Wednesday, 11 September 2019

The Angry Birds Movie 2: Film Review

The Angry Birds Movie 2: Film Review


Cast: Jason Sudeikis, Josh Gad, Leslie Jones, Bill Hader, Danny McBride, Rachel Bloom
Director: Thurop van Orman

The birds are back to slingshot and likely to catapult their way back into tiny minds, even if the older ones may be a little more resistant to the charms of the mobile phone based movie.
The Angry Birds Movie 2: Film Review

In this second, Sudeikis' Red returns, as the hero having saved Bird Island from the perils and pranks of Piggy Island.

Revered as a hero, Red's deepest insecurities come to the fore again when he's co-opted as part of a team to take on the insurgents of Eagle Island, which are threatening both Piggy and Bird Island.

An uneasy alliance is formed between the Pigs and Birds, as they unite to fight the common foe - but for Red, the enemy lies within.

Functional and occasionally funny, The Angry Birds Movie 2 relies on sight gags for its moments, and generally succeeds.

But it's never more than solid to anyone but its target audience to be frank.
The Angry Birds Movie 2: Film Review

A sub-plot with three hatchlings trying to rescue their eggs feels like an ode to Ice Age's Scrat and his nut that nobody asked for - and while cutely executed, it adds little to the overall plot and feel of the film other than to serve to show the flow isn't quite there and the main story is thin at best. This isn't a deep level movie, more a surface once over lightly to replenish a franchise. (Though a toilet sequence is genuinely side-splitting in its execution).

There are signs that the female led empowerment of Silver, the extra element into the already-recognised team is there to teach kids that girls can be part of it too, and deserves to be commended. But the female leader of Eagle Island seems like a step back in terms of women, no matter how well voiced she is by Leslie Jones. Its obvious message of teamwork and male insecurity can be seen a mile off - but again, this is for kids.

Yet, at the end of the day, the animation looks pliable, lush and squishy enough, and while you sense some of the cast has been expanded, along with the location, simply to provide a game update, The Angry Birds Movie 2 does what it says on the tin.

Nothing more, and nothing less. And sometimes, for a kid's film that wants simplicity, that's no bad thing.

Tuesday, 10 September 2019

Mystify: Michael Hutchence:Film Review

Mystify: Michael Hutchence:Film Review

Director Richard Lowenstein pulls together a relatively intimate portrait of the famed INXS rock icon, in a documentary that soars for the majority of its time before crashing into more sombre territory in its final 30 minutes.

Eschewing talking heads and having them provide soundbites over footage from the archives, concert moments and Hutchence himself gives the feel of a family album being narrated by mates and family around a good bottle of wine.

Mystify: Michael Hutchence:NZIFF Review

But Lowenstein's also smart enough to pepper the piece with moments of Hutchence himself, allowing the man's clear charisma to shine forth and illuminate the screen.

Vignettes from Kylie Minogue about their relationship and earlier lovers help build a portrait of a man lost in the world at some point - but also humanise Hutchence beyond the rock icon label that he's gained since his death at 37.

In some ways, Mystify: Michael Hutchence is a relatively formulaic doco presented in an albeit unusual way.

There's no denying the music still stands strong, and Lowenstein wisely uses only a smattering of the live footage to boost the appeal of the Aussie.

But the film hits a screeching halt and almost derails as it reveals the change in Hutchence after a head injury. It appears to echo Michael himself in that the tone shifts awkwardly from more hedonistic fare to an almost funereal pace that wonders dangerously close into mawkish territory.

And there's an odd feeling towards the end that veers dangerously into hagiography with various drugs issues mentioned, albeit fleetingly, and hinted at rather than doing anything to darken the appeal of Michael Hutchence.

There's a sense of being too close to the subject - but it's a double-edged sword, as without the closeness, there wouldn't have been the abundance of footage to present something compelling.

All in all, Mystify: Michael Hutchence is a fine tribute to the star, and one that explains the appeal to all, rather than just fans. 

Monday, 9 September 2019

High Life: Film Review

High Life: Film Review


More of a frustration than an outright success, Claire Denis' High Life is an intriguing space odyssey which doesn't quite know what exactly it wants to say.

Equal parts mesmerising and equal parts confusing to its narrative, High Life focuses on Robert Pattinson's Monte as he tries to bring up his daughter in what appears to be the confines of outer space.

High Life: NZIFF Review

But as the film progresses, the reasons for his isolation play out, leaving you with more questions than perhaps answers.

And yet some of the visuals that Denis commits to the screen convey both the isolation of the void and the beauty of it. There's a feeling science is at play here, and an idea perhaps that this is the future we get not the one we aspire to in many ways.

Slow and moody, frustratingly paced, there are many arguments why High Life is not the full package, but a mesmerising turn from Robert Pattinson gives the film the life it needs. There's a feeling of redemption from his character, given his predicament, and a broodiness in the opening sequences that doesn't quite feel right.

Yet, as the elements combine toward the end of High Life, there's a desperation and a sadness which sets in that's hard to shake off. It may be arty, it may be moody, and it may fall short of what you'd expect, but there's no doubting that High Life will provoke some form of discussion long after it's done.

Sunday, 8 September 2019

Gears fans assemble: Xbox ANZ create limited-edition Gears 5 inspired jewellery

Gears fans assemble: Xbox ANZ create limited-edition Gears 5 inspired jewellery  


Gears fans assemble: Xbox ANZ create limited-edition Gears 5 inspired jewellery  

Crafted by fire, cast in ice-cold silver: renowned Aussie jeweller Jason Moss creates bespoke range inspired by the COG 
cid:image002.jpg@01D564BC.32D00320 
AUCKLAND, New Zealand: Friday 6 September 2019 – As gamers around New Zealand prepare to lift their Lancers for the launch of Gears 5, Xbox ANZ has revealed an exclusive range of bespoke unisex jewellery inspired by the iconography of the fan-favourite franchise.  

Crafted by fire and cast in ice-cold silver, Australian designer, Jason Mosstook inspiration from the mysterious Locust necklace owned by Gears 5’s lead protagonist, Kait Diaz, to create a limited edition ring and pendent design that any COG would be proud to wear. 

Most famous for his custom creations, some of the world’s most recognized celebrities wear Moss’ work, including recent Rolling Stones cover artist, Harry Styles. Designed in his trademark style, these handmade creations reflect the visual themes of the fire and ice locales from the game while leaning into the aesthetic of one of gaming’s most acclaimed sagas.  

The pendant pays homage to the iconic Gears COG tag and the trials and tribulations faced by our heroes. Featuring a split Crimson Omen interweaved on a chain necklace, the piece is weighted like the expectations placed on the Gears shoulders to save humanity.   

The ring sees an entangled Crimson Omen take centre stage. It features a complex design reflective of the unanswered questions of Kait’s bloodline, and the tensions bubbling under the surface as the squad fights off the Swarm and learns about her past. 

Encased in a chamber emblazoned with each piece’s production number, only 100 of each design have been created. Gears 5 fans around New Zealand can visit the Xbox ANZ Facebook today for more information on how to claim a piece of history for themselves.  

“We know that fans of Gears are loud and proud when it comes to their passion for the franchise, and we wanted to create something that would allow them to showcase their pride every day. With so many complex themes weaving throughout the Gears universe, Jason Moss with his experimental, raw style was the perfect artist to bring this collection to life.” says Tania Chee, Xbox Lead for ANZ. 

Xbox Game Pass and Xbox Game Pass Ultimate subscribers can play the highly-anticipated title as part of their monthly subscription from today. Xbox Game Pass Ultimate includes Xbox Live Gold and unlimited access to over 100 high-quality console and PC games. New members can subscribe for just $2 for the first two months, then $15.95 thereafter. Gears 5 is also available at the Microsoft Store and other retailers in Australia and New Zealand from 10th September (RRP AU$99.95).
 
Join the conversation on Facebook, Twitterand Instagram with #Gears5. 

Monster Hunter World: Iceborne Available Globally on PlayStation®4 and Xbox One Starting Today

Monster Hunter World: Iceborne Available Globally on PlayStation®4 and Xbox One Starting Today


An all-new Monster Hunter adventure begins today! Monster Hunter World: Iceborne, the massive, highly anticipated expansion to Capcom’s best-selling Monster Hunter: World, is now available globally for PlayStation®4 computer entertainment system and the Xbox One family of devices, including Xbox One X. A PC release will follow in January 2020.

Monster Hunter World: Iceborne builds on every aspect of Monster Hunter: World, with an enormous amount of new content including the largest region in the game so far, a multitude of new monsters and subspecies for hunters to challenge, several new gameplay options, and more.


The Monster Hunter World: Iceborne journey begins with an all-new story that picks up right after the main Monster Hunter: World game. Players fly off to explore the newly discovered Hoarfrost Reach, a snow-covered locale that progressively expands with the story which revolves around the mysterious new Elder Dragon, Velkhana.

The expansion also allows hunters to achieve a higher difficulty rank called Master Rank. This advanced level introduces a ferocious line-up of new, returning fan-favorite, variant, and subspecies monsters. Players must use their expert skills and thorough preparation to succeed against each and every quest’s formidable monsters.

To aid hunters in these challenging fights, Iceborne introduces several new gameplay options. The all-new Clutch Claw mechanic expands on the Slinger tool to grapple onto monsters for more direct control and more strategies for combat. Updates to each of the 14 weapon types also open up possibilities and techniques to learn. Additional “series first” gameplay features also offer player-friendly options such as: a two-player balanced difficulty scale, ability to ride small monsters to traverse maps, and a Hunter Helper player incentive to encourage veteran helpers to aid Low and High Rank players.

Hunters must have completed the main story in Monster Hunter: World through Hunter Rank 16 in order to access the new Iceborne story and quests. A free Guardian Armor set is available now to players of World and Iceborne, offering increased defense and skills that provide a boost to help hunters through the main World story.

As with previous series iterations, Iceborne will include robust free post-launch support. The first free title update is planned for October 2019, featuring the returning fan-favorite Rajang, a hyper-aggressive monster that becomes even more lethal when angered. More information on this and other title updates will be revealed in the coming months.

For existing owners, the Monster Hunter World: Iceborne expansion is available as digital DLC for MSRP $39.99 / €39.99. A Digital Deluxe version including both the expansion and a Monster Hunter World: Iceborne Deluxe Kit DLC of cosmetic items is MSRP $49.99 / €49.99. For newcomers, the Monster Hunter World: Iceborne Master Edition containing both the main game and the Iceborne expansion is available either digitally or at participating retailers for MSRP $59.99 / €59.99. The Monster Hunter: World base game is required for Iceborne.

Saturday, 7 September 2019

Friday, 6 September 2019

Brightburn: Blu Ray Review

Brightburn: Blu Ray Review


More than just its idea of what if Superman was bad one shot comic foundations, horror Brightburn is a slow-burning claustrophobic film that plays with the puberty tropes and chilling edges.

Brightburn: Film Review

Banks and Denham are Tori and Kyle Breyer, haunted by infertility and proffered hope when a spaceship crashes to Earth at the back of their farmyard. (So far, so Smallville).

Growing up loved, Brandon (Dunn, at times distant, and other times intense and unsettling) takes a turn for the worse on the cusp of his 12th birthday with something awakening deep inside of him.

Brightburn's a taut and occasionally frightening film, with jumps coming from the atmosphere of unease spun by Yarovesky.

Brightburn: Film Review

Sure, it mixes edges of The Omen with Chronicle, flirts with the Smallville origins, and plays a little too close with its core small cast of characters, but within its 90 minute run time, it offers up something that's a mix of originality with a dash of We Need to Talk About Kal-El than anything.

It messes with the innocence of boys, and plays on the fact their nature can turn, regardless of whether the love is there or not. It's a nice twist on the concept, and Banks sells it well, always wanting to believe the best of their gift from the skies.

Brightburn: Film Review

While Yarovesky's to be applauded for being less interested in setting up the mythology of where Brandon's from, and concentrating more on the jolts and creepier edges, there's definitely a feeling that Brightburn could expand further (though a final reel moment seems misjudged in the wash) and provide more than just a take on skewed adolescence.

Ultimately, Brightburn delivers on its premise within a brisk run time and works well due to the mother / son relationship, as well as the Take The World storyline that develops.

It may be criticised for some of its more open edges, but in truth, what's laid out on the screen is smartly executed, and riveting, in spite of some minor narrative flaws. 

Thursday, 5 September 2019

Biggest ever little film festival Show Me Shorts 2019 line up announced in New Zealand

Biggest ever little film festival Show Me Shorts 2019 line up announced in New Zealand

LARGEST PROGRAMME EVER FOR
SHOW ME SHORTS FILM FESTIVAL 2019

NZ's biggest little film festival opens across Aotearoa from 5 October
Show Me Shorts Film Festival has revealed the 2019 programme, which includes their largest number of films ever: sixty short films and three music videos, chosen from a record 2040 entries.

The programming team scoured the world for their selection of the best new short films to deliver to New Zealand audiences. The programme spans a variety of genres, styles and topics.

Eight Kiwi films will make their world premiere during the festival:
  • Kino Ratten by Peter McCully
  • Elder Birdsong by Shuchi Kothari & Sarina Pearson
  • TIP by Jaya Beach-Robertson
  • #Collapsingempire by Cathy MacDonald
  • Number Two by Rachel Ross
  • One Hundred and Twenty Seconds by Connor Slattery
  • Te Whakairo - Ngā Kī o Te Tai Ao (The Carvings Carry the Stories of the World) by Vanessa Wells
  • Love Bytes by Sam Prebble.
There are also more than 30 New Zealand premieres of international films in this year’s programme.

Festival Director Gina Dellabarca says, “This year, the quality of films overall was extremely high, which is why we’ve expanded the programme. Sixty-three films may not seem like so many when compared to some international film festivals that can run hundreds of films, but we deliberately try to keep the programme small for three reasons: 1. To ensure only the best films are selected; 2. To make deciding which films to see manageable for audiences; 3. Because it’s better to have fewer screenings that are full instead of lots of half-empty screenings.”

A total of 22 countries will be represented on screen this year: Australia, Austria, Canada, China, Croatia, Czech Republic, France, Germany, Greece, Iran, Ireland, Israel, Japan, Mexico, the Netherlands, Norway, New Zealand, Romania, Sweden, Switzerland, the United Kingdom and the United States.

Japanese filmmakers are in the spotlight in the 2019 programme, with a special Japanese Focus section. Two Japanese filmmakers, Fuyuko Mochizuki and Kimi Yawata will be taking part in screenings and events, while Eiji Shimada from Sapporo International Short Film Festival & Market joins the Show Me Shorts national awards jury.

Regarding trends, documentaries made up a large portion of this year’s entries, with a total of ten short documentary films selected for the programme. For fans of this genre, there is a section of the programme called Doc Station where most of them can be viewed together. Viewers can observe the beautiful banality on board a cruise ship, take part in a festival celebrating crawfish, experience a Mardi Gras in New Orleans, and follow the mayhem that ensues when a new traffic separation device is installed in Sweden.

The remaining six themed sections of the programme are: Better Work Stories showing people in unusual jobs or in boring jobs doing unusual things; Freaky Futures features sci-fi and dystopian stories; My Generation is for children and families; The Sampler is the travelling programme with shorts of wide appeal; Unconventional Families includes a wide variety of stories about whānau; and Love and Other Catastrophes has dating disasters, grand gestures and love gone wrong.

Show Me Shorts is an Oscar-accredited film festival, meaning the winners of the top two awards, Department of Post Best New Zealand Film and Best International Film, will become qualified to enter the Academy Awards.

Eight prizes will be given out at the launch of the festival on Saturday 5 October at Auckland’s ASB Waterfront Theatre. Wellington Opening Night will follow on Friday 11 October at The Embassy.

With more than 25 cinema locations across Aotearoa there are ample opportunities to get friends and family together and enjoy the range of films and events on offer. Full dates, locations and booking information is available at www.showmeshorts.co.nz/programme.

It: Chapter Two: Movie Review

It: Chapter Two: Movie Review


Cast: James MacAvoy, Jessica Chastain, Bill hader, Bill Skarsgard, Jay Ryan, Isaiah Mustafa, James Ransome, FinnWolfhard, Jaeden Martell, Sophia Lillis
Director: Andy Muschietti

The sequel to the phenomenally popular horror movie It presents a sustained disturbing assault on your psyche, while somehow managing to completely repeat itself from its first outing.
It: Chapter Two: Movie Review

In the final part of the adaptation of horror meister Stephen King's seminal work, the Losers club, now scattered, scarred and disjointed, are pulled back to Derry by Mike (an exposition heavy and sullen Mustafa) after it appears Pennywise has reappeared 27 years later.

Dealing with their own issues, as well as an inexplicable memory loss in the intervening years, the group must come together one more time to face their own fears and banish the malignant clown cancer that's blighting their home town.

It: Chapter Two presents almost three hours of psychological assault, trading on primal fears and drowning the audience in noise and bluster - as well as making a strong case for exceptional work by both Bills in the cast.

Yet, in among the meta gags about writers that seems to mock King, there's a feeling "You don't like endings" is a trope which can't be escaped. (MacAvoy's Bill, now a writer is oft mocked for his literary inabilities to climax).

Choosing to present sustained noise and fury, the film seems content to retread a similar pattern proffered by Muschietti's first opening chapter - one of a funhouse with jolts and jump scares rolled out as a series of set pieces, and held together solely by nicely emotional flashbacks and a less weighty current day plight for the gang.

That's not to say they're not successful in among the bluster, more than they're a narrative equivalent of a carny ride through the spooky horrors of the gang's scarred psyche. But despite the noise of the horrific gay bashing that opens the film, the success comes in the quieter moments and the more upsetting set pieces.

A sequence with Pennywise and a young girl under the bannisters of a baseball game is as disturbing and as delightful as it should be - and equally, a sequence in a hall of mirrors offers some viscerally unsettling moments.
It: Chapter Two: Movie Review

But all too often, It: Chapter Two is happy to squander those in favour of bigger, brasher horror set pieces which scream out of the screen as the nightmarish edges are etched into the mind.

And if anything, the lunatic conclusion of the film and the third-act reveal of the origins of Pennywise border on the laughable, as befits the material.

However, there are bonuses to be had among the boos.

While the older version of the Losers' Club are essentially sidelined in favour of flashbacks, Bill Hader offers up a broken fragile version of an older Richie that feels lived in, giving depth to where King's brush strokes have been found wanting. The same can't be said of Jessica Chastain's Bev, a domestic violence victim that barely gets the redemption and boldness her younger version was proffered in the first.

Bill Skarsgaard's Pennywise remains a definitive take on the character, but this time around, while the scares he delivers are genuinely unsettling, the boogeyman feels less developed and more a purveyor of terror than a figure of depth. But when the jolts are delivered as effectively as they are, this is less glaring than it normally would be.

There's no denying an edit may have helped It: Chapter Two, and there's a distinct feeling of disturbing deja vu, but ultimately, this big budget adaptation is a fitting finale to fear.

It offers some psychological terrors to unsettle long after the lights have gone up, and while its themes of trauma and friendship aren't new or original, they're solidly executed in among the carnival atmosphere of carnage.

Ultimately, It: Chapter Two will leave you feeling bereft and potentially divided; it doesn't clown around when the scares are needed, but its propensity for bluster damages the great work done by the first part.

Wednesday, 4 September 2019

Danger Close: The Battle of Long Tan: Film Review

Danger Close: The Battle of Long Tan: Film Review


Cast: Travis Fimmel, Luke Brcey, Daniel Webber, Richard Roxburgh
Director: Kriv Stenders

The war film is an obvious beast to master.

It requires a reasonable amount of character setting up, then a soupcon of tension, some action and some emotional catharsis mixed in with a denouement of tragedy and the human condition.
Danger Close: The Battle of Long Tan: Film Review

Red Dog's director Stenders knows that, and setting the Anzac story of a little-known battle in Vietnam, the film chooses to recreate the feeling of courage under fire as the skirmish plays out. (The 120 plus inexperienced New Zealand and Australian soldiers believed they'd only face a handful of Vietcong - whereas the reality was somewhere in the region of 2500.)

Travis Fimmel is Major Harry Smith, a would-be leader frustrated by the backroom machinations of the officers as a battle near the Vietnamese plantation Long Tan draws ever closer.

When his company finds a chance to be involved, Smith, who's determined to prove himself seizes it with lustre - but most of his troops aren't ready for conflict, or willing to commit to Smith's methodology.

Danger Close: The Battle of Long Tan recreates the battle scenes with a sheen that's polished and accomplished, as bullets fly left, right and centre. Limbs are torn, soldiers are felled and outrage boils as those behind in the camps bluster and effectively abandon their compadres in the heat of one upmanship.

But because of the script's broad strokes and brash characterisation, the sacrifices feel slight, and the beats of the movie are obvious - enemies within the same side soften, and you can almost hear what's coming next a mile away.

And don't even think about getting any kind of insight into the Vietcong as this film is less interested in portraying anything of the faceless enemy other than frenzied, screaming and in slow mo.

Much like Red Dog dealt in the interactions of the everyday, Danger Close: The Battle of Long Tan tries for similar, with more patchy results.

Fimmel goes from boggle-eyed to humbled, and his companions fare equally less well.

Danger Close: The Battle of Long Tan hits every cliche going, and then some, but still manages the kind of solid war film propaganda that it intends to do when it tries to educate.

The action is well-presented, relentless and with a small scope (and maybe some budgetary restraints), Stenders relives the theatre of war with a kind of palpable horror and intensity. But it's the more human side of the conflict that lets the film down badly, robbing it of poignancy, pose and purpose as it hurtles to its inevitable conclusion.

RAD: PS4 Review

RAD: PS4 Review


Published by Bandai Namco
Platform: PS4

Double Fine's latest is a table top style randomised game which sees you taking the helm of a teenager and firing them out into a post apocalyptic wilderness.

From a central hub that's infused with an 80s vibe (cassettes, floppy disks) to a wasteland that's teeming with troubles, and weirdness, the game gives you the chance to kill and develop your own mutations to survive.
RAD: PS4 Review

It's inside the Fallow,  the ever-changing, radioactive wasteland filled with unknown and unspeakable creatures that the game comes to life in its own weird twisted logic.

Not every mutation is a bonus - some are handy and some hinder, and the game's randomness doesn't always help you develop a survival strategy. It can be frustrating as you're sent back to the start, and can't plot your way through, but the elements of chance give RAD a point of difference that's lacking in the marketplace.

There's a difficulty at times, and some of the combat could be easier (mini bosses sap you quicker than you'd expect) but largely, RAD offers a gameplay that's both a challenge and a standalone - its ever-changing ways forces you to adapt and think about how you'd survive. 
RAD: PS4 Review


If you're willing to suspend that anger and embrace the difference, RAD is an enjoyable game, worthy of your time and one which will offer rewards.

Tuesday, 3 September 2019

Amazing Grace: Film Review

Amazing Grace: Film Review


There's one reason to see Amazing Grace - and it's simply staring quietly and unassumingly in the background at you throughout.

It seems woefully stupid to say Aretha Franklin is the reason to see the finally released documentary which captures the recording of a live album in the New Temple Missionary Baptist Church, a disused movie theatre, in Watts, Los Angeles.

But the power of the voice lives on and is captured easily in the doco from Sydney Pollack which has been stuck in legal and digital hell for some 45 years. (Bizarrely, also due to Franklin claiming there were no rights to use her image.)

Amazing Grace: NZIFF Review

However, it's the sheer power of Franklin's voice which carries Amazing Grace, and lest it simply become a concert recording, side characters give the film a bit more life.

As well as a couple of members of the choir who are either moved by the power of the church or Franklin's voice, the energy brought by an essentially live commentary given by the Reverend James Cleveland is central to the film's tactile success. Providing links to the tracks and to the proceedings, Cleveland's energy is what carries the film, given how silent Franklin is in between songs.

If anything, Pollack's Amazing Grace captures the vibe of being in the moment like nothing else.

Whether it's panning to the crowd, and capturing Mick Jagger grooving on the second night of recording, or simply capturing the everyday African American moved by the gospel sounds, the feeling of the extraordinary in the mundanity of the church is inescapable.

Technically, the film looks as good as it could, and the sounds are simultaneously stripped back and incredible.

Ultimately, Amazing Grace offers a timeless snapshot of a talent in ascendance. Placed in among the everyday setting, the meshing of the music and the people is transcendant. 

Monday, 2 September 2019

The Farewell: Film Review

The Farewell: Film Review


Director Lulu Wang puts family drama and reunion squarely on the table in this piece which is based on an actual lie, as the opening title board points out.

Chinese born Billi (Awkwafina, in a muted and conflicted turn) lives in New York, with her mother and father, and is a struggling writer. When she learns that her beloved Nai Nai is dying, her immediate desire is to get back to China and help her cope.

But the family decides to withhold the fatal cancer diagnosis from Nai Nai, telling her she only has benign shadows on her X-Rays and that she's fine. However, they all decide to fly back to China under the pretence of a wedding for one final family reunion.

The Farewell: NZIFF Review

The clash of familial duty and the affairs of the heart comes delicately together in The Farewell, and is all anchored by Crazy Rich Asians' Awkwafina's rueful turn that brings together both the inner turmoil and deep emotions needed in something that projects her from the screen into the stratosphere.

But as the subtleties of familial relationships are poured through the prism of escalating tensions and imminent sadness of the loss of the matriarch, the film pivots on its ideas and never milks the emotion for easy drama.

East vs West is explored (obviously) and the family arguments and discussions are all set against some gorgeously shot scenes of dining and food.

It all means that Wang brings together the film in ways that are warm, earnest and also amusing. From Nai Nai's nagging to Billi about how she shouldn't wear earrings in New York as they'll be ripped from her ears to the reunion of the two brothers after twenty-plus years, this is a film that's rich in nuance and deep in feeling.

The Farewell is a nuanced take on family, one that balances perfectly on resonance.

It may be based on an actual lie, but its truths are universal and its performance by Awkwafina is delicate and complex, and well worth absorbing. 

Sunday, 1 September 2019

The Hummingbird Project: DVD Review

The Hummingbird Project: DVD Review


Cast: Jesse Eisenberg, Alexander Skarsgaard, Salma Hayek
Director: Kim Nguyen

Eisenberg and Skarsgaard team up in this seems-like-it's-true story of two cousins, who work in the high frequency trading market.

The Hummingbird Project: Film Review

Eisenberg is Vinny Zaleski, a dreamer who has a vision of building a pipe across America to get the futures stocks before anyone else, and therefore make more money. A balding Skarsgaard is the more introverted Anton, a coder and over-thinker whose job it is is to shave vital milliseconds off the travelling data tube.

As they put in motion the plans for their fibre-optic dreams, reality starts to intrude - and their former boss (Hayek, in greying wig) starts to take them on.

The Hummingbird Project is a film that's a little too dry to engage in its obvious underdog trappings.

Eisenberg brings his trademark fast patter and slightly annoying edges to Vinny, resulting in an ingenue that's hard to back from the off. Equally, Skarsgaard is so dialled down in his closed down Anton that his spouting about neutrinos and milliseconds is enough to make you detach completely.


These are characters that you don't fully engage in and at times, in this story where you want the underdog to win, it's a crippling factor.

That's not to say Nguyen doesn't deploy the film with a degree of skill; it just occasionally could have used a little more urgency. Though, in fairness, this is a film that's more interested in the two main characters rather than supporting players. Unfortunately, their surface deep personalities don't add much to the mix.

A little more depth over why Vinny is so driven would have helped, and could have lifted The Hummingbird Project into something of the realm of the truly thrilling, as opposed to the occasionally drab.

Saturday, 31 August 2019

Cyberpunk 2077 new 'Deep Drive' trailer revealed

Cyberpunk 2077 new 'Deep Drive' trailer revealed


CD Projekt Red have just release a new vide called ‘Deep Dive’ that showcases all new footage and features of  Cyberpunk 2077. 


The 14+ Minute video includes footage of the gameplay seen at E3 as well as all new details and information on the game mechanics and plot of Cyberpunk 2077.


Also, wanna learn more about the story and lore of the game? 

Make sure to check out the extended version of the video, with a special Deep Dive Q&A with members of the development team — Miles Tost (Senior Level Designer), Paweł Sasko (Lead Quest Designer), and Philipp Weber(Quest Design Coordinator):



Look out for more information on Cyberpunk 2077 shortly!

Mirai: Blu Ray Review

Mirai: Blu Ray Review

Apparently inspired by director Hosoda's observations of the interaction of his own kids, Mirai is the tale of sibling jealousy.
Mirai: Film Review

Kun is the apple of his parents' eye - or so he believes. The four-year-old thinks the world revolves around him, but finds his view shaken up when a younger sister is born into the family.

Riddled with jealousy at his parents' loss of time for him, Kun's resentment of baby Mirai reaches fever pitch, and he hits the child with one of his beloved bullet trains. Struggling to find his place in the world post baby, Kun finds a magic world in his garden, as the importance of a sibling is demonstrated to him.

Mirai's touches are sweetly despatched, as the darker edges of the tale come to light.

Mirai: Film Review

It's one of seething inadequacy from the whining baby Kun; but despite Kun's apparent anger toward his situation, the Ghosts of Christmas Past / Future style visitations show really what could lie ahead for him as an older brother.

There's some further darkness in Mirai, with a heartbreaking scene of a child clearly in trouble after Kun's visit and subsequent trashing of the house. And the lessons doled out are a little on the heavy-handed side and obvious to anyone with an eye for them.

However, given this anime is aimed more at a family audience, Hosoda's sweeping touches can be forgiven within the simplicity of the story.

Mirai: Film Review

Mirai won't possibly win over everyone, and it lacks the timelessness of some other anime, even though there's a universality of theme at play here - but for the start of the school holidays and with an ever-growing awareness of the genre, its messages may be timely in today's world. 

Friday, 30 August 2019

JOKER - Final Trailer

JOKER - Final Trailer



rev-1-JOK-14466_High_Res_JPEG



About JOKER:
Forever alone in a crowd, Arthur Fleck seeks connection.  Yet, as he trods the sooted Gotham City streets and rides the graffitied mass transit rails of a hostile town teeming with division and dissatisfaction, Arthur wears two masks.  One, he paints on for his day job as a clown.  The other he can never remove; it’s the guise he projects in a futile attempt to feel he’s a part of the world around him, and not the misunderstood man whom life is repeatedly beating down.  Fatherless, Arthur has a fragile mother, arguably his best friend, who nicknamed him Happy, a moniker that’s fostered in Arthur a smile that hides the heartache beneath.  But, when bullied by teens on the streets, taunted by suits on the subway, or simply teased by his fellow clowns at work, this social outlier only becomes even more out of sync with everyone around him.

Directed, co-written and produced by Todd Phillips, “Joker” is the filmmaker’s original vision of the infamous DC villain, an origin story infused with, but distinctly outside, the character’s more traditional mythologies.  Phillips’ exploration of Arthur Fleck, who is indelibly portrayed by Joaquin Phoenix, is of a man struggling to find his way in Gotham’s fractured society.  Longing for any light to shine on him, he tries his hand as a stand-up comic, but finds the joke always seems to be on him.  Caught in a cyclical existence between apathy and cruelty and, ultimately, betrayal, Arthur makes one bad decision after another that brings about a chain reaction of escalating events in this gritty, allegorical character study.

JOKER stars Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy, Brett Cullen, Glenn Fleshler, Bill Camp, Shea Whigham, Marc Maron, Douglas Hodge, Josh Pais and Leigh Gill.

JOKER releases in New Zealand in theatres on October 3, 2019.

Very latest post

Honest Thief: DVD Review

Honest Thief: DVD Review In Honest Thief, a fairly competent story is given plenty of heart and soul before falling into old action genre tr...