La Belle Epoque: Film Review

La Belle Epoque: Film Review

Mixing The Truman Show along with a sweeter more heartfelt idea that could be part of Black Mirror, director Nicolas Bedos' romantic drama and comedy La Belle Époque makes great fist of its older lead's charisma.

Daniel Auteuil's Victor is jaded; his son works for a company making digital programming, and his wife is obsessed with the VR world, but he, as a former cartoonist, is stuck in the medium he has lived his life in and in the rut he's always been in.

However, his wife (Fanny Ardant) is not happy and kicks him out. Victor is offered a chance to relive some of his youth, thanks to an agency that builds sets from people's pasts and relocates them there for a night or whatever they want.

For Victor, the chance to live back in the past is too much to resist...

La Belle Époque is a light, frothy, romantic love story masquerading in parts as a drama and buried under a conceit that some may feel is just merely a construct to fuel a crowd-pleasing romance.

And that's fine, largely due to Auteuil who provides an earnest heart to the proceedings. The story may have some political allegories, and be a tale generally of how it's currently better to be living in the past (surely, French will get more from the political allegories and subtleties of Bedos' digs), but it's amiable fare that does what it needs to.

If there's to be a criticism, it's that La Belle Époque could have used some more of the randomness and levity it has in its opening moments, which surprise, delight and amuse, but that's not to denigrate the late-in-life romance story that fuels the fire of what makes it such an elegant success.