Guns Akimbo: Film Review

Guns Akimbo: Film Review

Cast: Daniel Radcliffe, Samara Weaving, Ned Dennehy, Rhys Darby
Director: Jason Lei Howden

Frenetic edited and frantically paced, Jason Lei Howden's Guns Akimbo is the triumph of style over substance.

But it's nothing without the 110% commitment of its lead, Daniel Radcliffe, who proves terrifically game and fantastically physical in his pursuit of the story.

Radcliffe is Miles, a low-level coder who lives in Shrapnel City. Recently dumped and bored with his work, Miles stumbles onto the live fight site Skizm and delivers some high-level trolling of those dwelling within.

However, those in charge of Skizm aren't impressed and decide to make Miles the star of their next death match, bolting guns to his hands and pitting him against the current champion, psychotic killer Nix (Samara Weaving, in a sneery punkish role).

But Miles isn't ready to die yet...

Guns Akimbo is relatively shallow, a series of fight sequences set to heavy metal renditions of 80s pop music tunes. Quickly edited, with swirling cameras that seem to suffer from ADHD, the film rarely stops for a moment to breathe, delivering some impressive kill sequences, and some gun fu that's to be admired and enjoyed in a Friday night popcorn entertainment way.

There is some commentary of life in the social world versus the real world, but to be frank, it's not smartly delivered, nor is it radically challenging.

Meshing the juvenile with the video game shooter mentality works well for the film, elements of Crank and Death Match blended together, but it does struggle to deliver anything more than this as it breezes through its 90 minutes run time

Where Guns triumphs though is in its two leads - Radcliffe's overly committed to Miles' disastrous situation and delivers a performance that is comedic and impressive, his everyman schlub loser caught in the crossfires of his own doing. Samara Weaving is equally enjoyable as Nix, a drugged up psycho who's addicted to the kills, she gets to deliver the lion's share of the film's best lines.

In truth, the villains are a little vanilla, and some of the peripheral characters are merely there for exposition rather than to flesh things out, but Guns Akimbo mostly delivers a blast of neon-soaked bubblegum fun. Sure, it riffs on its own video game mentality (dispatch a load of bad guys, take on the final big boss), but there's a reasonably disposable ethos to Guns Akimbo that sees you through the repetitive nature