Friday, 27 April 2018

Win a double pass to see TULLY

Win a double pass to see TULLY




Synopsis: A new comedy from Academy Award®-nominated director Jason Reitman (“Up in the Air”) and Academy Award®-winning screenwriter Diablo Cody (“Juno”). 

Marlo (Academy Award® winner Charlize Theron), a mother of three including a newborn, is gifted a night nanny by her brother (Mark Duplass). 

Hesitant to the extravagance at first, Marlo comes to form a unique bond with the thoughtful, surprising, and sometimes challenging young nanny named Tully (Mackenzie Davis).

Tully hits cinemas May 10

No Ordinary Sheila: DVD Review

No Ordinary Sheila: DVD Review


The name Sheila Natusch will be familiar to anyone who loves nature and anyone who's from the lower reaches of the South Island.

Director Hugh MacDonald's gentle film biography takes in the life of Sheila Natusch, with better access than most given he's part of her family.

Starting off in Stewart Island where Natusch was born (nee Trail), MacDonald uses a Kim Hill Radio New Zealand interview with Natusch herself to help paint a lot of the scene, as well as Sheila's own writings. From growing up with a fascination for the wildlife and a strict father to Natusch's friendship with Janet Frame after they bonded at teacher's college, the depth on display here is fairly exhaustive, even if MacDonald knows which bits are best excised.

No Ordinary Sheila: NZIFF Review

Using some stunning wildlife footage and shots from around Stewart Island itself, (a nice quick cut montage manages to show the range of what the island has to offer), the scene's set for Sheila's interests to be awakened.

Essentially a social document of growing up and life in the south from when she was born in 1926 on Rakiura, this telling of a life story is amiable stuff. It helps that it's centred so laconically by Sheila herself , a fairly upbeat sort of a character, whose enthusiasm is never in question throughout.

Very occasionally, there are some sadnesses on display, giving Natusch a more rounded edge. Be it the lack of children or the rejection of her Animals in New Zealand book by a publisher written off when one error was clocked, the more human frailties are brought to the fore by MacDonald's use of footage and other's questions.

But with an ethos of "If I'm going to look back, that's what I want to see", the toothy Sheila is a tough old bird, with an attitude which many could learn from - but sadly, most of the audience for this piece won't unfortunately be the youngsters they're looking to try and inspire, with a feeling that perhaps an older generation or a clutch of people from the South will benefit better from this gentle portrait.

It could occasionally do with an edit, and it's not always entirely convincing chopping and changing from different interviewers to tell the story of her life with soundbites or interview moments, but when the spotlight shines on Sheila, there's evidence of the spirit and the inspiration which shine through.

Quite a handy social document as well as salutation to one of New Zealand's pioneering naturalists, No Ordinary Sheila is genial fare, which is fortunate to be blessed with the cunning dry wit and warmth of its quintessentially Kiwi subject.  


Thursday, 26 April 2018

Win a Marvel Studios' Avengers: Infinity War prize pack

Win a Marvel Studios' Avengers: Infinity War prize pack


Win a Marvel Studios' Avengers: Infinity War prize packTo celebrate the release of the crossover event movie, Marvel Studios' Avengers: Infinity War, you can win one of four prize packs, worth $45 each!

Each pack contains the following:
1 x bag
1 x umbrella
1 x notebook
1 x cap
1 x pin
1 x card wallet.

Witness the deadliest showdown of all time - Avengers: Infinity War in cinemas now #Avengers #InfinityWar

The Post: DVD Review

The Post: DVD Review


With hot button topics like a President angered by the press doing their job, potential censorship of news and a woman making her place in the patriarchy, it's easy to see why The Post is proving to be such a cinematic firecracker.
The Post: Film Review

But in truth, director Steven Spielberg's take on All the President's Men and to a degree, Spotlight, seems more Mr Hanks Goes To Washington and genial than savage as you'd hope.

Apparently rushed into urgent production to tackle the current US climate and the reaction to President Trump, fake news et al, The Post looks into the cover-up of the Pentagon Papers back in the early 1970s.

When The New York Times took papers from the US government that purported to show the truth of the Vietnam war, they found themselves in the cross hairs not just of the authorities, but also of the provincial new-kid-on-the-block newspaper, The Washington Post.

With an injunction slapped on the Times, The Post, under its editor Ben Bradlee (Hanks, in a dogged and ruthless everyman turn) decides to step in to try and make a name for itself - but battle lines are drawn morally and financially with Meryl Streep's Kay Graham under pressure as she tries to helm the newspaper empire and get it floated to ensure its future success.

The Post is the kind of worthy Oscar-bait drama that thrives on its contemporary themes present in a story from yesteryear as it riffs on All The President's Men and feels bizarrely, like a prequel..

The Post: Film Review

There's never been a more pertinent time to present a film such as this, and even if it does use its ensemble cast to maximum effect, it still can't but help to allow Spielberg to proffer up his trademark over-sentimentalising moments as well.

From a speech of Streep's character decrying the Post is "my company now" after bemoaning the fact it was her father's, her husband's to the reveal of the Court verdict which blatantly emphasises the message that freedom of the press is vital in this day and age, there's a touch of heavy-handedness with which the Post indulges itself.

And there are moments where the film chooses to explain proceedings, rather than present them, that feels a little like it's pandering to the masses.

Yet, despite these moments, it's a superior piece of film-making.

Hanks and Streep deliver strong and solid performances which smack of potential peer recognition, and certainly there's a lit touch paper quality to the stories they deliver.
Despite it all though, their stories are universal and both Hanks and Streep rise to what's needed of them and deliver with panache and verve.

It may be that Spielberg's done his version of Capra and Mr Smith Goes To Washington and hits a few familiar tropes throughout (a typical montage of actual journalism being done being one of them), but he does so engagingly and for the most part, enticingly.

If ever a film about journalism were more pertinent, more timely and more urgent, then it would be a surprise.

Expect to see The Post's jabs rewarded come Oscar season - and even if it had been better had it been a little more subtle, this film, with its love of news, the old school printing presses and the fight for truth and justice, manages to be as compelling as it should. 

Wednesday, 25 April 2018

Avengers: Infinity War: Film Review

Avengers: Infinity War: Film Review


Cast: Robert Downey Jr, Chris Hemsworth, Chris Pratt, Mark Ruffalo, Chris Evans, Elisabeth Olsen, Karen Gillan, Tom Holland, Scarlett Johansson, Josh Brolin, Pom Klementieff, Sebastian Stan, Zoe Saldana, Tom Hiddleston, Chadwick Boseman - and many, many more.

Director: Anthony Russo, Joe Russo
Avengers: Infinity War: Film Review

With a cast list as long as the page count of War and Peace, and capping a decade of Marvel films, it apparently has all led to this.

After numerous teases, various hints and gradual reveals, the Avengers, still ruptured after Civil War factions and broken by various continual conflicts, now face their greatest threat - Thanos (Josh Brolin).

A despot of intergalactic infamy, and emerging from the cosmic shadows, Thanos is collecting six Infinity Stones, aka the McGuffins of the franchise which have been glimpsed before.

With the Avengers and their various allies determined to stop Thanos and his army waging war on reality, it looks like this is the battle to end all battles - the fate of Earth, the Avengers collective and existence itself has never been more uncertain.

After countless build ups and the growing feeling that the Marvel Cinematic Universe franchise has become stale with comedy elements undercutting any sense of drama, there's a real feeling that Avengers: Infinity War has to draw a line in the sand, and lay down some stakes for all involved.
Avengers: Infinity War: Film Review

For a large part, Avengers: Infinity War walks the tightrope of uncertainty for all the characters you've come to love (thanks to repeated over-exposure over the past decade) and imbues proceedings with an occasional sense of dread for some.

However, the writing keeps a lot of it emotionally grounded with themes of sacrifice and human selfishness and fallibility mingling and bubbling away throughout thanks to some briefly engaging interactions.

But it has to be said, that doesn't stop Avengers: Infinity War from becoming, at times, Avengers: Infinity Bore - nor does it feel like some of the inherent emotional heft falls flat.

With its straight-into-the-action-and-peril proceedings picking directly up from the end of Thor: Ragnarok and the Asgardian survivors facing off a ship from Thanos, the film decides to simply settle a lot of proceedings on the punch-fight-exposition-fight-exposition-fight method.

It's well executed as it bounces around the globe and into space, but there's definitely an over-riding feeling of weariness as the relentless CGI action kicks and smashes its way through (and certainly, a couple of scenes creak under the weight of being generated and rendered).
Avengers: Infinity War: Film Review

It tries to fights the curse of quite obvious writing in parts with lots of patently obvious signposting (all of which are too spoilery to discuss) and doesn't quite succeed at times, and there's definitely a feeling of set-up throughout.

As a sense of spectacle, Avengers: Infinity Wardoes deliver what the rabid Marvel fanboys want - a team up of epic proportions and scale and the Russo brothers deliver it mostly with considerable aplomb. Handling the unwieldly character roster with ease, most of the cast get a moment or some time in the spotlight (albeit with brevity and largely through a fight scene or two - and certainly Hulk's reunion with Black Widow is a massive disappointment), and it's a relative reward for the decade of set-up.

The Guardians provide the obligatory (and occasionally annoying) laughs as usual after entering to Rubberband Man, but teeter dangerously close to ripping the stakes' foundations from under proceedings with their flippancy. And disappointingly, Wakanda's involvement feels piecemeal, rote and written to provide a Phantom Menace fight redux sequence in the final act.
Avengers: Infinity War: Film Review

However, it's Brolin's motion capture Thanos who impresses most in Avengers: Infinity War.
Built up as a major threat in the preceding films, Thanos is a relatively complex and solid villain with the emotional depth and degrees of tragedy which give weight and heft to proceedings and parts of his motive. This is the villain the Marvel Cinematic Universe has needed and the threat that comes from him is as tangible as it is terrifying.

There is a feeling though throughout Avengers: Infinity War that death should have come knocking a bit more and certainly for some of the bigger names within the ensemble to truly hit the emotional mark, and while the oddly audacious but curiously emotion-free downbeat ending is to be lauded, it does reek of the usual tropes of the genre - ie fantasy deaths never really tend to stick, and slightly feels like a quick "this can be done over" in the next film - and certainly, there is a distinct lack of feeling permeating the screen.

Epic in popcorn entertainment and scale, but disappointingly limited in parts of its narrative, the at-times soapy and occasionally narratively uneven Avengers: Infinity War may feel like Marvel's trying to clear the table in lieu of the next phase, and setting up for the next one. (Though the time to be daring and dispatch with the post-credits sequence has been squandered with this one).

It possibly could have done with easing up a little here and there, and giving space to breathe, however, in terms of rewarding the fans of the franchise, Avengers: Infinity War certainly ups the game, even if it still doesn't really take the bold chances and daring gambles it could have easily afforded to after a decade and 18 films.

Tuesday, 24 April 2018

The Florida Project: DVD Review

The Florida Project: DVD Review


Film-maker Sean Baker has always found the camaraderie in verite.
The Florida Project: Film Review

Whether it's the friendship between Dree Hemingway's 21 year old and elderly Sadie in Starlet or the bond between those screeching on the street in Tangerine, the reality of friendships, along with their ebbs and flows, have been central to his catalogue.

Expanding that out for The Florida Project, Baker widens his view to the residents of a crummy motel run by Willem Dafoe's patient and paternal Bobby.

The purple motel sits near Orlando's Disney World, its hint of promise and dreams so close by - a place where the rich and families go to fulfill their dreams and inhabit an escapist world of fantasy.

But for the residents of said purple pastel motel escapism is also on their minds - but their form of escapism is to hope for an end to a desperate scrabble for money and to ensure their motel rent is paid.

The Florida Project: Film Review

It's into this world that Baker thrusts us - but from the viewpoint of a clutch of rambunctious kids who hurtle around the motel and its nearby tourist haunts with varying degrees of boredom.

Whether it's conning those visiting the local vendors for ice cream money (because they claim, they have asthma and the doctor's ordered it) or playing in the motel and turning off the power, their lives are about the freedom of escapism, the pursuit of naivete, unaware of the cruelties of the world around them.

Chief among these is Moonee (breakout star Brooklynn Prince, both vulnerable and brassy and up there with Beasts Of The Southern Wild's child actor Quvenzhané Wallis) whose mother Halley (Bria Vinaite, discovered on Instagram by Baker) is scaling the walls of desperation to feed her child and earn money.

While more a freewheeling tale than a specifically strong narrative story, The Florida Project's exploration of the socio-economic damage done in America is as compelling as it is depressingly vibrant.
The Florida Project: Film ReviewWith a young cast of unknown actors filling out the leads more than admirably thanks to their natural performances, the film's strength comes from its trajectory of uncertainty. There are moments you can see what's coming and much like most of Baker's work, there's a breaking point that pushes it all to the extreme.

There's an irony in the fact The Florida Project was the original name for Disney World and now the reality of the disparity of the wealth means motels like Bobby's are more like projects and slums - there's heartache to be had here.

Whether it's in a child being forced to leave with his dad and having to give away all his toys for space in the car, or the begging of Halley from a friend for the basics like food, the film's unflinching in its world view.

But here's the crux with The Florida Project - it's never, ever judgemental.

Baker has a way of imbuing both his characters and his situations with a sense of propriety. He swerves from judgement on actions, merely presenting the facts of any given situation and the potential devastation it could cause.

And while the ultimate ending doesn't exactly feel like it's being true to its subjects, shifting from reality to fantasy, there's a lot to love on the journey itself.

It's a crucial difference in this film-making - and while he's slowly becoming the deliverer of the less fortunate or the world less-oft glimpsed, he's also becoming their champion.

Thanks to restraint, heart and sensible heads on all, The Florida Project emerges as both a free-falling descent into reality and an ultimately inspiring and grounding eye-opener to all.

Win a copy of Coco

KEY TALENT
PIXAR ANIMATION
Voice talent:
Gael Garcia
Benjamin Bratt
Edward James Olmos
SYNOPSIS
Despite his family's generations-old ban on music, young Mi
guel dreams of becoming an
accomplished musician like his idol Ernesto de la Cruz. Despera
te to prove his talent, Miguel
finds himself in the stunning and colourful Land of the Dead.
After meeting a charming
trickster named Héctor, the two new friends embark on an extraordi
nary journey to unlock
the real story behind Miguel's family history

Win a copy of Coco


To celebrate the release of Disney Pixar's Coco for home viewing, you can win a copy!
Coco
About Coco:

Starring Gabriel Gael Garcia,  Benjamin Bratt, Edward James Olmos

Despite his family's generations-old ban on music, young Miguel dreams of becoming an accomplished musician like his idol Ernesto de la Cruz.

Desperate to prove his talent, Miguel finds himself in the stunning and colourful Land of the Dead.

After meeting a charming trickster named Héctor, the two new friends embark on an extraordinary journey to unlock the real story behind Miguel's family history.

To enter could not be easier!

KEY TALENT
PIXAR ANIMATION
Voice talent:
Gael Garcia
Benjamin Bratt
Edward James Olmos
SYNOPSIS
Despite his family's generations-old ban on music, young Mi
guel dreams of becoming an
accomplished musician like his idol Ernesto de la Cruz. Despera
te to prove his talent, Miguel
finds himself in the stunning and colourful Land of the Dead.
After meeting a charming
trickster named Héctor, the two new friends embark on an extraordi
nary journey to unlock
the real story behind Miguel's family history
To win a copy, all you have to do is email  your details to this address: darrensworldofentertainment@gmail.com or CLICK HERE NOW!

Please label your entry COCO

Competition closes May 1st

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