Tuesday, 24 May 2016

Shadow of the Beast: PS4 Review

Shadow of the Beast: PS4 Review


Platform: PS4

I was not aware of the original Shadow of the Beast, a Commodore Amiga smash hit that hit way back in 1989.

So consequently, that the hack and side-scrolling slash game that's been remastered for the next gen console feels in turns like a nostalgia throw back and a next gen remaster simultaneously is perhaps no mean feat.

For the uninitiated, the game centres around Aarbron, a servant corrupted by magic and turned into a beast with an unsatiated bloodlust. The 2D platformer sees you taking the helms of the initially chained Aarbron who's out to get revenge when he realises what he's done...

Heavy Spectrum has clearly remained faithful to the original and has fashioned something that looks like Street Fighter met Abe's Odyssee and turned the whole thing into a bloody hack and slash spectacle.

The 2D platformer side-scroller ethos works well for the game, that sees you chaining together combos and essentially beating down hordes of bad guys heading your way. When faced with a fight, you have no choice but to go into combat as portals spring up either side, preventing your escape.

And as you fight, you collect blood from your enemies in a bar (as well as blood-splatters on your screen, this is not a game that shies away from the gore) but you can also unleash rage chains with the use of L1 and R1 when the blood bar is full. Doing so boosts your fight combo and ultimately the points you're given.

Stunning, throwing enemies and blocking attacks, as well as jumping on them to perform a QTE to literally claw back health make up a majority of the game and while it's wonderfully rendered and executed, it does get a tad repetitive. But it's chaining combos and gaining points which help you upgrade, so there's a necessity to all of it and a reason behind the never-ending desire to kill.

As you traipse through landscapes, which are all beautiful to behold and could be easily overlooked, the game becomes something more of a quest rather than just a fight - it's just a shame that you can't duck into the backgrounds themselves simultaneously (as witnessed in Abe's Oddysee, the perspective works very well) to add a little more depth to the events.

If the game relies a little too heavily on combat, its not wanting to deviate from the original seems commendable (and the developers have even thrown in a playable version of the 1983 hit). With no rhyme or reason though, due to overwhelming numbers of foes and a limited space to fight within, occasionally, you can get caught out and injured without warning. It's frustrating given combos are necessary and disrupting them sets you back.

Secrets litter the game in the form of orbs and these add background and context to the story, so unless these are located, some of the subtleties are lost of the narrative, which is a shame.

Ultimately, Shadow of the Beast does what it says on the tin.

The depth is there, if you seek it out, but it leads to the feeling that this really is a game that will depend on your style of playing.

Nicely respectful, and rendered perfectly, this HD brawler feels like it could have reached a little higher and maybe been something which stood out a little more. It's a callback to older times, but thanks to a fresh coat of paint, it just manages to stake its place in the next gen world.

Monday, 23 May 2016

Win Teenage Mutant Ninja Turtles 2 prizes

Win Teenage Mutant Ninja Turtles 2 prizes



Teenage Mutant Ninja Turtles 2:

Cast:  Megan Fox, Will Arnett, Laura Linney, Stephen Amell, Tyler Perry, Noel Fisher, Jeremy Howard, Pete Ploszek, Alan Ritchson, Brian Tee, Stephen "Sheamus" Farrelly, Gary Anthony Williams

Synopsis:
Michelangelo, Donatello, Leonardo, and Raphael return to theaters this summer to battle bigger, badder villains, alongside April O'Neil (Megan Fox), Vern Fenwick (Will Arnett), and a newcomer: the hockey-masked vigilante Casey Jones (Stephen Amell).

After supervillain Shredder escapes custody, he joins forces with mad scientist Baxter Stockman (Tyler Perry) and two dimwitted henchmen, Bebop (Gary Anthony Williams) and Rocksteady (WWE Superstar Stephen "Sheamus" Farrelly), to unleash a diabolical plan to take over the world.

As the Turtles prepare to take on Shredder and his new crew, they find themselves facing an even greater evil with similar intentions: the notorious Krang.

Release date June 2nd 2016 Rated PG

And to complement the 3 double in season passes, I've also got some delicious Kinder Surprise Eggs featuring Ninja Turtles Toys

To enter simply email to this address: darrensworldofentertainment@gmail.com and in the subject line put TURTLES. 

Please include your name and address and good luck! 
NB Competition closes 2nd June - editor's decision final!

FINAL FANTASY XV - Uncovered Quick Recap video

FINAL FANTASY XV - Uncovered Quick Recap video



 

Paranormal Activity: The Ghost Dimension: DVD Review

Paranormal Activity: The Ghost Dimension: DVD Review


Released by Universal Home Ent



It began back in 2007 and after global box office domination, spawned another four films of varying degrees of success.

Now, the final film is here in the Paranormal Activity franchise and promising answers after a series of haunted house / demonic child-bothering set up some tantalising ideas.

This time around, it's all set around a family, The Fleeges, dad Ryan(Murray) and mum Emily (Shaw) who just before Christmas, has recently moved to a new home, along with their moppet kid Leila (George). When Ryan's brother Mike comes to visit, he discovers a box of video tapes and a camera discarded in a corner...

Not long after this discovery and discovering that the camera can somehow see otherworldly things, strange hauntings and noises start to plague them all as a demonic creature makes its presence felt (under the Christmas tree).

Paranormal Activity: The Ghost Dimension does little to fully wrap up the franchise, even though it offers some answers as to why the Midwives coven's been floating around for these past stories - but fails to fully wrap up Katie's story (a potentially loose end for when financial panic hits).

The film's MO is much the same as the others with bumps, jump scares and jolts stirring the pot up. But with the addition of the 3D, the film has chosen to employ some occasionally effective, but at the same time some unoriginal things-flying-at-the-screen scares. 

For the most part thisNightmare before Christmas doesn't need the 3D and it's mostly turned off until the night time, when the ghostly goings on begin but when wearing the dark glasses makes the viewing experience even more murky. There are a few effective jump scares as the family begins being menaced by what effectively is the Venom goo from Spider-man 3 but they are mainly of the flying at the camera variety. And it taps into a basic primal fear that suburbia relishes - parents who can't fully protect their children from evil, a deeply rich vein that will unsettle all.

And it's a shame certainly in chief for its final sequence that strays into such OTT territory that the film's reasonably effective work at building atmosphere and sustaining the creeps but not deviating from the formula (which is not necessarily a good thing, given how much of a rehash it all is).

However, Paranormal Activity: The Ghost Dimension is a frustrating experience because of the protagonists' behaviour and the editing of the film. Not once do the characters check the footage they've taken through the night, they know their daughter is being haunted but persist in letting her sleep alone and they make stupid decisions, even though little happens around the house. 

Why they don't let others use the camera to show the activity to them is beyond understanding.

The frat boy hijinks of the start when Mike shows fizzle out giving the film an uneven tone and an entirely predictable riff on the Exorcism and Poltergeist takes place. Equally, when moments happen in the film, they cut off halfway through, leaving a feeling of a conclusion of events sorely wanting.

The biggest disappointment of Paranormal Activity: The Ghost Dimension though is how it wraps things up. There are no spoilers here, but given the Coven's ultimate plan is revealed, quite why it needed 5 other films to tease it is beyond belief and the fact that Katie Featherston's Katie is not in it when she proved so incremental at the beginning and was a loose end is nigh on irritating.


Ultimately, Paranormal Activity: The Ghost Dimension is an entirely weak ending to the series, a creatively bereft film that scorns those who've been along for the ride from the start.

Despite a few creative moments here and there that transcend the plot's ideas, it's narratively empty, a film that rehashes both the best and worst of what's gone before and offers no new ground and relies on 3D to give it a USP that's not compelling or exciting. It's clear more is coming (so many loose ends) but really, this found footage franchise needs to be lost and buried for good now.

Rating:

HITMAN - Elusive target 2 is incoming

HITMAN - Elusive target 2 is incoming


HM_logo
                                                                                 
Second Elusive Target “The Congressman” due this Friday 27th of May

SYDNEY, 23RD May 2016 - Following the success of the first Elusive Target, the next unsuspecting Elusive Target is getting ready to meet his fate this Friday 27th May.
Players will need to locate the elusive “Congressman” on a visit to sunny Sapienza*. Can more than 53% of players succeed this time? How many will be Silent Assassins? Only time will tell.
Elusive Targets are specially crafted, unique targets which are available in game for a limited time only. Together with Escalation Contracts and Featured Contracts, they form part of the regular weekly live content available in HITMAN in-between new episodes.

Five completed Elusive Targets will unlock the Hitman: Absolution suit in game for players, ten will unlock the Hitman: Blood Money suit and additional completions will unlock more suit variations.

Elusive Targets come with particular rules:
·         An Elusive Target is a once in a lifetime experience
·         They are available for a limited time only in game
·         Intel on the target will be limited
·         They will not appear in instinct mode, or the mini map and their locations will not be revealed to you – you’ll have to go and find them
·         Your target can only die once
·         If you die during the mission, that’s it
·         When the time runs out, they are gone for good
·         If you fail, there are no second chances
HITMAN is available on the PlayStation®4 computer entertainment system, Xbox One, the all-in-one games and entertainment system from Microsoft, and Windows PC.
(*This Elusive Target is only available for a limited period of time and only to players that own the Sapienza location. To be clear, the Sapienza location is not included in the Intro Pack. If you do not own the Sapienza location already, but wish to experience this Elusive Target, you should either unlock all locations by purchasing the Upgrade Pack or purchase the Sapienza location separately.)


Hitman - First Elusive Target results:
Second Elusive Target:

Sunday, 22 May 2016

The Lobster: DVD Review

The Lobster: DVD Review


Rating: M
Released by Universal Home Ent

The Lobster is  a darkly surreal and yet drily dystopian flick about coupledom, and how society views those who are alone.

From Greek director Yorgos Lanthimos (Dogtooth) in his first English language outing, The Lobster is set in an alternate world where single people are forced to find a partner within 45 days or face being turned into an animal of their choice and released into the wild.


A pudgy and moustachioed Colin Farrell is David, who's just divorced from his wife and is sent from the city to the hotel where he must try to find love. His solitary companion in this confine is his border-collie dog, formerly his brother - and the collection of others unable to grasp Cupid's arrow to their heart.

Inside this hotel, run with straight faced gusto by the manager (played by Broadchurch star Olivia Colman), are others looking included in their number are the likes of Ben Whishaw, Jessica Barden, John C Reilly and Ashley Jensen. The singles are also given a chance to hunt groups of Loners (run by Lea Seydoux's character and made up of the likes of Michael Smiley and Rachel Weisz) who've escaped the hotel and live in the woods; each capture subsequently earns the members an extra day before animalisation....

The English language film from the Greek director of Dogtooth is nothing short of incredible; incredibly surreal, incredibly dark, incredibly sad and incredibly funny. 

Delivered with such deadpan and emotionless dialogue, The Lobster could only work in English and with recognisable actors - it seems any other incarnation of the film would feel too black and too dark to cope with.


Lanthimos' creation of the world works best within the confines of the hotel (whose decor and activities are likely to provoke memories of horrific family holidays for some); it's perhaps less successful when it heads into the woods and starts to become a little aimless, lacking perhaps the vicious satire that's preceded. 

But skewing the conventions of romance (yet perversely embracing them), and slyly commenting on life in couples (any bickering people who are coupled up will be given children to try and quell any potential discord), Lanthimos has created something unique that occasionally defies description. And yet, in among the blackest of night humour, there's such a vein of sadness within that remains hard to shake long after the film has finished. Nowhere is this more evident than with Ashley Jensen's character, a biscuit obsessed pudge of a woman whose sexual proclivities are detailed to Farrell's David with such dead eyes as she tries in desperation to couple up with him, that it's nothing short of utterly heartbreaking.

There's no doubting that The Lobster's scathing and scabrous social critique and satirical edge hits the mark throughout and this cruel black comedy remains a troubling crowd-pleaser (what does it tell us about ourselves when we laugh out of nerves, awkwardness or perhaps recognition at what passes on the screen?). For those well versed in British satire, it almost feels like the kind of flick Chris Morris might spew forth from his demented imagination - and it's perhaps no coincidence that the film is blessed with such a British cast.

What The Lobster says about the human condition and the continuing insistence by society to view couples as the only valid humans and contributions is utterly depressing; what Lanthimos has managed to do is to turn that very dark outcome into something utterly unmissable and something savagely unsettling; The Lobster is a guaranteed talking point - and some of the truths you potentially uncover or associate with may say more about you than perhaps you feel comfortable to accept. 


Newstalk ZB Review - Reviewing X Men Apocalypse, Where To Invade Next and Joy

Newstalk ZB Review - Reviewing X Men Apocalypse, Where To Invade Next and Joy


This week on ZB with Jack Tame, live out of NYC, I took a look at the new X Men film, Michael Moore's latest doco, Where To Invade Next and Jennifer Lawrence's Joy.

Take a listen below

http://www.newstalkzb.co.nz/on-air/saturday-mornings-with-jack-tame/audio/darren-bevan-x-men-where-to-invade-next/

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