mixed with a dash of social commentary, is what you'd expect and is the perfect mother and daughter kind of outing - or a good night out for the girls.
Emotional and moving, The Help is a sturdy showcase of talent with some great performances- however, with a slightly more experienced eye behind the camera, it could have transcended from something a little middle of the road to something a little more sensational.
The Help
Rating: 6/10
Cast: Emma Stone, Viola Davis, Bryce Dallas Howard, Jessica Chastain, Octavia Spencer
Director: Tate Taylor
Taken from a best selling novel published in 2009 by Kathryn Stockett, The Help stars the very talented Emma Stone as Skeeter Phelan in the time of the Civil Rights movement in 1960s America.
The film follows Skeeter's relationship with Aibileen (Viola Davis), an African American maid who's been raising white children for many years. It also charts her time with fellow maid Minny (Spencer) whose outspoken nature has got her fired from several positions.
Skeeter's just finished university and decides the way into journalism is to try and pitch an article about the maids and their relationships and tales of working with the prejudices and racism of 1960s America.
But as the story unfolds, it appears all kinds of relationships are about to be tested in Jackson, the heartland of the American South.
It's into inspirational and formulaic chick flick territory we go with The Help - a tale that covers all the bases from the time with a solid performance from a good ensemble.
Once again, Emma Stone demonstrates why she's fast becoming Hollywood's go to girl for slightly feisty chicks with a heart; she's very watchable in this as her character trail blazes the fight against racism; Viola Davis is stoic as the long suffering Aibileen who is the victim of prissy bitchy Hilly Holbrook (Bryce Dallas Howard) the leader of a snooty pack of women and Octavia Spencer brings a smattering of humour to the maid who takes vengeance on Hilly after years of mistreatment.
That's the thing with The Help; it does exactly what it says on the tin. While it's a little overlong and could have done with a hint of editing, this tale of empowerment and standing up, mixed with a dash of social commentary, is what you'd expect and is the perfect mother and daughter kind of outing - or a good night out for the girls.
Emotional and moving, The Help is a sturdy showcase of talent with some great performances- however, with a slightly more experienced eye behind the camera, it could have transcended from something a little middle of the road to something a little more sensational.
Upside Down - The Creation Records Story: Movie Review
Upside Down - The Creation Records Story: Movie Review
Upside Down - The Creation Records Story
Rating: 6/10
Cast: Alan McGee, Oasis, Primal Scream, The Jesus and Mary Chain
Director: Danny O'Connor
For those in the know, Creation Records will be responsible for many a favourite band and an exceptional tune.
And even for those not in the know, it's likely you'll have heard of the likes of Oasis, Primal Scream to name but two.
This doco focuses on the label's founder, ginger haired Scot Alan McGee, who was instrumental in shaping a lot of the early music scene of the late 80s and early 90s.
Using the standard talking head format of the doco genre, it mixes in a heady cocktail of archive footage of the early days in Scotland, the rock and roll sounds of the suburbs and interviews with the bands involved.
O'Connor's style is to leap about from one thing to the next as he charts the rise of the label and its successes in the UK and abroad.
Thankfully, he's got a charming and rogueish central character, McGee, which keeps you relatively engaged throughout and makes for an intriguing look at the record industry and the times which it helped create (the likes of Britpop and the shoegazing music scene).
It's a very traditional documentary and really offers nothing new on that front, but fans of the music of the time will be drooling at the insights into why the label imploded, why McGee was such a trendsetter and why many bands are so grateful they got the start they needed and wanted.
As a piece of music history, Upside Down - The Creation Records Story is one for fans and perhaps a few non fans alike to relish.
Upside Down - The Creation Records Story
Rating: 6/10
Cast: Alan McGee, Oasis, Primal Scream, The Jesus and Mary Chain
Director: Danny O'Connor
For those in the know, Creation Records will be responsible for many a favourite band and an exceptional tune.
And even for those not in the know, it's likely you'll have heard of the likes of Oasis, Primal Scream to name but two.
This doco focuses on the label's founder, ginger haired Scot Alan McGee, who was instrumental in shaping a lot of the early music scene of the late 80s and early 90s.
Using the standard talking head format of the doco genre, it mixes in a heady cocktail of archive footage of the early days in Scotland, the rock and roll sounds of the suburbs and interviews with the bands involved.
O'Connor's style is to leap about from one thing to the next as he charts the rise of the label and its successes in the UK and abroad.
Thankfully, he's got a charming and rogueish central character, McGee, which keeps you relatively engaged throughout and makes for an intriguing look at the record industry and the times which it helped create (the likes of Britpop and the shoegazing music scene).
It's a very traditional documentary and really offers nothing new on that front, but fans of the music of the time will be drooling at the insights into why the label imploded, why McGee was such a trendsetter and why many bands are so grateful they got the start they needed and wanted.
As a piece of music history, Upside Down - The Creation Records Story is one for fans and perhaps a few non fans alike to relish.
Win Win: Movie Review
Win Win: Movie Review
Win Win
Rating: 8/10
Cast: Paul Giamatti, Amy Ryan, Bobby Cannavale, Melanie Lynskey, Jeffrey Tambor
Director: Thomas McCarthy
Paul Giamatti once again dons his slightly sadsack look for this indie quirky piece about a lawyer Mike Flaherty whose small business is facing a bit of a financial struggle.
Flaherty also moonlights as the coach of a small high school wrestling team - and they're struggling as well.
So, when he sees a cash lifeline from an elderly client, he decides to cash in and becomes the oldster's guardian.
However, that backfires when the grandson Kyle Timmons (Alex Shaffer) shows up and Flaherty's family takes him in. And when Mike realises Kyle can wrestle, suddenly it's all looking up.
But the fragile world is shaken up when Kyle's mum (our very own Melanie Lynskey) shows up, straight out of rehab...
Win Win is the definition of indie. It's from the director of The Visitor and The Station Agent and is once again another powerhouse performance from Paul Giamatti who seems to excel (and is in danger of being typecast) in these world weary character roles.
It's also wryly funny and heartfelt with great performances from Lynskey, who manages to turn a relatively loathsome character into something a little more nuanced and plausible - and Shaffer in particular who manages to get the teenage awkwardness down to an art form. He is a real discovery of a first time actor.
It's the ensemble which works well - Giamatti and Ryan impress with their humorously laconic relationship; Tambor and Cannavale are funny as the assistant coaches and as the house of cards crumbles that Flaherty's created, McCarthy does a good job of handling the situation rather than reducing it to mush.
There's a little case of the film sagging somewhat after an hour or so -but when they throw in a frankly hilarious wrestling scene, you're prepared to forgive it.
All in all, Win Win is a breath of fresh air and a quality indie with an impressive cast.
Win Win
Rating: 8/10
Cast: Paul Giamatti, Amy Ryan, Bobby Cannavale, Melanie Lynskey, Jeffrey Tambor
Director: Thomas McCarthy
Paul Giamatti once again dons his slightly sadsack look for this indie quirky piece about a lawyer Mike Flaherty whose small business is facing a bit of a financial struggle.
Flaherty also moonlights as the coach of a small high school wrestling team - and they're struggling as well.
So, when he sees a cash lifeline from an elderly client, he decides to cash in and becomes the oldster's guardian.
However, that backfires when the grandson Kyle Timmons (Alex Shaffer) shows up and Flaherty's family takes him in. And when Mike realises Kyle can wrestle, suddenly it's all looking up.
But the fragile world is shaken up when Kyle's mum (our very own Melanie Lynskey) shows up, straight out of rehab...
Win Win is the definition of indie. It's from the director of The Visitor and The Station Agent and is once again another powerhouse performance from Paul Giamatti who seems to excel (and is in danger of being typecast) in these world weary character roles.
It's also wryly funny and heartfelt with great performances from Lynskey, who manages to turn a relatively loathsome character into something a little more nuanced and plausible - and Shaffer in particular who manages to get the teenage awkwardness down to an art form. He is a real discovery of a first time actor.
It's the ensemble which works well - Giamatti and Ryan impress with their humorously laconic relationship; Tambor and Cannavale are funny as the assistant coaches and as the house of cards crumbles that Flaherty's created, McCarthy does a good job of handling the situation rather than reducing it to mush.
There's a little case of the film sagging somewhat after an hour or so -but when they throw in a frankly hilarious wrestling scene, you're prepared to forgive it.
All in all, Win Win is a breath of fresh air and a quality indie with an impressive cast.
Wednesday, 14 September 2011
Paul: Blu Ray review
Paul: Blu Ray review
Paul
Rating: R13
Released by Universal Home Ent
Aliens, geeks and Simon Pegg and Nick Frost back on screen - how can it go wrong?
The duo from Hot Fuzz, Spaced and Shaun of the Dead reteam (and write) this comedy about two guys, Graeme and Clive who head to geek mecca Comic Con after years of dreaming of making the trip.
Sated on the nerd fest that is Comic-Con, the duo then decide to roadtrip around the States, taking in some of the best UFO spots in America.
On a remote highway, the hapless pair chance upon Paul, a grey alien (voiced by Seth Rogen).
The little chap needs a helping hand to escape the government and get home - so Graeme (Pegg) obliges - and the great alien road trip begins.
Throw in a couple of FBI agents chasing, an accidental kidnap of Kristen Wiig's Ruth from an RV camp and a shadowy figure trying to stop them, and you've got the recipe for the rest of this scifi-geek-steeped-pop-culture film.
Eschewing many sci-fi references (ET, Close Encounters, Aliens, Star Wars et al), Paul is likely to appeal more to a certain sector of the audience than others.
That said, don't let the scifi bent of this witty (at times puerile) script put you off.
The trademark bromance chemistry between long time working partners Pegg and Frost continues to amuse on many levels and ensures Paul is a good night at home.
Extras: Featurettes, bloopers, trailers, Simon's silly faces&.
Rating: 7/10
Paul
Rating: R13
Released by Universal Home Ent
Aliens, geeks and Simon Pegg and Nick Frost back on screen - how can it go wrong?
The duo from Hot Fuzz, Spaced and Shaun of the Dead reteam (and write) this comedy about two guys, Graeme and Clive who head to geek mecca Comic Con after years of dreaming of making the trip.
Sated on the nerd fest that is Comic-Con, the duo then decide to roadtrip around the States, taking in some of the best UFO spots in America.
On a remote highway, the hapless pair chance upon Paul, a grey alien (voiced by Seth Rogen).
The little chap needs a helping hand to escape the government and get home - so Graeme (Pegg) obliges - and the great alien road trip begins.
Throw in a couple of FBI agents chasing, an accidental kidnap of Kristen Wiig's Ruth from an RV camp and a shadowy figure trying to stop them, and you've got the recipe for the rest of this scifi-geek-steeped-pop-culture film.
Eschewing many sci-fi references (ET, Close Encounters, Aliens, Star Wars et al), Paul is likely to appeal more to a certain sector of the audience than others.
That said, don't let the scifi bent of this witty (at times puerile) script put you off.
The trademark bromance chemistry between long time working partners Pegg and Frost continues to amuse on many levels and ensures Paul is a good night at home.
Extras: Featurettes, bloopers, trailers, Simon's silly faces&.
Rating: 7/10
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