Farming: DVD Review

Farming: DVD Review

Cast: Adewale Akinnuoye-Agbaje, Kate Beckinsale, Gug Mbatha-Raw, Damson Idris, John Dagleish
Director: Adewale Akinnuoye-Agbaje

Bleak it may be, but equally sickening and compelling, former Lost and Oz actor Adewale Akinnuoye-Agbaje lays out a coming-of-age drama that grips as much as it occasionally frustrates.

Based on the true story of Nigerian Enitan (Idris) who was placed in the care of a British family by his parents, "farmed out" for the hope of finding a better start to life in a UK divided by Enoch Powell's Rivers of Blood speeches. But thrust into the home run by Kate Beckinsale's Ingrid (one note, and relatively stereotyped and underdeveloped), Eni begins to feel alienated and is broken by the lack of love and care afforded him.

Pushed to the edge, and into a pit of self-loathing, Eni falls into rejecting his culture, his heritage and his identity, and falls in with a group of skinheads, the Tilbury Skins, headed by Dagleish's Levi (easily one of the best villains of the year, dead-eyed, ominous and terrifying).

Rote in parts, with some awful Lahndon accents, as well as jumping back and forth to Eni's mother,

Farming's sociopathic edges take time to show through.

But when they do, and the skinheads arrive and our totally broken lead falls apart, Farming genuinely shocks in the same way American History X did..

Akinnuoye-Agbaje doesn't scrimp from the details of the horror, or allow you an easy escape in terms of viewing, filling the screen with 80s UK nihilism, a mirror to a society tearing itself apart with hate and violence.

It's here that Farming makes its viewing as compelling as it is sickening, as in other parts of the movie, the generic tropes and hollow descent into eventual redemption don't quite measure up to what's proffered at the end - a rushed reality check.

Characters such as Beckinsale's mother and Mbatha-Raw's teacher feel less than real, ripped from the pages of a book, giving Farming a feel of stereotyped TV movie fare. It's no This Is England, or the TV spinoff, but it does have moments of pure dread and evil seeping in.

Thankfully, the stunning pairing of Dagleish and Idris as the tormentor and the victim gives Farming a sharpness of focus that is worth hanging onto, a thread that spins a tightly sickening web around the viewer, and makes the emotional beats land as they truly should.

It is not to detract from the story Akinnuoye-Agbaje is looking to tell, but if parts had been beefed up this would have been a searing drama, a white knuckle ride to hell and back. But a lack of some character depth robs the insights and horror of some of the heft they should carry. It's not to say they don't, because when they land, the moments are utterly repugnant and disgusting, as they should be.

Ultimately Farming is unrelenting, its redemption feels too briefly mentioned, and the rawness of the central actors a little too numbing to fully embrace and only endure.

New OUTRIDERS Gameplay Revealed

New OUTRIDERS Gameplay Revealed

NEW OUTRIDERS GAMEPLAY REVEALED

Debut Outriders Broadcast Showcases New Powers, Environments and Features

SQUARE ENIX® debuted new gameplay footage from OUTRIDERS™, the highly anticipated upcoming RPG-Shooter from People Can Fly, the developers of Gears of War: Judgment and BULLETSTORM, and Square Enix External Studios, the minds behind SLEEPING DOGS® and JUST CAUSE®.

Seen through the lens of drop-in co-op, the First City gameplay reveals never-before-seen Pyromancer powers, brand-new, hyper-evolved creatures, information on the OUTRIDERS World Tier system, a look at an immersive new environment and more.

Set in an all-new, dark sci-fi world, OUTRIDERS is a true genre hybrid that combines the depth and story of an RPG and the intensity of third-person shooter combat with awe-inspiring powers. Deep character progression and itemization allow for a wide variety of creative class builds, and evolve People Can Fly’s trademark over-the-top, skill-based gameplay to create a brutal RPG-shooter experience.

“We are making the game we always wanted to play. The team at PCF are all gamers and we love shooters. Shooters are in our DNA and we have been making them for decades. At the same time, we also love RPG’s,” said Bartek Kmita, Creative Director of OUTRIDERS at People Can Fly. “We always wanted to play a deep RPG, with an epic story and the flexibility to create lots of interesting character builds, but we also wanted a skill-based, challenging and intense real-time combat system in our RPG. When the opportunity to create it ourselves came along, it was like a dream come true.”

The OUTRIDERS First City gameplay video is just one of the segments in the OUTRIDERS Broadcast, a new monthly show that will dive deep into the various features of the dark and desperate world of OUTRIDERS. Discover all-new gameplay, environments, character class deep dives, and updates from the team.

OUTRIDERS will release on PlayStation 5®, PlayStation 4®, Xbox Series X, the Xbox One family of devices, and PC in Holiday 2020.

OUTRIDERS official Facebook page: https://www.facebook.com/outridersgame
Follow OUTRIDERS on Twitter: https://twitter.com/outriders
Follow OUTRIDERS on Instagram: https://www.instagram.com/outridersgame
Subscribe to OUTRIDERS on YouTube: www.youtube.com/outriders

Join the OUTRIDERS Discord: discord.gg/outriders  
Learn more about SQUARE ENIX® here: http://www.square-enix.com
Learn more about People Can Fly: https://peoplecanfly.com 

Emma: Blu Ray Review

Emma: Blu Ray Review

Cast: Anya Taylor-Joy, Johnny Flynn, Miranda Hart, Bill Nighy, Mia Goth
Director: Autumn de Wilde

The latest take on Jane Austen's Emma is an admittedly starched and almost military execution of the overly familiar tale.

The VVitch star Anya Taylor-Joy delivers an initially icy take on Emma Woodhouse, the meddling socialite who dabbles in others' lives before realising she's hopelessly out of her own depth.

Guiding Mia Goth's Harriet Smith, Emma tries her best to matchmake for a local vicar. But she fails to notice the attentions of a neighbour (Flynn) until it's too late.

The overly-mannered Emma, delivered by Kiwi Eleanor Catton, is a prissy and primped affair, that teeters dangerously close to boredom levels early on.

Despite some truly sumptuous costuming and some vividly executed moments  such as red-caped women recalling The Handmaid's Tale (it's clear director de Wilde comes from a promo background), the film's warmth is severely lacking early on, despite the comedy of Woodhouse Sr (the ever-wonderful Bill Nighy).

It unfortunately leads to a detachment early in proceedings, which nearly proves fatal when the moments of heart are due to overtake matters, and Catton's writing really does make it difficult to sympathise for the precocious Emma when she realises she's gone too far. (The interaction with Miranda Hart proving to be the only breath-taking moment and deeply upsetting one of the entire film.)

While it skirts around social mores and hints at class divides, there's an aloofness to this Emma that robs it of its charm (Alicia Silverstone's Clueless still remains a market leader in terms of spiky adaptations) and deprives it of an enduring appeal.

Sure, this version of Emma has some stunning visuals, and despite Taylor-Joy coming to life toward the end of the film, it's a hard journey to go on - and one that sadly offers limited rewards when considered among the pantheon of other adaptations of Austen's work.

Bait: Film Review

Bait: Film Review

Director: Mark Jenkin

Experimental in form and conventional in narrative, Bait is a film that impresses once you succumb to its rhythms.

Written and directed by Jenkin, the English film looks at the simmering tensions in the south west of England, a tourist mecca inflamed by outside visitors moving in.

Martin Ward is a fisherman in a Cornish village, who struggles to make ends meet, while his brother uses their father's ship to ferry tourists around and make money.

Tensions are further enraged when Ward continually parks outside a holiday home owned by out-of-towners...

There's little in the way of plot of this 16mm monochromatic film but using inventive touches and flashes of directorial genius, Jenkin's Bait emerges as something truly original and challenging.

Expertly capturing how the powderkeg is lit with simmering intensity in seaside towns, Bait's clever bait-and-switch approach to the narrative, offering flash forwards here and there that seem out of place, proves an arresting take on a thin story.

Sure, some may feel the film has the touches of an experiment from an art student, but its approach is to be praised, and its meticulous touches commended. Gruff and emotional, Bait is a film that will hook you in, but perhaps in ways you'd never expected.

PlayStation 5: 38 games unveiled

PlayStation 5: 38 games unveiled

There may be no planned PlayStation 5 gaming reveal this Friday due to events in America surrounding the death of George Floyd, but Official PlayStation Magazine in the UK has unveiled 38 games for the PlayStation 5.

The issue went to print before issues arose in the US, and PlayStation cancelled its proposed stream for Thursday from the US.

However, the details of the games unveiled in Official PlayStation Magazine are as follows:

1) A Rat's Quest: The Way Back Home - ETA 2021
2) Assassin's Creed Valhalla - ETA 2020 (possible launch title)
3) Battlefield 6 - ETA 2021
4) Chorus - ETA 2021
5) Cygni: All Guns Blazing - ETA TBC
6) Dauntless - ETA TBC
7) Dirt 5 - ETA 2020 (possible launch title)
8) Dragon Age 4 - ETA TBC
9) Dying Light 2 - ETA TBC
10) FIFA 21 - ETA TBC (possible launch title)
11) Godfall - ETA TBC (possible launch title)
12) Gods and Monsters - ETA TBC
13) Gothic Remake - ETA TBC
14) Madden 21 - ETA 2020 (possible launch title)
15) Microman - ETA TBC
16) Moonray - ETA Summer 2021
17) NHL 21 - ETA 2020 (possible launch title)
18) Nth^0 Infinity Reborn - ETA Feb 2021
19) Observer: System Redux - ETA 2020 (possible launch title)
20) Outriders - ETA 2020 (possible launch title)
21) Path of Exile 2 - ETA 2020
22) PsyHotel - ETA TBC
23) Quantum Error - ETA 2020 (possible launch title)
24) Rainbow Six Quarantine - ETA TBC
25) Rainbow Six Siege - ETA TBC (possible launch title)
26) Redo! Enhanced Edition - ETA 2020 (possible launch title)
27) Scarlet Nexus - ETA TBC
28) Sniper Elite 5 - ETA TBC
29) Soulborn - ETA Late 2021
30) Starfield - ETA TBC
31) The Elder Scrolls 6 - ETA TBC
32) The Lord Of The Rings: Gollum - ETA 2021
33) The Sims 5 - ETA TBC
34) Ultimate Fishing Simulator 2 ETA 2020 (possible launch title)
35) Vampire: the Masquerade - Bloodlines 2 - ETA TBC
36) Warframe - ETA TBC (possible launch title)
37) Watch Dogs Legion - ETA TBC
38) WRC 9 - ETA 2020 (possible launch title)

Win a copy of Bombshell

Win a copy of Bombshell

To celebrate the release of Bombshell on DVD and Blu Ray, you can win a copy thanks to Sony Home Entertainment.

About Bombshell

A group of women take on Fox News head Roger Ailes and the toxic atmosphere he presided over at the network.

Bombshell is a revealing look inside the most powerful and controversial media empire of all time; and the explosive story of the women who brought down the infamous man who created it.

All you have to do is email your details and the word BOMBSHELL!

Email now to  darrensworldofentertainment@gmail.com 
Or CLICK HERE NOW  

Win a copy of Beautiful Day in the Neighborhood

Win a copy of Beautiful Day in the Neighborhood

To celebrate the release of Beautiful Day in the Neighborhood, you can win a copy on DVD, thanks to Sony Home Entertainment.

About Beautiful Day in the Neighborhood

Based on the true story of a real-life friendship between Fred Rogers and journalist Tom Junod. 

An award-winning cynical journalist, Lloyd Vogel, begrudgingly accepts an assignment to write an Esquire profile piece on the beloved television icon Fred Rogers. 

After his encounter with Rogers, Vogel's perspective on life is transformed.

Starring Tom Hanks

All you have to do is email your details and the word HANKS!

Email now to  darrensworldofentertainment@gmail.com 
Or CLICK HERE NOW  

Monos: Film Review

Monos: Film Review

Director: Alejandro Landes

With a visually arresting start and an intriguing opening, Columbian film Monos is an intensely taut drama that is as compelling as it is an examination of the feral spirit that lies within us all.

It's the story of a group of teenage troops, who inhabit a mountain top and who are training. Given a cow and a hostage to look after, the octet descend into a chaotic state when things go awry.

In the scheme of life, what happens is minor, but the ripples are wide-ranging and powerful.

Landes' film holds back many details of the wider world, preferring instead to place the viewer in a world of intensity and a powderkeg waiting to ignite. All that's proffered is about The Organisation and even that's scraps at best.

They could be training as child soldiers, and it could be a parable about loss of innocence in Columbia, but robbed of the wider perspective in parts, Monos makes a struggle of that side of its drama.

However, as an examination of a teenage mini society, Monos is life through a prism, a swirling cauldron of efficiency and terrifying consequence.

Thrillingly shot and nervously scored, Monos gets by largely on its visuals and its inherent sense of unease - there's something compelling afoot in these mountains, and thanks to Landes' power opening, Monos is a sickeningly unsettling drama.

PlayStation 5 unveiled

PlayStation 5 unveiled

PlayStation will finally unveil more details of its PlayStation 5 line up on Friday June 5 at 8am.

Join us Friday 5th June at 8am NZST for a look at the future of gaming on PlayStation 5: https://t.co/HrzO62uIYV #PS5 pic.twitter.com/8CegPLjxkR

— PlayStationNZ (@PlayStationNZ) May 29, 2020

Jim Ryan of Sony says: "With each generation, from the first PlayStation to PlayStation 4, we aim higher and we push the boundaries further, to try and deliver better experiences for our community. This has been the mission of the PlayStation brand for more than 25 years. A mission I have been a part of nearly since the beginning.  

There are few things as exciting as the launch of a new console. While this road to launch has been a bit…different, we are as thrilled as ever to bring you with us on this journey to redefine the future of videogames.

We’ve shared technical specifications and shown you the new DualSense wireless controller. But what is a launch without games? 

That’s why I’m excited to share that we will soon give you a first look at the games you’ll be playing after PlayStation 5 launches this holiday. The games coming to PS5 represent the best in the industry from innovative studios that span the globe. 

Studios, both larger and smaller, those newer and those more established, all have been hard at work developing games that will showcase the potential of the hardware. This digital showcase will run for a bit more than an hour and, for the first time, we will all be together virtually experiencing the excitement together.

A lack of physical events has given us an amazing opportunity to think differently and bring you on this journey with us, and hopefully, closer than ever before. 

This is part of our series of PS5 updates and, rest assured, after next week’s showcase, we will still have much to share with you. 

Neon NZ Movie Review - Blinded by the Light

Neon NZ Movie Review - Blinded by the Light

You've seen Blinded by the Light many times before, and in many different iterations.

The very familiar coming of age tale, set in Luton in England in 1987 centres around Cara's Javed, a young Pakistani man who yearns to be his own person, but who's stuck at a crossroads.

When Javed ends up going to college, he finds his world is irrevocably changed when he's gifted two Bruce Springsteen tapes, and being at the age of discovery, the doors of his perception are blown wide open by the Boss' music and lyrics.

But in the background of Javed's life lurk the National Front, the possibility of love, and the inevitability of a showdown over his desires and his dad's directives...

Blinded by the Light has an energy that bursts through the bubbling cheesiness which seeps in almost immediately.

Chadha is less interested in reinventing the wheel in this music-inspired movie, and more interested in perhaps showcasing a story that was prevalent in 1980s UK life, but rarely recorded. The indolence and ugliness of racism lurks casually in Javed's life, and while Chadha's only interested in occasionally using it for drama, the evocative montage of 80s Britain under Thatcher which begins the film serves only to showcase the good and the bad of the era.

Elsewhere, the film's cornball and corny dialogue sags a little in the excessive 2 hour run time - an expeditious edit could have given the film a pep and zap that it needed in parts as it spins its all-too-familiar tale.

There's a heart here, but rather than leading with the drama, the film hits every dramatic cliche and and services its leads ahead of the script; yet there are moments when the film excels, such as Chadha's reveal of a daytime club, and the heady thrill of youth within. These are the moments that Blinded by the Light could have had more of, not ones which feel rote and almost ridiculous.

It may be sweet, and crowd-pleasing at times, but Blinded by the Light does little exciting with the musical genre except to pillage someone else's back catalogue to sell nostalgia and probably Spotify soundtracks (in this case, the Boss) .

However, don't be surprised that in the year Rocketman soared to audience success and Bohemian Rhapsody won big, Blinded by the Light will have your heart tapping away in your seat, even if your head is warning you repeatedly against doing so.

The Last of Us Part II State of Play reveals extended gameplay

The Last of Us Part II State of Play reveals extended gameplay

Naughty Dog has just revealed an extended gameplay sequence for their upcoming The Last Of Us Part II game, due out on June 19.

It came as part of the State of Play broadcasts, and offered a more indepth look at what lies ahead for Ellie and Joel in the sequel to The Last Of Us.

Watch the extended Last of Us Part II gameplay below.

Neon NZ: Movie Review - Angel Has Fallen

Neon NZ: Movie Review - Angel Has Fallen

It was inevitable, really.

Given he'd saved the President, saved London and had a happyish ending, it should be no surprise that Presidential lucky charm Mike Banning (Butler) would be in the firing line.

And given three years has passed in each of the release cycles of Olympus Has Fallen (2013) and London Has Fallen (2016), it's time for Angel Has Fallen.

Bruised, battered and addicted to pills after the rollercoasters of the job of the Secret Service in the previous two outings, Banning is starting to feel mortal. Tempted by the possibility of the top job at the Secret Service, his world's turned upside down when the entire Presidential secret service team is wiped out - leaving him as the sole survivor.

Framed for the attempted murder of the US President, Banning goes on the run, determined to prove his innocence...

Reviving cold war politics, throwing in some "timely" barbs about Russian collusion, and dumping some machismo on the idea of private contractors benefiting from war, Angel Has Fallen does little to build on its surprise success of the first film.

Choosing instead to go for elements of The Fugitive and a bad episode of 24, Butler deals with lots of pained close ups to show his ailing state, and deals out plenty of killshots as sense and sensibilities go out the window.

Beginning with what seems like a gun porn secret service recruitment Call of Duty style video and ending with an extremely passable and well-executed finale, Angel Has Fallen has glimpses of something beyond the C-grade action banal genre it's clearly pitching for.

Butler's Banning looks shabby, like he may not make it (though really, there's never any true doubt) but yet in his interactions with Danny Huston's quietly calm mate-turned-bad-guy, there's a feeling of two veterans lost in a world that no longer needs them in the way they were needed first time around.

The action sequences are, in truth, executed in a fairly workmanlike way; there's nothing special or spectacular in the explosion porn that's on display - complete with slowmo. And yet, in its finale, Angel Has Fallen delivers a sequence that may be familiar in many ways, but is nonetheless compelling to enjoy.

And then there's Nick Nolte.

As Banning's dad, and at his shaggiest, this doomsday prepper off-the-grid paranoic is one of Nolte's most grizzled and begotten roles. But it's worth it alone for some of the lines he dishes out, which have to be seen to be heard.

Ultimately, Angel Has Fallen isn't smart enough to be taken seriously, and never really rises against its rote execution. It's flabby too, with its 120 minutes run time being the longest of the trilogy and also the most needlessly long.

Angel Has Fallen may wrap up the surprise trilogy, but in truth, this series was done with the first one - it may try to be contemporary here, but you've seen it all before. It's time this Angel had its wings clipped.  

Arctic Justice: DVD Review

Arctic Justice: DVD Review

Voice cast: Jeremy Renner, Heidi Klum, John Cleese, Alec Baldwin, Anjelica Houston
Director: Aaron Woodley

Sometimes, animated family fare is simply a story and some animation, no deeper message, and nothing more profound to espouse.

So it is with Arctic Justice (known globally as Arctic Dogs), a climate change awareness piece with lashings of self-belief served up for an audience.

Arctic fox Swifty (Renner) is a wannabe delivery dog in the small Arctic township of Taigasville.

Yearning to be "put to the test, so he can deliver his best", Swifty has gone most of his life unnoticed, other than by his polar bear friend PB (Baldwin, solid and gruffly warming) and by his potential love interest and town engineer, Jade (Klum, relatively one note).

When the dogs of the ABDS delivery service go AWOL, Swifty gets his chance to step up - but uncovers a wider conspiracy, masterminded by walrus OVW (Cleese, in raspy maniacal mood).

Arctic Justice feels very familiar, with its animation recalling many other elements of prior films.

A despot in the form of OVW with Puffin helpers? Very Minions and Despicable Me.

A mate who even looks like a whiter version of Sulley from Monsters Inc, lead foxes who look like they could come from Zootopia, there's a distinct feeling of deja vu in this animation.

There are some zanier touches from James Franco's Lemmy, an albatross who's a few fish short of a picnic, but they're few and far between and really needed more of them to be inserted throughout.

While the climate change message is present, it's hardly pushed down people's throats, but it becomes ever more clear toward the end as Swifty and his pals face an extinction event for their town.

Worthy messages of being more than "just" a somebody work nicely too, and while some adults will identify with the slight at the monotony of jobs, Arctic Justice does enough for the younger kids to keep them happy throughout - but potentially not the adults.

Neon NZ movie review - Late Night

Neon NZ movie review - Late Night

Aiming to smash the glass ceiling, but ending up more just politely tapping on it, Mindy Kaling's comedy Late Night will feel familiar to fans of the vitriolic Larry Sanders Show from the 1990s.

In Late Night, Kaling plays Molly Patel, a plant worker who ends up being a diversity hire on Emma Thompson's Katherine Newbury's late night show. Newbury is a legend, and has been on the circuit for years, but the show's on the wane, with viral clips and interviews with YouTube stars punishing them in the ratings.

So when the head of the network (Amy Ryan) decides to move Newbury along in favour of a newer foul-mouthed host (Barinholtz), Molly is caught up in the last great offensive to keep ratings high.

Essentially a romantic comedy with a side of showbiz and a dash of social commentary, Late Night treads the boards of familiarity with such geniality it's hard to fully hate it.

But the film lacks a punch that would translate to some interesting barbs and commentary on women in the workplace and women on TV. It feels like Kaling's written sadly from reality, but is a little too frightened to make the commentary needed to help it land in ways which would give it its power.

There's an underdeveloped romance sideplot, which swipes at MeToo, and a sweet relationship between Thompson and Lithgow that brims with reality and depth.

Yet it's not enough to make Late Night feel anything other than undercooked at times.

Thankfully, Thompson makes great fist of her barbed and occasionally bitter Newbury. You can see where it's coming from a mile off, but the joy of seeing an older woman in a lead in this is clearly what Kaling wanted for the film, and the fact the reality of late night TV in the US is scarcely inhabited by women speaks volumes.

Kaling plays on her innate likeability repeatedly, and the result is a fair film that offers some laughs - it's just with a sharper eye for the targets and a few wittier barbs, it could have been unstoppable.  

Disclaimer: Neon NZ provided a review code for access to this film

Neon NZ movie review - Annabelle Comes Home

Neon NZ movie review - Annabelle Comes Home

The Conjuring Universe continues to proffer more cinematic goods, as the appetite for horror shows no sign of lapsing.

The latest sees the Warrens transporting Annabelle home and confining the malevolent mannequin in their artifacts room, blessing the casing and putting up lots of Keep Out signs to stop people trespassing.

But when Ed and Lorraine head away from the weekend, leaving ten-year-old daughter Judy (a quietly nuanced McKenna Grace) in the hands of her babysitter, Annabelle gets out, awakening all kinds of chaos in the demonic room.

There's no denying that Annabelle Comes Home is effective at stretching out its conveyor belt of scares, and orchestrating the kind of spooky atmospherics the series has become known for.

There are some nice moments as the curse of Lorraine's visions appear to have been passed on to the daughter, and there's a familiar theme of being ostracised for their beliefs after their experiences, but Annabelle Comes Home is less interested in nuances, more in pulling back the curtain and giving you a jump scare a couple of moments after you've expected it.

Dauberman shoots it all well, there's the requisite number of spooky scenes and sequences, and there are plenty of close ups of the glass-eyed doll as you expect it to jump at you.

But in truth, after a while you feel like the contents of the demonic room are being rolled out as potential spin-offs. There's the Hellhound case from the past, the haunted Shinobi, the wedding dress that melds with its wearer, the haunted boardgame - they all feel like they're jostling to see which could work for future audiences and extend the universes further after this seventh entrant.

Haunted house cliches collide with a degree of claustrophobia, and an element of a small cast gives Annabelle Comes Home the tautness it requires.

However, this really is the cinematic equivalent of the ghost ride rolling into town every year as part of the carnival.

Deep down, you know what to expect, you enjoy the ride for its nostalgia or for the attempted tweaks the organisers have put in to keep it fresh - but buried underneath its smoke and mirrors tricks, this franchise needs to stop heading down the generic route, get back to genuine deep scares and psychological scars or it'll deserve to be confined to its grave.

Disclaimer: Neon NZ provided a review code for access to this film.

Neon NZ movie review - Good Boys

Neon NZ movie review - Good Boys

The sex comedy has gone about as far as it can do in modern gross out terms.

Yet, never once has it wandered into tweens' territory, something which producer Seth Rogen and his team acknowledge but dare to go there anyway.

In the latest comedy to burst out of the ranks, Good Boys follows a close knit trio of young sixth graders, the self-named Beanbag Boys, led by Jacob Tremblay's Max. Friends since their younger years, the trio find themselves invited to a kissing party where Max's crush will be.

But when their plan to learn about the opposite sex goes awry , they're sent on an adventure that pushes them out of their comfort zone.

It may send the idea of naivety to the edges, and a lot of the gags may centre around the sixth graders' misunderstanding of sexual posturing, but Good Boys offers some solid laughs in among the gross out behaviour.

Once you get past the whole "should tweens be talking / doing this," there's a vein of something in Good Boys which transgresses the cute and crass with some ease. There's also something to be said for the way the film mines the inevitable peer pressure of tweens these days to understand sex and their misplaced braggadacio of understanding between friends - certainly while the laughs come from here, they also come from a place of sweetness and an inherent understanding of the pressure constantly imposed on children's lives.

The trio are sweetly matched; from Tremblay's conflict over friends and girls, via loudmouth Thor's preoccupation with musical theatre to Lucas' compulsive need to tell the truth (breakout star Williams), this group feels real, and the push and pull of friendship is cleverly explored during the no-longer-than-it-needs-to-be 90 minute run time.

It will be easily dismissed as a Superbad: The Early Years, but Good Boys, while nothing superlative, deserves to stand on its own two feet, mixing drugs, sex and comedy with a nice touch of sweet observations, the film offers a solid night out with solid laughs at a universal experience. 


Disclaimer: Neon provided a promo code for access to this movie.