Friday, 7 December 2018

The Last Remnant Remastered Out Now

The Last Remnant Remastered Out Now




UNCOVER THE LEGACY OF
THE LAST REMNANT REMASTERED TODAY


SYDNEY, 7th December 2018 –  Square Enix Ltd., today announced that THE LAST REMNANT™ Remastered is available now on the PlayStation®4 computer entertainment system.

 Originally released in 2008, THE LAST REMNANT captured the hearts and minds of gamers with its enthralling story, countless characters and intricate battle system. In a world filled with Remnants – ancient artefacts that grant mysterious abilities to its wielders – players will follow the journey of Rush who is determined to uncover the truth behind the mysteries around him.

THE LAST REMNANT Remastered is now available for PlayStation® consoles for the first time, featuring beautifully enhanced graphics enabled by Unreal®Engine 4, allowing for a more immersive and captivating adventure, alongside full PlayStation® Trophy support and updates and changes to gameplay and UI to make THE LAST REMNANT Remastered better than ever before.

THE LAST REMNANT Remastered is available digitally now for the PlayStation®4 system. Additionally, an exclusive new PlayStation®4 theme is available with every purchase of THE LAST REMNANT Remastered.

KOEI TECMO EUROPE REVEALS PRE-ORDER EXCLUSIVE STEELBOOK® FOR DEAD OR ALIVE 6

KOEI TECMO EUROPE REVEALS PRE-ORDER EXCLUSIVE STEELBOOK® FOR DEAD OR ALIVE 6




KOEI TECMO EUROPE REVEALS PRE-ORDER EXCLUSIVE STEELBOOK®FOR
DEAD OR ALIVE 6

Day One Steelbook® Available Across Australia Through Select Retailers

Sydney, 7th December 2018 – KOEI TECMO Europe and TEAM Ninja are excited to reveal a new physical exclusive pre-order bonus for DEAD OR ALIVE 6!

Fans who pre-order their copy physically at select retailers will be able to secure a premium collectible Steelbook® of DEAD OR ALIVE 6 featuring the two rival ninjas, Ryu Hayabusa and Hayate, locked in battle!

DEAD OR ALIVE 6 is currently in development for the PlayStation®4 Computer Entertainment System, the Xbox One family of devices including the Xbox One X, the all-in-one games and entertainment system from Microsoft, and digitally on Windows PC via Steam®.

Pre-orders across all systems are currently underway; for the latest pre-order information, including a description of all pre-order and early purchase bonuses, please visit our official website at https://www.teamninja-studio.com/doa6/uk/. Also, be sure to Like us on Facebook at www.facebook.com/DeadorAliveGame; and Follow us on Twitter @DOATEC_OFFICIAL to stay up to date.

ABOUT KOEI TECMO EUROPE LTD.
KOEI TECMO EUROPE LTD. is a publisher of interactive entertainment software for current generation consoles, handhelds and digital download content based in Letchworth, Hertfordshire, UK. The company is a wholly owned subsidiary of KOEI TECMO HOLDINGS CO., LTD., headquartered in Yokohama, Japan. KOEI TECMO’s best known for their signature ‘one versus thousands’ Warriors series, the fan-favourite Ninja Gaiden and fighting entertainment title Dead or Alive. Through collaboration with strong existing franchises, such as A.O.T. Wings of Freedom (Attack on Titan), has brought fan-favourite shows to life in video game form. The company’s desire for innovation and diversity has seen the creation of the critically acclaimed dark-samurai action title Nioh, which takes on new and unique gameplay styles. The company’s acquisition of GUST, developer of a variety of heart-warming titles, has seen their flagship Atelier series span generations of consoles and fans alike. More information about KOEI TECMO EUROPE LTD and its products can be found atwww.koeitecmoeurope.com


DEAD OR ALIVE 6 ©2018 KOEI TECMO GAMES CO., LTD.& All rights reserved. DEAD OR ALIVE logo is a trademark or registered trademark of KOEI TECMO GAMES CO., LTD. The KT logo is a registered trademark of KOEI TECMO HOLDINGS CO., LTD.

Prey: Typhon Hunter to Arrive December 11 With Multiplayer Mode, Escape Room VR Experience

Prey: Typhon Hunter to Arrive December 11 With Multiplayer Mode, Escape Room VR Experience


It’s a coffee mug! It’s a roll of toilet paper! It’s your friend playing as a Mimic whose sole purpose is to stalk and destroy you! Prey: Typhon Hunter, the final update for Prey: Digital Deluxe and Prey: Mooncrash, will release next week, bringing a tense new multiplayer mode and a VR-only single player game to the award-winning title. Typhon Hunter will release December 11 for PC, PlayStation 4 and Xbox One. The VR version of the multiplayer mode will arrive later, in early 2019 for PC and PSVR.


Prey: Typhon Hunter includes two new exciting modes for Prey:
  • Typhon Hunter multiplayer: a heart-throbbing multiplayer version of hide-and-seek where one player, as Morgan Yu, is stalked by five opponents playing as Mimics, who hide in plain sight as everyday objects before seizing upon their prey. Morgan must hunt down and destroy all five Mimics before time runs out.  Typhon Hunter VR, which puts the Morgan player inside the virtual world, will release in early 2019.
  • TranStar VR: a single player, VR-only escape-room-style campaign that thrusts the player into the shoes of TranStar employees, where they will have to complete objectives and solve intricate puzzles on Talos I, just days before the events of PreyTranStar VR will be available for both PC and PSVR.

Players who already purchased Prey: Digital Deluxe or upgraded their original version of Prey with Prey: Mooncrash, will receive both new game modes at no extra cost. New players can purchase Prey: Digital Deluxe for $49.95 AUD / $54.95 NZ to receive the original award-winning game as well as all of the following updates; existing Prey owners can upgrade their game to Prey: Mooncrash for $29.95 AUD / $34.95 NZ.

RAGE 2 | New Trailer and Launch Date Revealed at The Game Awards

RAGE 2 | New Trailer and Launch Date Revealed at The Game Awards


Tonight at The Game Awards, we debuted the latest trailer for RAGE 2, showcasing the massive open world, multiple biomes, soaring gyrocopters, crushing monster trucks, big-ass guns, Mutant Bash TV mayhem, a taste of some serious Faction-action … ya, it was a panoply of pure pandemonium. And, for you news hounds -- we also announced the official release date for RAGE 2 – May 14, 2019 – for Xbox One, PlayStation 4, and PC.
 

Starlink: Battle for Atlas: PS4 Review

Starlink: Battle for Atlas: PS4 Review


Released by Ubisoft
Platform: PS4

Starlink: Battle for Atlas feels like a kiddy version of No Mans Sky, Destiny and toy games like LEGO Dimensions and Skylanders with hints of trading and grinding thrown in for good measure.

If this sounds like damning it with feint praise it’s actually not as it’s a perfectly pleasant and pleasurable way to spend a few hours, thanks to some beautiful graphics to help through the repetition.
Starlink: Battle for Atlas: PS4 Review

The story itself is nothing too original - a case of crashed spaceship, lost captain and quest to recover them before hyper threat of The Legion kicks in. So far so overly familiar but what Starlink does do is to turn the generic third person space shooter into the kind of family game missing from the market this year.

It has to be said the toys feel bogus and surplus to requirements - a nice bit not essential to have. 


Starlink: Battle for Atlas: PS4 Review
And it’s puzzling because they offer nothing the likes of defunct Disney Infinity et al have offered before - but kids can play while others take turns.

In terms of gameplay it’s the usual quest based stuff with a collection of elements and parts to build upgrades, which are all easily accessible


In many ways Starlink: Battle for Atlas is the computer equivalent of the space style matinee shows like Flash Gordon - disposable fun and enjoyable it may be, but essential in a crowded release window for anyone but the younger end of the market it is not. 

That said, thanks to some wonderful graphics, and some nice deep hues the worlds feel lush and worthy of exploration; and the comic banter between groups, as well as a Fortnite cartoon feel, means you know exactly who Starlink: Battle For Atlas is going for.

However, don't be surprised if it sucks more time from you than you'd been expecting.

Thursday, 6 December 2018

Second Act: Film Review

Second Act: Film Review


Cast: Jennifer Lopez, Leah Remini, Vanessa Hudgens, Milo Ventimiglia
Director: Peter Segal

Second Act: Film Review
Presumably rejected by Hallmark and Lifetime for its utterly insane twist, Second Act is a film that is crippled by its storyline, which comes straight out of 1950s America.

J-Lo is Maria Vargas, a long-suffering assistant supermarket manager in downtown New York. On her birthday, Maria is trying to secure a promotion, having spent 15 years working as the manager's right hand and set in motion some changes that would benefit the business.

But rejected for promotion, and with her relationship with her toyboy baseball coach crumbling over her desire to not have kids, she finds herself offered a job at a major cosmetics company, thanks to her street-talking friend (Remini) faking her CV and getting her an interview.

It gets worse for Vargas when she gets the job and isn't sure how long to continue the lie - setting her on a collision course with the younger elements of the firm, including the firm's founder's daughter Zoe (Hudgens).

To explain why Second Act is such a bizarro trip into 1960s world where women can have anything they want, as long as men sanction it, is to reveal its twist. Which is to rob you of a genuine "Are you kidding me" moment that cinema so rarely offers. Suffice to say, that will not happen here.

But it's enough to say that despite Lopez's earnestness and innate likeability as the everyday woman who wants it all, the film's utter unswerving adherence to something that would have been part of a Twilight Zone episode of I Love Lucy is not to its credit.

Added to this the level of mansplaining going on as well throughout, this tale of so-called women's empowerment is lacking the balls (sorry) it needs to heartily succeed and carry past an insane twist that defies logic and belief.
Second Act: Film Review

Lopez does what she can with the material on offer, and maybe the credibility is stretched as far as it can - but giving its lead a power me moment to be crippled by a pratfall seems like something from decades ago, and is as weak as it is inexcusable.

In a fantasy world context, Second Act's continual stereotyping and conforming makes it almost unbelievable to behold, and its central message of You Can Have It All, Ladies seem like something from decades long since buried, and much deliberately maligned in a more woke 2018. It's even more of a crime how it fails to execute its own concept and collapses into a pile of sentimental mush than is barely worthy of a girls-night-out film.

Fahrenheit 11/9: Film Review

Fahrenheit 11/9: Film Review


Director: Michael Moore

In a case of it's unclear whether the world has got so crazy that it matches Michael Moore's sense of craziness, Fahrenheit 11/9 is an odd film that is wildly missold by its poster image.
Fahrenheit 11/9: Film Review

With the figure of Donald Trump swinging on the golf course as the White House explodes in the background, you'd be pushed into thinking that the documentary is a takedown of Trump. And rightly so, as Moore's seething anger has been on show for all to see.

But what Moore does with Fahrenheit 11/9 is more to build a case for how America was leading to this already and the dire state of the US political scene, and citizens' landscape.

While drawing some lazy comparisons to Trump as Hitler, the large portion of Moore's latest is more about exposing the continuing devastation of Flint, as initially chronicled in Roger and Me. Returning to the story of how the contaminated water is killing the inhabitants there, Moore tries a stunt as well with the powers that be.
Fahrenheit 11/9: Film Review

But much like portions of this documentary, it feels wildly off base, as Moore rambles through his own past, through America's disillusionments, and his quest to push back against the current - and past - regimes; even Obama doesn't get off lightly.

If anything, Fahrenheit 11/9 is more a rallying cry for the end of democracy, with a speech at the end intoning "If this is the America we're trying to save, maybe ask yourself why. It didn't need to end up like this - and it still doesn't. Evil is a slow moving organism. We didn't need comfort, we needed action. Sometimes it takes a Donald Trump to wake up and realise."

All in all, Fahrenheit 11/9 suffers from the fact reality is too devastating for Moore's formerly incisive eyes; someone more in control of their critical abilities could have shaped this occasionally overlong piece into something more lean and more damning.

As it is, Fahrenheit 11/9 flounders a little, and merely blows hot air, when perhaps it should seethe with rage.

Mortal Engines: Film Review

Mortal Engines: Film Review


Cast: Hugo Weaving, Hera Hilmar, Nathan Sheehan, Jihae
Director: Christian Rivers

It may appear a Brexit parable written before the leave Europe campaign gathered steam, but Mortal Engines' pace is there from the get go - even if the subtleties of this revenge-driven tale are not.
Mortal Engines: Film Review

Set in a future world after a 60-minute war, and where capitals now roam the world as moving cities hell-bent on devouring each other and resources, Mortal Engines is the tale of scarred orphan heroine Hester Shaw (Hilmar, who makes good fist of her softening from angry teen arc).

Driven by a thirst for revenge against Thaddeus Valentine (Weaving, in a growling, little else role), Shaw finds herself teaming up with Tom Natsworthy (Misfits star Sheehan, pushing for big screen charm) to try and prevent another all-out war.

Meshing steampunk aesthetics, a Terminator vibe, Star Wars: The Empire Strikes Back, and pushing it all through a prism of Mad Max Fury Road, games Bioshock and We Happy Few and young adult, Mortal Engines' commitment is to on screen action, rather than in depth character.
Mortal Engines: Film Review

And on that front, Rivers and his visual team deliver in spades. The film starts at a rip-snorting pace, with an oversize steam driven "predator city" trying to snare its smaller victim. The cameras pan up and around, delivering a sense of scale that's second to none, and showing the incredible detail of the visual work done on Mortal Engines.

The world-building is also brilliantly visualised with it being clear that plenty of effort has gone into the details of the predator cities and their inhabitants.

Unfortunately, the same can't quite be said about the human characters who are largely underdeveloped and simply exist to shout "Run" or deliver exposition-heavy background dialogue or some of the usual Young Adult clangers. It's a stop/start/stop/start mentality that doesn't quite pay off for the film, especially if you're trying to be made to care about the characters within.

Hilmar delivers a solid turn, showcasing both the anger and suffering of her troubled past, but equally softening; and Sheehan makes a good bid for big screen stardom, even if some of the charisma of the character is underwritten, and saddled with the companion-asking-a-lot-of-questions trope.
Mortal Engines: Film Review

Ultimately, on a narrative front, Mortal Engines doesn't do anything you wouldn't expect; at its heart, its core commitment is to action and nothing deeper, and sadly, it suffers a little because of it, feeling like pieces are being pushed together without the ease of a story to propel it along. It achieves the visual style with ease and offers much of the same chase ethic as Mad Max: Fury Road delivered.

More about spectacle than substance, Mortal Engines is sound and fury from the beginning - with just a hint more depth, it could have been the start of a new franchise rather than just some vicarious visuals.

Wednesday, 5 December 2018

Ghost Stories: Film Review

Ghost Stories: Film Review

Cast: Andy Nyman, Martin Freeman, Paul Whitehouse, Alex Lawther
Director: Andy Nyman, Jeremy Dyson

Based on the stage play of the same name, and released just in time for Hallowe'en, erm Christmas ??), Ghost Stories' triptych of supernatural tales is nothing short of unsettling - even if some of the twists can be seen from far off, and the jump scares are a little heavy handed.
Ghost Stories: Film Review

Nyman plays psychic debunker Professor Phillip Goodman, whose world is turned upside down when he's contacted by long-presumed lost paranormal investigator and inspiration Charles Cameron.

Asked to investigate three cases of real ghost sightings, Goodman starts to look into them - but what he finds could change his world...

Steeped in an atmosphere of unease, Ghost Stories is actually unsettling fare which plays to some of the darker edges showcased in director Jeremy Dyson's other well-known TV project, The League of Gentlemen.
Ghost Stories: Film Review

The trio of tales benefit from some terrific build-up, but shy away from resolution within them, initially leading to a flat feeling and unkempt edges. It's best not to know what most are about to be frank, as it robs something of the suspense, but they're suitably long enough in their execution to ensure that, ending aside, the tension laid out is actually gripping (even if a lot of the onscreen action is shrouded in more dark than you've ever seen in an episode of The X-Files.)

Playing with the tropes of the genre, shifting expectations, and offering twists as tantalising bits come together or clues are dropped, Ghost Stories works well, even if its final resolution almost derails the entire house of cards.

Nyman's performance delivers an arc that takes in a kind of cock-sure foundation that gradually becomes unstable as the maudlin melancholy sets in. Drained of colour, the drab Britain which unfolds on screen adds greatly to the overall feeling, and the stories are helped by some wonderfully off-kilter character work from the likes of Whitehouse, Lawther and Freeman.
Ghost Stories: Film Review

Much like anthology series like Tales Of The Unexpected, Ghost Stories' apparent loose threads come together in ways that are easy to determine in hindsight.

Ultimately, this is perhaps one of the most psychologically perturbing and unsettling films of the year.

It's not a straight horror in many ways, and much like Hereditary's denouement proved polarising, Ghost Stories' portmanteau has a way of inveigling itself under your skin and unnverving you.

Win a double pass to see Instant Family

Win a double pass to see Instant Family


To celebrate the release of Instant Family, in cinemas January 10, 2019, you can win a double pass!

About Instant Family

Win a double pass to see Instant FamilyWhen Pete (Mark Wahlberg) and Ellie (Rose Byrne) decide to start a family, they stumble into the world of adoption.  

When they meet a trio of siblings, including a rebellious 15-year-old girl (Isabela Moner), they find themselves unexpectedly speeding from zero to three kids overnight.  

Now, Pete and Ellie must hilariously try to learn the ropes of instant parenthood in the hopes of becoming a family.  

INSTANT FAMILY is inspired by the real events from the life of writer/director/producer Sean Anders, also starring Octavia Spencer, Tig Notaro and Margo Martindale, Julie Hagerty and Michael O’Keefe.
 

Win a double pass to see MARVEL's Spider-Man: Into the Spider-Verse

Win a double pass to see MARVEL's Spider-Man: Into the Spider-Verse

To celebrate the release of MARVEL's Spider-Man: Into the Spider-Verse, in cinemas January 3, you can win a double pass.

About MARVEL's Spider-Man: Into the Spider-Verse


Phil Lord and Christopher Miller, the creative minds behind The Lego Movie and 21 Jump Street, bring their unique talents to a fresh vision of a different Spider-Man Universe, with a groundbreaking visual style that’s the first of its kind.

Spider-Man™: Into the Spider-Verse introduces Brooklyn teen Miles Morales, and the limitless possibilities of the Spider-Verse, where more than one can wear the mask.

Directed by:
Bob Persichetti, Peter Ramsey, Rodney Rothman
Screenplay by:
Phil Lord and Rodney Rothman
Story by:
Phil Lord
Based on:
The Marvel Comics
Produced by:
Avi Arad, Amy Pascal, Phil Lord, Christopher Miller, Christina Steinberg

MARVEL and all related character names: © & ™ 2019 MARVEL. Spider-Man: Into the Spider-Verse, the Movie ©2018 SPAI. All Rights Reserved.


Spyro Reignited Trilogy: PS4 Review

Spyro Reignited Trilogy: PS4 Review


Released by Activision
Platform: PS4

Spyro Reignited Trilogy: PS4 ReviewEverything old is new again.

What with the
release of the PlayStation Classic console, Crash Bandicoot, remasters of the likes of Tetris and WipeOut, PlayStation's gone back to the late 90s in a wave of nostalgia.

Unsurprisingly joining this party is Toys For Bob's rehash of the three Spyro The Dragon games.

For those unfamiliar with the purple dragon, The Reignited Trilogy brings together Spyro the Dragon, Spyro 2: Ripto's Rage! and Spyro: Year of the Dragon; all of which were originally developed by Insomniac Games, with music from The Police drummer Stewart Copeland.

And it's pertinent to note that your nostalgia's not been messed with either, with level layouts and item locations the same as they were in the first games some two decades ago.

But what Toys for Bob has done is given the whole thing a spit and polish.
Spyro Reignited Trilogy: PS4 Review

Spyro feels more formed and kind of cutesy than he did originally, his purple skin given a fleshy feel and a lick of paint which is both fluid and eye-catching. The camera motion issues which irritated in the originals still lingers though, making portions of the jumping and reaching higher up difficult to negotiate.

At its heart, this is a nostalgia raid on your heart - and in all honesty, the platforming is fairly simple with the cutesy edges you need to feel like you're pulling on an old jumper locked away in the back of the cupboard for years and only recently rediscovered.

If you're not a fan of the originals or have never even played them, there's still much to adore here. Simply put, The Spyro Reignited Trilogy is solely about platfom gaming, and given the simplicity with which it's executed here, it's endlessly playable whether you're new to it or not.
Spyro Reignited Trilogy: PS4 Review

A few minor niggles with the camera aside, Toys for Bob has turned The Spyro Reignited Trilogy into a nice cosy remaster - it shines when it should in its HD coat, and also reminds you of why the games from 20 years ago still work - they're about playability, not sophistication and show that inclusivity comes in all forms and doesn't need you to work at it to enjoy.

Win a Bumblebee prize pack

Win a Bumblebee prize pack


To celebrate the release of Bumblebee, in cinemas from December 12, you can win a prize pack.

Included in this pack is a double pass and also a keychain.

About Bumblebee

On the run in the year 1987, Bumblebee finds refuge in a junkyard in a small Californian beach town.
Charlie (Hailee Steinfeld), on the cusp of turning 18 and trying to find her place in the world, discovers Bumblebee, battle-scarred and broken.

When Charlie revives him, she quickly learns this is no ordinary, yellow VW bug.

BUMBLEBEE is produced by “TRANSFORMERS” franchise veterans Lorenzo di Bonaventura and Michael Bay, along with executive producers Steven Spielberg, Brian Goldner and Mark Vahradian. Chris Brigham (“ARGO,” “INCEPTION”) will also executive produce.

The screenplay is written by Christina Hodson (“UNFORGETTABLE”).

Directed by Travis Knight (“KUBO AND THE TWO STRINGS,” “CORALINE”), the film stars Hailee Steinfeld, Pamela Adlon, John Cena, Stephen Schneider, and Jorge Lendeborg Jr.

Tuesday, 4 December 2018

New Captain Marvel trailer

New Captain Marvel trailer


A New Captain Marvel trailer has arrived.


In the trailer, which features an old lady who can also kick butt, Larson’s Captain Marvel begins to question her history after she start remembering her previous life on Earth — before she became part-Kree and a superhero. The trailer also features Samuel L. Jackson, looking much younger, and gives audiences a look at Jude Law as Mar-Vell.

Larson is starring opposite Jackson, Law, Ben Mendelsohn, Lee Pace, Lashana Lynch, Gemma Chan, Annette Bening and Clark Gregg.


“Captain Marvel” is directed by Anna Boden and Ryan Fleck from a script by “Inside Out” scribe Meg LeFauve and Nicole Perlman. The project is based on the Marvel character Carol Danvers, an Air Force pilot whose DNA is fused with that of an alien during an accident. She becomes Captain Marvel after she gains the superpowers of strength, energy projection and flight. “Captain Marvel” is set in 1995.

Larson was announced as the character during San Diego Comic-Con in 2016. Details of the plot have been kept under wraps. Disney plans to release the movie on March 8, 2019.

“Captain Marvel” will be 21st film in the Marvel Cinematic Universe (MCU).

Mowgli: Legend of the Jungle: Film Review

Mowgli: Legend of the Jungle: Film Review


Vocal cast: Rohan Chand, Christian Bale, Andy Serkis, Benedict Cumberbatch, Cate Blanchett, Tom Hollander
Director: Andy Serkis

The latest take on the Kipling story takes a decidedly mixed tone as it moves from being a cinema release to getting its premiere on Netflix.

Director Andy Serkis and a CGI Family of animals re-tell the Jungle Book with a darker edge in this re-imagining of the tale of the man-cub Mowgli.

With an all-star cast taking on the voice duties, Serkis' tale mixes in both a stance on the environmental damage made by human intervention and a story of a coming-of-age of the man-cub Mowgli (played with reasonable aplomb by Chand).
Mowgli: Legend of the Jungle: Film Review

When Mowgli's brought into the tribe after Benedict Cumberbatch's sneering Shere Khan kills his family, it creates divisions for Peter Mullan's Akeela and crew, who veer between embracing him as their own while being fearful of how he may divide their world.

But when humans edge closer into the jungle, and Khan kills some of their own, battle lines are drawn, as inexorable schisms open.

There are moments early on when some of the CGI creaks and looks a bit off in Mowgli; combined with the slight human face look to the animals, the whole thing looks a little like Babe takes on the jungle, obviously mirroring the classic Disney looks but sitting at odds with the darker edges presented within.

It's clearly a family film, but never quite settles on a tone, even as it dispatches messages of standing up to bullies and its comedy cockney tones delivered by Serkis as Baloo.
Mowgli: Legend of the Jungle: Film Review

And yet, this coming of age tale, with some contemporary darker themes and edges, and with some hints of environmentalism, works in the back third after initially skewing younger.

At times, it almost seems afraid to embrace some of the darker edges, and not fully embrace the spirituality within. There are wonderful scenes when Mowgli is taught about fixing a kill dead on its eyes to accompany the soul when it departs, which hint at a depth and emotional edge that feels under-explored.

But while the final third exposes the darkness, it feels slightly bereft of the weight needed to get it over the line, and remarkably it also feels hurried in its conclusion.

Ultimately, Mowgli is a film that knows what it wants to do in terms of re-telling the tale. It doesn't always quite hit those highs that it's aiming for, but it's a fascinating attempt at re-pitching The Jungle Book - which could have been a touch more successful had the tone been set on earlier on, and the course remained true.

PlayStation Classic Review

PlayStation Classic Review


PlayStation Classic: Console Review

Released by Sony
Platform: PlayStation One

It's nigh on twenty years that PlayStation's been a part of our gaming lives.

So it is that as the talk of the PlayStation 5 grows ever louder, Sony have decided to unleash a small console rather than going big (for now).

The first thing you notice about The PlayStation Classic is how light the actual console is. At just 170g (with a controller weighing 140g), the thing feels lighter and more portable than a phone, and perhaps, were it not for the fact you'd need the bulkier controller and the HDMI cable, you could cart it around to your mates for some fun and games.
PlayStation Classic Review

Well, I say fun, but the reality of the PlayStation Classic is no matter which way you cut it, the game choices are puzzling at best, disappointing in some ways at worst. Rights issues or licences, whatever it is, gamers won't care too much about that - they'll simply want the genre-defining nostalgia fix they got when they were young and more easily pleased with the likes of pixel heavy Tomb Raider, speedy WipeOut and the harshness of Crash Bandicoot.

Connecting up the handsize console is easy as; its primary puzzle is why it doesn't come with a plug though, with the console needing you to use a phone charger to power it up via a USB. HDMI goes into the back of your viewing port, and the old school controller connects in the usual manner at the front. So far, so satisfactory.

Firing up the console, it's easy to get a goosebumps moment as you remember the simplicity of the execution and the sounds. And from there, it's into a carousel of the 20 titles for the 20 years PlayStation has been going.

It's fair to say they are a mixed bag - and will be a disappointment, as mentioned, to those who'd be looking at the system to provide the likes of Crash, Spyro and even WipeOut - all of these titles have recently had remasters, but if you're releasing a retro system aimed at provoking nostalgia, you can't really overlook the titles which defined a console.

Some of it makes up for the loss - there's the original Grand Theft Auto, with its pixelated violence still in tact,  there's Final Fantasy VII, Ridge Racer Type 4, Resident Evil and the ever-wonderful Abe's Oddyssee.

Like any decent emulator, the PlayStation Classic makes some of them look good, and some of them look bad - playing Cool Boarders 2, the game still goes blocky and suffers from bad controls as it did on release; and frankly, it's not the case that it would be wanted any other way.

Navigation is simple enough, but you need to press the reset button every time you want to go back to the menu - not exactly a massive burden, but really a sign that Sony was so headstrong in keeping this console as it was that it's almost stubborn in its execution of it. But it's such a little thing of beauty in terms of its physical representation, that it's almost hard to stay mad at the choices the designers have made for it - and one suspects, licences would have been the biggest hurdle to getting some of the games you'd want for it.

All in all, as a blast of nostalgia, the PlayStation Classic does what it says on the box, but ever so slightly fumbles the Classic part when it comes to the games.

It's a beautifully executed piece of design that's hand-sized and has as much heart as the brand does.

And while the lack of a plug is puzzling, the fact there are two controllers means it's immediately set up for play and go is great for socialising with some mates.

There's just an irony that for a games console,  some of the game choices that shaped a generation aren't present in the PlayStation's wonderfully detailed mini nostalgia burst.

Monday, 3 December 2018

Can You Ever Forgive Me?: Film Review

Can You Ever Forgive Me?: Film Review


Cast: Melissa McCarthy, Richard E Grant, Jane Curtin
Director: Marielle Heller

Lee Israel won't be a name familiar to many.

But thanks to an exceptional turn from a downbeat Melissa McCarthy, a few more people will be aware of what the literary faker did.
Can You Ever Forgive Me?: Film Review

A failing writer facing extremely hard times and needled by Tom Clancy's success, Israel's unable to sell her agent (a tart Curtin) any ideas, but hits on an apparent goldmine when she discovers a letter from a subject she's researching.

Trying to sell it, but upon being told she can get more for more personal letters, Israel hatches a plot from desperation and begins faking literary letters. Enjoying the spoils of her lucrative market, and finding her voice for the first time in years, Israel ends up enlisting Jack Hock (Grant, in flamboyant mode) to help with her scam.

However, the authorities are edging closer to being onto her game.

Can You Ever Forgive Me? is a great reminder that McCarthy can do more than simply broad comedy; in this one, there are signs of repressed anger and frustration that she channels well by underplaying, rather than her usual modus operandi of broad comedy laughs and easy hits.

As a result, Israel is a deeply empathetic character, even though what she's doing is so obviously criminal; along with Nicole Holofcener's script, which gives scenes the zing they need, lots of Can You Ever Forgive Me? works well.

Grant's never been better - imbuing his rascally coke-dealing flamboyant with flourishes that mean every single scene he's in is a joy to behold; and he spars well with McCarthy.

But this is McCarthy's film without a shadow of a doubt; her quietly frustrated take on it all lends the film an edge of engagement and a warmth to undercut the prickliness that lies within. There's an outsider vibe to both Lee and Hock, but rather than make them victims, the actors and script embed them in proceedings and give them a life beyond the text.
Can You Ever Forgive Me?: Film Review

There's a delicious irony that McCarthy brings her best work to someone channelling someone else, but Can You Ever Forgive Me? is a surprising film that enchants, amuses and engages - it's some of McCarthy's best work yet.

Win a copy of The Incredibles 2

Win a copy of The Incredibles 2


To celebrate the release of The Incredibles 2 on DVD and Blu Ray, you can win a copy.


About The Incredibles 2


Featuring an all-new mini-movie starring Edna Mode, alternate scenes, never-before-revealed details about the making of the film, featurettes highlighting Pixar’s genius artists, and much, much more

It’s not a stretch to say audiences have missed their favorite family of Supers over the past 14 years. Disney•Pixar’s “Incredibles 2,” the sequel to 2004’s beloved Oscar®-winning “The Incredibles,” received a mega-strong reaction from critics and audiences — earning a 93 percent critics rating on Rotten Tomatoes, rocketing atop the list of highest-grossing animated films, and surpassing $1 billion at the global box office. Fans can reunite with this incredible family of Supers on 4K Ultra HD,™ Blu-ray ™ and DVD on Nov. 28.

Blu-ray™ Bonus Materials Include:
  • All-New “Auntie Edna” Mini-Movie
When Bob Parr visits super-suit designer Edna Mode looking for help with his high-energy toddler Jack-Jack, Edna pulls an all-nighter designing a suit to harness the baby’s seemingly limitless powers.
  • 10 Deleted Scenes With Introductions
– Suburban Escape,  Kari Revisited, Return of the Supers, Chewed Out, Late Audition, Slow Day, Frozone and Honey, Restaurant Robbery, Fashion Show and Security Breakdown.
  • Super Stuff
- From buildings and vehicles to costumes and props, every action movie requires a lot of really cool stuff. Meet the makers and learn what it takes to design and build such a uniquely incredible world.
  • Heroes & Villains
– A collection of mini-docs about the backstory and major design ideas behind the “Incredibles 2” characters — featuring voice actors, director Brad Bird, and Pixar artists talking about the many elements that make these characters feel real.

Sunday, 2 December 2018

Win a copy of The Equalizer 2

Win a copy of The Equalizer 2



To celebrate the release of The Equalizer 2, you can win a Blu Ray copy, thanks to Sony Home Entertainment.

About The Equalizer 2

Denzel Washington returns to one of his signature roles in the first sequel of his career. 

Robert McCall serves an unflinching justice for the exploited and oppressed – but how far will he go when that is someone he loves?

The Equalizer 2 is out now on DVD and Blu Ray.

To win all you have to do is email your details and the word THE EQUALIZER 2 to this address: darrensworldofentertainment@gmail.com or CLICK HERE NOW!

Competition closes December 2n


Saturday, 1 December 2018

Incredibles 2: DVD Review

Incredibles 2: DVD Review


What to say about Incredibles 2 that's not already been said from a multi-million dollar US Box office take and glowing reviews?
Incredibles 2: Film Review

Starting the sequel just moments after the original ended nearly a decade and a half ago is a fairly bold move for an animated film that rarely rocks the boat in terms of storytelling but produces a terrific family flick that's well worth your time.

In the latest, when superheroes are outlawed for the mess they make, the Parrs face a life where the world doesn't want them.

But they're offered a lifeline when the wealthy Deavor siblings offer them the chance to make superheroes great again by using Elastigirl and some body cameras to show the world what they can do.

So, reluctantly, Mr Incredible steps back and into the role of domesticity while Elastigirl faces a new enemy - the Screenslaver.

Incredibles 2 ticks all the boxes for animation, blockbuster and family fare. (Even if parts feel distinctly more aimed at adults).

Incredibles 2: Film Review

While its 2 hour running time and some obvious plot points stand out, Bird's commitment to ensuring a modern day pastiche of spy drama from the 60s is more than commendable. From a big band OST from Michael Giacchino that is all brass and bluster to spy shenanigans, Incredibles 2 certainly zings as it zags.

From its action opening to some terrifically executed set pieces (Elastigirl vs a train being a well conceived highlight), the film never loses the audience from deep within its thrall. It's also smart enough to give baby Jack-Jack a raccoon nemesis and sequence that feels like an ACME  cum Scrat short film within the film to amuse the younger ends of the audience.

It's fair to say that perhaps the Parr family kids are a little underused - Dash, certainly, and Violet's slumped with a boy problem - but the film's commitment to female forward thinking is obvious from the start.

Slyly commentating on how stay-at-home mums do it all (Mr Parr ends up looking even more weary as the film goes on and he tries to juggle three kids) while putting Hunter's Elastigirl front and centre of it all is the film's smart modus operandi. And it's not just men who save the day here, but a family who pull together to make the difference - again, another positive message for those of all ages and of parenting role models.

Incredibles 2: Film Review

And there is commentary on how we're slaves to our screens too - it may have taken nigh on 15 years but Incredibles 2 hasn't held back from embracing the world as it is.

But make no mistake, while Incredibles 2 has sly intentions painted throughout its DNA, its veritable cinematic chutzpah is never in doubt either - it's a film committed to entertaining and does so terrifically throughout. 

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