Thursday, 14 March 2019

Hotel Mumbai: Film Review

Hotel Mumbai: Film Review


Cast: Dev Patel, Armie Hammer, Nazanin Boniadi, Jason Isaacs, Anupam Kher
Director: Anthony Maras

Tense, claustrophobic and never once exploitative, Hotel Mumbai's recreation of the 2008 Mumbai terror attacks is simultaneously nail-biting and verging on the factual.

Dev Patel is a worker at the Taj Hotel, one of those places targeted by Pakistani militants who launch a series of attacks to wreak chaos. Trapped inside and with time running out, a group of disparate guests and hotel workers try to survive.

Hotel Mumbai has a sense of claustrophobia, a sense of terror and a sense of the unending mercilessness of terrorism. As the almost robotic servants carry out their master's bidding communicated to them via phone lines, there's a true feeling of horror as the attacks take place, a relentless march against the perversion and hatred of other's ways of life.

But Maras, while delivering an almost workman-like and straight forward retelling of events, never once slips into the exploitative, giving it a feeling of something sickening growing with dread throughout.
Hotel Mumbai: Film Review

The thing with Hotel Mumbai is that the film's unswerving dedication to the unfolding reality of a terrorist attack helps it to grip, and leaving you twisting in its grimmer edges.

What Maras is smart enough to do is to realise that within the horror of every crisis, there is humanity to be found at every level.

While he does use the story of Hammer and  Boniadi's baby being trapped and separated with their sitter to promote some tension, he's wise enough to not milk it for all it's worth and just leave you teetering on the edge of your seat. Slivers of background provide enough to guide an audience in, and don't feel like sentimental set-up sap.

It's this element of sensitivity with the film's truly awful premise that helps ground Hotel Mumbai into a gripping and sickening watch.

Equally Patel and Kher show the humanity of the staff and the humility of their approach that the guest comes first, no matter what the situation. It's horrifying in many ways, but like any disaster film, it's the human elements which shine through in Hotel Mumbai to keep the light burning.

Ultimately, Hotel Mumbai's commitment to the reality of the Mumbai terror attacks means the film passes without direct judgement on those perpetrating them. There's a subtlety in the condemnation that does play out, but not an overtness - it's a key difference in making this disaster movie crowd-pleasing and turning tragedy into gripping drama.

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