Ubisoft Celebrates The 20th Anniversary Of The ANNO Franchise

Ubisoft Celebrates The 20th Anniversary Of The ANNO Franchise

UBISOFT CELEBRATES THE 20^TH ANNIVERSARY OF THE ANNO FRANCHISE

Play Anno 1602 for Free at Christmas and Pre-register to Play the Closed Beta for Anno 1800 Starting January 31

SYDNEY, Australia — December 18, 2018 — Today, Ubisoft announced that Anno 1602: Creation of a New World will be available for free starting today, December 18 to December 22 on Windows PC. To celebrate the 20^th anniversary of the famous City-Building video game series, players will be able to discover or rediscover this flagship episode where they will be able to create a realistic and vivid world entirely based on their imagination. In addition, Ubisoft announced that the registration for the Closed Beta of Anno 1800 is now open, registered players will be able to play the game from January 31 to February 4 on Windows PC.

For the 20^th Anniversary of the Anno franchise players can play Anno 1602: Creation of a New World, originally released in 1998, for free. The game is set in the Early Modern period of history and invites players to discover an island world, to colonise and expand it and to trade with other islands – along with protecting it against potential enemies. First of a long series of a successful city-building video games, Anno 1602 was a genre pioneer 20 years ago. Starting today, players can download the game on their Uplay account for free until December 22.

Moreover, players can now register to play the Closed Beta of Anno 1800 from January 31 to February 4*. Anno 1800 combines beloved features from 20 years of Anno history, delivering a rich city-building experience, including a story-based campaign, a highly customisable sandbox mode, and the classic Anno multiplayer experience. Anno 1800 will see the return of highly requested features such as individual AI opponents, shippable trade goods, randomly generated maps, multi-session gameplay, items and more.

To register for the Closed Beta click here: https://www.anno-union.com/register/ 

For more than a year, Anno 1800 has invited players to take part in the creation and the development of the game by giving feedback through the Anno Union. So far, more than 100 blogs have been published, 10,000 comments posted and 4 community contests organised. This collaboration between players and the studio enables the development team to shape the game and add requested community features.

Anno 1800 will be released worldwide on February 26, 2019 on Windows PC. Players who pre-order Anno 1800 will receive the Imperial Pack containing extra content for the game. Digital Deluxe and Pioneers Editions owners will have access to exclusive content including the Anarchist character**

To download Anno 1602 for free during the offer period, please visit: https://register.ubisoft.com/anno-1602-giveaway

Vice: Film Review

Vice: Film Review

Cast: Christian Bale, Steve Carell, Amy Adams, Sam Rockwell
Director: Adam McKay

Employing some of the same irreverent touches as The Big Short did in its quest to explain the financial meltdown, Vice's Golden Globe nominated biopic purports to look at the rise to power of Dick Cheney.

"Or as true as it can be," as a title card shows early on.

Cutting back and forth early on, McKay chooses to start Cheney's life off as he's arrested for a DUI on a dirt road, before moving quickly to underground in the White House as the 9/11 terror attacks take place.

It's here that Cheney's rise to power as the silent man becomes clear - he knows when to take an opportunity when it's presented.

McKay constructs a biopic which loops back and forth through Cheney's life with a vim and vigour that's initially compulsive, but ultimately settles into a degree of whiplash that keeps you engaged, but follows the non-linear approach to the story.

Bale goes method as Cheney, and ultimately settles somewhere in between his usual drawl and a Batman style growl for Cheney; but while much of his performance will be commented on because of the physicality, there's a lot going on in the eyes which gives plenty of insight into Cheney.

It has to be said McKay may let some bias against Cheney show, and there are definitely parallels drawn between worries over constitutional changes made then and potential for the current incumbent to do much the same, but Vice never loses some of the fire and outrage it's got bubbling away.

A completely irreverent credits scene 50 minutes in shows how McKay is determined to unsettle audiences, before further damning Cheney and his career choices.

Carell is impressive as Donald Rumsfeld early on, but fades into insignificance once the narrative settles on a tone. Adams impresses as Cheney's wife, proving the adage behind every man to be true, but she also brings some welcome subtlety to proceedings which ultimately end up outraging more as the film progresses.

There's a seething anger in Vice, a sign of contempt for those who ride roughshod over US politics and abuse the system to their own advantage - it's a story whose themes have been told time and time again, but McKay definitely brings his own agenda to proceedings; that's not to minimise the outrage, but when there are more restrained touches, Vice soars, even if it is aiming for awards.

McQueen: DVD Review

McQueen: DVD Review

Fashion films get a thrilling makeover with McQueen, detailing the rise and inevitable fall of Lee Alexander McQueen, the British designer who set the world alight and then burnt too brightly.

Using access to those close to McQueen, and eschewing the usual talking heads, Bonhote and Ettedgui open up the world of fashion to those who are usually turned off by such matters, and do more than enough to satiate those who adore the genre.

Utilising footage from McQueen's early thrilling shows, cataloguing the chaos caused by the catwalk's upturning and reinvention, the biopic builds an intriguing look at what sent such ripples through the world. But it's also smart enough to spend a bit of time building up to this, using home video footage of McQueen's childhood days as well.

It helps that Bonhote and Ettedgui give the film a pace that's compelling, but never too breathless that it strangles the flow of what's unfolding. It also benefits greatly from access that pieces together an intimate portrait of an artist, what fuels them and how that fuel is manifested in their own work.

Admittedly, there are the usual hyperbolic bon mots such as "You can't teach talent", but in among the usual trappings of a character destined for tragedy, there's also a lot to enjoy in McQueen, principally the catwalk shows, given new credence and insight by McQueen's reasoning for them - and from those who worked on them.

But the directors know just talking about fashion is akin to cinematically showing paint dry, so lavish McQueen with electrifying catwalk performances. Interestingly, the film, much like McQueen reaches a nadir and descent after he's taken in by the major fashion houses and in the final 40 minutes, the doco takes a turn to more dirge-like tendencies as the drugs and depression sets in and it builds toward the final act of tragedy.

It may be a little overlong towards the end, and the sense of melancholy a little stifling in among the eulogising for the tortured tragic talent, but McQueen is, for the large part, a soaring film that makes its subject and subject matter accessible to all, imbuing any who watch it with great insights into the hero of yob couture as much as it plays into the psyche of the talent. 

Ponyo: 10th Anniversary Edition: Review

Ponyo: 10th Anniversary Edition: Review

From the renowned animation stable of Studio Ghibli, comes Ponyo.
Or to give it its full title - Ponyo on a Cliff By The Sea.

A 5-year-old boy, Sosuke adopts a goldfish (the titular Ponyo)when she emerges from the sea one day having escaped from her father, the king of the ocean.

However their friendship is torn apart as quickly as it's begun after the seas reclaim her.

But Ponyo works a way out to become human and return to her friend - yet, her desire could signal the end of the world. 

Studio Ghibli animation is always a delight - and this latest offering from the stable of Hayao Miyazaki is no exception. 

It's a truly enchanting tale - based on the Little Mermaid clearly; but Ponyo is sweet and quite beautifully animated with traditional drawings as opposed to the computer animation so prevalent in today's cinematic world. 

The backgrounds are pencilled and the characters are animated - in many ways Ponyo is simplistic and childish - in a good way - as it makes it accessible to all. 

In fact the children in the audience were completely entranced by the vivid animation and beautiful orchestral score as they sat spellbound. It's a gorgeous world which has been created - one which shows man and nature at balance and in harmony. 

Ponyo has a pure heart and joy about her - even when a tsunami threatens to engulf a town, the visual of Ponyo, in her human form, skipping over the waves brings a smile to your face. 

A work of pure fantasy and one which shows there's plenty of life left in Studio Ghibli, Ponyo is a magical dizzying treat with gorgeously sumptuous visuals and sounds for all ages. 

And equally, the Ponyo: 10th Anniversary Edition doesn't disappoint either pulling together some wondrous art collections, collector's coin and exclusive postcards.
These are the game-changer for how anniversary sets should be done, including fully rendered character and background drawings, paintings and cel images - a truly wondrous window into the world of Studio Ghibli.

Ethel & Ernest: DVD Review

Ethel & Ernest: DVD Review

The ordinary story of two ordinary people told in an ordinary fashion renders Roger Mainwood's animation Ethel & Ernest extraordinary.

Based on Raymond "The Snowman" Briggs' graphic novel and paean to his parents, Ethel & Ernest is the evocative and charmingly animated tale of a couple and to them, is set the backdrop of life.

Tracking through social times (the rise of Hitler, the advent of TV), but using them more as background, this is the story of two people whose lives simply carry on the business of being.

Ernest, a milkman, and Ethel, a former maid (both voiced with warmth by Jim Broadbent and Brenda Blethyn) meet, fall in love and get on with the business of life without any distractions.

Thus it is with Mainwood's film that it ends up being a salutation to the common man and woman, an ode to every grandparent who has ever lived and a thoroughly charmingly old school animated treat.

It's gentle when it needs to be and sad when it's required. Certainly the end sequence is both utterly devastating and yet entirely realistic in its portrayal of the march of life.

It's because of this that Ethel & Ernest is so compellingly charming and wrapped in warmth. It's essentially like watching the life story of your grandparents writ large. And while parts of the film feel episodic in nature and it fades to black a little too often, this novella of life can't be denied.

From its gently familiar banter and the needling of a generation that weren't troubled by millennial concerns, there's a wistfulness around this which makes it feel familiar and comforting.

At its heart, Ethel & Ernest may be a gentle social document of the times Raymond Briggs' parents lived in, but it's painted with such universality and heart that it's hard to leave the cinema at the end with a dry eye. 

Wellington Paranormal: Series 1: DVD Review

Wellington Paranormal: Series 1: DVD Review

It's the show that's been a fair few years in the making from Taika Waititi and Jemaine Clement, and their New Zealand Documentary Board.

Spun off from What We Do in The Shadows, Wellington Paranormal's mix of mockumentary stylings of Cops and also NZ homebred hit Police Ten 7 gets off to a promising start, with the return of two police officers briefly glimpsed in the orignal film.Mark Minogue and Karen O'Leary play hapless officers Minogue and O'Leary, who find the start of their shift is impacted by the discovery of a girl projectile vomiting in one of Wellington's most infamous streets.

This is less Hill Street Blues though, more a Hell Street Blues if you will, as they dig deeper in after being co-opted by Sergeant Maaka, played by the Modern Māori Quartet's Maaka Pohatu.

He's the boss of the top-secret Wellington Police Paranormal Unit and who's been looking at the odd for years - though has been dismissed. (To be fair, one of O'Leary's early musings is that Maaka's so-called UFO photo is actually a hubcap).

But things take a turn as the case develops.

Wellington Paranormal's first episode riffs on The Exorcist in terms of story, and also with a famous line coming from the most unexpected of sources (one of the episode's delights).

It's also got that mix of The X-Files creature of the week feel too - and the title sequence feels like a more upbeat rendition of Mark Snow's infamous theme.

And while deadpan and ad-libbing appear to be the show's MO, it's wisely not abandoned its horror elements as well, with some impressive jump scares and a commitment to the mythical elements nicely sown liberally in.

Its lead pair is laconic and laid back and director Jemaine Clement encouraged them to adlib during filming, and it shows - in a good way.

It's tricky to mix genuine scares and humour, but Wellington Paranormal's first ep does it well and there's a lot of buzz abroad about the show, so it does have potential. Clement's clearly got an eye for the humorous behind the camera, as well as the flow for the show, ensuring the drama is never second place to the obvious humour.

A minor nitpick for me iis the two leads referencing Mulder and Scully, which is why it's sometimes hard not to believe they know what was going on, but it'll be interesting to see how this develops as the six episodes play out. And it'll be intriguing to see if the gag runs out - it works well for 30 minute slices, but extended exposure to this could count against it.

Nicely paced, with sight gags never being put aside for the supernatural, and with some riffs on Buffy's Hellmouth, Wellington Paranormal offers up a lot in terms of proffering some universal humour, as well as the ability to satiate the local audiences.

Smartly delivered, and kookily clever, Wellington Paranormal is the cult comedy TV hit that New Zealand's been dying to deliver for years. 

Destiny 2: The Dawning is back!

Destiny 2: The Dawning is back!

Eva Levante is back in the Tower and this year her oven is roaring to life with baked goods to share. All players of Destiny 2 are invited to join the celebration by going out into the world, gathering ingredients, defeating enemies and completing various activities. The Dawning returns the spirit of togetherness back to the Tower, starting December 12^th, 2018 at 6AM NZDT. ⠀

Available now to all Destiny 2 players from December 12 - January 2.

🎵Sleigh bells ring, are you listening?
In the Tower, snow is glistening

The Dawning is here,
Spreading holiday cheer

Riding through a winter wonderland🎵

The Dawning has arrived. ❄ pic.twitter.com/s6ZVax9Kei

— Destiny The Game (@DestinyTheGame) December 11, 2018