It's nearly time for the Avengers film to hit New Zealand cinemas.
CHECK OUT THE AVENGERS 2012 MOVIE REVIEW HERE
And it's almost as if Marvel know that with their continuing release of content from the film.
First there was the red carpet premiere of the Avengers in Los Angeles in the week - and all of the advance word from that screening was that it's awesome.
Now, Marvel's unleashed an Avengers featurette with Joss Whedon, Mark Ruffalo and Robert Downey Jr. giving us a little behind the scenes insight...
That's on top of the scene of Scarlett Johannson kicking some serious butt while tied up (easy boys)
Plus a further scene here...
And finally, one scene involving Loki and Tony Stark...
But perhaps the coolest piece of Avengers news today is the unveiling of the Avengers in LEGO form - this poster is just super cute.
The Avengers hits NZ cinemas from April 25th. See you there!
At Darren's World of Entertainment - a movie, DVD and game review blog. The latest movie and DVD reviews - plus game reviews as well. And cool stuff thrown in when I see it.
Saturday, 14 April 2012
StreetDance 2 3D: Movie Review
StreetDance 2 3D: Movie Review
Cast: Falk Hentschel, George Sampson, Tom Conti, Sofia Boutella
Director: Max and Dania
Another dance movie takes to the "streets" with this latest release from the UK.
When Ash (Hentschel) is humiliated by one of the top dance crews, Invincible, in London, he decides to pull together the ultimate European dance crew and take on the best at their own game.
Teaming up with George Sampson's Eddie, who becomes the crew's manager, Ash heads out on a globe trotting quest to pull together the best - and ends up on the doorstep of Latin lovely, Eva (Boutella) whose love of salsa and Latin infused dance could help Ash to victory.
With six weeks to go before the showdown, Ash starts to pull the gang together - can they muster enough bluster and skill to take down Invincible?
StreetDance 2 3D has two things going for it.
Firstly, it's set in Europe and so brings a bit of life to the tired dance off genre by taking it outside of dance halls, and warehouses for long training sequences and setting it into a European background. Wonderful backdrops and a European hint of music give it a little sorely needed life.
The second thing is that it's mercifully short.
It's possibly one of the flattest, most soulless dance films I've ever seen - even the 3D can't really add any vibrancy to the whole affair given a terribly predictable plot, complete lack of characterisation and unbelievably flatly delivered dialogue.
Granted, you don't go to a dance movie for reams of exposition but you do go to feel engaged and motivated for the underdogs to win.
I didn't remotely care whether Ash was going to take down Invincible - after his laughable "humiliation" came from him falling over during a dance off; I wasn't invested in any of the characters of the rest of the crew because they don't really get time to shine.
The cross cultural mix of the crew works nicely but they're given only a few lines here and there after a fast paced intro sequence pulls them all together, meaning they all blend into the background rather than stand out.
Frenetic editing - including speeding up and slowing down - of the dance sequences mean not one of them stands out or is given the time to breathe which is a real shame to be honest.
As for the leads, Boutella is ok; Hentschel (who looks like a cross between a chubbier version of UK pop singer Will Young and Brian Austin Green) is relatively flat and delivers his lines without a real hint of emotion; Tom Conti plays it for laughs and duly gets them - including a sequence in hospital which sees him awoken from a serious heart attack by the rhythm of the beat.
All in all, StreetDance 2 3D is hardly going to set the dance fire alight and the only accolade I can give it, is that it's currently heading for a place on my end of year worst of list.
Rating:
Cast: Falk Hentschel, George Sampson, Tom Conti, Sofia Boutella
Director: Max and Dania
Another dance movie takes to the "streets" with this latest release from the UK.
When Ash (Hentschel) is humiliated by one of the top dance crews, Invincible, in London, he decides to pull together the ultimate European dance crew and take on the best at their own game.
Teaming up with George Sampson's Eddie, who becomes the crew's manager, Ash heads out on a globe trotting quest to pull together the best - and ends up on the doorstep of Latin lovely, Eva (Boutella) whose love of salsa and Latin infused dance could help Ash to victory.
With six weeks to go before the showdown, Ash starts to pull the gang together - can they muster enough bluster and skill to take down Invincible?
StreetDance 2 3D has two things going for it.
Firstly, it's set in Europe and so brings a bit of life to the tired dance off genre by taking it outside of dance halls, and warehouses for long training sequences and setting it into a European background. Wonderful backdrops and a European hint of music give it a little sorely needed life.
The second thing is that it's mercifully short.
It's possibly one of the flattest, most soulless dance films I've ever seen - even the 3D can't really add any vibrancy to the whole affair given a terribly predictable plot, complete lack of characterisation and unbelievably flatly delivered dialogue.
Granted, you don't go to a dance movie for reams of exposition but you do go to feel engaged and motivated for the underdogs to win.
I didn't remotely care whether Ash was going to take down Invincible - after his laughable "humiliation" came from him falling over during a dance off; I wasn't invested in any of the characters of the rest of the crew because they don't really get time to shine.
The cross cultural mix of the crew works nicely but they're given only a few lines here and there after a fast paced intro sequence pulls them all together, meaning they all blend into the background rather than stand out.
Frenetic editing - including speeding up and slowing down - of the dance sequences mean not one of them stands out or is given the time to breathe which is a real shame to be honest.
As for the leads, Boutella is ok; Hentschel (who looks like a cross between a chubbier version of UK pop singer Will Young and Brian Austin Green) is relatively flat and delivers his lines without a real hint of emotion; Tom Conti plays it for laughs and duly gets them - including a sequence in hospital which sees him awoken from a serious heart attack by the rhythm of the beat.
All in all, StreetDance 2 3D is hardly going to set the dance fire alight and the only accolade I can give it, is that it's currently heading for a place on my end of year worst of list.
Rating:
Friday, 13 April 2012
Blackthorn: Movie Review
Blackthorn: Movie Review
Cast: Sam Shepard, Stephen Rea, Eduardo Noriega
Director: Mateo Gil
Some icons just never go away.
Thus it is with Butch Cassidy, last seen disappearing with the Sundance Kid back on screens in 1969.
But 20 years later in Bolivia, Cassidy resurfaces, an older man and living under the name James Blackthorn and trying to live the quieter life than before.
However, when he hears of Etta Place's death, he decides to end his long exile and head back to the USA to take care of who he believes is his nephew (but is actually his son).
So, withdrawing all his money and packing up on his horse, he heads off.
Yet, of the best laid plans of mice and men, Blackthorn is ambushed by a Spanish mining engineer (Noriega), he loses his horse and his life savings.
With no option but to form an uneasy alliance with the mining engineer, Blackthorn heads off trying to help the Spaniard reclaim money he says has been stolen from the miners.
But the past is catching up to Blackthorn - along with the present...
It's always difficult taking an icon and doing something respectful and yet original with it - and to some degree, Gil manages some of this with Blackthorn.
Mainly thanks to a great performance of weariness, determination and grit by Shepard who turns in a mightily impressive performance in the outlaw character made famous by someone else (namely Paul Newman). Shepard is riveting to watch and would probably rank as a great actor to have in a Western - but I'm not convinced he makes a great Butch Cassidy, simply because of the narrative.
That's not to knock his performance, merely the story around it. I think Blackthorn may have worked slightly better were it not a "what if" piece, examining what happened to Butch Cassidy - unfortunately, you have character and story expectations for such an icon (whether you like to admit it or not).
Gil's crafted a reasonably elegaic and at times, meandering Western, which really would have worked better if it had a little more pace. The start is a bit of a crawl to be frank and it doesn't really go anywhere as Cassidy takes on a Sundance Kid type partner. Sure, there are nods to a previous life along with flashbacks but it's not a showy or flashy western; there's scenes of shooting but they're not action packed. The whole tone is a reflective one for you to lose yourself in. It could have done with a little more oomph and bluster to really suck you into it.
That said, Blackthorn has some truly beautiful landscape shots and scenes shot on the Salt Plains are stunningly good on the eyeballs. And sure, there's the morals of the time and the old days versus the changing world Blackthorn finds himself in - but it's not quite enough. If this were a normal Western without the Butch Cassidy overtones, it would be perfectly watchable - as it is, it brings with it a level of expectation which it can't sustain.
The reason to see this rather odd Western is Sam Shepard - it's a masterclass of acting in a muddle of meandering - chalk this one up - unfortunately - to admirable failure.
Rating:
Cast: Sam Shepard, Stephen Rea, Eduardo Noriega
Director: Mateo Gil
Some icons just never go away.
Thus it is with Butch Cassidy, last seen disappearing with the Sundance Kid back on screens in 1969.
But 20 years later in Bolivia, Cassidy resurfaces, an older man and living under the name James Blackthorn and trying to live the quieter life than before.
However, when he hears of Etta Place's death, he decides to end his long exile and head back to the USA to take care of who he believes is his nephew (but is actually his son).So, withdrawing all his money and packing up on his horse, he heads off.
Yet, of the best laid plans of mice and men, Blackthorn is ambushed by a Spanish mining engineer (Noriega), he loses his horse and his life savings.
With no option but to form an uneasy alliance with the mining engineer, Blackthorn heads off trying to help the Spaniard reclaim money he says has been stolen from the miners.
But the past is catching up to Blackthorn - along with the present...
It's always difficult taking an icon and doing something respectful and yet original with it - and to some degree, Gil manages some of this with Blackthorn.
Mainly thanks to a great performance of weariness, determination and grit by Shepard who turns in a mightily impressive performance in the outlaw character made famous by someone else (namely Paul Newman). Shepard is riveting to watch and would probably rank as a great actor to have in a Western - but I'm not convinced he makes a great Butch Cassidy, simply because of the narrative.
That's not to knock his performance, merely the story around it. I think Blackthorn may have worked slightly better were it not a "what if" piece, examining what happened to Butch Cassidy - unfortunately, you have character and story expectations for such an icon (whether you like to admit it or not).
Gil's crafted a reasonably elegaic and at times, meandering Western, which really would have worked better if it had a little more pace. The start is a bit of a crawl to be frank and it doesn't really go anywhere as Cassidy takes on a Sundance Kid type partner. Sure, there are nods to a previous life along with flashbacks but it's not a showy or flashy western; there's scenes of shooting but they're not action packed. The whole tone is a reflective one for you to lose yourself in. It could have done with a little more oomph and bluster to really suck you into it.
That said, Blackthorn has some truly beautiful landscape shots and scenes shot on the Salt Plains are stunningly good on the eyeballs. And sure, there's the morals of the time and the old days versus the changing world Blackthorn finds himself in - but it's not quite enough. If this were a normal Western without the Butch Cassidy overtones, it would be perfectly watchable - as it is, it brings with it a level of expectation which it can't sustain.
The reason to see this rather odd Western is Sam Shepard - it's a masterclass of acting in a muddle of meandering - chalk this one up - unfortunately - to admirable failure.
Rating:
The Debt: Blu Ray Review
The Debt: Blu Ray Review
Rating: M
Released by Universal Home Ent
Helen Mirren, Tom Wilkinson and Ciaran Hinds star in this stunningly good thriller about three Mossad agents (Rachel, David and Stephan) whose lives are irrevocably joined by their role in an operation in the 1960s.
Mirren is Rachel Singer, whose first operation in 1965 is in East Berlin and is to help capture and smuggle the Surgeon Of Birkenau, a Nazi war criminal whose crimes against the Jews were horrific.
But the mission goes somewhat awry as a love triangle between the three develops - add into that volatile mix the fact their attempt to smuggle the captured criminal out of Berlin sees them all confined to their apartment, and simmering tensions boil over.
The Debt is a thrilling and suspenful film, a tautly directed piece which benefits from a brilliant cast - flashbacks to the 1960s are extremely well acted by younger versions of the main three - including Sam Worthington and a stunning Jessica Chastain who manages to mix steely determination with terrified vulnerability. She's clearly destined for greater things and manages to impress with a combination of the physical and the psychological.
Helen Mirren and Tom Wilkinson are also great in their elder versions of themselves and manage to keep the latter part of this impressively directed puzzle fresh, riveting and exciting.
It may be tough in its story choices, but it's a claustrophobically intelligent piece which grips from beginning to end.
Extras: Brief puff pieces which were clearly extended TV ads and a commentary - very disappointing for a smart film like this.
Rating:

Rating: M
Released by Universal Home Ent
Helen Mirren, Tom Wilkinson and Ciaran Hinds star in this stunningly good thriller about three Mossad agents (Rachel, David and Stephan) whose lives are irrevocably joined by their role in an operation in the 1960s.
Mirren is Rachel Singer, whose first operation in 1965 is in East Berlin and is to help capture and smuggle the Surgeon Of Birkenau, a Nazi war criminal whose crimes against the Jews were horrific.
But the mission goes somewhat awry as a love triangle between the three develops - add into that volatile mix the fact their attempt to smuggle the captured criminal out of Berlin sees them all confined to their apartment, and simmering tensions boil over.
The Debt is a thrilling and suspenful film, a tautly directed piece which benefits from a brilliant cast - flashbacks to the 1960s are extremely well acted by younger versions of the main three - including Sam Worthington and a stunning Jessica Chastain who manages to mix steely determination with terrified vulnerability. She's clearly destined for greater things and manages to impress with a combination of the physical and the psychological.
Helen Mirren and Tom Wilkinson are also great in their elder versions of themselves and manage to keep the latter part of this impressively directed puzzle fresh, riveting and exciting.
It may be tough in its story choices, but it's a claustrophobically intelligent piece which grips from beginning to end.
Extras: Brief puff pieces which were clearly extended TV ads and a commentary - very disappointing for a smart film like this.
Rating:

Real Steel - Blu Ray Review
Real Steel - Blu Ray Review
Rating: M
Released by Sony Home Entertainment
In the not too distant future on earth, robots have taken the place of humans in the boxing ring.
It's in this world we meet Charlie Kenton (Jackman), a former boxer whose glory days are past him and who now spends time using his skills to guide fighting robots in the ring.
Only ridden with debt, Charlie's got a few problems - he's got creditors threatening him, his former girlfriend Bailey (Lost's Evangeline Lilly) is about to lose the family gym because of the debt Charlie's racked up and to make matters worse, Charlie gets his young son Max dumped on him after his ex-wife dies.
But when Max discovers an old robot and decides his discarded bot will be a fighting champion, Charlie indulges his son and gives him a chance to experience life as a fighter.
However, when Max's robot starts to win, Charlie soon discovers he's got a chance to change his life.
This feel good family flick feels at times like a simple smash em up robot smackdown; a sort of Robot Wars for the new CGI digital age. But at its core, it's an old fashioned tale about the underdog, the broken family and second chances.
Which means some of it feels a little old hat and unoriginal - despite the futuristic setting and blaring heavy metal soundtrack each time the robots fight in the ring, there's something very old fashioned to the story telling.
While it avoids the cliché of the mop haired kid, there's a very real feeling to the relationship between Max and Charlie; Hugh Jackman brings his requisite charm to the role and while there's some cheesy lines in the film (Max tells Charlie at one point: You just throw away anything you don't need), there's a heartfelt warmth underneath.
The robot fight scenes are quite cool to be honest - and will indulge the father/son bonding nature of this flick; and I have to admit to being very impressed by the animatronic robots (but that's the nerd in me coming out).
At the end of the day, Real Steel is a brash and at times noisy affair with a gooey heart deep within and it's certainly going to have limited family appeal.
Rating:
Rating: M
Released by Sony Home Entertainment
In the not too distant future on earth, robots have taken the place of humans in the boxing ring.
It's in this world we meet Charlie Kenton (Jackman), a former boxer whose glory days are past him and who now spends time using his skills to guide fighting robots in the ring.
Only ridden with debt, Charlie's got a few problems - he's got creditors threatening him, his former girlfriend Bailey (Lost's Evangeline Lilly) is about to lose the family gym because of the debt Charlie's racked up and to make matters worse, Charlie gets his young son Max dumped on him after his ex-wife dies.
But when Max discovers an old robot and decides his discarded bot will be a fighting champion, Charlie indulges his son and gives him a chance to experience life as a fighter.
However, when Max's robot starts to win, Charlie soon discovers he's got a chance to change his life.
This feel good family flick feels at times like a simple smash em up robot smackdown; a sort of Robot Wars for the new CGI digital age. But at its core, it's an old fashioned tale about the underdog, the broken family and second chances.
Which means some of it feels a little old hat and unoriginal - despite the futuristic setting and blaring heavy metal soundtrack each time the robots fight in the ring, there's something very old fashioned to the story telling.
While it avoids the cliché of the mop haired kid, there's a very real feeling to the relationship between Max and Charlie; Hugh Jackman brings his requisite charm to the role and while there's some cheesy lines in the film (Max tells Charlie at one point: You just throw away anything you don't need), there's a heartfelt warmth underneath.
The robot fight scenes are quite cool to be honest - and will indulge the father/son bonding nature of this flick; and I have to admit to being very impressed by the animatronic robots (but that's the nerd in me coming out).
At the end of the day, Real Steel is a brash and at times noisy affair with a gooey heart deep within and it's certainly going to have limited family appeal.
Rating:
Wednesday, 11 April 2012
Battleship: Movie Review
Battleship: Movie Review
Cast: Taylor Kitsch, Alexander Skarsgaard, Liam Neeson, John Tui, Rihanna, Brooklyn Decker
Director: Peter Berg
One of the big films of the year is a sci fi themed film based on a naval manoeuvres boardgame.
Yep, I can't believe I wrote that either.
From director Peter Berg, comes Battleship the film based on the boardgame we all played in our youth.
Taylor Kitsch stars as Alex Hopper, who starts the film as a kind of feckless waster and out with his brother Stone (Skarsgard) to celebrate his birthday; when in walks blonde bombshell Samatha (Decker). Smitten, Hopper ends up being tasered and arrested after breaking in to a convenience store to get some food to impress the girl....
Tired of his brother's mess ups, Stone, a Commanding officer in the Navy enlists his brother - cue a little while later and the pair are about to embark on naval war games. But Alex can't stay out of trouble and one altercation later with colleagues on the boat and he's facing being kicked out of the navy at the end of the games.
Trouble is the boss of the navy (Liam Neeson) also happens to be Samantha's dad - whom Alex needs to get permission from for marriage...
That's the least of his worries when an alien invasion force, known as the Regents, shows up in the middle of the games, having been contacted by a signal sent from Earth years ago....and they're not here to play, throwing up shields and keeping the world's armed forces out..
Soon, Earth's under threat and it's all down to the naval team, who's trapped within the shield to try and save the day....
It's hard to know exactly where to start with Battleship.
There's a scene in the trailer where Alexander Skarsgard's character is smacked across the face with a soundwave emitted from the bad guys and staggers around stunned, bloodied and lost.
That's something a little similar to how I felt during parts of Battleship as the loud, brash, FX heavy and slightly cheesy, occasionally tongue in cheek flick unrolled one action scene after another. But yet, there are moments where Berg pays such homage and respect to America's navy, it's hard to fault his intentions amid this testosterone FX fuelled rampage through blockbuster territory.
It's a gung ho piece - complete with patriotism aplenty as we take in the all American way; from a football game between Japan and American navy sides to a shot of a kid turning around sucking down a Subway drink (sponsorship anyone?) this is the kind of film which salutes the very best of America and gives it a moment on the screen.

And yet, when Berg takes a quieter approach to matters, he's to be saluted. He shows the full cost of being involved in wars and conflicts by giving Brooklyn Decker a job as a physioin an army rehab centre - and then whirls the camera around the various people afflicted by it all. (Well, right before pairing her off with an amputee who's lost his sense of worth having lost both his legs and sending them off on a quest).
Plus the sequence when the old timers are rolled out onto the final Battleship to help take down the bad guys, is the kind of thing you should really stand and salute in the cinema. All set to a raucously loud AC/DC/ generic heavy rock soundtrack, you can pretty much tell what you're gonna get with this side order of cheese.
If you want to see a film where an amputee goes mano a mano with an alien and smacks him about, then Battleship is the film for you. Hell, even Peter Berg wants to get in on the action too, giving himself a little cameo in among the throwaway humorous one liners scattered throughout. That is in amongst the cliches and such dialogue as "I gotta bad feeling about this - a like we're gonna need a new planet bad feeling"...
But there are some plus points in amongst this OTT in your face flick- Taylor Kitsch does a great job of helming this ship (much better than his leading man in John Carter) and shows he's got what it takes to lead a major blockbuster piece; Liam Neeson is sidelined with hardly any on screen time which is a major mistake; in her acting debut, Rihanna is all hissing kitten and hardly needing to do much acting as a serving grunt and our very own Tongan John Tui is majorly impressive as the ship's engineer, bringing a bit of much needed Kiwi credibility to this. (I'm hoping this is a start of a top notch career for him in the blockbuster action genre - because he's very good in this - and shows he's got the potential for a major blockbuster career).
The alien spacecraft are well done and the CGI works smoothly; less successful perhaps are the marauding aliens which, when stripped of their helmets and full on HALO style battle gear, resemble nothing more than a squat potato with porcupine quills stuck into their chin.
The nods to the Battleship game are quite cool and respectful if you know the HASBRO game - from the enemy missiles thrown out from the ships which resemble the pieces you'd put in the old boardgame to the quite clever way that the filmmakers bring the old concept of the grid game to the screen is to be commended as well.
At the end of the day, I think you know what to expect with a film like this - one that's occasionally a little more than Transformers in the water - it's a brash, ballsy, blockbuster sized slice of patriotic cheese which pummels your mind and eyeballs into submission as it rolls out over its two hours of pure brain at the door big dumb fun.
If you're going to this looking for sheer entertainment and huge no brainer thrills, then it's for you. If you're going looking for depth, then, sailor, you're all washed up.
Rating:

Cast: Taylor Kitsch, Alexander Skarsgaard, Liam Neeson, John Tui, Rihanna, Brooklyn Decker
Director: Peter Berg
One of the big films of the year is a sci fi themed film based on a naval manoeuvres boardgame.
Yep, I can't believe I wrote that either.
From director Peter Berg, comes Battleship the film based on the boardgame we all played in our youth.
Taylor Kitsch stars as Alex Hopper, who starts the film as a kind of feckless waster and out with his brother Stone (Skarsgard) to celebrate his birthday; when in walks blonde bombshell Samatha (Decker). Smitten, Hopper ends up being tasered and arrested after breaking in to a convenience store to get some food to impress the girl....
Tired of his brother's mess ups, Stone, a Commanding officer in the Navy enlists his brother - cue a little while later and the pair are about to embark on naval war games. But Alex can't stay out of trouble and one altercation later with colleagues on the boat and he's facing being kicked out of the navy at the end of the games.
That's the least of his worries when an alien invasion force, known as the Regents, shows up in the middle of the games, having been contacted by a signal sent from Earth years ago....and they're not here to play, throwing up shields and keeping the world's armed forces out..
Soon, Earth's under threat and it's all down to the naval team, who's trapped within the shield to try and save the day....
It's hard to know exactly where to start with Battleship.
There's a scene in the trailer where Alexander Skarsgard's character is smacked across the face with a soundwave emitted from the bad guys and staggers around stunned, bloodied and lost.
That's something a little similar to how I felt during parts of Battleship as the loud, brash, FX heavy and slightly cheesy, occasionally tongue in cheek flick unrolled one action scene after another. But yet, there are moments where Berg pays such homage and respect to America's navy, it's hard to fault his intentions amid this testosterone FX fuelled rampage through blockbuster territory.
It's a gung ho piece - complete with patriotism aplenty as we take in the all American way; from a football game between Japan and American navy sides to a shot of a kid turning around sucking down a Subway drink (sponsorship anyone?) this is the kind of film which salutes the very best of America and gives it a moment on the screen.
And yet, when Berg takes a quieter approach to matters, he's to be saluted. He shows the full cost of being involved in wars and conflicts by giving Brooklyn Decker a job as a physioin an army rehab centre - and then whirls the camera around the various people afflicted by it all. (Well, right before pairing her off with an amputee who's lost his sense of worth having lost both his legs and sending them off on a quest).
Plus the sequence when the old timers are rolled out onto the final Battleship to help take down the bad guys, is the kind of thing you should really stand and salute in the cinema. All set to a raucously loud AC/DC/ generic heavy rock soundtrack, you can pretty much tell what you're gonna get with this side order of cheese.
If you want to see a film where an amputee goes mano a mano with an alien and smacks him about, then Battleship is the film for you. Hell, even Peter Berg wants to get in on the action too, giving himself a little cameo in among the throwaway humorous one liners scattered throughout. That is in amongst the cliches and such dialogue as "I gotta bad feeling about this - a like we're gonna need a new planet bad feeling"...
But there are some plus points in amongst this OTT in your face flick- Taylor Kitsch does a great job of helming this ship (much better than his leading man in John Carter) and shows he's got what it takes to lead a major blockbuster piece; Liam Neeson is sidelined with hardly any on screen time which is a major mistake; in her acting debut, Rihanna is all hissing kitten and hardly needing to do much acting as a serving grunt and our very own Tongan John Tui is majorly impressive as the ship's engineer, bringing a bit of much needed Kiwi credibility to this. (I'm hoping this is a start of a top notch career for him in the blockbuster action genre - because he's very good in this - and shows he's got the potential for a major blockbuster career).
The alien spacecraft are well done and the CGI works smoothly; less successful perhaps are the marauding aliens which, when stripped of their helmets and full on HALO style battle gear, resemble nothing more than a squat potato with porcupine quills stuck into their chin.
The nods to the Battleship game are quite cool and respectful if you know the HASBRO game - from the enemy missiles thrown out from the ships which resemble the pieces you'd put in the old boardgame to the quite clever way that the filmmakers bring the old concept of the grid game to the screen is to be commended as well.
At the end of the day, I think you know what to expect with a film like this - one that's occasionally a little more than Transformers in the water - it's a brash, ballsy, blockbuster sized slice of patriotic cheese which pummels your mind and eyeballs into submission as it rolls out over its two hours of pure brain at the door big dumb fun.
If you're going to this looking for sheer entertainment and huge no brainer thrills, then it's for you. If you're going looking for depth, then, sailor, you're all washed up.
Rating:

The Avengers Live US Red Carpet
Avengers Assemble!
CHECK OUT THE AVENGERS MOVIE REVIEW HERE
The US premiere of the much anticipated Avengers is taking place in America right now - and we've got live footage from the Avengers red carpet below.
CHECK OUT THE AVENGERS MOVIE REVIEW HERE
The US premiere of the much anticipated Avengers is taking place in America right now - and we've got live footage from the Avengers red carpet below.
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