Instant Family: Film Review

Instant Family: Film Review

Cast: Mark Wahlberg, Rose Byrne, Isabella Moner, Octavia Spencer
Director: Sean Anders

It's easy to be cynical in the face of Instant Family, a Hollywood movie about fostering that ends up in a gloop of manufactured sentiment and predictability that underscores its premise.

And yet, much like The Big Sick drew deep from the well of personal experience for Kumail Nanjiani and Emily Gordon, Instant Family's vein of veracity comes from director Sean Anders' autobiographical input into the script.

Byrne and Wahlberg and Ellie and Pete, a couple who decide fostering is the way to go to help them out of the rut of their lives. Believing their house flipping mentality will help with parenting (fix them up, move them on), the couple find themselves drawn to teen Lizzie (Dora The Explorer's Moner).

However, social workers warn them that Lizzie comes with two younger siblings and a mother who's a drug addict, and in and out of their lives.

But, Ellie and Pete are determined to press on with the adoption - no matter what it may bring.

Instant Family deserves kudos for putting a face on adoption, so rarely seen in movies of this type, where the kids are usually portrayed as kooky and the system is a breeze.

In the first third of the film, Instant Family's commitment to a heart-breaking truth is to be duly applauded, with much of the movie doing a lot to break stereotypes and introduce some kind of complexities to what actually transpires. Its honesty will resonate with those caught within, and will open eyes for others unaware of how the reality of the system can be.

It's largely due to the reality of what Anders went through, but by keeping the core cast of characters real and grounded, Instant Family may open a lot of doors to the idea of fostering, and provide some harsh truths that are often glossed over. It's rare to see such honesty in a broad studio product, and while Instant Family strays away from too much didacticism, its commitment to honesty, punctuated with humour, is extremely commendable.

It helps that Byrne - and believe it or not, Wahlberg - are genuinely likeable, with their neuroses and foibles feeling greatly relatable, and helping the audience through some of the more sentimental edges that creep in as the inevitabilities of going through the Hollywood machine mount up.

Broad as it needs to be (and not always to its credit, thanks to populating some of the outer characters as kooks), Instant Family's pleasantries make it a dramedy that's worth enduring, even if the ending can be seen a mile off.

It may be a touch manipulative, and be mocked for being so by those unaware of the complexities of being a part of the system, but Instant Family more than delivers on its promise to sell a message.

That's no bad thing, but given the film has laughs when it needs to and has a receptive audience onside because of it, this is actually a family worth hanging out with over the Christmas and New Year period.