Deliver Us From Evil: Blu Ray Review

Deliver Us From Evil: Blu Ray Review

Rating: M
Released by Sony Home Ent

In the latest horror based on true events / inspired by true events to hit the cinema, Eric Bana stars as tough and wearied New York cop Ralph Sarchie.

Relentlessly working the night shift with his partner Butler (a quippy Joel McHale) on the perpetually rainy Bronx streets, Sarchie is called in to deal with a case that appears to have Satanic overtones after a series of incidents appear to have a demonic link.

Dismissive of any religious beliefs and scoffing at these claims, Sarchie finds himself pairing up with a priest Mendoza (Ramirez) as they dig deeper into the case of three former Iraqi veterans and a series of inscriptions that appear to be at every crime scene.

Soon though, Sarchie finds the case is closer to home than he would like.

Deliver Us From Evil is a lazy formulaic horror, which employs every available cliche to try and proffer up new scares.

Dark grimy streets? Check. Perpetual gloom and rain? Check. Children's toy looking shifty in the bedroom? Check. Dark basements where torches / any form of lights fail? Check. A protagonist with lapsed religion? Check. A priest who's fallen from grace? Check. Moments of creepiness and jump scares predictably sign posted from a mile off thanks to an overly bombastic OST? Check.

Every single trope and soundtrack trick is rolled out during the 2 hour run time and every po-faced moment falls flat on its face as this fight against evil begins to try to bite. The problem is there's no real pull - even the fate of a supporting character who's given a bit of life fails to hit any emotional mark as the horror starts to try and bite.

While Bana tries his best with the material handed to him, the film ends up being derivative of everything you've seen before and so wildly grounded in nothing at all that it has no unique selling points. That's despite culminating in a jail cell exorcism that could have had been so much more thanks to its relatively original premise.

Perhaps really, it should be a case of Deliver Us From Deliver Us From Evil in this formulaic horror; a lack of originality, a distinct feeling of no emotional connection and a story that's dragged as far as it can be on its fragile premise leaves you wishing you could be exorcised of everything that's just unfolded in front of you.

Rating:

Sex Tape: Blu Ray Review

Sex Tape: Blu Ray Review

Rating: M
Released by Sony Home Ent

Predicated around the idea that two people could record a sex tape, upload it to the eponymous cloud and then find it distributed around, Sex Tape, with Jason Segel and Cameron Diaz has the potential to bring some risque humour to the fore.

Segel and Diaz are Jay and Annie, who spent their youth fornicating at every possible juncture; now, with 2 kids, demands of life and scant time, the spark has dimmed a little. Jay's working in the music industry and Annie's a blogger, trying to sell her writing wares to a wholesome Mom and Pop company headed up by Rob Lowe's Hank.

On the spur of the moment, the duo decide to record a sex tape to rekindle and reignite some of the long dormant spark. However, when they discover the video's gone wider than expected, they race to recover the various iPads that Jay's distributed which houses the mucky moments within - before the damage is too great.

Sex Tape really does have promise; with Jason Segel's escalating penchant for nudity in his movies, and Cameron Diaz appearing naked (from behind) and as a Boogie Nights style Roller Girl, it appears that raunch is clearly on the cards.

But the initial bout of frolicking gives way to a rather tame piece that's neither fish nor fowl.

With copious placements for iPad at every opportune moment (including one where Segel's character, having dropped it out of a window comments on how versatile and well-constructed it is), and some rather limp raunch that barely raises a titter, let alone an eyebrow, the resulting piece is something that's more suited to a formulaic farce rather than delivering on the promise of outright hilarity.

Diaz and Segel make for a recognisable duo with the overly talkative Segel delivering the majority of the straight lines while facing ludicrously silly moments; Diaz keeps up and proves game, but there's no real bite here for anybody to latch onto, despite relatively consistent comedic chemistry that's been mined before.

The highlight of the piece is swiftly dispatched early on when Jay and Annie head to Hank's place to recover their material and end up in an escalating farcical situation which sees Jay taking on a guard dog and noticing Hank's propensity for having himself painted into various Disney movie scenes around the home.

It's the only area that proffers up something of a series of laughs in this distinctly unsalacious comedy that's more of a safe proposition and at ill odds with its title. Inevitably portions of the tape are viewed towards the end of the movie, but by then, the promise of potential laughter is thwarted by a lack of any real passion for all that's gone on - that's even with a tenacious cameo toward the end.

Ultimately, this Sex Tape could have done with a large hit of comedic Viagra.

Rating:

ZB Movie Review - Talking Alexander, What We Did on Our Holiday and What We Do In The Shadows

ZB Movie Review - Talking Alexander, What We Did on Our Holiday and What We Do In The Shadows

http://www.newstalkzb.co.nz/on-air/saturday-mornings-with-jack-tame/audio/darren-bevan-december-6-2014/

You're Not You: Movie Review

You're Not You: Movie Review

Cast: Hilary Swank, Emmy Rossum, Josh Duhamel, Ali Larter
Director: George C Wolfe

Negotiating a movie with a disease is no easy task.

But given that director George C Wolfe was involved in Angels in America and won a Tony for his direction, this story about Hilary Swank's Kate and her battle with ALS would appear to be in safe hands.

Prim and proper, with her life fully in control and her marriage to Josh Duhamel's Evan perfectly happy, Swank's Kate finds everything upended when she's diagnosed with the incurable disease ALS, the first signs of which rear their head on her birthday.

18 months later, and the pair is forced to find a full-time caregiver to help - which is where the impulsive college student Bec (Shameless star Emmy Rossum) comes in. Initially seeming like a polar opposite to the order they need in their lives, Kate insists on hiring her - even though she's no experience and appears to be a train wreck herself.

Instinctively, the duo form a bond which moves sensitively and inevitably towards its conclusion.

You're Not You has moments of mawkishness and twinkling piano music, designed to elicit tears from the most cynical given the subject matter. There are also moments of manipulation as the predictable inevitability of the disease plays out.

But yet, among all of that, there's a powerhouse of a performance from Swank, whose measured control as Kate imbues this potentially telemovie story with a dignity and sensitivity that's hard to deny.

Sure, there are the bumps in the road that you can see coming a mile off (Rossum's rough and ready Bec clashes with all around her except Kate; Swank's perfect veneer masks the guilt of knowing peoples' lives will be affected by her illness; Duhamel's Evan falls spectacularly as expected but remains likeable) but the strength of the acting pulls the piece out of worn-out and over-used tropes, designed to see you delving into the Kleenex.

(Though that isn't to say that those moments occasionally rankle, thanks to over-used signposting and cliche)

At the end of the day, You're Not You does exactly what you'd expect - and while the sentimental gloop is poured on thickly about two thirds into the piece, George C Wolfe's restrained direction, combined with Swank and Rossum's effortlessly plausible bond, give the film the power it needs to just rise above some of the mawkishness that threatens to pull it down into telemovie territory.

Rating:

Terminator: Genisys Trailer - he is back

Terminator: Genisys Trailer - he is back

He is back.

Here's the first look at the first Terminator: Genisys trailer

Terminator: Genisys Trailer is here

Terminator: Genisys Trailer is here

He is back.

Here's the first look at the first Terminator: Genisys trailer

What We Did On Our Holiday: Movie Review

What We Did On Our Holiday: Movie Review

Cast: David Tennant, Rosamund Pike, Billy Connolly, Ben Miller, Celia Imrie
Director: Andy Hamilton, Guy Jenkin

The producers of Brit comedy Drop The Dead Donkey and (perhaps more relevantly) Outnumbered essentially produce another version of Outnumbered with a parallel cast.

Dr Who star David Tennant and Gone Girl Rosamund Pike star as Doug and Abi, who are about to head their separate ways and more pressingly to Scotland for Doug's father Gordy's birthday.

As the duo - along with three kids - pack up and head north, the inevitable tensions begin to rear their heads. Convincing the children not to say anything about the separation has varying degrees of success, but when the family hits the homestead, it soon becomes clear that Gordy's health is deteriorating quickly - and any revelations will hasten his potential demise.

Cue the predictable cracks, exasperations and awkward moments that seem to plague British family get togethers and summer holidays within the UK...

What We Did On Our Holiday is very good at honing in on what it's like to be eminently British and how to behave during strained family outings. But it's plagued with moments which feel forced, an uneven tone that doesn't veer too closely to broad comedy or drama to be effective enough.

Using the old adage of "kids say the darndest things" at the worst moment, the trio of children are set up as wiser than their parents and unleash truth bombs and absurdities for maximum effect. However, it's a mix that doesn't quite gel unfortunately, given the wealth of talent involved.

Tennant is as watchable as ever, mixing a bit of OTT behaviour and drama; Pike is relatively straight-laced; and there's a certain tragic irony in seeing a maudlin Connolly play a man who's quite sick. The issue really with What We Did On Our Holiday is more one of tone; by not quite deciding whether to delve deep into farce or drama, the script feels all too predictable and inevitably mawkish (even with the occasional spontaneous reactions from the children) as the secrets and lies swirl around before bubbling over.

The central conceit that adults don't know enough and children do thanks to their innocence and all-seeing eyes, as well as explosive secrets coming out at inopportune family meetings just feels all too familiar and lacks the freshness to give What We Did On Our Holiday an edge or bite that it desperately needs as it teeters between pathos and tragedy.

A final act resolution jars and feels unnatural in places thanks to the pacing of beforehand, but there are bittersweet moments and performances in What We Did On Our Holiday which help you through - and may even provoke a feeling of familiarity.

Rating: