Abominable: Film Review

Abominable: Film Review

Vocal cast: Chloe Bennet, Tenzing Norgay Trainor, Eddie Izzard, Albert Tsai, Sarah Paulson
Director: Jill Culton

Dreamworks' latest dials up the cute, channels a bit of Kubo and the Two Strings, and showcases Chinese leads - so in theory, it should be a home run.

But the tale of Yi (SHIELD's Chloe Bennet) and her quest to return a furry Yeti back to Everest at times suffers from an over-familiarity of themes and ideas, rendering parts of it too much like deja vu.

However, it's in the subtleties and the beautiful evocation of some of the sum of its parts that Abominable justifies itself on the big screen.

It's the visuals which soar in Abominable, not the characters. Sure, there's comedy Peng, the basketball-yearning youngster who bonds with Everest in a kind of dude-bro relationship that brings some of the funnies the kids will love; and there's a silly snake that pops up from time to time to amuse, but much of Abominable's characters are sadly forgotten when the film's over.

The aforementioned evocations of landscapes, of giant Buddha or of the lunacy of a blueberry attack from the sky soar, lifting the King Kong chase scenes early on from a kind of mental checking out that may attack parts of the audience during the film.

But when the group surf a field of yellow daffodils towards the end, Abominable finds its visual groove, a symphony of magical mixing with the mystical proving to be the bright vibrant compelling colour touch the script desperately needed.

Izzard is serviceable as an English villain named Burnish (a sly nod to a mix of Carl from UP and Mr Burns from the Simpsons - hence Burnish perhaps?), and Bennet has earnestness aplenty as Yi the strong and yet vulnerable heroine throughout. Animation on the Yeti is stunning, mixing Toothless visuals with white furry edges and blurring the line between pet pooch and cutesy Yeti with aplomb.

(Though little with the Yeti is better than the opening POV escape which hints at the menace within.)

Ultimately, heading into safe territory does much to harm Abominable's chances of standing the test of time, but it's perfectly enjoyable-in-the-moment animated fare that's more interested in evocative visuals than deep meaningful storylines.