New to GTA Online: The Declasse Vamos Muscle Car Plus Valentine’s Bonuses, Double Cash on Gunrunning Sell Missions & More

New to GTA Online: The Declasse Vamos Muscle Car Plus Valentine’s Bonuses, Double Cash on Gunrunning Sell Missions & More

The Declasse Vamos Muscle CarPlus Valentine’s Bonuses, Double Cash on Gunrunning Sell Missions & More

Believe it or not, the Vamos began life in 1960 as a sensible and straight-edge compact car. But over the course of the decade, something wonderful happened. It moved out of its parents' garage and started hanging around with V8's and fastbacks. Its wheelbase lengthened, its grille expanded, and its hood got so long and flat you could spend a whole summer of love on it. These days, it's exactly the kind of bad influence you were looking for.

The Declasse Vamos is now available exclusively at Southern San Andreas Super Autos.

You've got the basics covered this Valentine's Day - a gourmet meal at Up N' Atom and two tickets to Capolavoro at the Ten Cent Theater. But if you're really looking to impress, there's no greater bonding experience than barreling down Route 68 in an Insurgent Pickup while your better half fends off reams of Merryweather goons from a .50 cal turret. If that sounds right up your alley, then take advantage of Double GTA$ on all Gunrunning Sell Missions all the way through February 20th, or dive into the following team-based modes to reap Double GTA$ & RP:

• Bunker - Till Death Do Us Part
• Hardest Target
• Trap Door
• Siege Mentality

Show off your pride as a new Vamos owner with the Declasse Logo Tee, a free addition to your wardrobe when you play GTA Online anytime through February 20th.

This week, grab 30% off all Be My Valentine content - including the Albany Roosevelt, Albany Valor and all Valentine's Day Clothing. You can also pick up any weapon from Ammu-Nation at a 30% discount, get up to 40% off all Bunkers, the Mobile Operations Center and much, much more:

• All Valentine's Day Content – 30% off
• Bunkers – 40% off
• Mobile Operations Center – 40% off
• Mk II Weapon Upgrades – 40% off
• All Weapons at Ammu-Nation – 30% off
• HVY APC – 30% off
• Pegassi Oppressor – 30% off
• Weaponized Declasse Tampa – 30% off
• Anti-Aircraft Trailer – 30% off
• Bravado Half-Track – 30% off
• Dune FAV – 30% off
• HVY Nightshark – 30% off
• Ocelot Ardent – 30% off
• Ballistic Equipment – 30% off

For more information on all the latest GTA Online bonuses, head to the Social Club Events page.

 

 

Fahrenheit 11/9: DVD Review

Fahrenheit 11/9: DVD Review

In a case of it's unclear whether the world has got so crazy that it matches Michael Moore's sense of craziness, Fahrenheit 11/9 is an odd film that is wildly missold by its poster image.

With the figure of Donald Trump swinging on the golf course as the White House explodes in the background, you'd be pushed into thinking that the documentary is a takedown of Trump. And rightly so, as Moore's seething anger has been on show for all to see.

But what Moore does with Fahrenheit 11/9 is more to build a case for how America was leading to this already and the dire state of the US political scene, and citizens' landscape.

While drawing some lazy comparisons to Trump as Hitler, the large portion of Moore's latest is more about exposing the continuing devastation of Flint, as initially chronicled in Roger and Me. Returning to the story of how the contaminated water is killing the inhabitants there, Moore tries a stunt as well with the powers that be.

But much like portions of this documentary, it feels wildly off base, as Moore rambles through his own past, through America's disillusionments, and his quest to push back against the current - and past - regimes; even Obama doesn't get off lightly.

If anything, Fahrenheit 11/9 is more a rallying cry for the end of democracy, with a speech at the end intoning "If this is the America we're trying to save, maybe ask yourself why. It didn't need to end up like this - and it still doesn't. Evil is a slow moving organism. We didn't need comfort, we needed action. Sometimes it takes a Donald Trump to wake up and realise."

All in all, Fahrenheit 11/9 suffers from the fact reality is too devastating for Moore's formerly incisive eyes; someone more in control of their critical abilities could have shaped this occasionally overlong piece into something more lean and more damning.

As it is, Fahrenheit 11/9 flounders a little, and merely blows hot air, when perhaps it should seethe with rage. 

Capharnaum: Film Review

Capharnaum: Film Review

Cast: Zain Al Rafeea, Yordanos Shiferaw
Director: Nadine Labaki

Some films will inherently break you, push you to your limits and test you before delivering a reward.

Capernaum is one such film.

The story of Zain (Al Rafeea) launches in a courtroom with an inherently amusing premise - he's suing his parents for giving him life. What follows next sees Labaki track back to discover how Zain got to this stage.

A story of neglect in extremis, Capernaum dances a dangerous line between manipulation and mawkish, not always successfully. But what emerges works strongly because of Al Rafeea's innate watchability and a chance to elevate the material where it needs to be.

It's heartbreaking to see where the kids have been taken in this film, and how the material feels like it's drawn from a truth, not so much a fantasy. But while the story works like it should, it does also lend itself to sprawl, and feels at times unfocussed, despite the work of the first time actors.

There is a melodrama to proceedings in this Lebanese drama, and how you feel at the end may depend on how far you're willing to go along with events, but ultimately, Caparnaum works where it should, despite moments of misery and elements of cliche.

A Star is Born: Blu Ray Review

A Star is Born: Blu Ray Review

In truth, A Star Is Born's fourth iteration doesn't mess with the formula of those that have gone before it.

While Bradley Cooper's directorial turn sees him framing Lady Gaga close up and letting her stripped back voice do the soaring, much of A Star Is Born makes for queasy viewing in a post MeToo world.
Cooper is Jackson Maine, a hard-drinking pill-popping long time veteran of the music scene, a MOR artist destined to fill stadiums, but whose love for the job is dwindling as his tinnitus grows ever stronger.

One night, after a concert, Maine stops off at a drag bar looking for his next booze fix, and is wowed by the on-stage performance of Ally (Gaga) who burns the stage down with her version of La Vie En Rose.

Swooping in on her, Maine nurtures an attraction, and believes he sees a kindred spirit in Ally, whose self-destruction is at the cost of belief in herself as a singer / performer. However, with a bit of coaching and some throwing under the bus, Ally begins to blossom, as Maine's career and star begins to fall.

Billed as a romance, and try as one might, the overriding feeling of A Star Is Born leaves a queasy feeling it's more about domestic and emotional abuse than a star-crossed romance. And an icky one about male-fuelled control as well, given how Ally is moulded by both Maine, the music industry and a controlling manager.

While the concert scenes are incredible and Cooper manages to inject some spine-tingling touches into their exuberant execution, the fairytale side of A Star Is Born feels blessed with some corny dialogue that is fudged in the exposition.

Still, it's already proven that this is what audiences lap up, and while the unevenness of events hits the film's second half, Lady Gaga's Ally truly shines when the screen needs it the most.

It's clear Cooper as the director is in love with Gaga's voice and physique, framing her in close ups and excluding others in the handheld execution, touches which enhance the sheer power of her voice.

In truth she delivers a competent performance as Ally, from wide-eyed innocent to blossoming talent to troubled wife, Gaga delivers more of a gamut and arc than Cooper's Maine does.

Solid support comes from Elliott who appears in a clutch of scenes as Maine's brother, and delivers more than his keeper-of-the-demons-at-the-door role would have you invest in.

A Star Is Born is a little too overlong and indulgent to fully succeed in the romance stakes - it does bless us with a cinematic talent that's already been nurtured in American Horror Story.

But to be honest, the over-riding uneasy feeling of control, abuse and male power, along with talk of how this will be showered with Oscars sits at odds with a world one year after MeToo was born.

It may not have been Cooper's intention and audiences may be lapping this up as a star-crossed romance for our times, but A Star Is Born is an odd experience, part concert tour footage and part blast from the past promotion of male privilege. 

Happy Death Day 2U: Film Review

Happy Death Day 2U: Film Review

Cast: Jess Rothe, Phi Vu, Rachel Matthews, Israel Broussard, Suraj Sharma, Sarah Yarkin
Director: Christopher Landon

2017's Happy Death Day was a blast; a slasher that combined Groundhog Day with some genuine scares, and a character arc for its more than charismatic lead, you'd almost be surprised it was never done before.

But unlike the first, this latest sidelines the scares for a more loopy sci-fi spin on what's happening to Tree Gelbman (Rothe, easily the star of this show), who once again finds herself caught in a murderous day time and time again.

Happy Death Day 2U deserves some commendation for trying something different, and while the beginning wrong foots you - in a clever manner - Rothe soon commands front and centre of this mesh up of Groundhog Day, Scream, Quantum Leap, The Big Bang Theory, Happy Death Day and bizarrely frat movies where kids take on the dean.

The resultant mix is less a mess, more a showcase of Rothe's range as the silliness gets ramped up, pushing the slasher edges to the back (which is a real shame). Certainly, the last third of the film veers too far into dumb comedy territory as the multiverse mentality comes to the fore, and the Frat
House shenanigans take precedence.

It's almost too slapstick to hit where it should - but Rothe holds it gamely together with a depth that helps elevate the material and the icky sentimentality. (Though a skydiving scene is brilliant in its execution.)

And yet, despite this, Happy Death Day 2U deserves some kudos for not repeating itself (ironically, given the nature of the first, and the premise of the latest).

It's inevitable there will be a third genre mesh-up (Happy D3ath Day, anyone?) and it's inherent on those behind it to maybe inject some of the scares back in - unless they completely go off book for the genres in the trilogy.

District 9 director Neill Blomkamp partners with Anthem

District 9 director Neill Blomkamp partners with Anthem

EA and Bioware have teamed up with acclaimed director Neill Blomkamp (District 9, Elysium, and Chappie) to create a live-action short film, based on the world of Anthem.

Today, Electronic Arts Inc. (NASDAQ: EA) and Neill Blomkamp, the Academy Award-nominated director of District 9, Elysium, and Chappie, have announced that they have collaborated on Conviction, an original live-action short-film based on BioWare’s Anthem™. In Conviction, Blomkamp brings the vast world of Anthem to life with his own story set decades before the beginning of the game. This live-action short invites viewers to experience Blomkamp’s unique style of creating photorealistic visual effects and bringing them seamlessly into the real world, this time with EA’s highly-anticipated new game. 

A teaser of Blomkamp’s Conviction is now live, with the full short going live February 14 on the Oats Studios YouTube channel. In the short, people will see the player city of Fort Tarsis in the game come to life, and the freelancers that live within it. These freelancers who use Javelin exosuits, have been re-created by Neill’s team to show them in live action as they fight off the main villain and head of the evil Dominion faction, the Monitor.

“I was really blown away by this incredible world BioWare created the very first time I saw Anthem,” said Neill Blomkamp. “Conviction sets the stage with a narrative that touches on Anthem’s beautiful and immersive world, which is ripe for exploration by these powerful Javelins. A world where danger is lurking on every ledge and in each valley.”

In Anthem, players can play with up to three friends to explore and battle in a dangerous, mysterious world with great characters and a unique BioWare story. As freelancers, players don Javelin exosuits, making them powerful heroes with strong weapons and incredible special abilities to help them survive in an ever-changing, unfinished world. Players will be able to customize and personalize their Javelins with unique paint jobs and gear so they’ll have the right tools to confront almost any situation and look good doing it. As players work together to find vast ruins, defeat deadly enemies and claim otherworldly artifacts, they’ll be unlocking their own individual story fighting against The Dominion, a ferocious militaristic society.

Players can unleash their power in Anthem worldwide on February 22 for Origin for PC, Xbox One and PlayStation 4.

Bohemian Rhapsody: DVD Review

Bohemian Rhapsody: DVD Review

To be honest, Bohemian Rhapsody does not, and will not, care for what critics think.

This broad, crowd-pleasing attempt to turn Queen's life story - and ultimately, that of Freddie Mercury - into a cinematic experience, is more akin to putting an inordinate amount of money into a jukebox and blasting out Queen's Greatest Hits on repeat, with Brian May's guitar riffs ultimately numbing you into submission..

That is to say, the Antony McCarten-penned biopic is electric and offers a kind of magic only when its lead Rami Malek prances around on stage, overbite and all, effecting the mannerisms of Mercury himself and the flamboyancy of performance. It's here that Malek just about manages to transcend his "Stars In Their Eyes" moment to remind you of why these songs endure.

Unfortunately, it's all the rest of what sits in between the culmination of the Live Aid performance and Queen experimenting with their sound that feels like a bum B-side, depressingly put out solely because the label demands it.

Racing formulaically between narrative beats, and hitting every familiar moment of a rags-to-riches story - including family tensions and subsequent resolutions, Bohemian Rhapsody suffers from plodding plotting, a defiant coyness over the star's bisexuality and rampant hedonistic lifestyle and also offers an insulting nod'n'wink at hidden gay sexuality throughout. (It's no wonder Frankie Howerd's Up Pompeii is playing on a TV early on).

In many ways, it feels like a three act West End musical in its execution (though some drone shots at the Live Aid performance at the end are thrilling, a sense of spectacle and scale evident in every swoop from the skies through the crowd and to Freddie himself on stage) and is pigheadedly determined to ensure that it provides more dancing to the crowd as it dances around its subject, and subsequently provides rarely any insight into Mercury other than what the downpat story beats demand of it.

While Malek is transcendant at times, and occasionally sells the internal conflict of Mercury well, he's let down massively by a script that's as formulaic as it is predictable.

Ultimately, Bohemian Rhapsody is more interested in serving a crowd a slice of rock'n'roll pie than providing a full meal - heaven alone knows what Freddie would have made of it.