Friday, 5 April 2013

First full Carrie remake trailer drops

First full Carrie remake trailer drops


Within the last few minutes, the first full Carrie remake trailer, starring Chloe Grace Moretz has just dropped.

Watch the full Carrie remake trailer below.

Carrie, the 2013 remake releases in New Zealand on November 14th.


Thursday, 4 April 2013

Documentary Edge Festival NZ preview

Documentary Edge NZ Festival preview


Somewhat under-represented when it comes to bums on seats and outside major festivals, the documentary scene is one which is thriving and certainly worthy of your time as the dark nights draw in.

Running from the 10th to the 21st of April in Auckland and from 8th to 19th May in Wellington, the festival's certainly giving it a good shot in terms of diversity as ever. And it's definitely getting the international support with some of the film makers and even some of the subjects coming to New Zealand in support of their product.

Variety is definitely the spice of life - a selection of screeners from the festival shows the documentary genre is as strong as ever with every single one of the films provoking some kind of reaction from initial viewing.


Following the relative success of Whip It, comes Pretty Brutal. A NZ doco, this takes a look at the world of roller derby and the women who inhabit it. From their short skirts and fishnet stockings, they're certainly likely to catch your attention but with names like Kid Vile, and Pieces of Hate, it ain't what you'd expect. It tracks the creation of a roller derby league and offers an intriguing peek into those who live within that world. It's a world premiere which shows personality clashes, ideological conflicts and a chance to really understand why the energy of the sport is infectious.

Last year's film, The Sessions was a life affirming peek at the world of the sex worker and the disabled. John Hawkes criminally missed out on an Oscar nod for this film - but now a doco, Scarlet Road, takes a look at a similar kind of thread. Concentrating on Rachel Wotton (who will be over for the festival), an Aussie sex worker whose clientele includes the disabled, it starts off jauntily but soon becomes an intimate, yet sensitively handled open piece about the needs of all human beings. Warm and moving, it's likely to be a Q&A session which will be interesting and insightful.

The Invisible War is a doco which will outrage many as it gives voice to the issue of rape within the US military and the continual silence when it comes to dealing with its implications as well as insight into the ongoing legal cases. With 1 in 5 being sexually assaulted within the military, it's a topic which doesn't shy away from giving voices and screen time to the victims. It's a difficult watch in places but it's also an important one as many of those who've suffered in silence and in continual frustration are given chance to tell their story - and make you realise the full horror of the systematic failure of the military to do anything about it. Ultimately frustrating and likely to anger you, because of the lack of progression from the military, The Invisible War is an incendiary piece of film-making. A reminder of the power of the documentary genre as the movement to garner change is gaining momentum and that's got to be a good thing after the harrowing revelations from this doco.

How To Survive a Plague was an Oscar nominated doco about AIDS activism and survival in the USA. Using archival footage, it's your classic tale of empowerment and shows how standing upto the situation can make a real difference. Granted, it's somewhat of a call to arms but it's still a film which is incendiary and a fascinating insight into how movements come and stand the test of time.

First Comes Love is an HBO doco which focuses on Nina Davenport, a NYC based film-maker who, at 41, decides she wants a child on her own. So, she sets out to navigate the highs and lows of the solo parenting scene. Redefining family and shining a wide ranging light on her own life as well as everyone around her, it's an engaging and frequently interesting look at how lives change when a child comes into it and even more when you're a single parent - and will appeal to those who believe there is a man drought. Her relationship with her father provides the most intriguing glimpses into familial life and occasionally stuns with its frank honesty.

Other programme treats include (an unseen) Her Master's Voice as UK ventriloquist Nina Conti looks into the world of ventriloquism...My advice is to get out, go and see something and if you're fortunate enough to be at a screening where the film-maker or subject are attending, be prepared to get closer to the stories than you'd ever have expected to do so.

You can find out more about The Documentary Edge Festival at their site.

Wednesday, 3 April 2013

Identity Thief: Movie Review

Identity Thief: Movie Review


Cast: Jason Bateman, Melissa McCarthy, Jon Favreau, Amanda Peet, Genesis Rodriguez, Eric Stonestreet
Director: Seth Gordon

Following on from this year's first mis-matched road trip movie, The Guilt Trip comes the latest contender - Identity Thief.

Mild-mannered businessman Sandy Patterson (a likeable Jason Bateman) is an everyday American blue collar worker, who, one day finds his chance of getting a new job is being scuppered by someone who's stolen his identity and maxed out his credit cards.

So, deciding, for once, to take matters into his own hands, Sandy heads from Denver to Miami to track down alterna-Sandy Patterson (Melissa McCarthy, complete with garish orange glow and horrendous clothes), who's been living the high life at his expense.

His plan? To get "Sandy" back to Denver so she can clear his name - sounds easy, but as Sandy soon discovers this plan is about to hit all manner of speed bumps.

Overlong and under funny, this latest from the director of Horrible Bosses manages to get the absolute best out of a pair of likeable leads despite giving them very little to work with. Once again, Bateman mines his very successful middle American schtick to great comic effect despite having very few lines to work with. But once again, he proves identifiable for a lot of middle America as they get the chance to "stick it to the man". Melissa McCarthy, while initially garish and over the top, begins to grate but wisely and perhaps, unevenly, suffers from the affliction of a conscience in the final furlong of the movie.

A side plot involving McCarthy's character being chased by a bounty hunter and a pair of agents is thrown into the mix without any hint of development and consequently flounders; multiple jokes are made over how "Sandy" is a unisex name linger in the air without ever hitting a target and a few acerbic barbs fly by giving a couple of titters, but nothing ever approaching a belly laugh. Set pieces have flat pay-offs and give little to the audience who're investing their time in this duo.

Farcical without ever being overly funny, this road trip without the subtlety may amuse some more than others, but in amongst the inevitable squabbling and moments of occasional grossness, there is some heart and emotion as McCarthy's "Sandy" gets a back story and suffers the unavoidable final act about-face.

All in all, Identity Thief is a good idea and a great premise which doesn't quite generate the funnies it needs and offers a straighter piece rather than a dramedy. It fails to deliver the laughs and despite a pair of likeable leads, it flounders with, ironically, no identity of its own to build on.

Rating:


Bully: Blu Ray Review

Bully: Blu Ray Review


Rating: M
Released by Roadshow Home Entertainment

Anyone who's experienced any level of bullying or who's always claimed ignorance of the issue will find something in this doco from Lee Hirsch. 

Set in Middle America, it follows a clutch of kids whose lives are made hellish by the daily beatings, verbal smackdowns and general cruelty of kids in general and a system which seems determined to be nothing more than ineffectual. 

Beginning with home video footage of a young boy, playing happily and gradually as the years go by becoming more withdrawn, the tone is set early on - it's a hard watch but one which is nothing less than compelling throughout even if some of the wider issues and backgrounds are a little ignored. 12-year-old Alex is the poster boy for bullying; born prematurely and cruelly dubbed Fishface by some in school, he's a loner who's punched on the bus for no reason, strangled and ostracised but yet who goes back every day to endure it all again and suffers in silence. When one kid's asked about what goes on with the bullying, he simply states "It breaks my heart" and that's something any audience member sitting through this will identify with. 

Hirsch has pulled together a piece which is provocative as it deals with growing numbers of suicides caused by bullying but which tries to offer up some hope at the end. School systems and ineffective principals are damned by Lee's non-intrusive camera work, which captures the frustrations of the parents and the denial of those in power who could make a difference. Alex proves to be an engaging subject - despite enduring a daily hell of people telling him they "will end" him, his demeanour and attitude can be challenging and heartbreaking as he asks "Who else will be my friend" when his parents see the extent of what Lee's caught on camera and urge him to  speak up. 

Bully also deals with other kids whose lives are damned and the parents of a teen boy who felt he had no choice but to take his own life. By providing a document which has such disarming honesty, you can see what Lee Hirsch is trying to do - and is continuing to do after release - but you can't help but feel this is a film which needs to be seen more by the masses, freed from any distribution issues and given directly to schools to actually make a difference (no fault of the film-maker here, I hasten to add). Bully is an emotive yet matter of fact piece which is emotionally shattering and utterly horrifying as it follows its subjects. 

It offers some hope but shows we're still too far away from ever really doing anything to actively end this - which is a crime, no matter how you view it.

Extras: None

Rating:


Dead Island Riptide Preview

Dead Island Riptide Preview


Zombies, eh?

The undead certainly have a way of instigating themselves into our subconscious and gaming collective. Whether it's the Walkers on The Walking Dead or the various iterations which find themselves in video games, they're currently popular fodder for the gaming world.

And they're all over the place in the sequel to Dead Island. In Dead Island Riptide, developer Techland's meshed the horror and the survivor genres back together again to produce a bloody mess of a game. Picking up where 2011's Dead Island left off, you find yourself back on the island of Palanai which has been overrun by the undead.

But fortunately along with your other survivors (or solo mode) you're able to negotiate your way through the land, merrily killing everything in your way and trying to do your best to survive.

However, I'm getting a little ahead of myself here.

First up, you get to select your character and choose where you feel their strengths should lie. Adopting a balanced approach, rather than preferring to put all my eggs into one basket, my character was ready to go. And then you're unleashed onto the island.

The preview session I attended was one which had teams of four playing in the co-op mode, so to be honest, you're very reliant on the rest of your gang and how they handle attacks and whether they choose to go for the tried and tested method of simply killing everything in sight or try to achieve some of the tasks necessary to get off the island.

Fortunately with a 3 hour preview window, there was a chance to do a bit of both.

The co-op mode's interesting as you pretty much settle into the mentality of killing as much as you can, whereever you can and with whatever you have to hand. Usually, it's a combo of kicking and punching the undead into one final oblivion but with a stamina bar on screen determining just how much strength you've got to unleash your anger, you have to be a bit calculating with your moves. For example, if you keep kicking rather than let your stamina recover, you will take a lot longer to do any damage whatsoever; whereas if you give yourself time to power up, a couple of kicks and punches will see off the undead. That said, if you're part of a pack of survivors, taking it in turns to dish out the beating will give you all a chance to recover and will easily see off the zombies.

But you also have to work together as a team to achieve goals - be it taking out a massive ogre zombie which vomits all over you, sapping your life (this game doesn't do subtlety) or working together to get the pieces needed for repairing a boat motor so that you can take to the water to escape. There are plenty of quests scattered around the island - from providing pain killers needed for someone ill within the compound or finding and saving other characters, there's certainly a whole heap to do in this open world game rather than just kill. 3 hours wasn't enough time to fully get into the mission of the game, but I suspect that Dead Island Riptide could offer a lot of gaming potential when it comes out a little later this month.

It's not just all about the killing though - you have to repair and upgrade your weapons, which degrade over time (as they're wont to do with so much hacking going on) as well as upgrading your own personal skills from lock picking to crafting weapons. Given that you can pick pocket the dead after they've been thrashed and can trade with co-players, there's certainly a hint that some kind of strategy will need to be in place to survive Palanai rather than just opting for fight or flight. There are also quests, secret files to collect, dead zones to clear and radio tapes which give you info about the outbreak, indicating there's more than enough to offer you different types of games - whether you want to just pick up Dead Island Riptide and go postal for an hour or tap into the survival instinct and longer term game.

As for the zombies - from thugs, walkers to ogres to rabidly fast runners who head towards you, there are varying levels of skill on hand from the undead. Thankfully, though, there are plenty of weapons to help you out - from a meat cleaver which is totally gory in its killing, Freddie Kreuger style finger slashers to a club with nails, there are certainly enough ways on hand to despatch them in bloody fashion. Sadly, though, in the preview I saw, there were a couple of problems with the zombies and the background - predominantly that they'd get stuck under wooden platforms and thrash around as if they weren't there, giving the game a kind of uncomplete feeling in parts and one which may, over time, detract. Add to that, the fact that you can't go thrashing through undergrowth at times meaning your stealth attacks are a bit difficult to achieve and you can see how it's not perfect in places. Then, however, you get moments where you can drive a car or boat into a horde of hungry brain feeders and despatch them with such gore and glee, it becomes addictively compulsive.

But, given that this game appears to be more about the blood and guts side of things with a bit of adventuring thrown in for good measure, I think those niggles will not totally prevent you from gathering a group of mates together and going for a mass killing session. And those are completely fun with weapons removing part of their limbs, giving them a "brain bash" where their heads explode...there's likely to be a lot of bragging about how you killed off the undead rather than which tactics you used to survive.

There are guilty pleasures all over the place in Dead Island Riptide and despite it not being perfect in terms of graphics in places, it's still got plenty of playability and offers a great co-op experience.

Dead Island Riptide hits PC, PS3 and XBox consoles on April 23rd.

Tuesday, 2 April 2013

Breaking Dawn Part 2 : Blu Ray Review

Breaking Dawn Part 2 : Blu Ray Review


Rating: M
Released by Sony Home Entertainment

So, it's finally here - the big finale of The Twilight Saga.

At the end of Breaking Dawn - Part 1, Bella (Stewart) had been transformed into a vampire by Edward (Pattinson) after their super baby broke out of her womb, effectively killing her. As we rejoin the Cullen clan, Bella's enjoying her new life as a mum to daughter Renesmee (newcomer Mackenzie Foy) and the new powers being one of the undead brings. Soon, though, as with every other Twilight film, their happiness is threatened.

When Vampire Irina (Lost star Maggie Grace) starts to believe that Renesmee's birth could signal a threat and the end of The Volturi, she rallies the secretive group together to destroy this perceived threat of an Immortal child.

However, Bella and Edward pull together all the allies they can to help them fight one last crucial battle to protect their family and their future....

So, with the end nigh, the question is does Twilight Breaking Dawn deliver?

And the answer is kind of a surprising yes, actually. But the reason this latest entrant into the Twilight Saga sparkles a little brighter than the rest is because they finally put aside the truly dire lovesick moping which has peppered the last 4 films, dialled back some of the awful dialogue and actually get to some action and deal with the menace of the Volturi.


It's not without its initial wobbles though - from a truly creepy CGI child that is Renesmee (seriously, you'll never be so freaked out by a newborn CGI/animatronic kid) to an awful slow mo/ soft focus sex scene between the two vamps and ending with a credits montage of everyone involved (no doubt to mark their work from all four of them), there are still the moments which have dogged the franchise from the viewpoint of anyone who's not a rabid fan of the books. The wolves this time are a little more solid and work better - laying to rest some of the CGI shambles which lumbered the previous films with unintentional laughter.

Kristen Stewart does her usual constipated pained look for Bella, Robert Pattinson is a bit more restrained as Edward Cullen andTaylor Lautner (yes, he does get his shirt off, again - one last time for those abs and their lovers) is all petulance and cheek as Jacob. Of the newcomers, Lee Pace brings the comedy swagger as a rock'n'roll vamp, Garrett but to be honest, there's scant screen time to build up anything more than stereotypes for the other vamps from around the world. Billy Burkealso deserves credit for bringing some humanity as Bella's dad, Charlie - and the laughs once again. Mackenzie Foy does little other than touch people to communicate, but she's a massive improvement on CGI baby Renesmee.

All in all, fans of the series won't be disappointed by the end after 4 years and 5 films - and for everyone else worried about attending this with them, by veering away from the love story and painful teen angsting, Bill Condon's given the franchise the film it really needed right from the start.

The Twilight Saga: Breaking Dawn Part 2 isn't going to sweep the Oscars as the best movie ever, but it is a satisfying end to the franchise for fans - and a massive improvement in spectacle and cinema for non-fans - alike.

Extras: 7 Part making of, commentary and featurettes

Rating

Monday, 1 April 2013

Ip Man: The Final Fight: Movie Review

Ip Man: The Final Fight: Movie Review


Cast: Jordan Chan, Eric Tsang, Anthony Wong Chau-Sang
Director: Herman Yau

The final film in the Ip Man series, and I have to confess to having never seen any of them before.

Set in Hong Kong after the war, legendary grandmaster Ip Man (Chau-Sang) is called into action for one final time as he's drawn into the underworld of the Triads.

Nostalgic in look and feel, this kung fu kick ass film certainly brings the fight vividly to life as Ip Man finds his way of life challenged. Historically, it breathes life into the unrest of the time with street workers, union strikes et al being given room to bring a little context to the piece.


But really the narrative is mainly sidelined for the action sequences and when you see a kung fu film these days, thanks to video games and short attention spans, they predominantly seem to be focussed solely on the ass kicking.

Thankfully, a few memorable set piece action sequences bring the bang to the table and provide a few of the thrills as well as this piece progresses. Are they enough to satiate the casual cinema goer? I'd suggest not and while they're technically adept, they offer little new in terms of action but are solid enough to entertain.

All in all, Ip Man: The Final Fight will satisfy fans of the trilogy - for all others, it'll simply provide a solid thrill of a night out.

Rating:


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