Q&A with Neil Fanning, the voice of Scooby Doo
Hi Neil! Obviously, you're aware of the early days of animation - Steamboat Willie and things like that, when you started to get those first voices like the artist that did Goofy and all these other characters. Are you familiar with them? Are you fans of them? Did you have any knowledge of them before you ended up in the voice business?
Neil Fanning: Absolutely, I did. I guess my voice hero would be Mel Blanc. He did all the Looney Tunes characters and growing up in Brisbane as a child, you know how you’d come home from school and you’d sit around and watch cartoons in the afternoon with your mates - and I had this ability that now I know is having a good ear, which is something that you need as a voice artist. So, I was able to pick up some voices very early on. I'm talking about like 10, grade six, yeah. And yeah, we'd all, the ads would come on and we'd all get up and recreate the scene we'd just seen on the cartoons. And they were mostly Looney Tunes cartoons.

So, and I just did the voices and made my mates laugh and thought, "yeah, this feels pretty good. I like doing this!" Never thinking that I'd actually do it as a profession. That's where I sort of got the love to perform because I just got this good feeling about, and I felt at home, you know, in front of people and making people feel good. So that's pretty much where it came from.
But then there was others. Obviously, Scooby-Doo was a big influence on me - all the voice artists in that original 1969 Scooby-Doo, Where Are You. I fell in love with the character of Scooby-Doo and all the gang. I love the relationship between Scooby and especially, you know, it's the dog - everyone loves a dog and you've got all those great attributes that a dog has, you know, the loyalty, goofiness, food driven, you know, all those clever things that this character is.
And then the amazing depth and tone that Don Messick, who invented the voice, he was the original voice of Scooby-Doo, he’s passed away now, unfortunately. Scooby was one of his hundreds of characters. It's something that I had the tone to do quite a deep voice. So it was one that I did really well always. And then they shot the first movie the Scooby-Doo one live action on the Gold Coast where I was living and working in the industry. I'd been a voice artist for about six years. Before I got the opportunity to be the voice actor on set.
They decided to shoot Scooby Doo in in Australia 2001 and at the time in Australian film history, it was one of the largest budgets ever and the names that they were able to get were pretty impressive.
So just from a historical point of view they wanted some really big names and the top of their list was they wanted Robin Williams to do Scooby-Doo, but then they thought that really that's a bit of a waste of his talent. You're not really seeing him, obviously, so they dropped that pretty early, but then they really wanted Sarah Michelle Gellar as Daphne, because Buffy was huge. It was the number one show in the world at the time, and it was in its eighth series and last, so we actually began filming the Scooby-Doo one on the Gold Coast around her schedule because she was still wrapping on Buffy.
So three times she'd go back to the States for two weeks and then we'd shoot around her and she'd come back and we'd do all those things. I mean, she's a Trojan, like what she was doing there, working on two shows and no breaks. She's just amazing and a beautiful person and a great friend of mine still.
And her and Freddy got together on on Scooby Doo One and got engaged It's a beautiful story and they're still together and I stay with them when I'm in LA. So it's lovely that I maintained that friendship. And yeah, so they said to the voice artists at the time - there's been five of us that have been sanctioned by Warner Brothers to perform the voice commercially - and at the time, it was another voice artist. They said to him, "Oh, we're filming a live-action movie on the Gold Coast - Do you want to come down and spend five six months in Australia and perform the voice live because we need someone to bring Scooby to the set?" For whatever reason, he said no so they started started auditioning all around Australia.
That's how I got that role as the voice, as the voice actor on set, delivering the lines live to the actors.
You originally started out in stunts - how did you get into that world?
I started as a pre-opening performer, as an actor in the show and entertainment department at Warner Brothers Movie World on the Gold Coast, before it opened in 1991. They had four guys, four girls as their street performing team. And we'd do all the street scenarios. We'd rob the bank as Bonnie and Clyde five times a day, and then do a film crew scenario, and then you'd do the mafia show, and then you'd host Lunch with the Legends as another character, and then we were also doing the acting roles in the Police Academy Stunt Show, which is the flagship of the park.
About four or five months after doing all the acting roles in the Police Academy Stunt Show, the stunt coordinator said, “Look might you be more versatile to us if you could do stunt roles. Do you want to try out?” and I did - so that's why my stunt the career started with the legendary Vic Wilson, who coordinated movies Mad Max and and Gallipoli and so on.
I never thought about being a stuntee. I wanted to be an actor. I went to university and I thought that was my path, but yeah, just good opportunities. And my whole career, I've always been someone who has wanted to stretch myself as a performer. I had this credo of sort of never saying no to anything or anyone, as long as it wasn't against my values and so on.
That's allowed me to sort of do a lot of things, wear a lot of hats in the industry. Normally it's the singer, dancer, actor trio, but I'm a voice artist, stunty, actor. It's quite an unusual combination. And it's been a wonderful career. And most of my credits and work has been as a stunty.
What do you make of the way stunts have evolved over the years? There's been a sea change with the big Fall Guy movie push to get stunties recognised at the Oscars, and that's paid off now.
Absolutely, yeah, totally. I mean, we're going back to Buster Keaton, who was really the first Stuntie, for real. The things he did were just absolutely ball tearing. I mean, he's someone that we all admire - because no wire work, no mats, no nothing, all of that's real. He was just absolutely incredible.
There's a whole host of other people from that era. Yeah, we should have been recognized then. I mean, I'm talking, you know, in the thirties when they became talkies at least. And we have our own awards, the Taurus Awards, for the stunt industry. And I'm so pleased that Furiosa just won a heap of categories, Best Stunt Sequence, of which a lot of my mates and colleagues were heavily involved in. 262 stunties worked on that show. Riggers, the rigging team, incredible. Yeah, support team, drivers of camera vehicles. Look, it's the epitome of team. Everyone has to be at the top of their game. And it's a super collaborative effort from everybody. And yes, that should be recognized, definitely, at an Academy Award level.
We've been lobbying for many, many, many years. Before me, before my career, they were lobbying the Oscars, whoever that is.
And Fall Guy was fantastic too. Shot here, the sequences were amazing, stunts were incredible. I know all those guys on that. I was doing Heartbreak High at the time and I caught up with them and it was just amazing.
Turning back to Scooby, what's the reaction of fans like when they hear that iconic voice come out of you?
A lot of people that I meet all around the world, they do their voices for me and they love it. They might do a Shaggy or a Scooby or whatever it is, Scrappy even, or Velma, whatever. I always respond in the other character, so if they do Scooby-Doo, I would do it like Shaggy, “man, oh man, excuse me, I've just had lunch. Man, oh man, that's pretty good.” You know, all that. I love what I do, Darren. I love what I do. Very, very privileged position to be able to put smiles on faces and make people happy.
The gift for me in a lot of ways is that nobody knows who I am. Until I open my mouth and so I've got this anonymity which I'm blessed with really - because I've hung around a lot of famous people and it's a bit of a curse dealing with the public and security and all that stuff. I'm just an average guy that has done a fair bit of stuff, but really no one knows who I am - until I go to places like Armageddon Expo in Auckland coming up in a few days.
I’m super excited to be coming back to beautiful New Zealand. I just did Wellington and Auckland in April and it was absolutely stunning. We drove around the motorhome between the shows, my wife and I, and enjoyed the absolutely breathtaking scenery and seafood and wine and beers. Very, very, very good. And so I opened my mouth and people light up and they're happy. They get really excited and I'm as you can see fairly excitable person.
It's my personality. I'm normally going at a hundred miles an hour. And for me, that's just the reward, you know, I don't mind I've never minded performing the voice for anybody anywhere anytime because why wouldn't I? You know, it's just so easy for me. I don't need to warm up or anything. And yeah, I just go for it. And the joy and the excitement is palpable from coming from all of Scooby-Doo fans or anyone I meet really.
Is it a hard voice to do? Do you need to work up to it?
Yeah, well, I've been doing it a long time, much more lately, because I've just come into the Comic-Con world. I didn't do anything with Scooby-Doo for 20 years. Because I was busy… my wife reckons I had imposter syndrome, where I didn't feel worthy of the adulation that was going to be on me.
And you know, I'm older now and I'm in a better space in my life with my beautiful wife Jennifer. We just got married recently. And yeah, I'm glad I've stepped in.
I've been asked a lot of times over the years to do Comic Cons and interviews and podcasts and stuff. And I'm like, yeah, nah, look, Scooby-Doo was great, highlight of my career, but it's okay. I'm fine. You know, I'm pretty private person. But when I did do my first one, it was quite incredible. And I, I said to myself, okay, well, this is incredibly humbling and rewarding for everybody to be so lovely to me. I owe it to them. I have a responsibility to this character, to the to my fellow cast members to uphold the joy that it brings to people. That's cool.
Do they turn up with their Scooby Snacks? Do you have a problem with dieting?
Yes, I do. They bring me gifts. It's really incredible. They draw pictures of me. They give me Tim Tams if I'm overseas and in Australia, it's Vegemite. All that stuff, it's really beautiful and I try and give back as much as possible - I do the voice for each and every person And I hope that the you know, they get the warmth from me that I appreciate for that from the fans and I really like it's so rewarding to do this and I maybe wouldn't have had earlier, but hey, it's all good now.
Have you got your eye on any other cartoon characters to voice?
I just finished a project, which I can't talk about at the moment!
Is that one of your lifetime heroes?
No, it's one that I invented. I'm not gonna say any more because I might give it away. But it's gonna be a feature.
I did a character on Holey Moley in the UK so I'm still actively working. But is there a voice I really love? Hmm, well, I mean I admire a lot of my colleagues in the industry and of course, Muttley from Wacky Races. I mean, I don't know why I centre on dogs, but anyway, he's got a really difficult laugh. He doesn't say much, but that's one that is quite challenging, and I like to challenge myself.
There's a lot of characters – there’s Hannibal bear as well. These sorts of characters that have that deeper tone, which I naturally have. I can do I did Scrappy on that on set as well. So I can do high pitch, you've got to be versatile, but I’m more comfortable obviously with the deeper kind of stuff and you know, devil characters!
Neil Fanning appears at the Armageddon Expo Wintergeddon edition, running across King's Birthday weekend in Auckland from May 31- June 2. For more info, details on how to buy tickets, and timetables, head to armageddonexpo.com