Sunday, 26 June 2016

London Has Fallen: DVD Review

London Has Fallen: DVD Review


Rating: M
Released by Roadshow Home Ent


Olympus Has Fallen was stodgy action at best.

The 2013 action flick was, in fairness, a film about a one man secret service against the masses on a quest to ensure his homo-erotic bromance with the Prez was safe from terrorist threats.


So it is with London Has Fallen, an action film brushed with such mind-numbing formulaic touches and flat action sequences that it somehow manages to make its 95 minute run time feel like something of an endurance.

This time around, Mike Banning (Gerard Butler in straight up form) is contemplating quitting POTUS' detail because of impending fatherhood. However, just before he hits send on the email, he's called in to mind Aaron Eckhart's President Benjamin Asher, who's about to be called away to London to attend the state funeral of the UK Prime Minister, who's died without warning.

In among the gathering of all the western heads of the state, Banning isn't happy; with just days to prep a full security detail, it's clear there's danger on every corner.

And it turns out, Banning is right as a major terrorist strike takes out several of the western leaders, leaving Banning and the President on the run....

The thing is with London Has Fallen, there's a kernel of some good ideas trying to raise their head to the cinematic light and trying to poke their way through.


Social commentary on drone strikes and those who perpetrate them from their high and mighty pedestals, terrorist executions on the internet and how budget cuts are forcing security services to compromise ultimately endangering us all are just two of them jostling for creative air to breathe.

Unfortunately, they're lambasted into obscurity and battered into submission by seriously sub-par FX (which would easily be bettered on any of the next gen consoles) and by a script that pushes racism and below par comments from Banning as he dispatches the bad guys amid a hail of bullets and never once copping any single flak a la The A Team.

The worst of these offending dispatches comes with Banning telling one that he needs to "go back to F**kheadistan" without any sense of irony and with every sense of lunk-headed racism. It's essentially, Team America: World Police but without any of the subtlety. (An oxymoron I am very aware of).

Half the problem is London Has Fallen takes itself so seriously that it has to be measured by the same standards, and finds itself wanting on so many levels.

Lacking any sense of fun or even any feel of urgency, London Has Fallen may pile in the rote action sequences but not one of them stands out from the crowd, feeling like it's been designed by committee and executed by no-one with any particular flair. Explosions taking out London landmarks have no emotional weight and don't carry any of the vicarious thrill or weight that seeing the likes of the White House vaporised by an alien spacecraft can muster.

By utilising a sprawling city, London has effectively traded some of the claustrophobia from the White House that was so well used and exploited in Olympus Has Fallen.


Equally, the final sections suddenly remember there are a few extraneous plot threads which need erroneously tying up with sudden urgency. (Don't even get me started on how this world is not one for women, the majority of whom are confined to either death, being sidelined with pregnancy and looking worried or forgotten about despite initially being part of the script).\

Depressingly, it'll no doubt do gang-busters as the box office, precipitating yet another sequel, with no doubt Butler reprising his woeful John McClane impression.

While it does require some commendation for mocking worldwide perceptions and stereotypes of the western leaders (the French premier decides to be 10 minutes late to the funeral, the Italian prime minister is lustily showing a 30 year around on a private tour), there's nothing clever about the rest of the execution of London Has Fallen, an un-PC, tedious and desperately below-par action film.

Rating:

Saturday, 25 June 2016

Galaga / PacMan: PS4 Review

Galaga / PacMan: PS4 Review


Platform: PS4
Released by Bandai Namco

Galaga was a childhood obsession of mine.

The arcade game dropped in 1981 and was a simple concept; a top down static shooter that saw waves of bees and wasp like creatures bearing down on you.

Along with Pac-Man, a lot of my time was eaten up – along with my money – in arcades endlessly replaying these classic and simply executed games.

The Bandai Namco re-release along with Pac-Man and Dig Dug has formed a PSN pack to be downloaded onto the PS4 – and to ensure all that pain of the childhood is unleashed once again.

The ports are incredibly faithful and well executed; not one of them feels like the originals have been tinkered with and as a result, these games feel like a step back in time in terms of gameplay.

Within 2 minutes of Galaga being fired up, I was being killed in exactly the same way I was when I was 14.

And that was both a source of glee and frustration.

The PS4 controller works well for Galaga but doesn’t fare as well with the directional controls of both Pac-Man and Dig Dug, with deaths easily avoidable had the game simply been an old fashioned joystick.

But that’s a minor niggle for a pretty damn sweet set of reminiscences that look and play like the originals – in this day of tinkering and reversioning the classics that all of these games are exactly how you remember them is a welcome diversion.

Ultimately, you’ll lose the same amount of time you always did when you were younger and you’ll love every damn addictive last second of it.

Newstalk ZB Review - Talking Finding Dory, Independence Day Resurgence and looking at the NZIFF

Newstalk ZB Review - Talking Finding Dory, Independence Day Resurgence and looking at the NZIFF


Film critic Darren Bevan joins Jack Tame to discuss the latest film releases, including the fishy Finding Dory and soulless CGI-based action flick Independence Day: Resurgence.
Darren also suggests film fans get amongst the New Zealand International Film Festival, after the programme for this year was released. 

http://www.newstalkzb.co.nz/on-air/saturday-morning-with-jack-tame/audio/darren-bevan-finding-dory-independence-day-resurgence-and/

Friday, 24 June 2016

The Wonder Years: The Complete Collection: DVD Review

The Wonder Years: The Complete Collection: DVD Review


Rating: PG
Released by Madman Home Ent

There's just something nostalgic about The Wonder Years TV series.

Running over 5 years from 1988 to 1993, the show's 115 episodes encapsulated the family drama and showed a side of America that had started to break out on TV. Set in the 60s and 70s and focussing on the Arnold family (with Kevin the youngster being played by Fred Savage), the show looked at the family unit and the daily dramas.

With his best friend Paul (Josh Saviano) and potential love interest Winnie Cooper (Danica McKellar) the show explored the things that mattered to the units - from the Vietnam war to what his dad did for work, this is a show that got it right thanks to writing and the chemistry.

It's held up surprisingly well through the years, in large part due to the universality of the issues raised and while 115 eps doesn't exactly make this a binge-worthy proposition, this collection is worth owning and gradually ploughing through. With an extra that boasts the first cast reunion in 16 years, newly produced featurettes and interviews, it's an exhaustive and impressive trip down nostalgia lane.

Win a double pass to see Disney•Pixar's FINDING DORY!

Win a double pass to see Disney•Pixar's FINDING DORY!


To celebrate the release of FINDING DORY in cinemas, I've got passes to giveaway to the movie!

About Finding Dory

Disney•Pixar's “Finding Dory” reunites everyone’s favorite forgetful blue tang, Dory, with her friends Nemo and Marlin on a search for answers about her past.

What can she remember? Who are her parents?

And where did she learn to speak Whale?

Directed by Andrew Stanton (“Finding Nemo,” “WALL•E”) and produced by Lindsey Collins (co-producer “WALL•E”), the film features the voices of Ellen DeGeneres, Albert Brooks, Ed O'Neill, Kaitlin Olson, Ty Burrell, Eugene Levy and Diane Keaton. “Finding Dory” swims into theaters June 17, 2016.

Disney•Pixar's “Finding Dory” reunites everyone’s favorite forgetful blue tang, Dory, with her friends Nemo and Marlin on a search for answers about her past.

Disney•Pixar's FINDING DORY is rated G and in cinemas now!

To enter simply email to this address: darrensworldofentertainment@gmail.com  and in the subject line put DORY. 

Please include your name and address and good luck!

Competition closes June 30th.



Thursday, 23 June 2016

Independence Day Resurgence: Film Review

Independence Day Resurgence: Film Review


Cast: Liam Hemsworth, Jeff Goldblum, Bill Pullman, Maika Monroe, Brent Spiner
Director: Roland Emmerich

20 years after director Roland Emmerich audaciously blew apart the White House in one of cinema's enduring images, the aliens are back.

(Even if some of the original cast is not).

On the 20th anniversary of the 4th July invasions, and with the world living in harmony since the incursion, thanks to a large weapon and space defence force, things look pretty good.  But those involved in the original battle are haunted by visions of a return...

Independence Day Resurgence is everything you'd expect.

And so much less.

Clouded in gloomy dark visuals and with a cast that's way too big to service decently, it's a disaster movie that revels in its special FX, its cornball lines ("It's July 4th, let's show them some fireworks!") and feels like a desperate attempt to recapture some of that lightning in a bottle that struck so brilliantly some 20 years ago.

It's also dour too as it tries to shift the balance of power to the next generation of heroes, who are given the piecemeal tokenistic broadbrush character onceover and hope that the audience engages with them. It's a hard ask, even for Liam Hemsworth as a cocksure salt-of-the-earth pilot whose heart is in the right place. Worryingly, once again, it's the guys who save the day, even though we have a woman president (Sela Ward) and women scattered through power positions.

Fortunately, Goldblum and Spiner have a blast re-inhabiting their old roles as David Levison and Dr Okun respectively and enlighten proceedings in only the ways they can. Goldblum excels at rattling off wry one liners, remarking at one point in the destruction that the aliens "like to get the landmarks". Even Pullman pulls off crazy haunted well, before delivering a speech of unity to a hangar full of a handful of pilots, with a rousing OST building and swelling beneath him.

Emmerich once again displays an eye for destruction, but there's nothing as iconic as the original White House shot - and if anything, he's taking the mickey by delivering a barrage of destruction that simply knocks a US flag on its side atop a building. Only London Bridge gets a battering. That said, as the rote CGI destruction tears apart cities and countless lives that we once again don't care about, the carefully measured and clinically executed FX look the business on the big screen.

But it's ultimately soulless; a disaster film that juggles too many characters, throws in a bus load of kids just because it can and serves none of them brilliantly. Everyone's a cypher to the proceedings as the mash up of Aliens, Top Gun, Star Wars dog-fights and the first film plays out and consequently, despite being a film about humanity's unity (a fascinating concept), it's left to the Americans (and a couple of token Chinese) to band together to save the world.

The end hints at a "We're coming for you" third part, but really, this thinly veiled tantalising tease of America invading the cosmos just fills with dread - there's no need for more nostalgia; this latest has moments of fun and an original cast that's back for the ride, but this aiming-for-guilty-pleasure sequel isn't necessarily proof that bigger is always better.

Wednesday, 22 June 2016

The Visit: DVD Review

The Visit: DVD Review


Rating: M
Released by Universal Home Ent

Another film by the king of twists, M Night Shyamalan.

And teaming up with Blumhouse, the studio that makes sleepers hits for low amounts of cash seems to have been a reasonable formula for success too.

In this latest, it's the story of two kids, Becca and Tyler, who head to their grandparents having never visited them before. Dropped at the station by their mum, the duo decide to film a doco about it. Which all sounds perfectly reasonable until the pair get to the house and find their grandma acting strangely in the night. As they investigate further, things take a creepier turn...

The Visit is a slow to get started kind of film, that's tonally a bit of a mix. With moments of comedy and horror as well as a reveal that in true M Night Shyamalan style will polarise (and can't be discussed without severe spoilers), it's a film that doesn't quite stack up once the reveal comes. While the atmosphere and the found footage ideas work reasonably well and a cast of relative unknowns help sell the story, you can't help but feel let down by the ending.

That said, the ride is reasonably executed and while it may not hit for some, it will hit for others.

The Visit ultimately shows Shyamalan is still a master builder of execution, even if the revelations at the end don't quite add up.

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