Thursday, 23 May 2013

Gangster Squad: Blu Ray Review

Gangster Squad: Blu Ray Review


Rating: R16
Released by Roadshow Home Entertainment

1949 Hollywoodland - Former boxer and Mob boss Mickey Cohen (Penn in an occasionally cartoonish performance) is making a move on the Los Angeles scene, gradually manouvering himself to take off most of the rackets of the town and increase the tentacles of the bad old guys.

Sick and tired of the corruption within the system hindering the police's attempts to foil Mickey's plans, Chief Bill Parker (a grizzled and gruff Nolte) calls on former Army soldier and current Sergeant John O'Mara (Brolin) to go beyond the means of the law and do whatever he can to prevent the criminal underbelly from winning the day.

So, O'Mara pulls together a motley crew of five, known as the Gangster Squad to try and help save the day, putting the gang of those operating outside of the law on a collision course with the corruption and the Mob. Gangster Squad is a pulpy, trashier version of The Untouchables.

It's a film which guns for stylish, but chooses to go for cliche and full on violence while eschewing a subtle and smarter approach to the Mob vs police story which has been told time and time again.

So, in many ways, unfortunately it brings nothing new to the mobster genre and certainly does little to break the mould despite a fine ensemble cast and stylish overall feel.

That's not to say it's not enjoyable - merely, that if you're going to Gangster Squad expecting to see the 21st Century version of The Untouchables, you'll be disappointed with script and dialogue which is straight out of the 1950s RKO TV and Radio serial world. With cliched dialogue, the rat-a-tat-tat of tommy guns and fairly predictable story choices, mixed in with a gratuitous cacophony of bullets and plenty of slow-mo moments during the action sequences, it's eschewed subtlety for a predominance of violence. 


All in all, the Gangster Squad movie is no slick and sophisticated crime noir, and is more of a popcorn blockbuster, aimed at satiating the masses. It is so superficial, you'll fuhgeddaboutit the minute it's over.

Extras: Commentary, behind the scenes pieces, style pieces, deleted scenes

Rating:

I, Anna : DVD Review

I, Anna : DVD Review


Rating: R16
Released by Transmission

It's back to the noir world for this thriller with an older cast (something of a rarity these days).

Charlotte Rampling stars as Anna Welles, an older woman whom we first meet making a phone call (how quaint - someone actually using a phonebox). It then shifts back to a grimy London and a speed dating singles night out for the older crowd.

Anna meets Ralph Brown's George before heading back to his tower block to take the relationship further. But we next glimpse Anna stumbling from the tower block and a murder investigation begins to unfold. Headed by Gabriel Byrne's DCI Bernie Reid, he's looking into the death of George....is Anna in someway implicated in this? Intrigued by their first brief meeting, Reid begins a romantic pursuit of Anna - but is his investigation crossing over some boundaries?

Grimy, murky, overcooked and overwrought, I Anna is a thriller which really only benefits from its lead actors. Rampling and Byrne make an affable pair and give credence to a story which takes its time to get going. As the layers of the narrative onion peel back, you may well be left crying - for good and bad reasons. While there are several claustrophobic shots and flashbacks which help tell the story, there's really little meat to these bones as the mystery unfolds. A weary looking Gabriel Byrne brings a dogged cynicism to his leading detective, while Rampling's nuanced and subtle performance hints at tragedy lurking in her past and potentially, her future.


All in all though, I, Anna is a bit of a muddled mystery; one which could have been more if the script had been a little deeper and engaging. Instead, what remains is a piece which looks murky and grainy with a cast whose excellence is barely tested.


Rating:

Wednesday, 22 May 2013

Brand new Man of Steel trailer is here

Brand new Man of Steel trailer is here


He's baaaack.

Well, soonish.

A brand new Man of Steel trailer has just been released..

New poster for The World's End

New poster for The World's End


There's a brand new poster for The World's End, starring Simon Pegg and Nick Frost - directed by Edgar Wright,






The Cornetto trilogy is coming to an end.




































The World's End releases in New Zealand on July 18th


And here's the first trailer for The World's End, starring the brilliant comic duo of Simon Pegg and Nick Frost.




The World’s End is the third installment of Edgar Wright’s trilogy of comedies, following the successes Shaun of the Dead (2004) and Hot Fuzz (2007). Mr. Wright co-wrote the script with Simon Pegg, who will once again star alongside Nick Frost. Joining the team are actors Martin Freeman (Shaun of the Dead, The Hobbit), Paddy Considine (Hot Fuzz, The Bourne Ultimatum), Eddie Marsan (Sherlock Holmes), and Rosamund Pike (Jack Reacher).

20 years after attempting an epic pub crawl, five childhood friends reunite when one of them becomes hellbent on trying the drinking marathon again. They are convinced to stage an encore by mate Gary King (Simon Pegg), a 40-year-old man trapped at the cigarette end of his teens, who drags his reluctant pals to their hometown and once again attempts to reach the fabled pub – The World’s End. As they attempt to reconcile the past and present, they realize the real struggle is for the future, not just theirs but humankind’s. 

Reaching The World’s End is the least of their worries.

The Hangover: Part III: Movie Review

The Hangover: Part III: Movie Review


Cast: Bradley Cooper, Ed Helms, Zach Galifianakis, Justin Bartha, Ken Jeong, John Goodman, Heather Graham
Director: Todd Phillips

The Wolf Pack is back - for the final time.

And it looks like everyone is along for the ride.

When Alan's father dies, the group gathers for the funeral, but they feel that Alan's behaviour, now he's off his meds, warrants taking him to a treatment centre for some of his problems.


But, as ever, when the Wolf Pack is back, there's nothing but chaos.

On the way to the hospital, they're attacked by John Goodman's gangster Marshall, who wants to track down Mr Chow (Ken Jeong) who has stolen millions from him. Nonplussed as to what that has to do with them, the Wolfpack realise that Galifianakis' Alan has been in touch with Chow while he's been in jail in Thailand.

And when Marshall kidnaps Doug (Bartha) after Chow breaks out, the pressure's on....once again. Only this time, failure could prove deadly.

Bigger, brasher, darker and perhaps a little less funny than what you'd be expecting for the Wolfpack, there's certainly a feeling of the epic here as the gang rolls out one last time in the latest Hangover movie.

It's definitely not a film which is a rehash of what's gone before - in fact, if anything, it's more of a heist movie with lashings of psychosis and oddballs throughout. Mainly in part due to Ken Jeong's Chow getting a lot more screentime and going OTT than he has done in previous Hangovers. And whether you'll enjoy this, is largely dependant  on how you feel about the character, because there's less humour between the group and if anything, more drama as it unfolds with a ticking deadline looming.

Tonally, it's a bit of an odd mix as the film starts off with a slightly loopy attitude with Alan causing a pile-up due to decapitating his giraffe. But then, it shifts into a film with more darkness and surreal depth than previous ones as Alan's father's offed and he offers a eulogy of delusion, the gang gets together to intervene as Alan's off his meds and the group are kidnapped.

It's here you start to get the feeling that the bell is knelling for the last time - as callbacks and characters from the other films are thrown in for good measure. Even the baby from the first film is given his time back in the spotlight.

The group works well together - Bradley Cooper, Zach Galifianakis and Ed Helms have a great bond and chemistry as Phil, Alan and Stu which transcends the usual buddy schtick as the demented road trip cum heist movie plays out. If anything, Jeong stands out a little within this dynamic and Goodman offers little but rather annoyed mobster. It's only really Galifianakis' character who, despite being idiocy incarnate, manages some vestiges of growing up - albeit it in a rather childish way. Though his flirtation with Melissa McCarthy's pawn shop worker is quite something to behold.

That's not to say that The Hangover: Part III is not without laughs and some good set-ups and set pieces. the final sequence at Las Vegas' Caears' Palace conveys all the sleaze and discomfort you'd expect from the group returning back to the scene of a crime from years ago. It's a natural conclusion for the film and the franchise - toning down the gross out humour and excesses of the Thailand adventure may be a benefit to those watching this time around, though you do feel some will want for more laughs as the madcap journey runs on.

Overall, The Wolf Pack is worth running with one last time for a sort of road trip - but don't be surprised if you have a feeling this threequel disappoints slightly as a darker piece plays out.

(It's also worth sticking around for the credits of the film as well - given there's an extra sequence, which really does hark back to how The Hangover made its cinematic contribution. And it's certainly a few minutes which make you feel there could have been a little more of them peppered throughout the movie.)

Rating:


Brand new The Wolverine Trailer is here

Brand new The Wolverine Trailer is here


Hugh Jackman flexes his claws in the latest Wolverine trailer to hit the internet.

The Wolverine is due to hit NZ cinemas soon





Tuesday, 21 May 2013

Remember Me: Preview

Remember Me: XBox Preview


Games that are novel and new are occasionally few and far between.

But it looks as if 2013 is shaping up to be a creative beast.

Particularly if Remember Me is anything to go by.

The new game, from Capcom, looks promising and utterly stunning if the hands on preview I played is anything to go by. And from being nowhere on my games radar, it's suddenly shot up to the top.


You take the role of Nilin, a memory hunter who's now living in a dystopian, Blade Runneresque world in 2084. When we first meet Nilin, it's after an infomercial for Sensen, where a series of talking heads discuss the benefits of having their memories stored in one place and shared.

But Nilin's not in a happy place - this streak haired heroine is getting her memory wiped at a medical facility and is screaming out in pain. That's because she's clearly formerly part of a freedom fighter unit, whose job is out to take out the company running Sensen and essentially enslaving the lives of all humanity. Staggering around corridors in a space warehouse type place, with its sleek white corridors and all manners of technology, Nilin's guided by a probe to an area where the wipe can successfully be completed. As she waits in line, a voice in her ear tells her to get ready to run, when a distraction is caused.

It's here that the game starts to get really interesting. While the initial scenes are well put together and the cut scenes demonstrate the cinematic edge of the game while espousing the credits, it's only when Nilin tries to break out from the centre on the word of the voice in her ear, that the game begins to reveal its central storyline.

The voice belongs to Edge, one of the city's resistance leaders, and he exhorts Nilin to escape the medical facility - despite the massive robot chasing after her. Diving through a chute (in something akin to a sequence from Star Wars) Nilin finds her chance to escape and ends up in Neo-Paris in 2084, where she begins the job of chasing down her memories and setting about bringing down the Sensen world.

Once you get to Neo-Paris, Nilin's job is to get to the Leaking Brain bar and meet up with Tommy - and it's here that the game play style starts to become more evident. Leaping around buildings, ledges and hanging off surfaces, it's akin to Uncharted in many ways - and it's certainly a hell of a lot of fun as it mixes combat with platforming.


It's a shame that you can't wander off the beaten track in Neo-Paris, as the detail of the world around you is utterly breathtaking in terms of landscape and lives. Hordes of people inhabit the city and there's plenty of life teeming around on the streets, so it's a real shame that aside from collectibles and mission quests, your time in Neo Paris has little interaction with the locals. Never more so is this evident than in the sequence where Nilin runs through the markets or via a side street which has a cafe; you run into people or stand near them and there's nothing to do with them, except bump into them.

However, given that you've got combat to deal with, I'd suggest that remains more of a focus than anything else. Taking on the leapers who live in the slums of neo-Paris is a challenge. These spindly limbed mutated people are horrific to view, but thankfully, using a combination technique and moves that appear to be out of the Batman: Arkham series, you can leap over them, smack them to pieces and collect their health for power ups. But here's the kicker with the combat; you can use combo moves which you can select and build upon. It takes a little time to get to grips with these so called Pressens, which can be slotted around, depending on what you want to do with the bash you're unleashing. Build your own health, attack harder - they're all possible in the combo lab and it's a great way to mix things up and get to your goals quicker. Chained combos and the ability to glide from one baddie to the next without losing the combo means you're not constantly on the back foot.

The most intriguing part of Remember Me though, is the memory remixer. (All sounds a wee bit Total Recall doesn't it?)


It takes a little time to get your head around it, but by rewinding moments and changing pivotal parts of it, you can disrupt the outcome and influence how it goes. In the demo, Nilin's challenged by a bounty hunter called Olga, who's determined to bring her in. But, given the powers from a techno glove operated by Nilin, which in her words, give her the power to play God, you can change her perception. I think it's this power which is one of the key story reasons why she's being hunted but time will tell. Zapping back to when Olga's partner is undergoing some surgery and an influx of memories, by altering key moments on the hospital bed, you're able to ensure that the doctor kills Olga's other half, meaning she's converted to the cause. Morally, it's an incredibly powerful argument and I'm intrigued to see if this has any bearing on the story telling - and the alternate routes they could go down. The remixing is actually tricky to master, but as different story paths play out, it offers an interesting facet to what lies ahead in this story-driven adventure.

All in all, Remember Me has suddenly come violently onto my radar. It's a preview that tantalises and excites and offers something a little new into the gaming world which is rare these days.

From knowing little of this title, this demo's got me thrilled and excited for its release in June - I can't wait to spend more time in Neo-Paris, exploring Nilin's world, quests and conflicts. Based on the hands on time I had with this title, I'm guessing that I won't need my memory altered or wiped when it releases because it's thrilling, engaging and enthralling.

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