Saturday, 2 November 2013

The Turning: Movie Review

The Turning: Movie Review


Cast: Rose Byrne, Cate Blanchett, Richard Roxborough, Hugo Weaving, Miranda Otto, Dan Wyllie
Directors: 17 of them - including Mia Wasikowska

Based on Australian writer Tim Winton's best-selling short story collection of the same name, The Turning is a collection of 17 shorts, each made by 17 different film-makers.

Pulling together a wealth of acting talent, and a three hour running time, the shorts are chapters from the book and cover a myriad of different stories. With each lasting roughly 10 minutes or so, the push through is quite an impressive one.

Like any collection of shorts, there are ones which stand out and ones which don't quite hit the mark. Even the ones which aren't quite as emotionally resounding are still visually impressive and beautifully shot. Inevitably the segments with the bigger names stand out - Rose Byrne's practically unrecognisable as a trailer park dweller who's a domestic violence survivor and who is verging on being born again; and Cate Blanchett's turn as a woman whose Christmas plans are initially scuppered by the appearance of her mother-in-law.

Ambition shines through in The Turning; certainly there's an epic feel and emotional subtlety which is resonant throughout the three hour event. Normal screenings provide a break, and I have to confess around the two hour mark, there was a need for some down time to process what's been seen and what could be ahead.

A lack of familiarity with Winton's tome proved fatal to me and I missed the subtle variations on the same character played at different stages and in different incarnations - it's best to be aware of these links (similar names, some recurring motifs) before you go in - and you'll certainly be richly rewarded. Innocence, love, jealousy, resentment, anger and regret - all are explored, revealed and laid raw.

All in all, The Turning is something epic in scope, each inter-connected story beautiful in execution and rich in emotion; while it presents a unique view of Australia and contemporary themes, there's a universality and a desperation which resonates within the soul. It's a bravura film and one which elevates the work of short film makers to the fore - and certainly issues a rallying cry for any short-film makers to really up their game.

Rating:



Friday, 1 November 2013

Doctor Who hits 50 years - and NZ celebrates its biggest Who haul

Doctor Who hits 50 years - and NZ celebrates its biggest Who haul


It's coming soon - and it's almost time to celebrate the Day of The Doctor.

BBC sci-fi series Doctor Who hits its 50th anniversary this very month on November 23rd and there are global celebrations planned.

But it's also a massive month - one of the biggest ever - for Doctor Who releases on the small screen.

BBC and Roadshow Home Entertainment have got a huge slate of Doctor Who releases planned for the celebrations - and it's great to see the show is being taken seriously over here.

First up though, there are three volumes of Doctor Who: Revisited out on November 6th:

A special 50th anniversary DVD series
The first volume in this restrospective series showcases Doctor Who's first four doctors - William Hartnell, Patrick Troughton, Jon Pertwee and Tom Baker, spanning from 1963-1981.

The Doctors Revisited includes a half hour profile and a classic story for each Doctor introduced by Steven Moffat (the current Lead Writer & Executive Producer). Each classic story is available to view as a widescreen, feature-length version or in its episodic, original format.

Featuring The Aztecs (William Hartnell), The Tomb of the Cybermen (Patrick Troughton) Spearhead from
Space (Jon Pertwee) and Pyramid of Mars Tom Baker.
RELEASED: 6 NOVEMBER * RRP: $39.99 * DISCS: 4 *

DOCTOR WHO REVISITED VOLUME 2
The years 1981-1996 saw four new actors portray the Doctor, Peter Davison, Colin Baker, Sylvester
McCoy and Paul McGann, the focus of the second volume in The Doctors Revisited. Featuring 30 minute
restrospectives per Doctor, a Steven Moffat introduction.. Each classic story is available to view as a
widescreen, feature-length version or in its episodic, original format.

Featuring the stories: Earthshock (Peter Davison), Vengeance on Varos (Colin Baker), Remembrance of the Daleks (Sylvester McCoy), and Doctor Who: The Movie (Paul McGann).

Then 2 weeks later, in the year that Doctor Who celebrates its 50th anniversary, the very first regeneration story gets a release too - The Tenth Planet.

DOCTOR WHO: THE TENTH PLANET
• Contains a newly animated fourth episode (the original is currently missing from the BBC Archives)
• The very first regeneration story

The TARDIS lands at the South Pole in 1986. The arrival coincides with the appearance of Earth’s forgotten twin planet Mondas along with visitors from that world – the emotionless Cybermen. It’s up
to the Doctor (William Hartnell) and his friends to stop the creatures before they convert Earth’s population into similar cyber creations – but the encounter will have a devastating effect on the Doctor...

Special Features: • Commentary • Frozen Out Making Of • Episode 4 Reconstruction • William Hartnell
Interview • Doctor Who Stories – Anneke Wills • The Golden Age • Boys! Boys! Boys! Peter Purves, Frazer Hines and Mark Strickson reminisce about their time as companions • Companion Piece • Blue Peter Tenth anniversary retrospective on Doctor Who’s history • Radio Times Listings • English Subtitles • Photo
Gallery • Digitally Remastered Picture and Sound Quality •

Perhaps the biggest release this month though, comes from the recent haul of 11 recovered previously missing episodes - and is a global day and date release - The Enemy of The World.

The Enemy of the World, is the fourth six-part tale of the original fifth series which first broadcast in the
UK December 1967. Alongside Patrick Troughton, who plays both the Time Lord, and his antagonist
(Ramon Salamander) are his companions Frazer Hines (Jamie) and Deborah Watling (Victoria). Episodes 1,  2, 4, 5 and 6 had been missing from the BBC archives, until now. All episodes have been re-mastered.

27 Doctor Who stories still remain missing or have incomplete episodes, after a number were lost as a
result of BBC Archive space-saving measures.

RELEASED: 27 NOVEMBER * RRP: $TBA * DISCS: TBA

Don't forget also, you can see the Doctor Who 50th anniversary special, The Day of The Doctor in cinemas on November the 24th - check your local cinemas for details.

Thursday, 31 October 2013

Thor: The Dark World: Movie Review

Thor: The Dark World: Movie Review


Cast: Chris Hemsworth, Tom Hiddleston, Natalie Portman, Anthony Hopkins, Christopher Eccleston, Idris Elba, Kat Dennings
Director: Alan Taylor

So, the Marvel juggernaut keeps on going.

With Captain America - The Winter Soldier due next year and another Avengers film, The Age of Ultron, on the way, it seems like the universe is somewhat overflowing with these flicks.

But it's pleasing to report that the shadow and after effects of The Avengers are still hanging over this, giving the feel that there's some kind of ongoing plan for the franchise. Whereas New York's mopping up after the antics of the Chitauri, Loki's behaviour's caused ructions in the nine realms and in Asgard, with Chris Hemsworth's Thor thrown into the mix to try and re-unite the warring factions at his father Odin's behest.

However, the mallet man's heart isn't fully in it, with thoughts turning to Natalie Portman's Jane Foster who's back on Earth and struggling with the same affliction.

But when Jane accidentally finds herself infected with a mysterious substance known as the Aether, she inadvertently awakens a long-buried threat, believed vanquished from within Asgard itself - the Dark Elves, headed up by the revenge-seeking Malekith (Christopher Eccleston)..... is it time for Asgard to fall?

Thor: The Dark World is a darker, grittier film than the first, but it becomes a little weighed down by some of its own intentions and a myriad of ideas.

There's such a mix of themes and motifs here that the whole thing feels tonally choppy in places as it shifts from one to the next, juggling way too many narrative balls in the air, and trying desperately to drop none of them.

It starts with a grand almost Game of Thrones / Lord of the Rings-esque prologue that details the ancient war between the Dark Elves (with their impassive white mask faces) and the Gods before shifting focus onto Tom Hiddleston's reptilian Loki, then onto Thor's attempts to quell the Nine Realms' discord before settling into some comedy scientist hijinks, led by Kat Dennings' Darcy, whose role is severely comically expanded this time around. Add into that mix, some gut-wrenchingly emotional moments in the second act of the film which are almost derailed by the sudden tonal shift,  a sub-plot hinting at romantic tensions between Thor, Jaimie Alexander's Sif and Jane Foster which is dropped mid-way through, a 9/11 style attack on Asgard, some sci-fi MacGuffins as well as a rather neatly and abrupt conclusion and the piece, while blockbuster in every sense of the word, feels a little like a mixed narrative journey. (Albeit, an enjoyable one if you're prepared to overlook all of these things.) For example - A great sequence involving a truly moving Viking burial barely has time to settle before Taylor's back to the comedy elements - it may work for the end of a comic book and the start of a next chapter, but on screen, it jars.


In terms of character, Hemsworth's adopted the rather stilted and stuffy tone for Thor, playing his fish out of water ways for laughs (a great scene sees him hanging up Mjolnir at a house the same way one does a coat); but his interaction / love interest with Portman's Jane is a little lacking this time around, with their onscreen time cut dramatically and their relationship suffering because of it. Equally, Eccleston's Malekith suffers in the shadow of the snakelike Loki, brilliantly portrayed by Hiddleston once again. While Eccleston brings the grim determination and vengeful might, there's little dimension or depth to his baddie, with the final showdown lacking the weight you'd expect. Meanwhile, Hiddleston provides much more nuance and layers to Loki this time around, turning a villain of the piece into something more Machiavellian than you'd have expected as the brotherly bonds of love and grief are played out.

That said, the epic feel and sense and scale of Thor 2: The Dark World, coupled with some measured and impressive action sequences and some top notch FX work, make it a film for the masses and a flick which ensures Marvel's still on the top of its genre game.

Ultimately though, if the Thor franchise wants to grow and continue, maybe some of the myriad of elements need to be taken out of the mix to help the story and characters breathe - before they risk becoming too one note and tired.

(Oh, and make sure you stick around for the credits - there are two post credit scenes in Thor: The Dark World....)

Rating:


Wednesday, 30 October 2013

Brand new Wolf of Wall Street trailer is here

Brand new Wolf of Wall Street trailer is here


Hot off the presses, here is the brand new Wolf of Wall Street trailer for you to enjoy!


Official movie trailer #2 in HD 1080p - directed by Martin Scorsese - starring Leonardo DiCaprio, Jonah Hill, Margot Robbie, Matthew McConaughey, Jon Favreau, Kyle Chandler - based on Jordan Belfort's best-selling memoir "The Wolf of Wall Street," which chronicles his rise and fall on Wall Street, along with his hard-partying lifestyle and tumultuous personal life.  

A true-life drama, which teams DiCaprio with director Martin Scorsese for a fifth time, dives into the sex, drugs, yachts and 1990s excess of New York stockbroker Jordan Belfort, who penned the best-selling memoir The Wolf of Wall Street. DiCaprio stars as Belfort, a hard-living sort who makes mad money on Wall Street ($49 million in 1996 alone) and enjoys the booze and babes that come with it. 

The good times last for only so long, though, because the FBI shows up wanting Belfort to help in their case involving securities fraud and corruption. 

X Men: Days of Future Past trailer is here

X Men: Days of Future Past trailer is here


Mutants of the world unite, the X Men: Days of Future Past trailer is here!

The ultimate X-Men ensemble fights a war for the survival of the species across two time periods in X-MEN: DAYS OF FUTURE PAST

The beloved characters from the original "X-Men" film trilogy join forces with their younger selves from "X-Men: First Class," in an epic battle that must change the past -- to save our future.




Tuesday, 29 October 2013

Latest ZB Review

Latest ZB Review


Listen here for reviews of:

About Time

Captain Phillips

The Great Gatsby


http://newstalkzb.co.nz/auckland/player/ondemand/37832104-darren-bevan--at-the-movies

After Earth: Blu Ray Review

After Earth: Blu Ray Review


Rating: M
Released by Sony Home Entertainment

Will Smith stars with son Jaden Smith in this rather odd slice of sci-fi, directed by M Night Shyamalan.

On a world in our future ravaged by a cataclysmic event, Will Smith is General Cypher, a war hero, whose shadow son Kitai (Smith's real-life son Jaden) is struggling to walk in. But when the pair of them are left stranded after an asteroid storm hits their ship, Cypher is left fighting for his life when the ship crashes onto an abandoned Earth.

It's left to Kitai to man up and try and save the day.

While After Earth looks relatively impressive with its space-age gumption full in overdrive (should that be hyperdrive?) it has to be said the story is somewhat plodding and at times, terribly dull. Both Smiths have a slightly clinical almost military feel to the delivery of their lines, and while that's probably intentional, the staccato clipped tones rob them of any emotion whatsoever.

Jaden Smith steps up reasonably well throughout it all, but the script, complete with a few set pieces, verges a little too much on the preachy side as it leans too heavily on the CGI creatures. Echoes of Scientology seep through and you can understand why those accusations were levelled at the film on release.

All in all, After Earth isn't the thrill ride you'd expect; it's a story of fathers and sons which is quite tepidly told.

Extras:

Rating:


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