What's new on Neon in May
Duster (May 16, 1pm)
And Just Like That Season 3 (May 30, 1pm)
Choir Games (May 4)
Wolf Hall S1 (May 15)
Gladiator II (May 27)
Smile 2 (May 4)
Super/Man: The Christopher Reeve Story (May 22)
At Darren's World of Entertainment - a movie, DVD and game review blog. The latest movie and DVD reviews - plus game reviews as well. And cool stuff thrown in when I see it.
Here's everything that's streaming on DocPlay in May.
This month on DocPlay, celebrate the marvellous life of Liza Minnelli; follow the fight of a local family to preserve their carnival traditions, and binge two exclusive new series. Plus, dive in to the history of America with three new Ken Burns series: Benjamin Franklin, Thomas Jefferson, and The Roosevelts.
1 May
The Carnival
Amid bushfires, the pandemic and punters’ changing tastes, the family behind the Bells Family Carnival fight to preserve the attraction’s century-long legacy.
5 May
The Amazon Review Killer (Exclusive) | Series
This shocking true crime story of serial killer Todd Kohlhepp explores his troubled upbringing, and examines how his Amazon reviews often linked to his violent crimes.
Female Spies (Exclusive) | Series
A gripping six-part archive-driven series on the heroics and villainy of WWII spies, with women at the centre of high-risk operations.
8 May
Dear Zachary
This remarkable and heartbreaking 2008 doco begins as a loving scrapbook tribute to the director’s dead friend before careening into a harrowing and provocative true-crime drama.
12 May
The Hidden Spring
Divided by 4000 kilometres, a son and his dying father connect in this profoundly intimate documentary debut. Directed by Jason Di Rosso, best known as host of ABC Radio National’s The Screen Show.
15 May
Benjamin Franklin
Explore the revolutionary life of one of the 18th century’s most consequential figures.
Thomas Jefferson
A two-part portrait of America’s enigmatic and brilliant third president.
The Roosevelts
This seven-part documentary series chronicles the lives of Theodore, Franklin and Eleanor Roosevelt, three members of the most prominent and influential family in American politics.
26 May
Liza: A Truly Terrific Absolutely True Story (Exclusive)
This star-studded tribute brings into focus the dazzling, complex period of Liza Minnelli's life starting in the 1970s, just after the tragic death of her mother Judy Garland--as she confronts a range of personal and professional challenges on the way to becoming a bona fide legend.
Cast: Michael B Jordan, Miles Caton, Delroy Lindo, Hailee Steinfeld, Jack O’Connell, Wunmi Mosaku
Director: Ryan Coogler
Ryan Coogler's impressive world-building skills come to the fore in this genre-hopping story that revels in its originality before concluding in a messy mix of blood and gore.
Essentially a riff on From Dusk Til Dawn's Mexican stand-off in parts, this seductive blues-soaked story stars Michael B. Jordan doing double duty as twins Smoke and Stack who return to their hometown having made their fortune in Chicago.
Deciding to set up a juke joint, the boys set about recruiting talent to invigorate their opening night - from a local heavy to a blues player (Delroy Lindo) and their own cousin, a talented player called Sammie, aka Preacher Boy (a soulful Caton).
But what Smoke and Stack don't realise is their desire to be bigtime players in their small town - along with the divine playing of Preacher Boy - has attracted the interest of some dangerous visitors, headed up by Jack O'Connell's Remmick.
Sinners feels like one of the more original films of 2025 and is all the better for it.
Whilst not every element works in this, the atmospheric set-up, the lived-in feeling of the side characters and the sense of era wonderfully evocative from the get-go. Whether it's the slight difference between the twins (one smiles a little more, the other's more studied), Jordan allows for the subtleties to shine as his director allows for time to build around him.
And while much of the story could be seen as a metaphor for the white man stealing the blues music of the deep south, as well as colonialism, Coogler demonstrates some artful directorial flourishes throughout to keep viewers engaged.
One particular touch, set in the middle of the first night at the juke joint is just so jaw-dropping you wonder why it's not been done before. Without spoiling it, it's audacious and speaks volumes to the legacy of music and the impact of the music of the deep south. Music plays a major part in Sinners and its mix of blues and tribal lore are utterly compelling.
It's these moments that stand out in Sinners, landing head and shoulders above the more traditional horror elements that surface toward the end. And unfortunately, the film's denouement after a stand-off that seems without conclusion feels rushed, a minor creative misfire in a truly tremendous movie.
It's often said there's not enough original cinema out there.
And while Sinners swirls the ingredients of very familiar fare throughout, the final concoction is a heady, steady mix that's well worth diving into.
Cast: Meghann Fahy, Brandon Sklenar, Reed Diamond, Violett Beane, Gabrielle Ryan
Director: Christopher Landon
The White Lotus' second season breakout star Meghann Fahy elevates an already tightly written story that lapses into an explosion of violence after simmering throughout in this latest from the director of Happy Death Day.
She plays widowed single mother of one Violet, who's heading out on her first date night with photographer Henry (It Ends With Us' Sklenar) but who's riddled with doubts over whether to go, what to wear and if she should leave her son.
However, when she gets to the restaurant, that's the least of her worries after a series of messages sent to her phone anonymously threaten to kill her son if she doesn't murder her date....
Landon stretches the premise as far as it'll go with this tale, but wisely, using a kind of roulette charm approach to who may be sending the messages works wonders for Drop's simple premise.
Deploying stage-style lighting to drop in and out to pinpoint possible perpetrators and giving the direction a kind of play feel helps sell a story that sees the old adage "everyone's a suspect" come into play. There's a desire here to stick solely to what's expected and Drop delivers it.
Yet it would be nothing without Fahy, whose penchant for subtlety and turning on the slightest moment gives Drop an edge that it needs. With steely determination one moment and extreme vulnerability the next, she's eminently watchable throughout, her spark with Sklenar working stronger on her side than his.
But it never wants to be more than a popcorn movie, where the audience is the detective (giving it a Hitchcockian edge) looking like Violet to find where the suspect could be - with blaring on screen graphics and an over-reliance on the 21st century obsession with technology, the film's contemporary enough to hook in the younger audience, while lightly mocking the older end's uselessness with tech and not alienating those in the middle.
Perhaps the one weak point in Drop's rollercoaster ride is its sudden rush denouement, complete with explanations, boogeymen and horror violence. It feels somewhat of an affront to what's already happened, but it's the payoff the audience seeks - though whether that's a good thing remains to be seen.
Drop is worth dropping everything for - but with its occasional logic holes and its clever teasing of the situation, it's a welcome one and done for a Blumhouse outing that does exactly what it sets out to.
Here's what's streaming on Prime Video in May.
Clarkson's Farm Season 4 (May 23)
Here's what's streaming on Disney+ in May.
Welcome to Wrexham Season 4 (May 16)
Disney+ announced FX’s “Welcome to Wrexham,” the Emmy® Award-winning docuseries from Rob McElhenney and Ryan Reynolds, will premiere its fourth season on Friday, May 16, exclusively on Disney+ in New Zealand. The premiere will feature the first two episodes of the eight-episode season. The key art was also released today.
Rob McElhenney (“It’s Always Sunny in Philadelphia”) and Ryan Reynolds (“Deadpool”) navigate running the 3rd oldest professional football club in the world. “Welcome to Wrexham” is a docuseries tracking the dreams and worries of Wrexham, a working-class city in North Wales, UK, as two Hollywood stars guide the future of their historic Club.
In 2020, Rob and Ryan teamed up to purchase the 5th tier Red Dragons in the hopes of turning the Club into an underdog story the whole world could root for. The world took notice and the Club achieved back-to-back promotions to bring the Reds into the English Football League’s League One for the first time in 20 years. As they continue to rise in the pyramid, the stakes get higher with a new level of intensity, competition and costs, all while the Club continues to be plagued with injury and fans demand the signing of new talent. Dedicated staff and supporters celebrate the team’s climb toward the Premiership while bracing against the new-found challenges that come with each new tier up the EFL. Will Wrexham AFC rise to the challenge and do what no team has ever done before?
Wrexham AFC Women’s Team continues to battle amongst the top teams in the Welsh Adran Premier League and strives to stand out amidst a crowded field of talented women footballers. With new players and continued support from the Club and fans, can they make a name for themselves at the top of the League?
Meanwhile, somewhere in a galaxy far away… actually, a series of towns, cities and boroughs likely across Wales, England and California, Humphrey Ker trains for a marathon. Will Wrexham AFC’s beloved Executive Director raise funds for charity, survive humiliation at the hands of the players and staff, and complete 26.2 miles without injury or chaffing?
Follow along as “Welcome to Wrexham’s” cameras bring you unprecedented access on the pitch, inside the locker room and alongside the players while the action unfolds in some of the biggest matches Wrexham AFC has ever played.
Technics has game when it comes to earbuds.
Their AZ range has been consistently strong, offering sound quality that's both immersive and impressive across the brand.
The EAH-AZ100 shows no sign of bucking that trend, providing users with an experience that gives them what they need - and gives professionals who've been seeking more than just a user experience a little more too.
Announced at CES2025 in January, the EAH-AZ100s have hit a marketplace that's starting to seem crowded, but thanks to the Technics' penchant for consistency, they should be able to break through. It's helped, in no small matter, by the quality of what's provided.
With adaptive noise-cancellation and Bluetooth technology, the earbuds offer up a simple user experience that makes wearing them easy. While there's a noticeable difference in sound quality if ANC isn't engaged, overall, they're chunky enough and bassy enough to handle both calls and anything you'd want to stream. Adaptive AI certainly helps on calls, filtering out excess noise and allowing you to focus on what's incoming.
With around 12 hours of battery life without ANC on, the earbuds do have a good solid couple of days in them, but perhaps if you're having to use them regularly, that feels a little on the lower side. But when you consider the output of what they achieve, it's understandable that battery would drain. It's a little more than what previous iterations have offered, so perhaps there's an increase in scale there, but it's still somewhat hard to match up across the marketplace.
These buds are smaller, sleeker in design and as a result, sit better in the ears for longer periods of time than they would have done before. It's small touches like this that will likely not be noticed by users that are appreciated by continual owners of the Technics range - and it's no surprise with touches like that they have survived 60 years in the market.
New drivers in the earbuds also help to deliver clearer sound and again, it's a small touch from the developers, but it's had a major impact on users. Calls are crisp as well, with sound quality even better if ANC is engaged.
It may seem a little unfair to say it's business as usual for the brand, but that's not necessarily a bad thing. While some developers try to push the boat out with each new launch, Technics have veered closely to their high-end design, high-end output spec - and it's very much welcome in a crowded marketplace that quality and consistency can shine out.
What's new on Neon in May Here's everything that's streaming on Neon in May. Duster (May 16, 1pm) Set in the 1970s Southwest, DU...