Batman Telltale Games: Episode 3: New World Order: PS4 Review

Batman Telltale Games: Episode 3: New World Order: PS4 Review

Platform: PS4
Developed by Telltale Games

The Telltale Batman game episodic series has been fairly compelling playing in its first 2 episodes.

But it's fair to say the third episode of the show blows everything out of the water in terms of story and propulsion of the narrative - and delivers one hell of a (spoiler) sucker punch at the end.

Sadly though, the third episode, The New World Order, is also the one that suffers from the most from technical issues, with at least 3 freezes forcing the restart of the game.

That aside, this is still all about Bruce Wayne, and follows Telltale's ethos that this is where the focus has been lacking in the past. Interactions with established characters, sinister machinations and at least one out of the blue moment ( as well as one slightly seductive moment) combine to make episode 3 the most turbulent yet.

With a heady mix of action and consequence starting to play out, and an established character heading down a path that has been long expected, Wayne's problems with his family legacy, his suspicion of others and his uncertain allegiances add up to one powderkeg of choice. Packing in narrative, some action and some detective work ensures all the elements are in place for an unpredictable ride that plays out before you.

As ever, the voice work is strong and both Troy Baker and Travis Willingham add a real emotional depth to the Wayne / Dent dynamic. There's real pathos at work here and the investment over the past few episodes is actually beginning to pay off (for reasons that again are too spoiler to go into further).

Ultimately, technical issues aside, New World Order is a real propulsion into the final two chapters of the story - with strong story-telling and real stakes being laid out, it's actually proving to be more worthwhile to play as Bruce than Batman. If anything, the Batman sections of the game slow things down and follow a degree of predictability whereas the human edges give the story nuances and reality.

Telltale Games has said episode four is a real game-changer and given the way three ends, it's going to be one hell of a wait to get into that penultimate episode.

The Founder: Film Review

The Founder: Film Review

Cast: Michael Keaton, Nick Offerman, John Carroll Lynch, Laura Dern, Linda Cardinelli, Patrick Wilson
Director: John Lee Hancock

A prime slice of business ethics and an attempt at a semi-biographical piece of McDonald's early life, The Founder is once again Michael Keaton's award nomination spotlight.

Keaton is Ray Kroc, a travelling salesman and a veritable magpie of a man when it comes to what he thinks are good ideas. But often, his gambles fail - as testified to by his terse wife played by Laura Dern who simply wants a normal life and to spend evenings at the club. When he gets an order for 6 multi-mix milkshake machines, he assumes it's an error and contacts the buyers.

But it turns out those buyers are Dick and Mac McDonald (Parks and Rec star Offerman and American Horror Story's Carroll-Lynch), a pair of good ole boys running a burger joint. Kroc heads to the joint to take in the operation - and sees a potential money-spinner in front of him.

However, the MacDonald brothers are principled and work under their own sets of rules and ethics; believing expansion could denigrate their brand, they resist Ray's attempts to jostle into the takeaway industry. But Kroc's dogged persistence pays off - and he begins to expand and build an empire...

But at what cost?

The Founder is in no way a love letter to McDonald's.

It's a serving of unscrupulous behaviour and questionable morality - and aside from one early sequence that dishes up nostalgia in the form of the McDonald brothers starting their empire does it leave you hankering for a fast food fix.

Much like the junk food itself, The Founder promises much but fails to deliver much nutrition.

Kroc's avarice is well documented by Keaton; and to be fair, there's never an attempt to portray him as anything more than a complete asshat, who appears to have run roughshod over any who oppose his desires. Simply put, in Keaton's hands (and to a lesser extent director John Lee Hancock), Kroc's story is solely about getting what he wants, consequences and people be damned.

The film's gentle and genial beginnings give way to a sense of flatlining as the tale goes on over two hours as narrative threads wither worse than a pickle left out in the sun for days.

Dern's wife is afforded scant characterisation and is wasted; and Wilson and Cardinelli float in as Rollie and Joan Smith (the latter of whom Kroc ended up marrying) but their burgeoning relationship is sketched over with little more than a few looks suggesting the big bad wolf in Kroc. Offerman and Carroll Lynch start off strongly as the McDonald brothers, whose fraternal bond is forged and deepened over fries. But they waft away in the film and even Offerman's nuanced and rarely seen dramatic turn can't save them from feeling like piecemeal offerings in the overall story.

It's moments like these which feel like The Founder's floundered its initial promise and premise.

Granted, there are times when Keaton's performances trumps all but the lack of emotional investment into proceedings and the under-playing of the ethical clashes mean this drama unfortunately has little to offer at the cinematic dinner table.

Newstalk ZB Review - Fantastic Beasts and Where To Find Them, Star Trek: Beyond

Newstalk ZB Review - Fantastic Beasts and Where To Find Them, Star Trek: Beyond

This week, it was time to check out the very latest from JK Rowling, Fantastic Beasts and Where To Find Them and also take a look at Star Trek Beyond.

http://www.newstalkzb.co.nz/on-air/saturday-morning-with-jack-tame/audio/darren-bevan-fantastic-beasts-and-critic-proof-franchises/

Central Intelligence: DVD Review

Central Intelligence: DVD Review

Released by Universal Home Ent

Mixing Romy and Michelle’s High School Reunion with a spy caper sounds like a recipe for relative success, but Central Intelligence lacks the relative finesse to pull it all off.

That’s despite great chemistry between the two leads, Dwayne The Rock Johnson and everybody’s favourite screeching screen star Kevin Hart.

Johnson plays Bob Stone, who was in an obese high school student humiliated some 20 years ago. Hart is Calvin Joyner, a jock and high school popular guy (known as The Golden Jet) who helped Stone on his lowest day. But voted most likely to succeed, Joyner’s now hit middle age and works as an accountant. 

On the eve of their high school reunion, Joyner’s contacted out of the blue by Stone, who’s now a fanny pack, unicorn T-shirt wearing beefcake. Intrigued Joyner goes along to meet him and finds himself thrust into a twisting cul-de-sac of espionage and potential lies.

There may be intelligence in the title, but there’s little intelligence on display throughout this broad buddy comedy.

Granted, the chemistry between the duo propels a lot of the nonsense of Central Intelligence along (before it simply lapses into guns being shot off and traditional action film fare). 

Dwayne Johnson has a blast playing goofy and a bit dorky as the muscle-head and clearly relishes the chance to be a bit broader than his usual action meat and potatoes action hero stance. Playing up the physicality and yet still professing mad love for Sixteen Candles works well for the slightly doofus approach that's taken. And Hart starts off well, winding down the usual squawking he's familiar for - but ultimately, falls back on this schtick of shrill screeching and flapping around.

Ultimately, Central Intelligence will rise and fall on how much you like these two because the plot itself is fairly non-existent and surplus to requirements.

It may sound disingenuous to dismiss Central Intelligence for its intentions, but there aren't enough laughs or more of a hook than the comedian being the straight guy and the action hero being the kook to carry it all the way through.

Fairly generic and formulaic in anything other than the leading duo's chemistry, Central Intelligence is nothing short of slightly punishingly predictable - with neither enough laughs nor enough flair to leave you feeling you've seen something special.

He Said, She Said Episode 1 - Reviewing Doctor Strange

He Said, She Said Episode 1 - Doctor Strange

Welcome to a brand new bite size movie review show, He Said She Said!

They say opinions are like assholes - everyone has one and when it comes to movies, nothing's truer!


Starring yours truly and a cohort of mine, Maha Albadrawi, the quick film show will be taking a regular look at the latest movies for you to decide whether they're worth it.

Watch the premiere episode of He Said, She Said below and then let us know which of us was correct!

BATMAN - The Telltale Series' Episode 4: 'Guardian of Gotham' Trailer

BATMAN - The Telltale Series' Episode 4: 'Guardian of Gotham' Trailer

'BATMAN - The Telltale Series'  Episode 4: Guardian of Gotham Arrives November 22nd     Thrilling and Divergent Penultimate Episode Introduces a Grinning Future Adversary

Today we can unveil an all-new launch trailer and the release date for BATMAN - The Telltale Series Episode 4: 'Guardian of Gotham'.   The fourth of five episodes in the season, Episode 4: 'Guardian of Gotham' will be available digitally worldwide starting Tuesday November 22nd on PC from the Telltale Online Store, Steam, and other digital distribution services, on the Xbox Games Store for Xbox One® and Xbox 360®, and on the PlayStation®Network for PlayStation 4 and PlayStation 3. The episode will be available the same day for compatible iOS devices via the App Store, and for compatible Android-based devices via Google Play.  Special note for Episode 4: Players will leave this episode in very different places depending on where they choose to go in the third act, and this will greatly affect their story rolling into the season finale as well. In Episode 4, Penguin has taken control of Wayne Enterprises, and the Elizabeth Arkham Asylum for the Criminally Insane has a new guest - you - Bruce Wayne. With the Batman removed from the streets of Gotham City, Harvey Dent's forces and the Children of Arkham are at war, with innocent citizens caught in the crossfire. To escape the 'comforts' of your padded cell, you must choose allies to aid in your escape, even if they aren't the sort to put a smile on your face. How far are you willing to go for justice? For vengeance? What now, Dark Knight?  The series is also available to purchase at retailers in North America and Europe as a special Season Pass Disc, which includes the first of five episodes in the season, and grants access to the subsequent four episodes as they become available for download via online updates.  Rendered to look like a living, breathing comic book, Telltale's vision of Batman features an award-winning cast of talent, including Troy Baker in the role of Bruce Wayne,Travis Willingham as Harvey Dent, Erin Yvette as Vicki Vale, Enn Reitel as Alfred Pennyworth, Murphy Guyer as Lieutenant James Gordon, Richard McGonagle as Carmine Falcone, Jason Spisak as Oswald Cobblepot, Dave Fennoy as Lucius Fox, Anthony Ingruber as John Doe, andLaura Bailey as Selina Kyle.  BATMAN - The Telltale Series Episode 4: Guardian of Gotham is rated M (Mature) for Violence, Blood and Gore, Language, and Use of Drugs by the ESRB. Future content in the season is yet to be rated by the ESRB. The series is published by Telltale Games in partnership with Warner Bros.

 

Fantastic Beasts and Where To Find Them: Film Review

Fantastic Beasts and Where To Find Them: Film Review

Cast: Eddie Redmayne, Katherine Waterston, Dan Fogler, Colin Farrell, Jon Voight, Samantha Morton, Alison Sudol, Ezra Miller
Director: David Yates

There's certainly an appetite for more from author JK Rowling's Wizardly world.

The universe has been left bereft of a family friendly fantasy franchise since Voldemort bit the dust - as is evidenced by the stage appearance of the Cursed Child.

So it's perhaps inevitable that there's a degree of cynicism at the thought of 5 new films from a similar world of wizards, magic and commentary given how the Harry Potter series felt a little dragged out as it stumbled toward its denouement. (Can anyone say cash cow?)

But with a director of four of the Harry Potter films at the helm, it has to be said that Fantastic Beasts and Where To Find Them largely gets off to a reasonably magical start.

Set in 1926 New York, it's the story of nerdy, unsure and sheepish Newt Scamander (Eddie Redmayne, channeling shades of Matt Smith's 11th Doctor Who in parts) whose life has been spent collecting creatures, and storing them in a cavernous suitcase (a sort of leather bound portal into a Narnia / TARDIS style zoo of gigantic proportions).

But when Scamander accidentally loses one of the creatures, his hunt brings him into contact with genial wannabe baker and no-Maj / Muggle Jacob (played with doughy amiability by Fogler). Complicating matters further Scamander inadvertently swaps his suitcase with Jacob's, and plenty of the creatures get out - so begins Scamander's gotta-catch-em-all Ghostbusters style quest before tensions between humans and wizards boil over...

Fantastic Beasts and Where To Find Them works fine as a first film, even if there is a feeling that the main cast don't quite have the chemistry and back-story of Harry Potter, Ron Weasley and Hermione.

Comparisons are perhaps unfortunately inevitable to Rowling's prior franchise and while they serve to show the characters and their supporting ilk aren't as well-rounded out as they could be, there's plenty to marvel at visually on screen as the various critters and creatures come to life. To its credit, it doesn't spend a great amount of time setting up a world we already know that exists and simply gets on with proceedings.

In the first sequence where Jacob is summoned into Scamander's suitcase, it's clear the MO is to show off an array of cutesy creatures that will elicit shrieks of awe and wonder from the audience - and there are times when it appears that the film teeters dangerously into only having this in its magic box to show off (and leaving some doubts about how a further four films could be filled out).

Rowling's obviously aiming to talk more to the audience that's grown up with her books and who are of the age to understand bigotry, intolerance and a degree of bleakness.

In Fantastic Beasts and Where To Find Them, there is a puritanical woman determined to drive out witches and who wouldn't be out of place in Salem (played by Morton, who's given little time and little more to do other than glower), a clutch of adopted children who are clearly traumatised by events and there's a hint of an ongoing conspiracy, complete with albino cameo, to keep the adult side a little more engaged.

However, there is a nagging feeling that some of the humanity is a little lost in this first film and parts of the plot are muddled, which is a marvel of imagination and acute period detail, with elements of Men In Black thrown in.

By far the most charming elements come from the slapstick and heart of loveable schlub Fogler, as he negotiates the wizarding world and finds himself under the spell of showgirl Queenie (Sudol), in an endearing romance that it's hard to not lose your heart to.

Redmayne's fine as the cowed and shy Scamander whose awkwardness is half parts endearing and half parts frustrating, and Waterston makes a strong start only to be subdued in the slightly laggy final third of the film which relies on the usual CGI -trashing-of-a-city trope.

Ultimately though, niggles aside, Fantastic Beasts and Where To Find Them is at times a magical experience that swathes some of the fluffier more slapstick fun elements in a welcome darkness that's redolent of real-life and the usual Rowling plot machinations.

While it may use the CGI concoctions to disguise some of the less robust characters, it's likely to be enough fun to obfuscate audiences and separate them from their money, and with some more adult themes and some dark current allegories in play, it's clear this solid wizardly movie will magic up all the family box office money regardless of what any critics say as the new franchise begins.

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