Movie 43: DVD Review

Movie 43: DVD Review

Rating: M
Released by Roadshow Home Ent

When a film is so reviled in the critics' world and even called the Citizen Kane of awful, you always wonder where the vitriol is coming from. Movie 43 is such a film, and one train wreck which is rightfully receiving a major panning.

Its loose premise is that a washed up movie producer (played by Dennis Quaid) is so desperate to get his movie made, that he takes a studio executive (Greg Kinnear) hostage and forces him to listen to his crazed and deranged movie ideas. The catch? Those pitches involve some of the biggest names in Hollywood.

If you are a fan of extremely puerile humour, and set ups that have very little pay off plus are an adolescent boy, then Movie 43 is for you. As this series of 13 "interconnected" stories are rolled out, each of them suffers from a lack of any real humour or panache that you actually begin to wonder why the actors involved (who have some pretty impressive calibre) are even part of what's playing out - do the powers that be have some real quality blackmail on the cast to use?

There's the likes of Hugh Jackman with a pair of testicles hanging from his neck, Halle Berry going to extremes for truth or dare, Gerard Butler as a leprechaun, Anna Faris begging to be pooped on by her lover - the list of degradation and bad taste goes on without a hint of humour in sight. It may be the chance for such quality actors to act in such juvenile ways proved way too beguiling, but I can't fathom why they didn't realise it just wasn't as funny as it could have been. The only two segments which vaguely hit the spot are Emma Stone and Kieran Culkin as a couple trying to sort stuff out in a supermarket and an ad which claims small children working in vending machines have lives too - so, not exactly setting the bar high, but, trust me, when you see the rest of what's on offer, this is the cinematic pinnacle of this offering. Even though the segments are short, there's another terrible one lining up to take its place, with a major Hollywood star looking to lose an ounce of their own dignity.

With predictable pay offs, a lack of laughs despite occasional raunchiness, it's easy to see why Movie 43 is being roundly panned and I'd advise you to think twice about whether you want to go and see it. The attempts at gross out humour fail miserably and it makes the American Pie franchise look like Shakespeare and Benny Hill and Borat seem sophisticated.

It is, without a doubt, the worst film of 2013 - and if anything else reaches this level at any stage this year, it'll be a sad indictment of the death of the magic of cinema.
Extras: Find your daughter

Rating:

World War Z: Movie Review

World War Z: Movie Review

Cast: Brad Pitt, Mireille Einos, James Badge Dale, Daniella Kertesz
Director: Marc Forster

Once again, the apocalypse is upon us.

This time, it's potentially down to Brad Pitt to save the day after a viral outbreak turns the global populace into the chomping undead in an adaptation of Max Brooks' World War Z.

Pitt is Gerry Lane, a UN inspector brought in despite having left the organisation when the world's overcome - and he alone can help identify Patient Zero and potentially source a cure to save the human race. So, forced to leave his family with the military, off he sets on a global trip which takes him from Newark to South Korea via Jerusalem before finally ending up in Wales. (Yes, I just said Wales)

But as he tries to track down what caused it all, at every turn it appears that the virus could be about to beat him.

World War Z is a tense, thrilling, nerve-shredding ride in places - and curiously lacking in logic and sense in others.

It's also frenzied, frenetic and intense during its set pieces, which get underway very quickly after the non- too subtle ramming home of the fact that Gerry's now a family man (he makes pancakes for the family while watching details of the outbreak out of the corner of his eye on the TV). A cross town journey turns into something hellish within the first 10 minutes of screen time and then doesn't let up for a burst of edge-of-your-seat tension. As scene-setting stuff goes, it's right up there with some of the best as it instantly tells you everything you need to know about this post-apocalyptic world coming directly after such calm start. Foreboding is everywhere with a distorted voice on the radio intoning that "Containment is a fail" and hinting that the worst is yet to come.

And yet, once the story actually kicks in, it's actually a little lacking on the human side as Lane's globe trotting gets underway; he's torn asunder from his family that he's spent the first 20 minutes trying to protect and it robs the film of the emotional pull and personal danger that it needs. Although there are hints of tensions with the military, they're never fully explored or dramatically exploited, which is to the screenplay's detriment.

Pitt's perfectly suited to the role but it's a series of video game style moments which are sparingly sown together and narratively weak - flee the city, escape to the roof of the tower block, follow the troops on a raid through Z infected territory (Zombie Dark Thirty anyone?) and so on - which make it difficult to fully engage with. But that said, the short and often brutal bursts of intense suspense and knuckle gripping terror during the terrific set pieces work quite effectively though.

As for the creatures themselves, they're a fast, feral and ferocious bunch; contorting initially in horrific pain before becoming a speedy demon wanting to take you out. Basically, they're similar in look to the walkers on  The Walking Dead but not quite as rotting. There had been concerns of CGI creakiness but I have to say I saw no real signs of that - a terrific moment in a set piece in Jerusalem sees the Zees clambering the wall like rabid ants desperate to get to their victims.

Thankfully, the film in general spares the blood and gore of these types of thrillers and concentrates more on the intensity and suspense rather than going for the obvious moments. (Though that may disappoint some)

A final sequence on a plane plays into everyone's basic fears about flying before the film lapses into a horror cliche and a series of darkened corridors for its stretching credibility denouement. Coupled with a few lapses in logic and a solution which is a stretch, you find yourself taken out of the action a little and distracted from what's playing out. Add into that a lack of real backstory as to why Gerry's the expert everyone's been looking for and you find these niggles tend to play at you once you've left the cinema.

Pulling in the visual style of Steven Soderbergh's Contagion (drenched in yellows) and using 3D wisely to bolster the backgrounds (rather than relying on a zombie jumping out of the screen - of which there is but one shot), World War Z overall, is a success. It blends thrills, spills and suspense to form something which leaves the heart and adrenaline pumping even if occasionally, the action and consequently story, slow to a crawl once the chillingly effective set pieces have ended.

Rating:

Alan Partridge: Alpha Papa trailer is here

Alan Partridge: Alpha Papa trailer is here

Steve Coogan reprises his role as Alan Partridge in a new film coming to the UK in August.

No word yet on when it will hit these shores.

Doctor Who Series 7 Part 2: Blu Ray Review

Doctor Who Series 7 Part 2: Blu Ray Review

Rating: PG
Released by BBC and Roadshow

The Doctor's back in this second part of series seven, which will turn out to be Matt Smith's last after it was revealed he's leaving the TARDIS at Christmas this year.

In eight new stories, the Doctor's got a new companion, Clara (played with perkiness by Jenna Louise Coleman) who keeps on dying and and re-appearing. Determined to get to the bottom of the Impossible Girl, the Doc is sent on a series of new adventures.

This time around, it's Snowmen, The Great Intelligence, The Ice Warriors, Cybermen and a ghost story all form the backdrop to this latest batch, which disappointingly don't quite hit the mark as they should.

It's more a case of being asked to care for the fate of a character we don't quite yet know enough to care about and despite the acting being top notch, a few of the tales don't quite hang together. The Cybermen episode disappoints despite the involvement of Neil Gaiman.

But an audacious final episode of the run, introducing John Hurt proffers up some surprises and hints at what could lie ahead for the 50th anniversary - and the departure of Matt Smith as the Doctor.

Extras: Prequels to various eps, a Madame Vastra victorian spin off prequel, children in need special and a look back at the companions

Rating:

Metro Last Light: PS3 Review

Metro Last Light: PS3 Review

Released by Deep Silver
Platform: PS3

First person shooter Metro Last Light is proving already to be very popular. It's outselling a whole heap of other titles worldwide and it's easy to see why.

The sequel to Metro 2033, which is based on a book by Dmitry Glukhovsky, it's based in a post-apocalyptic world, where a band of survivors is trying to get by in the ruins of Moscow and from the tunnels of the Metro. You take on the character of Artyom, who's determined to kill off the Dark One which survived the missile attack at the end of Metro 2033. Sent to the surface by the rebels' leader, Artyom must negotiate the perils of the outside world and a conspiracy and power struggle.

Graphically impressive, there's a degree of claustrophobia and a fair few jumps in this latest game, which mixes post war terrors with effective chills. Exploring outside as Artyom, you have to be on your toes all the time as creatures and perils present themselves without any hint of warning - and it all takes time to ensure the weaponry is ready for firing. Every few minutes, Artyom gets to wipe his gas mask and re-assess where he's at. It's a realistic touch which brings you fully immersed into the world within. But it's not all blundering about trying to make your way which gives you the rewards you need.

Stealth, scavenging and creeping about yield the most reward and provide a deepening gameplay environment for you to enjoy - which is a bonus given that the whole thing is broken up by chapters which stutter and destroy the flow of the game. It's frustrating to say the least and even when you have to replay the moments, having to sit through that irritates more than anything else.

But it's just as well that the game itself is going to be nothing short of kryptonite for those who adore the first person shooter genre; you really get into the atmospherics thanks to the sounds and music and while the story's impressive, it's as an immersive experience where it scores the most.

All in all, Metro Last Light is a great title for the cold dark winter months - its post-apocalyptic feel adds much to the genre and make it more of an experience than a simple shoot everything in sight.

Rating:

First trailer for 300: Rise of An Empire is here

First trailer for 300: Rise of An Empire is here

This is Sparta.......

Well, more accurately, this is the first trailer for 300: Rise of an Empire which has just dropped.

The Greek general Themistocles battles an invading army of Persians under the mortal-turned-god, Xerxes.

NZ International Film Festival - 5 guests announced

NZ International Film Festival - 5 guests announced

NZIFF ANNOUNCES FIVE INTERNATIONAL GUESTS

The New Zealand International Film Festival today announced five further international guests to attend the Festival, along with a returning New Zealand filmmaker.

Denmark-based New Zealand director Daniel Borgman will attend the NZIFF screenings of his feature film The Weight of Elephants. The film premiered at the Berlinale in February and opened on general release in Denmark last week. The film tells the story of 11 year-old Adrian whose world is thrown into turmoil when three children in his small town disappear.

“Daniel Borgman’s evocation of a lonely boy’s misapprehensions about the world is extraordinarily vivid. His sensitive direction of the children provides exceptional insight into their world,” says NZIFF Director Bill Gosden.

NZIFF also announced that the following international filmmakers who will attend the festival:

Australian filmmakers Director Kim Mordaunt, Producer Sylvia Wilczynski and Executive Producer Bridget Ikin will be in New Zealand with their award-winning The Rocket. Mordaunt and Wilczynski will introduce Auckland and Wellington screenings.

Director Sean Baker, from the USA, will visit both Auckland and Wellington with his film Starlet about the unlikely friendship between an old and a young woman.

Maureen Gosling, co-Director of This Ain’t No Mouse Music!, will attend the Auckland and Wellington screenings of her film. The documentary tells the story of Chris Strachwitz, the guiding force behind legendary roots label Arhoolie Records.

The Festival has already announced American pro-snowboarder Kevin Pearce will attend the Auckland screenings of The Crash Reel, from director Lucy Walker. Italian prog-rock band Goblin will perform their iconic score to Dario Argento’s horror masterpiece, Suspiria, on Friday July 19 at The Civic in Auckland.

NZIFF will begin in Auckland (18 July – 4 August), open in Wellington one week later (26 July – 11 August), then Christchurch (1 – 18 August) and Dunedin (8 – 25 August) before continuing to travel around New Zealand screening in Gore, Palmerston North, Hamilton, Nelson, Tauranga, Masterton, Hawke’s Bay and New Plymouth.

NZIFF programmes will be available online and around town from June 25 in Auckland, and June 28 in Wellington. For Festival updates visit www.nziff.co.nz and register to receive e-newsletters