Dawn Raid: Film Review

Director: Oscar Kightley

Dawn Raid is the exuberant bust of energy that cinema in 2021 needs.

Director Oscar Kightley delves deep into a bountiful archive to bring to life the story of Dawn Raid Entertainment, the music empire that was born on the streets of South Auckland.

Helmed by a friendship forged on the streets and in a local college of Brotha D and Andy Murnane, Kightley's doco tells the story of the rise and eventual fall of the empire, but also fashions a time capsule of how the local music scene was changed forever by the foresight of the duo.

Starting off selling T-shirts at the local market after US rap invaded these shores, D and Murnane realised local voices weren't being heard and decided to change that - giving rise to the likes of Aardhna, Deceptikonz, Adeaze, Savage and Mareko.

What emerges from this well-fashioned piece that uses archive footage to deftly weave a story is something about New Zealand's desire to seize on an idea and take it as far as they could.  There will be few who won't leave Dawn Raid feeling their ideas of entrepreneurship and creativity can't grow because of these two's dreams and business acumen.

There are plenty of vignettes thrown in here, and both Andy and D make such good bedfellows that there's one heck of a story here to be told, and a pair of narrators to do it.

But frustratingly, Kightley occasionally appears to be a little too much in the story's thrall, teasing out moments of conflict within the story and hinting at problems rather than expanding them and getting all the viewpoints. (Though given media coverage of the area and perceptions usually mean South Auckland is handed a bad name, it's perhaps understandable to see why).

A throwaway line from Murnane early on talks about how he should have kept family out of business, but Kightley doesn't follow that up; equally the inevitable tax issues faced by Dawn Raid and their artists feeling lied to is glossed over. 

There's a little too much of a one-sided narrative being told here, and no matter how entertaining that is, it's behoven of the documentary maker to explore all sides.

Dawn Raid may be an oral history and one of New Zealand pluck and enterprise, but there are holes which should have been plugged - the fact Aaradhna was the only female artist in their repertoire is never questioned is just one, but there feels like there could have been a deeper documentary to have been had with just a little more digging.

That said, what Kightley's committed to the screen is an enjoyable 90 minute ride - the highs of realising the dream easily outweigh the lows of the failure and the seismic changes of fortune. Maybe it's deliberately life-affirming and was never intended to be otherwise; at its core, Dawn Raid is a story of heart and told with heart. 

And for that, it can't be faulted.