Tully: DVD Review

Tully: DVD Review

Forever likely to be known as the M Night Shyamalan film of mothering, Diablo Cody's Tully is a mixed bag of a film, that flounders badly in its final strait.

Theron is largely excellent for a good two thirds of this as mother-of-two Marlo. Heavily pregnant with her third due any day, and with her brother (Duplass) claiming that something was snuffed out in her years ago, Marlo's life is pretty tough.

Ensconced in her family house, bedecked as it is in beige and with signs of age, and struggling to get by even with her husband absentee help, Marlo's given the chance to get a night nanny by her brother to help out.

Essentially the service comes in, watches the kid overnight and wakes the parent when feeding is needed - for her brother Craig, it was apparently a game-changer.

Initially reticent, Marlo grudgingly accepts - and into her life comes free spirit Tully (Davis, a gleeful blast of sunshine). Their relationship grows and a parenting groove is settled on - and to say more is to ruin some of what lies ahead.

The problem with Tully is that largely the first 60 minutes of the film, which concentrates on the pressures of mothering, the monotony of looking after children and the growing disillusionment of life outside of the bubble, are great.

Theron's more than committed to the role, with her pale gaunt appearance, worn down by endless feeding and a second problem child, conveying more of exasperation and acceptance than could ever be done by Cody's trademark whiplash dialogue. That's not to patronise or proffer feint praise to Theron, she's genuinely watchable and empathetic as she juggles all.

Equally, the feverishly anarchic and perky Davis adds a degree of life to Marlo's life and the house that prove a welcome tonic to the grind that's gone before.

But it's in the last 30 minutes of Tully, where things of great importance happen with little to no consequence that it feels like narrative contrivance and supposed magical script wizardry writ large.

There are no spoilers here, but the denouement feels largely like it cheats the film of the grounded reality and mundanity it finds itself in, early on. It's impossible to win though, with Cody's occasionally snarky screenplay clearly mocking the perfect mothers and simultaneously bigging up those who simply accept it and get on with it (which will be a large part of the intended viewing population.)

Ultimately, Tully becomes tarred by the path it chooses - that it does so with relative finesse for most of the journey is a good thing because when it revels in its veracity and borders closely on reality, it's a compellingly familiar watch.

It's just a real shame that Tully's divisive ending tarnishes and to a degree, belittles everything which has gone before it, slathering most of the film in a feeling that consequence is nothing but bothersome and inconsequential.

The House With a Clock in Its Walls: Film Review

The House With a Clock in Its Walls: Film Review

Cast: Jack Black, Cate Blanchett, Kyle MacLachlan, Owen Vaccaro
Director: Eli Roth

From horror and torture-porn-meister Eli Roth comes a family horror film, produced within the stable of Amblin Entertainment, and based on the 1973 book by John Bellairs.

Vaccaro is newly-orphaned Lewis, who goes to live with his uncle Jonathan (Black, in usual OTT mode, and perhaps one of the film's little disappointments) after a car accident claimed his parents.

Upon discovering his uncle is a warlock, and struggling to fit in at school, Lewis turns his attention to the world of sorcery and magic. But when Lewis raises a former wizard from the dead, hell threatens to break loose - and it's further exacerbated by Jonathan's desire to find an endlessly clicking clock within the walls of his house.

In truth, The House With a Clock in Its Walls feels like a mesh of Goosebumps and a carnival haunted house rollercoaster ride.

There are some genuinely unsettling sequences set to celluloid from Roth, with the dread of the atmosphere cranked up for maximum effect. But like all of the biggest scares at a fairground, this is only material for show in a time and tested formula of good versus evil.

Partially ignoring the deeper thread of the post-traumatic stress syndrome of war (a wonderfully evocative piece hints at the turmoil facing one character, but is unexplored) in favour of more kiddy-friendly fare, The House With a Clock in Its Walls is content to avoid the issues of dealing with loss, and grief within 1950s America.

But that's no bad thing - and for a large part, the film is surprisingly entertaining, thanks to a wonderfully tart and emotionally nuanced turn from Blanchett as a witch with a tragic past. Black delivers his usual goggling eyes routine, which in truth becomes tiring midway through, and the script chooses to layer on some fart gags for puerile pleasure, which detracts from the wondrousness of what's to pass.

However, moments such as a pumpkin attack, and an evocation of the light of the universe are truly exciting to behold, and show that Roth, as a child film director, has enough smarts to deliver as much heart as the horrors needed to keep the tension ratcheted up.

All in all, The House With a Clock in Its Walls is a pleasantly surprising piece of family fare, that offers a tautly delivered set of purpose within its 100 minutes' run time. There's more it could have explored, and some deeper themes merely hinted at rather than fully fleshed out, but the fun parlour tricks it deploys manage to distract from the moments and themes that could have given more than just chills, thrills and silliness.

Tag: DVD Review

Tag: DVD Review

Every year, during May, a US-based group of friends come together to play a game of Tag.

It's a tradition that's been running since they were kids - and it's based on a true story.

It sounds like a bizarre proposition, but that's the basis for Tomsic's frat-pack movie. After some 30 years of playing, one of the gang's number Jerry (Jeremy Renner, playing up his action man pretensions) has never been caught.

So Hogan, Bob, Chilli and Sable (Helms, Hamm, Johnson and Buress respectively) gather together with the sole intent of making it this time, given that Jerry is getting married...

There's little plot to Tag, a film that has some briskness of pace, lunacy of execution and is based in some premise of heart, toying as it does with male friendship through the years. (As is especially demonstrated in the real-life credits sequence, and repeated footage of them playing as kids).

However, there are some moments that stand out in this cinematic version of The Washington Post story - albeit for the wrong reason.

An entire sequence based on miscarriage is anything but funny, leaving the film with a sour taste that its initial geniality fails to shake off. It's a woefully misjudged set of moments and deserves to have been struck from the script, leading more to a shocked intake of breath, rather than a shocked laugh.

Equally, the film's final desire to wrap everything up in a mawkish hug is just sickly rather than sentimental - and while the film's final shots really do return to the premise, the journey to get there feels cheapened by some of these moments. Contrasted with the final shots of the original gang playing the game via home movie footage, there's a meanness that pervades some parts of the film which feels definitely unwarranted.

However, Tomsic's slow-mo variations on the action sequences of people getting tagged is quite well executed, a visual bravura touch that may be overplayed, but digs deep into the silly premise of people just playing a kids' game.

The ensemble gel well, and while Fisher's hysterical wife to Hogan may make you question her sanity, the group makes a good fist of pulling off some bromance chemistry, amid the early Bro-vengers assemble montage shots.

Ultimately, Tag brings the prats to the pratfalls, and thanks to a brisk pace, surprisingly it never outstays its welcome, delivering some unexpected LOL moments and some subtle adlibbed one-liners (mainly from Buress) that will cause more mirth than expected.

The BlizzCon 2018 celebration kicks off early with the Virtual Ticket

The BlizzCon 2018 celebration kicks off early with the Virtual Ticket

The BlizzCon 2018 celebration kicks off early with the Virtual Ticket

Blizzard Entertainment’s epic BlizzCon community celebration is less than two months away—but BlizzCon season begins today with the launch of the BlizzCon 2018 Virtual Ticket, available to order now at www.blizzcon.com. The BlizzCon Virtual Ticket provides access to nearly two months of exclusive video programming, with new content hitting regularly between now and when BlizzCon takes place 2 to 3 November PDT. During BlizzCon, Virtual Ticket holders will be able to enjoy comprehensive livestreams covering all of the major news, events, and panels at the show, whether they’re joining the fun from home on BlizzCon.com—or, for the first time, directly via the Blizzard Battle.net^® desktop app— or watching on the go with the free BlizzCon Mobile App (available now for Android and iOS).

This year’s festivities are already underway, with the premiere episodes of multiple original BlizzCon video series available to view now on the official website and through the app—some available free, and all unlocked via the Virtual Ticket. BlizzCon attendees and Virtual Ticket holders can also help shape the show by voting for what they’d like to see on stage in a series of interactive BlizzCon Build-a-Panel polls. In addition, starting today BlizzCon ticket and Virtual Ticket holders will receive the first of this year’s commemorative BlizzCon in-game items: a diabolical legendary skin for Overwatch^®’s Sombra that channels the iconic Demon Hunter class from Diablo^® III.^†

The celebration continues 3 and 4 November AEDT/NZDT, as the BlizzCon Virtual Ticket also grants complete livestreaming access to the main event at the Anaheim Convention Center, including the BlizzCon All-Access channel, which acts as viewers’ tour guide through the two-day convention; the legendary cosplay and talent contests (and more) during Community Night; the closing-night festivities; as well as coverage of the panels and other activities from all three main stages—Mythic, Legendary, and Epic—on the BlizzCon show floor.

“We created BlizzCon as a celebration of our global community, but not everyone can travel to the show, so the Virtual Ticket gives us a great way to bring BlizzCon to gamers around the world,” said Mike Morhaime, CEO and cofounder of Blizzard Entertainment. “We have a lot of exciting activities and surprises planned for BlizzCon ticket and Virtual Ticket holders in the coming weeks and at the main event—we can’t wait to share everything we have in store.”

With the BlizzCon 2018 Virtual Ticket, Blizzard gamers from around the world will:

• Never Miss a Moment: The opening ceremony and esports are free, but the Virtual Ticket is the only way to watch the Mythic, Legendary, and Epic stages live from home, so you won’t miss any of the developer panels, Community Night contests, or epic closing festivities. Go even deeper with the BlizzCon All-Access Channel, complete with exclusive developer interviews, commentary, and more.

• Explore Original BlizzCon Video Series: Unlock full access to unique BlizzCon programming that takes you behind the scenes at Blizzard and beyond the walls of the convention center. Discover Blizzard history inside The Vault, explore artists’ creative process in Drawn to Adventure, and much more. New episodes debut regularly in the weeks leading up to BlizzCon—some available free, and all unlocked via the Virtual Ticket.

• Snag Epic In-Game Loot: Between now and the start of BlizzCon, unlock a treasure trove of commemorative in-game goodies for World of Warcraft^®, StarCraft^®II, StarCraft: Remastered, Heroes of the Storm^®, Hearthstone^®, and Diablo III. Kick things off with a legendary Overwatch Demon Hunter skin for Sombra—available in-game starting today.^†

• Help Shape the Show: Don’t just watch BlizzCon—participate in it, too! Build a BlizzCon panel alongside others from the Blizzard community, then watch what you help created come to life live during the main event. (Build-a-Panel voting will be available for a limited time—visit BlizzCon.com to learn more and keep up with the results.)

• Watch On-Demand Replays: Miss a revelation during a World of Warcraft or Overwatch developer discussion? Does one of your must-see Hearthstone panels conflict with a can’t-miss StarCraft II match? Relive your favourite moments on demand with the Virtual Ticket at BlizzCon.com or in the BlizzCon Mobile App through 31 March, 2019 AEDT/NZDT^††. The Virtual Ticket also unlocks access to a wide variety of panels and original video series from the BlizzCon 2017 video archives.

Get Gear Bonuses: Order a Virtual Ticket, and you’ll get a $10 discount off this year’s BlizzCon Goody Bag, available for pre-order today while supplies last athttp://gear.blizzard.com. You’ll also get early access to the BlizzCon 2018 online merchandise sale so you can pick up sweet swag in advance of the show—more details will be announced in the weeks ahead.

International viewers will also have the option to listen to select BlizzCon Virtual Ticket broadcasts, including the All-Access Channel and content on the Mythic stage, translated live into seven languages: Spanish, French, German, Brazilian Portuguese, Russian, Korean, and Mandarin Chinese. In addition, VODs of select content on the other stages at BlizzCon will be available subtitled in Latin American Spanish, European Spanish, French, German, Brazilian Portuguese, Russian, Korean, and simplified Chinese in the weeks following the show.

Visit the Blizzard Shop to learn more and purchase this year’s Virtual Ticket ($69.95 AUD/$79.95 NZD), and keep an eye on www.blizzcon.com to vote on the best moments from past BlizzCons and stay up-to-date on the latest BlizzCon news.

Winter has returned to Hearthstone with the Days of the Frozen Throne in-game event!

Winter has returned to Hearthstone with the Days of the Frozen Throne in-game event!

Winter has returned to Hearthstone with the Days of the Frozen Throne in-game event!

Well met!

Next week, Hearthstone’s champions rise again as Death Knights during the Days of the Frozen Throne event! From 20-24 September AEST/NZST, players can visit the Tavern to discover seriously cool bonuses as part of this limited time event celebrating the Knights of the Frozen Throne expansion.

• New Tavern Brawl – Duel of the Death Knights:
  • Both players begin the game as a Death Knight in this frigid Tavern Brawl! The decks are also chock-full of frosty Knights of the Frozen Throne cards to battle to the… undeath (?).
• Loot Giveaway from The Lich King:
  • All players who log in during the event will receive a free Golden Happy Ghoul card. Even Death Knights need a little happiness every once in a while… right?
• New Legendary Quests:
  • Players will have the chance to complete two special quests that reward 300 gold each, for a total of 600 gold!
• Bundle Up Bundle:
  • Feeling chilly? Then check out the Bundle Up Bundle – 30 Knights of the Frozen Throne card packs from $26.95 AUD and $31.99 NZD!

For more details, take a look at the blog post.

A Simple Favor: Film Review

A Simple Favor: Film Review

Cast: Blake Lively, Anna Kendrick, Henry Golding
Director: Paul Feig

Better known for his comedies like Ghostbusters, Paul Feig turns his directing eye to an adaptation of the 2017 novel from Darcey Bell.

Attempting to make it film-noir, but still imbuing it with comedic sensibilities and campy touches, A Simple Favor is the story of vlogger Stephanie Smothers (Kendrick, by far and away the best thing in this film) a nerdy widower and mother-of-one who strikes up an unlikely friendship with upmarket fellow Emily Nelson (Lively, suitably bitchy when needed, but unable to fulfill some of the film's requirements).

Entranced by Nelson's drink-during-the-day mentality, Smothers and Nelson become BFFs. One day, however, when Smothers is left to pick up Nelson's child, she doesn't return, prompting fears she's gone AWOL in the most sinister of fashions....

As Stephanie investigates, she begins to discover something sinister...

A Simple Favor works on some levels, and fails on some others.

The aforementioned comedy touches don't quite gel with the desire to go a bit darker here and there, and Kendrick's Nancy Drew type digging is sometimes foiled by an unevenness of tone, which, while not fatal to proceedings, can occasionally deliver a whiplash which is hard to shake.

Thankfully, Kendrick holds a lot of this together, going the full gamut from nerdish outsider caught up in the bitchiness of small-town school-gate gossip to empowered crusader, inspired by Emily's laissez-faire dismissal and attitude to life. Kendrick more than delivers, peppering her preppiness with the kind of touches employed in Pitch Perfect.

Lively isn't quite as strong, and while Emily's boozy detachment is a hard one to play, she doesn't quite hit the convictions needed late in the piece. Equally, Crazy Rich Asians' star Henry Golding delivers a too-nice-to-be-true turn that complements, but doesn't elevate what's going on.

Ultimately, the outlandish twists of the noir and the comedy slightly foil some of the final suspense, and there's a little too much garbled exposition at the end delivered without breath or pause.

These are minor niggles though, and there's much to be said for the stylish execution and the sassy French OST.

A Simple Favor is a smart watch in places, but the tonal mixes, while never fatal, do make the overall effect less powerful than it could have been - and it's saved solely by an exceptional Anna Kendrick.

Mirai: Film Review

Mirai: Film Review

Director: Hosoda Mamoru

Apparently inspired by director Hosoda's observations of the interaction of his own kids, Mirai is the tale of sibling jealousy.

Kun is the apple of his parents' eye - or so he believes. The four-year-old thinks the world revolves around him, but finds his view shaken up when a younger sister is born into the family.

Riddled with jealousy at his parents' loss of time for him, Kun's resentment of baby Mirai reaches fever pitch, and he hits the child with one of his beloved bullet trains. Struggling to find his place in the world post baby, Kun finds a magic world in his garden, as the importance of a sibling is demonstrated to him.

Mirai's touches are sweetly despatched, as the darker edges of the tale come to light.

It's one of seething inadequacy from the whining baby Kun; but despite Kun's apparent anger toward his situation, the Ghosts of Christmas Past / Future style visitations show really what could lie ahead for him as an older brother.

There's some further darkness in Mirai, with a heartbreaking scene of a child clearly in trouble after Kun's visit and subsequent trashing of the house. And the lessons doled out are a little on the heavy-handed side and obvious to anyone with an eye for them.

However, given this anime is aimed more at a family audience, Hosoda's sweeping touches can be forgiven within the simplicity of the story.

Mirai won't possibly win over everyone, and it lacks the timelessness of some other anime, even though there's a universality of theme at play here - but for the start of the school holidays and with an ever-growing awareness of the genre, its messages may be timely in today's world.