Thursday, 11 July 2013

The World's End Featurette

The World's End Featurette


With just days until the Cornetto Trilogy conclusion premieres in Wellington, a new featurette's dropped for the World's End.

The world premiere of The World's End happens at the Embassy Theatre in Wellington on Saturday night.

Fans hoping to catch a glimpse of Simon Pegg, Nick Frost, Martin Freeman and director Edgar Wright (among others) are encouraged to head to the red carpet by 5pm as they will also have the opportunity to delve into the premiere itself.  

Paramount's also revealed: We will be selecting a few people on the night who tweet @paramountnz with #WorldsEndNZ to also win a double pass to watch the film with all the stars.




A brand new The World's End trailer has just dropped (warning - some spoilers ahead)

The World's End releases in NZ on July 18th.




There's a brand new poster for The World's End, starring Simon Pegg and Nick Frost - directed by Edgar Wright




The Cornetto trilogy is coming to an end.









































And here's the first trailer for The World's End, starring the brilliant comic duo of Simon Pegg and Nick Frost.

Wednesday, 10 July 2013

Brand new Grand Theft Auto V gameplay trailer is here

Brand new Grand Theft Auto V gameplay trailer is here


Just dropped is the highly anticipated Grand Theft Auto V gameplay trailer from Rockstar Games.

Los Santos: a sprawling sun-soaked metropolis full of self-help gurus, starlets and fading celebrities, once the envy of the Western world, now struggling to stay afloat in an era of economic uncertainty and cheap reality TV.
Amidst the turmoil, three very different criminals plot their own chances of survival and success: Franklin, a street hustler looking for real opportunities and serious money; Michael, a professional ex-con whose retirement is a lot less rosy than he hoped it would be; and Trevor, a violent maniac driven by the chance of a cheap high and the next big score. Running out of options, the crew risks everything in a series of daring and dangerous heists that could set them up for life.

The biggest, most dynamic and most diverse open world ever created, Grand Theft Auto V blends storytelling and gameplay in new ways as players repeatedly jump in and out of the lives of the game’s three lead characters, playing all sides of the game’s interwoven story.

All the classic hallmarks of the groundbreaking series return, including incredible attention to detail and Grand Theft Auto’s darkly humorous take on modern culture, alongside a brand new and ambitious approach to open world multiplayer.

Developed by series creators Rockstar North, Grand Theft Auto V will be available worldwide on September 17th for Xbox 360® and PlayStation®3.


First Lovelace trailer is here

First Lovelace trailer is here


The first full trailer for the Linda Lovelace biopic, starring Amanda Seyfried has dropped.

Lovelace is the story of Linda Boreman’s rise and fall, from her early meetings with eventual husband Chuck Traynor (Peter Sarsgaard), to her lusty dive into the world of X-rated cinema.

As well as starring Amanda Seyfried as Linda Lovelace,Lovelace stars Juno Temple, Chris Noth, Adam Brody, Robert Patrick, Sharon Stone, Hank Azaria and Wes Bentley.

No word yet on a NZ release.


Captain America: Winter Soldier Teaser poster

Captain America: Winter Soldier Teaser poster


Comic-Con is just around the corner in San Diego next week, so get ready for a whole host of geek-related news.

First cab off the rank though is this teaser poster for Marvel's Captain America sequel, The Winter Soldier. 


Tuesday, 9 July 2013

Newstalk ZB Movie Review - Lone Ranger, Despicable Me 2 and Flight

Newstalk ZB Movie Review - Lone Ranger, Despicable Me 2 and Flight


This week on Saturday mornings with Jack Tame, the film reviews were

Johnny Depp's latest, The Lone Ranger
Sequel to Despicable Me - Despicable Me 2
and Denzel Washington taking Flight.

Take a listen below




http://newstalkzb.co.nz/auckland/player/ondemand/1595001965-darren-bevan--at-the-movies

Monday, 8 July 2013

Pacific Rim: Movie Review

Pacific Rim: Movie Review


Cast: Idris Elba, Charlie Hunnam, Charlie Day, Burn Gorman, Ron Perlman, Rinko Kikuchi
Director: Guillermo del Toro

It's been a difficult twelve months or so for the globes' buildings and tall structures.


They've taken one hell of a beating since the Chitauri landed in The Avengers, got bashed to pieces in Man of Steel recently and now, once again, worldwide sales of concrete and architects are going to be extremely popular as an invasion comes-a-calling.

Basically, in this latest from the visionary Guillermo del Toro, an alien force known as the Kaiju have invaded from under the sea via a portal. In order to try and survive the onslaught, humans have created giant robots (aka Jaeger) to take the fight to the Kaiju. But seven years into this war, millions have been killed, cities destroyed and defeat stared right in the face.

All that stands in their way is Sons of Anarchy's Charlie Hunnam's Raleigh Becket, who's already lost his brother to the fight to the Kaiju when their robot got smashed to pieces. Leading the charge is Marshall Stacker Pentecost (!) aka Luther's Idris Elba - when the government decides to close down the Jaeger programme, he alone decides to fight on rather than to decommission the robots....

The movie Pacific Rim is simply giant robots vs giant sea monsters - a kind of Godzilla vs Transformers (and woe-betied any piece of masonry which gets in the way).

It's clearly a passion project of del Toro's and a lot of suitably impressive work's been put into the creature features and the battle sequences. So much so, that the semblance of any kind of in depth story or human character / development has gone by the wayside - although, cheesy dialogue a-plenty is there in spades.

And the characters are pretty predictable too - the wounded soldier on a path to redemption, the rookie scientist whose desire to satiate vengeance is her driving goal, the scientists who are a bit kooky and a comedy double act (with Charlie Day channeling Rick Moranis and Torchwood's Burn Gorman going all limpy as the theoretical yin to Day's practical yang) and a commander-in-chief who has the ability to deliver a killer speech when it matters most.

But here's the thing - the sense of spectacle and well-realised technology actually gives Pacific Rim something  creditable and credible as it plays out; when the Iron Giants smash the Kaiju with their robotic fists, the CGI work and the fact the pace of the battle sequences is not frenetic (a la Man of Steel) mean that it's actually quite enjoyable to watch - even if there's plenty of logic-defying going on elsewhere. Of all the cast, it's Idris Elba who brings some dignity and gravitas to the fore with yet another role showing his talents - he alone stands as tall as the robotic creations which inhabit this world (despite delivering a rousing speech to the troops that we've all seen before). The creatures are relatively impressive, splicing together rhinos, sharks and turtles in one scaly acid-barfing monstrosity.

With throwbacks of B-movies and plenty of the Godzilla vs series, del Toro's crafted something which is immeasurably dumb but incredibly action-packed, which will satiate the appetite of those simply searching for a big serving of spectacle. By easing up on the OTT nature of the destructive scenes and fight sequences, del Toro's given the eye time to adjust and the senses a chance to gorge on the CGI feast before the eyes. It wears its influences proudly on its sleeve and del Toro's clearly pulled together a labour of love and deserves commendation for the creature feature. It's a movie of second chances and of gung-ho testosterone - and little more.

Sure, Pacific Rim is big but not clever, but as blockbuster spectacle goes and for its genre as an FX fest, it's certainly nothing more than it says on the tin.

Rating:




The Look of Love: Movie Review

The Look of Love: Movie Review


Cast: Steve Coogan, Anna Friel, Imogen Poots, Tamsin Egerton, Chris Addison
Director: Michael Winterbottom

"I'm Paul Raymond - and welcome to my world of erotica."

So announces Steve Coogan, straight down the barrel of the camera, at the start of his fourth collaboration with director Michael Winterbottom in this biopic about Paul Raymond, the Soho baron of smut and once Britain's richest man.

The notorious journey to infamy began back in 1958 when he opened a gentleman's club that none could resist - and Winterbottom charts this journey from the very beginning as it grew into an empire for Raymond, and one which was scattered with booze, birds and blow (well, a lot of hard drugs, but you need the alliteration, right?) along the way.

But it's Raymond's personal life which is laid relatively straight forwardly out through the 60s, 70s, 80s and up to his daughter Debbie (Imogen Poots) and her death from an overdose in the 1990s.

Along the way, it's a heady mix of sex, drugs and porn, but it's relatively lacking in insight into Raymond and remains simply a re-telling of his life rather than an interesting look behind the curtain. Anna Friel blazes a trail early on as his first wife Jean but she soon falls by the wayside when Tamsin Egerton's Fiona Richmond shows up and steals his affections. Though perhaps, that's somewhat unsurprising given how many women appeared to come and go in his life. Jealousies stir and Coogan manages to just about convince as Raymond (even though he does veer dangerously close to feeling like another Steve Coogan comedy stereotype - something which admittedly, it took a while for me to shake). Poots brings a fragility to the proceedings as the daughter who simply wants to impress her dad, but ends up falling into his world as she desperately tries to connect with him.

Winterbottom's wonderfully brought to life the swinging era with some great period detail, but some terribly corny, cheesy, almost Carry On like lines proliferate his leading man that you're never quite on his side. The Men Only shoots are stylishly recreated and evocative of the era and add a level of sleaze to the proceedings that's necessary, but Raymond is such a two dimensional character, it's quite hard to really feel for him when he inevitably finds himself on his own.

It's easy to see why Coogan was attracted to this character - there's certainly shades of his tabloid presence within and moments which border on parody - but Winterbottom brings little to the direction of this tale of excess and regret. Despite the mountains of merkins and bare flesh on show, there's little passion in this piece. It's a sleazy, simply told tale which lacks a real heart and poignancy that's needed to convince of the unfolding tragedy.

Rating:


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