Wednesday, 22 May 2013

New poster for The World's End

New poster for The World's End


There's a brand new poster for The World's End, starring Simon Pegg and Nick Frost - directed by Edgar Wright,






The Cornetto trilogy is coming to an end.




































The World's End releases in New Zealand on July 18th


And here's the first trailer for The World's End, starring the brilliant comic duo of Simon Pegg and Nick Frost.




The World’s End is the third installment of Edgar Wright’s trilogy of comedies, following the successes Shaun of the Dead (2004) and Hot Fuzz (2007). Mr. Wright co-wrote the script with Simon Pegg, who will once again star alongside Nick Frost. Joining the team are actors Martin Freeman (Shaun of the Dead, The Hobbit), Paddy Considine (Hot Fuzz, The Bourne Ultimatum), Eddie Marsan (Sherlock Holmes), and Rosamund Pike (Jack Reacher).

20 years after attempting an epic pub crawl, five childhood friends reunite when one of them becomes hellbent on trying the drinking marathon again. They are convinced to stage an encore by mate Gary King (Simon Pegg), a 40-year-old man trapped at the cigarette end of his teens, who drags his reluctant pals to their hometown and once again attempts to reach the fabled pub – The World’s End. As they attempt to reconcile the past and present, they realize the real struggle is for the future, not just theirs but humankind’s. 

Reaching The World’s End is the least of their worries.

The Hangover: Part III: Movie Review

The Hangover: Part III: Movie Review


Cast: Bradley Cooper, Ed Helms, Zach Galifianakis, Justin Bartha, Ken Jeong, John Goodman, Heather Graham
Director: Todd Phillips

The Wolf Pack is back - for the final time.

And it looks like everyone is along for the ride.

When Alan's father dies, the group gathers for the funeral, but they feel that Alan's behaviour, now he's off his meds, warrants taking him to a treatment centre for some of his problems.


But, as ever, when the Wolf Pack is back, there's nothing but chaos.

On the way to the hospital, they're attacked by John Goodman's gangster Marshall, who wants to track down Mr Chow (Ken Jeong) who has stolen millions from him. Nonplussed as to what that has to do with them, the Wolfpack realise that Galifianakis' Alan has been in touch with Chow while he's been in jail in Thailand.

And when Marshall kidnaps Doug (Bartha) after Chow breaks out, the pressure's on....once again. Only this time, failure could prove deadly.

Bigger, brasher, darker and perhaps a little less funny than what you'd be expecting for the Wolfpack, there's certainly a feeling of the epic here as the gang rolls out one last time in the latest Hangover movie.

It's definitely not a film which is a rehash of what's gone before - in fact, if anything, it's more of a heist movie with lashings of psychosis and oddballs throughout. Mainly in part due to Ken Jeong's Chow getting a lot more screentime and going OTT than he has done in previous Hangovers. And whether you'll enjoy this, is largely dependant  on how you feel about the character, because there's less humour between the group and if anything, more drama as it unfolds with a ticking deadline looming.

Tonally, it's a bit of an odd mix as the film starts off with a slightly loopy attitude with Alan causing a pile-up due to decapitating his giraffe. But then, it shifts into a film with more darkness and surreal depth than previous ones as Alan's father's offed and he offers a eulogy of delusion, the gang gets together to intervene as Alan's off his meds and the group are kidnapped.

It's here you start to get the feeling that the bell is knelling for the last time - as callbacks and characters from the other films are thrown in for good measure. Even the baby from the first film is given his time back in the spotlight.

The group works well together - Bradley Cooper, Zach Galifianakis and Ed Helms have a great bond and chemistry as Phil, Alan and Stu which transcends the usual buddy schtick as the demented road trip cum heist movie plays out. If anything, Jeong stands out a little within this dynamic and Goodman offers little but rather annoyed mobster. It's only really Galifianakis' character who, despite being idiocy incarnate, manages some vestiges of growing up - albeit it in a rather childish way. Though his flirtation with Melissa McCarthy's pawn shop worker is quite something to behold.

That's not to say that The Hangover: Part III is not without laughs and some good set-ups and set pieces. the final sequence at Las Vegas' Caears' Palace conveys all the sleaze and discomfort you'd expect from the group returning back to the scene of a crime from years ago. It's a natural conclusion for the film and the franchise - toning down the gross out humour and excesses of the Thailand adventure may be a benefit to those watching this time around, though you do feel some will want for more laughs as the madcap journey runs on.

Overall, The Wolf Pack is worth running with one last time for a sort of road trip - but don't be surprised if you have a feeling this threequel disappoints slightly as a darker piece plays out.

(It's also worth sticking around for the credits of the film as well - given there's an extra sequence, which really does hark back to how The Hangover made its cinematic contribution. And it's certainly a few minutes which make you feel there could have been a little more of them peppered throughout the movie.)

Rating:


Brand new The Wolverine Trailer is here

Brand new The Wolverine Trailer is here


Hugh Jackman flexes his claws in the latest Wolverine trailer to hit the internet.

The Wolverine is due to hit NZ cinemas soon





Tuesday, 21 May 2013

Remember Me: Preview

Remember Me: XBox Preview


Games that are novel and new are occasionally few and far between.

But it looks as if 2013 is shaping up to be a creative beast.

Particularly if Remember Me is anything to go by.

The new game, from Capcom, looks promising and utterly stunning if the hands on preview I played is anything to go by. And from being nowhere on my games radar, it's suddenly shot up to the top.


You take the role of Nilin, a memory hunter who's now living in a dystopian, Blade Runneresque world in 2084. When we first meet Nilin, it's after an infomercial for Sensen, where a series of talking heads discuss the benefits of having their memories stored in one place and shared.

But Nilin's not in a happy place - this streak haired heroine is getting her memory wiped at a medical facility and is screaming out in pain. That's because she's clearly formerly part of a freedom fighter unit, whose job is out to take out the company running Sensen and essentially enslaving the lives of all humanity. Staggering around corridors in a space warehouse type place, with its sleek white corridors and all manners of technology, Nilin's guided by a probe to an area where the wipe can successfully be completed. As she waits in line, a voice in her ear tells her to get ready to run, when a distraction is caused.

It's here that the game starts to get really interesting. While the initial scenes are well put together and the cut scenes demonstrate the cinematic edge of the game while espousing the credits, it's only when Nilin tries to break out from the centre on the word of the voice in her ear, that the game begins to reveal its central storyline.

The voice belongs to Edge, one of the city's resistance leaders, and he exhorts Nilin to escape the medical facility - despite the massive robot chasing after her. Diving through a chute (in something akin to a sequence from Star Wars) Nilin finds her chance to escape and ends up in Neo-Paris in 2084, where she begins the job of chasing down her memories and setting about bringing down the Sensen world.

Once you get to Neo-Paris, Nilin's job is to get to the Leaking Brain bar and meet up with Tommy - and it's here that the game play style starts to become more evident. Leaping around buildings, ledges and hanging off surfaces, it's akin to Uncharted in many ways - and it's certainly a hell of a lot of fun as it mixes combat with platforming.


It's a shame that you can't wander off the beaten track in Neo-Paris, as the detail of the world around you is utterly breathtaking in terms of landscape and lives. Hordes of people inhabit the city and there's plenty of life teeming around on the streets, so it's a real shame that aside from collectibles and mission quests, your time in Neo Paris has little interaction with the locals. Never more so is this evident than in the sequence where Nilin runs through the markets or via a side street which has a cafe; you run into people or stand near them and there's nothing to do with them, except bump into them.

However, given that you've got combat to deal with, I'd suggest that remains more of a focus than anything else. Taking on the leapers who live in the slums of neo-Paris is a challenge. These spindly limbed mutated people are horrific to view, but thankfully, using a combination technique and moves that appear to be out of the Batman: Arkham series, you can leap over them, smack them to pieces and collect their health for power ups. But here's the kicker with the combat; you can use combo moves which you can select and build upon. It takes a little time to get to grips with these so called Pressens, which can be slotted around, depending on what you want to do with the bash you're unleashing. Build your own health, attack harder - they're all possible in the combo lab and it's a great way to mix things up and get to your goals quicker. Chained combos and the ability to glide from one baddie to the next without losing the combo means you're not constantly on the back foot.

The most intriguing part of Remember Me though, is the memory remixer. (All sounds a wee bit Total Recall doesn't it?)


It takes a little time to get your head around it, but by rewinding moments and changing pivotal parts of it, you can disrupt the outcome and influence how it goes. In the demo, Nilin's challenged by a bounty hunter called Olga, who's determined to bring her in. But, given the powers from a techno glove operated by Nilin, which in her words, give her the power to play God, you can change her perception. I think it's this power which is one of the key story reasons why she's being hunted but time will tell. Zapping back to when Olga's partner is undergoing some surgery and an influx of memories, by altering key moments on the hospital bed, you're able to ensure that the doctor kills Olga's other half, meaning she's converted to the cause. Morally, it's an incredibly powerful argument and I'm intrigued to see if this has any bearing on the story telling - and the alternate routes they could go down. The remixing is actually tricky to master, but as different story paths play out, it offers an interesting facet to what lies ahead in this story-driven adventure.

All in all, Remember Me has suddenly come violently onto my radar. It's a preview that tantalises and excites and offers something a little new into the gaming world which is rare these days.

From knowing little of this title, this demo's got me thrilled and excited for its release in June - I can't wait to spend more time in Neo-Paris, exploring Nilin's world, quests and conflicts. Based on the hands on time I had with this title, I'm guessing that I won't need my memory altered or wiped when it releases because it's thrilling, engaging and enthralling.

Batman: Arkham Origins trailer is here

Batman: Arkham Origins trailer is here


We get our much awaited first look at Batman: Arkham Origins here...

Deathstroke Confirmed as Playable Character in Batman: Arkham Origins Challenge Mode
Pre-Order Now for Xbox 360, PS3 and PC for Exclusive Early Access to the Deathstroke Pack

Today, Warner Bros. Interactive Entertainment and DC Entertainment confirmed that Deathstroke will be a fully playable character in the challenge mode for Batman: Arkham Origins™.  Fans who pre-order the game for Xbox 360® video game and entertainment system from Microsoft, PlayStation®3 system or Windows PC will receive exclusive early access to the Deathstroke pack. 

Deathstroke will come complete with his own unique weapons and special moves, and will be playable in all challenge maps in the game, as well as two additional challenge maps that will be included with the pack.  The pack will also contain two alternate Deathstroke character skins. 

Developed by WB Games MontrĂ©al, Batman: Arkham Origins features an expanded Gotham City and introduces an original prequel storyline set several years before the events of Batman: Arkham Asylum and Batman: Arkham City.  Taking place before the rise of Gotham City’s most dangerous criminals, the game showcases a young and unrefined Batman as he faces a defining moment in his early career as a crime fighter that sets his path to becoming the Dark Knight. As the story unfolds, players will meet many important characters for the first time and forge key relationships. 

Batman: Arkham Origins is the next installment in the blockbuster Batman: Arkham videogame franchise and will be available for the Xbox 360®, PS3™, the Wii U™ system, and Windows PC.  The game will release worldwide Oct. 25, 2013 along with Batman: Arkham Origins Blackgate™ for Nintendo 3DS™ handheld system and PlayStation®Vita handheld entertainment system.



First images of PlayStation 4 revealed

First images of PlayStation 4 revealed


Sony's given us a first sneaky look at the new PlayStation 4.

In a cheeky video released this am, they've revealed that the PlayStation 4 will be properly unveiled at E3 on  June 10th....


Monday, 20 May 2013

Life of Pi: Blu Ray Review

Life of Pi: Blu Ray Review


Rating: PG
Released by 20th Century Fox

Winner of 4 Academy Awards and now on the small screen.

It's the tale of Pi (Irrfan Khan), whose father owned the animals in a zoo in India. When the family falls foul of a dispute with the government, they decide to pack up the zoo and head to Canada, hitching a ride on a freighter with all the animals. But tragedy hits and a massive storm sinks the freighter, leaving only Pi, a hyena, a zebra, orangutan, and a Bengal tiger on a boat.

This is the tale of how the 16 year old Pi survived the 227 days he was at sea and the magical adventure which befell him. And as with all fables, it's rife with interpretation.

Life of Pi certainly hits a visual high note thanks to the work done by director Ang Lee.

Aside from the animation of the tiger, scenes where the 3D really soars are the ones where the visual experience is extended, enhanced and expanded. A scene where Pi is afloat on the waters at night positively glows with magic as the sea creatures and jellyfish around him come to life - and to light. Awash with greens, blues and yellows, there are definitely echoes of the sprites sequence in the first Avatar. When Pi comes across a floating island inhabited solely by meerkats, there's character aplenty in each critter rather than the soulless mass rendering of the animal. The FX work is truly second to none on a tale which is essentially a boy in a boat with a tiger (though Sharma deserves credit for his acting work to what must have only been a greenscreen)

Likewise, Richard Parker, the tiger is brought wonderfully to life, yet another digital masterpiece, so three dimensional that we feel an instant emotional connection to the beast. And speaking of the animation of this beast, it's utterly incredible and totally flawless, drawing you in through his eyes and pulling at your heartstrings as the journey unfolds. It's utterly impressive how far the technology has come in  the years and how the work has resulted in us occasionally having more of a connection to a virtual world than to the actors on the screen. And much like Tom Hanks had Wilson in Castaway, Pi has Richard Parker.


Which makes it a shame to say that some of the narrative choices serve to only detract from the magical mystical tale (though one suspects that is not director Ang Lee's choices as he's clearly adhering to the structure of the book,)

The decision to keep pulling back to current day with Pi telling his story to Rafe Spall's writer.is disruptive on this journey of the senses. Voiceover would have worked equally well and particularly given these scenes add little narratively other than to show you that the reminiscing is continuing, the structural choice is a jarring one to the overall experience.

Sadly, the spiritual and philosophical tale isn't one which connected at all with me and I think the seed of doubt which is sown by the final moments of the film is detrimental to what's gone beforehand. I left, not knowing what the true story of Pi was but having seen a film which visually enriched my soul - even if some of its ideas failed to even light an ember.

Extras: Featurettes, on the FX and story and picture gallery and storyboards. a 3D release brings together some stunningly recreated FX scenes and deleted scenes

Rating:


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