Escape Room: Film Review

Escape Room: Film Review

Cast: Taylor Russell, Logan Miller, Deborah Ann Woll, Tyler Labine
Director: Adam Robitel

Less torturous than the Saw franchise, but still none the less suspenseful, Escape Room's premise is a nicely executed mystery box, awaiting to be opened.

Zoe (Russell) is a college kid, who finds herself at a loose end at the Thanksgiving break, and not going home. Upon receiving a mystery box, she cracks it open, eventually, to discover an invite to an Escape Room meeting, where the prize is $10,000 for escape.

Upon arrival, she finds a clutch of others in the waiting room as well, destined to be her colleagues in the escape. But each has a secret, and as the reality begins to settle in, everyone has everything to lose.

While Escape Room is a case of some fairly weak character work (everyone's a stereoptype in some form or other), thanks to the lead's empathy, there's a bit to latch on to in terms of emotional stakes.

And what Escape Room may lack in depth for leads, it more than makes up for in terms of execution.

Essentially a series of five chamber pieces, the claustrophobia and suspense of an escape machination is given a taut and well-executed edge. Certainly, the aesthetics of the third room is brilliantly conceived and nonchalantly realised. To say more is to spoil that reveal, but needless to say this one central set piece more than makes for the price of admission.

What's not as great about Escape Room (aside from some of the aforementioned characterisation) is the fact its ending feels deliberately conceived as a cash-grab, scene setting for anything future. It's massively disappointing that this cynical approach is deployed, robbing the audience of a feeling of completion and a film that deserves another on its own merits, rather than lazy writing by studio fat-cats.

Ultimately, Escape Room provides some knotty moments, gives the torture-porn series a welcome non torturous approach, but fails the finale intensely.