Fallen Leaves: NZIFF Review
Finnish director Aki Kaurismäki isn't interested in pandering to wide audiences in this his 20th full length film which continues his Proletariat series.
But despite some of the touches potentially alienating some sections of the audience, there's a great deal of crowd-pleasing going on in this extremely deadpan story of two lonely people Ansa and Holappa (Alma Pöysti and Jussi Vatanen) who connect after their existences become almost desolate.
Awash in cinematic injokes and nods, Fallen Leaves possibly appeals greatly to the cinephile, but regular filmgoers shouldn't be put off by the aesthetics of this hipster-like film that provides much reward one you settle into the groove. Though one would argue long-time Kaurismäki fans will gain most from this traditional love story told in an untraditional way.
The characters seem to live in a world deeply separated from many of our own lives, but their concerns, chiefly employment and happiness are universal worries that affect and afflict all of us.
Running at just over 80 minutes, this does feel slight, and one does wonder how one of the fates that befalls the lead could actually have occurred, but regardless of that Kaurismäki stays true to his world and his word in this tragi-comedy that's awash with the dour and melancholy.
Providing an uplifting ending helps, and as long as you're willing to go along with the slighter edges of the the film, Fallen Leaves may well just warm some of your cold heart - but it won't thaw it out entirely.
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