Mary Queen of Scots: DVD Review

Mary Queen of Scots: DVD Review

Aiming for more than just a period piece, but barely elevating above its ambitions, Mary Queen of Scots takes in the conflict between Elizabeth and Mary in 1569.

North of the border, Mary (Ronan) arrives to a frosty reception as the Queen of the Scots. With a preacher shouting from the hilltops that she is the devil incarnate, Mary tries to negotiate the perils of Scotland rule, and the ambitions of those in her court who would depose her.

As if that wasn't bad enough, she's trying to keep Elizabeth (Robbie) in check as her court whispers that Mary will overthrow her.

There is a lot of politicking within Mary Queen of Scots, and an unbridled amount of talking as well, which holds the film back from fully gripping in the way it should.

It's an interesting take on the power of men in ancient times, and for feminist edges; and certainly, it's beset with tragedy as well as the various power plays take their forms.

But the film rarely grips as it should, teetering dangerously close to being a touch on the stultefyingly dull spectrum as it plods through its two hour run time.

Robbie is excellent - and there's inherent poignancy in the the tragedy of her time on the throne.

Riddled with jealousy at her "sister" Mary's success (good looks, blessed with a child), Robbie reaches deep within to channel some of the inherent fears of a barren woman, struggling to maintain her place as those around the throne plot and deliberate.

Restrained and remarkable, it's Robbie's turn which stands out in Mary Queen of Scots, and the screen's rarely better than when she's on it. Certainly, the fabricated meeting of the two in the final ten minutes of the film is utterly electrifying, and yet only goes to highlight what was missing beforehand.

Ronan deserves plaudits too, but her route and arc is a more traditional one, as she deals with double-crossings, plottings and betrayal. There are definitely signs of Ronan lending life to the character journey, and there's sadness in its ultimate destination which Ronan channels exquisitely and subtly.

There's a feeling that Mary Queen of Scots feels like an episode of Game of Thrones but through the prism of the Lifetime channel, and while there are some shocks, they lack the requisite strength needed to fully land.

Ultimately, Mary Queen of Scots' over-writing does it damage, failing to land a sharpness that's required. It's more than worth though for the final 10 minutes, which stand out as some of the best cinema of the year.