The Master: Movie Review

The Master: Movie Review

Cast: Joaquin Phoenix, Phillip Seymour Hoffman, Amy Adams, Laura Dern
Director: Paul Thomas Anderson

Joaquin Phoenix returns to the screen after an absence, in a film which has netted him an Oscar nomination.

Phoenix plays Naval veteran Freddie Quell, who's back home in America after the end of the war and who's unsettled and unsure about what's ahead. An alcoholic, he lurches from one job to the next in a booze fuelled   state and one day ends up as a stowaway on a ship.

However, it turns out that ship is being operated by a group called The Cause, led by their charismatic leader, Lancaster Dodd aka The Master. Soon, Freddie is taken in by The Cause and they try to convert him to their ways.

But, is Freddie beyond saving? And what is it that The Master sees in Freddie that's so mesmerising?

None of these questions are really answered in Paul Thomas Anderson's The Master.

Granted, it's masterful performances from Seymour Hoffman and Phoenix which really anchor this film as it rolls from one moment to the next. Some have said that The Master is about Scientology and a thinly veiled attack on the religion which has swept Hollywood. I'm not 100% sure I see that in it, but I can understand where it's coming from given that it's about the hold one man has on a group of people who are completely in his thrall, despite some feeling that he's simply making it up as he goes along.

What is evident though is that the film from Anderson shows why he's such a searing talent in the film-making department. Scenes take a while to build up and when he keeps the camera on his two leads, it's mesmerising and utterly compelling to behold.

One sequence, an interrogation between Quell and Dodd, is just an absolute masterclass in how to frame a scene and how to get the best of your leads. It helps that Phoenix and Seymour Hoffman are at their absolute peak as Dodd tries to burrow into Quell's mental state of mind. That powerful scene alone stays with you long after the film's finished.

Which is just as well, because there are a fair few unanswered questions throughout - such as why Dodd is so determined to stick by Quell when his wife (who at times appears to be the power behind the Cause) and family tell him to cut him loose. Granted, they're two sides of one coin with Dodd the charismatic, chiselled and sophisticated leader and Quell the base, loose scoundrel - but there's never any real reason given for the lifelong devotion.

Amy Adams delivers a masterfully understated performance and you have plenty of questions as to whether she's the actual power behind The Cause. (Behind every great man, and all that....) Once again, she shows that she's an incredibly versatile talent who's immensely watchable in anything she does.

All in all, The Master is an indispensable piece of film - it's likely to be loved by critics and award ceremonies but potentially will puzzle audiences who may be a little lost to its appeal. Simply put, it's Phoenix and Phillip Seymour Hoffman who make this such a compelling powerhouse for a film.

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