Absolutely Fabulous: The Movie: DVD Review
And given it opened big in wake of the BREXIT decision at the UK Box Office, there's still clearly an audience desperate for the nostalgia, the light-hearted silliness and for the beehived Patsy and the deluded Edina.
Tottering around the semblance of a plot too thin to ultimately bother with (loosely, the duo go on the run after Jennifer Saunders' Edina knocks Kate Moss into the Thames, drowning her), the film's MO is to simply provide a nostalgic blast of Ab Fab, an extended episode of the TV show stuffed full of cameos (some of whom are too young to have remembered the original.)
It's fair to say the jokes are spread pretty thinly from the get go, but Joanna Lumley as Patsy utterly owns her time back on screen with every scene devoured by her snarling, smudged lipstick look. Her opening sequence where she's injecting Botox as part of a morning routine is everything you'd expect from the character
Saunders does her usual pratfalls and selfish antics as Edina, a monstrous mum clinging desperately to the ghost of PR past and unwilling to go into the dark of the night unless she has champagne and her hare-brained friend with her. There's the inevitable sappiness too that always hit parts of the sitcom with the relationship between her and daughter Saffy (Julia Sawalha).
There's no disputing the slapstick caper could do with a swathe more laughs as parts of it feel scrappy and underwhelming, but there's equally no denying that the film is faithful to the show's ethos of excess and no learning policy.
It carries on wilfully and regardless in gloriously OTT fashion, and while the model cameos may feel reminiscent of Zoolander 2 given their volume, they serve little purpose other than to exist. Perhaps the best of them come towards the end at a swimming pool in Cannes, revelling in the anarchic sense the show used to have and embracing the zaniness of a Brit-com on the continent that fuelled so many 70s TV series' movie outings.
The catch with Absolutely Fabulous: The Movie is that the film's broadness will appeal probably more to fans of the original show; its faithfulness and desire to resurface all the characters from the 90s sitcom is laudable, but its desire to wilfully ignore the satire it could hit in a world where we all do our own PR online is a minor disappointment. (There are several jabs at the UK media obsessions and 24 hours news which provoke a guffaw or two - a scathing admission from Saunders perhaps how times have changed.)
This tale of women behaving badly may be a film of indulgence and cameos, but it lacks the sparkle of a Bolly in many ways. That said though, fans of the original series will adore its reverence to the source material and think it's still Absolutely Fabulous.