Tuesday, 21 May 2019

Storm Boy: DVD Review

Storm Boy: DVD Review


Based on a famous Australian school text by Colin Thiele, Shawn Seet's reimagining of the 1976 film Storm Boy digs deep from the well of earnest reaction to environmental concerns, while never straying too far from the central story of a boy and his friendship with a pelican.
Storm Boy: Film Review

Rush is a mournful Mike Kingley, called into a family conference over whether to allow a sell off of land for mining. Unsettled by his granddaughter's complaints over whether it's morally right, Mike decides to reflect on his past relationship with his own father and with a trio of orphaned pelicans he rescued from hunters.

Storm Boy is a curio of a film.

Clearly, in some ways, out of time from what kids and teens may come to expect from films in these superhero-filled days, Storm Boy charts a path towards a decent relationship movie, that's somewhat stymied by unsubtle touches of environmentalism.

The central story set in the past between Mike and his relatively aloof father (Courtney, doing a lot with very little) is your typical tale of man and animal bond, given a refreshing honesty and earnestness that proves hard to deny.

But the flashes back and forth prevent the narrative from fully feeling fleshed out and create a disruptive flow that's hard to shake, in among Seet's overuse of slow-mo shots and blurred images of hunters, guns and waters sullied by cans.

Storm Boy: Film Review

Rush is nicely mournful, and delivers a character who clearly rues a lot of what life has dealt to him, as he faces one last real chance of making a difference for eternity. There's a soulful edge to his performance, and while some may be too caught up in the troubles facing him in real life to focus on what's on screen, he more than delivers a melancholy turn.

In the flashbacks, the contrast with wide-eyed newcomer Little and slightly underplayed Courtney works well. And certainly the animal interactions add much heart to keep the younger end of the audience engaged.

While the film's less successful with its environmental edges, preferring to be blurred rather than outright and honest, Storm Boy is a film that feels refreshingly old school and yet bizarrely, may fail to find an audience who will be anything but inured to its charms. 

Monday, 20 May 2019

The Mule: DVD Review

The Mule: DVD Review


Clint Eastwood's back and this time, he's looking somewhat worse for wear.

Walking with a stoop, and a hunch, shuffling along, the 88-year-old proffers his take on the New York Times' piece,  "The Sinaloa Cartel's 90-Year-Old Drug Mule."

Eastwood is Earl Stone, a horticulturist whose specialty is lillies. But his time on the farm tending to the flowers which bloom and die in one day has come at a cost - estranged from his family for choosing work over them, his world is empty when his farm is foreclosed.

The Mule: Film Review

Offered a chance to make some money when desperation hits, the curmudgeonly Earl takes up the chance to transport some goods for the Mexican cartel, thanks to his clean record, and lack of criminal history.

But unbeknownst to Stone, the DEA is pulling together a case against the cartels - and his involvement sets him on a collision course with an agent (Cooper) keen to close the group down.

The Mule is a reflective piece, aimed at provoking viewers into thinking about their own propensity for work over family.

It's also one which advocates for Earl Stone, his dubiously racist views and his approach to life.

Yet Eastwood gives the old man something of a relatable edge, and in the latter stages of the film, he delivers a degree of pathos to the man realising he couldn't have bought more time, even if he'd tried.

It's a hard ask in the back portion of the film, because the family are more broadstrokes characters early on, rather than deeply immersive ones that you know he'll orbit. Thankfully scenes with Eastwood and Wiest have a depth that's tangible, and are blessed with a humanity that's hard to ignore.

The Mule: Film Review

Eastwood wallows in the stubborn - whether it's railing against the internet, calling people Negroes when helping them, or mocking a Mexican cartel member by comparing him to a Nazi. Regardless of whether you buy into the racist furore in some quarters, there's no denying that Stone is a product of his time, and Eastwood has no difficulty breathing life into the old dog.

Make no mistake, this is no classic cat and mouse chase; there's a more genial gentle edge to the pace, something akin to Redford's The Old Man and The Gun from late last year.

It mutes the message it wants to deliver, and never quite ups the ante in terms of pace, being as fraily presented as Earl Stone himself .

Sure, there's a poignancy here to be had, and maybe some of it comes from how Eastwood looks, but thanks to thinly-etched edges, it never quite scales the heights you would expect this wistful drug trip to take. 

Sunday, 19 May 2019

SEGA Mega Drive Mini announces more titles

SEGA Mega Drive Mini announces more titles


PREPARE FOR MEGA MAN: THE WILY WARS, STREET FIGHTER II’: SPECIAL CHAMPION EDITION AND GHOULS ‘N GHOSTS ON THE SEGA MEGA DRIVE MINI
Final 10 games will be announced in June!
Yes, that’s right! Capcom is about to bring the hurt with our next set of games coming to the SEGA Mega Drive Mini. Once exclusive to the SEGA Channel in North America, Mega Man: The Wily Wars, a compilation of the first three Mega Man entries, finds a new home on SEGA Mega Drive Mini! (We said only 40 games, right? Technically, that’s still true!)

The Blue Bomber will have some competition though, because here comes a new challenger—STREET FIGHTER II’: SPECIAL CHAMPION EDITION, one of the greatest fighting games of all time.
Speaking of which, we’re also happy to announce the Retro-Bit® SEGA Mega Drive 6-button controller will be released in late August. This will surely give you the ultimate advantage especially on games like STREET FIGHTER II’: SPECIAL CHAMPION EDITIONComix Zone and Beyond Oasis!
Rounding out the list, we have the notoriously challenging Ghouls ‘n Ghosts. In order to save the souls stolen by the evil Lucifer, the brave knight Arthur must fight off hordes of demons and all that stands between him and certain death is a suit of armour.




The Next 10
  1. Mega Man: The Wily Wars
  2. STREET FIGHTER II’: SPECIAL CHAMPION EDITION
  3. Ghouls ‘n Ghosts
  4. Alex Kidd in the Enchanted Castle
  5. Beyond Oasis
  6. Golden Axe
  7. Phantasy Star IV: The End of the Millennium
  8. Sonic the Hedgehog Spinball
  9. Vectorman
  10. Wonder Boy in Monster World


SEGA Mega Drive Mini-FAQ:
Q. When does it launch?
A. 19th September 2019

Q. How many games will be included?
A. 40 games.

Q. Which games will be included?
A. The first 30 titles included with the system, with the rest to be announced intermittently over the coming months, are:

  1. Sonic the Hedgehog
  1. Ecco the Dolphin
  2. Castlevania: Bloodlines
  3. Space Harrier 2
  4. Shining Force
  5. Dr Robotnik's Mean Bean Machine
  6. ToeJam & Earl
  7. Comix Zone
  8. Altered Beast
  9. Gunstar Heroes

  1. Castle of Illusion Starring Mickey Mouse
  2. World of Illusion Starring Mickey Mouse and Donald Duck
  3. Thunder Force III
  4. Super Fantasy Zone
  5. Shinobi III
  6. Streets of Rage 2
  7. Earthworm Jim
  8. Sonic the Hedgehog 2
  9. Contra: Hard Corps
  10. Landstalker

  1. Mega Man: The Wily Wars
  2. STREET FIGHTER II’: SPECIAL CHAMPION EDITION
  3. Ghouls ‘n Ghosts
  4. Alex Kidd in the Enchanted Castle
  5. Beyond Oasis
  6. Golden Axe
  7. Phantasy Star IV: The End of the Millennium
  8. Sonic the Hedgehog Spinball
  9. Vectorman
  10. Wonder Boy in Monster World


Q. Which version of the Mega Drive is the Mini based on?
A. It's based on the original Model 1 Mega Drive which launched in Oct. 1988 in Japan, Aug. 1989 in North America, and Nov. 1990 everywhere else.

Q. How big is it in comparison to the original console?
A. It's approximately 55% of the original Model 1 size.

Q. What do you get in the box?
A. The SEGA Mega Drive Mini comes complete with 40 games, Two replica three-button USB Mega Drive controllers, One USB to Micro-B power cable and One HDMI cable.

Q. Who handled the ports?
A. M2 is handling the porting process. They've previously worked on SEGA AGES and SEGA 3D Classics Collection, with a fantastic reputation based on the quality of their emulation projects and their faithfully recreated ports.

Q. Can I use original Mega Drive controllers with the Mini?
A. No, only the provided USB controllers or the Retro-Bit® SEGA Mega Drive 6-button controller.

The Chaperone: Film Review

The Chaperone: Film Review


Cast: Haley Lu Richardson, Elizabeth McGovern
Director: Michael Engler

With touches of a script from Downton Abbey's Julian Fellowes and adapted from a book by Laura Moriarty, The Chaperone is a classy affair.

Set in 1922, when the teenaged Louise Brooks (Richardson, in another impressive performance) was given the chance to go to dance school in New York, The Chaperone's more the story of McGovern's Norma.

Norma is a Wichita native, who yearns to spread her wings. So when she sees the opportunity to accompany Brooks to the big apple, she seizes on the chance. Along the way, there is rediscovery and also challenges for both.
The Chaperone: Film Review

The Chaperone may tread a familiar path in terms of coming-of-age films and social mores, but what it offers up is a chance to revel in the brevity of Richardson's precocious turn as the sparkling Brooks and stay for the more nuanced subtle journey of McGovern's Norma.

The trouble is the film's more obsessed with Norma's story, than Brooks herself.

It's not that McGovern doesn't deliver in a somewhat starched story, but more that it feels like something aimed at the older crowd, rather than a younger generation steeped in the Downton world.

The period detail is wonderfully evocative, and there's much to admire in the visualisation of the Jazz age, but there's a dialled down feel to The Chaperone which suggests a more buttoned up affair than is narratively worth investing in.

Ultimately, The Chaperone walks you through a period of history and a story, rather than letting you experience it. It's not a fatal flaw, granted, but it is one which stops the familiar tropes from soaring and hitting an emotional level you'd want to be more fully engaged.


Saturday, 18 May 2019

Ben Is Back: DVD Review

Ben Is Back: DVD Review



Ben Is Back: Film Review

A film of two halves, very much held together by a career best from Julia Roberts, Peter Hedges' addiction drama Ben Is Back treads some of the same furrows ploughed by Steve Carell and Timothee Chalamet in Beautiful Boy.

Set one Christmas Eve in rural America, Hedges is Ben, who returns without warning from the rehab centre he's been attending. While his mother Holly (played with emotional range and tenacity by Roberts) is ecstatic at his return, the rest of his family is wary, borderline suspicious.

However, over the 24 hour period, both Ben's resolve and Holly's love are tested, stretched to beyond breaking point.

Ben Is Back is a solid drama, that starts in a very familiar place and treads a familiar route before segueing into a different kind of film.

Hedges and Roberts deliver powerhouse performances that don't rely on the showy antics that can usually populate such dramas. And while Roberts' Holly delivers a couple of rants against the system that has pushed the drugs, this slight misstep is forgiven in the overall tableaux of the rest of the film.

Equally, Hedges gives Ben an edge of uncertainty, a feeling of a soul teetering on the edge as various truth bombs are slowly and subtly dropped by the script. While his relationship with Holly skirts around one of a child wanting to reconnect with his family, the film's indelibly exciting and emotionally raw.

Ben Is Back: Film Review

Others get to flirt with this dramatic orbit too, but in the overall wash, Peter Hedges' script is about these two at the core - and consequently some of the later interactions with supporting players (notably Vance's husband Neil) feel less enticing as they could be, as they wallow in the underwritten and slightly cliched mire that's been created.

The second half of the film which switches from suburban angst to an examination of the druggy underbelly of Holly and Ben's home is an odd tonal lurch, feeling akin to Taken than anything else - and it also allows Hedges via Roberts to voice frustrations at drug laws and systems seemingly letting down the public. These moments derail the film and the intimate intentions of what transpires.

Ultimately though, Ben Is Back is a complex portrayal of a self-destructive relationship, an examination of the depths of love, and in Roberts, a sign that this actress continues to deliver a breadth that surprises and enthralls. 

Black Mirror Season 5 will arrive in June

Black Mirror Season 5 will arrive in June


Black Mirror returns with its much-anticipated fifth season on Wednesday, June 5th, exclusively on Netflix.

Five Groundbreaking Seasons.
Three All-New Stories.
One Future We Should Have Seen Coming...
Black Mirror Season 5

Experience three all-new stories from mastermind Charlie Brooker and executive producer Annabel Jones, starring Anthony Mackie, Miley Cyrus, Yahya Abdul-Mateen II, Topher Grace, Damson Idris, Andrew Scott, Nicole Beharie, Pom Klementieff, Angourie Rice, Madison Davenport and Ludi Lin.


About Black Mirror
Black Mirror is an anthology series that taps into our collective unease with the modern world, with each stand-alone episode a sharp, suspenseful tale exploring themes of contemporary techno-paranoia leading to an unforgettable – and sometimes unsettling – conclusion. Without questioning it, technology has transformed all aspects of our lives; in every home; on every desk; in every palm - a plasma screen; a monitor; a Smartphone – a Black Mirror reflecting our 21st Century existence back at us. The series is created and written by Charlie Brooker, and executive produced by Brooker and Annabel Jones.

NZIFF 2019 first films are....

NZIFF 2019 first films are....


The New Zealand International Film Festival (NZIFF) today revealed five films from the highly anticipated 2019 programme, which will screen in Auckland from 18 July, and in Wellington from 26 July.
High Life

A 59-minute 3D tracking shot, Southern California neo-noir mystery, suicide space mission, Colombian Lord of the Flies style thriller, and a deep dive into our flourishing NZ wine industry feature in the line-up.

 “We’re excited to finally announce our first titles for 2019. A Long Day’s Journey into Night and Under the Silver Lake will make their long-awaited NZ premieres at NZIFF after premiering at Cannes last year. 

"We’ll also be presenting two of the most striking films from the past year,High Life and Monos, which premiered at Toronto and Sundance respectively and the world premiere of David Nash’s NZ wine documentary A Seat at the Table.” NZIFF Programme Manager Michael McDonnell

Titles for NZIFF 2019:
High Life
A forbidding spaceship carrying death row inmates hurtles towards oblivion in Claire Denis’s long-awaited, intensely hypnotic sci-fi opus.

Long Day’s Journey Into Night
Part film noir, part dreamscape, this oneiric love mystery – acclaimed for its hour-long 3D sequence shot in a mesmerising unbroken take – intoxicatingly captures romantic obsession in southern China.

Monos
Like Lord of the Flies by way of Yorgos Lanthimos, this bold, bizarro Sundance sensation takes the feral power struggles of youth gone wild to the misty mountains and lush jungles of Colombia.

A Seat at the Table
Savour 100 minutes of eye-popping camera work, picturesque vineyards and gratuitous grape-fondling shots in this glorious toast to the talent and the stories behind New Zealand’s world-famous wine industry.

Under the Silver Lake
Deadbeat slacker Andrew Garfield delves into the labyrinthine mysteries of La La Land on the hunt for a missing girl in David Robert Mitchell’s oddball neo-noir thriller.

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