Thursday, 7 March 2019

If Beale Street Could Talk: Film Review

If Beale Street Could Talk: Film Review

Cast: KiKi Layne, Stephan James, Regina King, Ed Skrein
Director: Barry Jenkins

Based on James Baldwin's novel, and opening with a quote from him, the gorgeously shot If Beale Street Could Talk is once again proof that Jenkins knows lighting perfection from shot to shot.
If Beale Street Could Talk: Film Review

Told across different time periods, Jenkins' latest is the story of childhood friends and lovers Tish (Layne) and Fonny (James) who in the 1970s in downtown Harlem found themselves the victims of an egregious crime of the times.

When Fonny's arrested and imprisoned for the rape of a neighbourhood woman, Tish vows to fight to clear his name and get him out of jail. But their plans for a future together are derailed by constant stops and starts in the quest to reunite.

If Beale Street Could Talk is lyrical poetry personified.

Much like Moonlight did, the film takes a deep dive into its subjects, placing them front and centre of every shot, bathed in different lighting moments to evoke mood and internal turmoil and emotion.
If Beale Street Could Talk: Film Review

But it also conveys the deep love of the duo, with many shots being close ups of their face as the slow, quiet and deliberate tale weaves its web over the audience. However, it has to be said, despite the layered performances of the central leads, and the sterling work done by King in a supporting role as the mother, the film feels like it holds you away at emotional arm's length.

It's an interesting stance, with its languid pace doing much to keep the audience at bay, and stopping the anger at the injustice rising up. Sure, there are some racist cops of the period, that feel like they've been ripped from the fringes of movie Detroit; and there's some commentary on life of the time, but there's never the righteous indignation being given the chance to rise up and continue.

It's perhaps Jenkins' approach to the story which has been told time and time again; he cares not for the well-worn tropes (all of which are present and correct), but is rather more consumed with the details of the situation, lacing all of it with a trembling OST that evocatively quivers when needed.

As commentary on the time, and the period as well as the crimes, If Beale Street Could Talk falls short - but what it does provide is something more mellow, more intimate and perhaps more astounding because of it.

It may not be everyone's cup of tea, but If Beale Street Could Talk is a masterclass of how to make a film and a well-worn subject look incredibly good, deeply rich and resonant, even if it does feel emotionally aloof.

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