The Lion King: Blu Ray Review
The new version of The Lion King is visually phenomenal.
Imagine the Planet Earth team had been tasked with creating a photorealistic version of the Disney classic and ensuring your nostalgia rush was catered for as well, and you can encapsulate the goosebump moments of the Circle of Life as the sun rises above the plains.
It's an astounding feat that showcases what Favreau began with The Jungle Book and has once again raised the bar in terms of what visuals can offer - especially on the biggest screen available.
And yet the 2019 reimagining of The Lion King does little to tamper with the original's formula, other than dressing up the CGI and presenting the story as is.
Unfortunately as well, the emotion is somewhat lacking once the visual dazzle of the opening starts to fade, and you realise this is a spectacle above all else - whereas the original Lion King had heart, heart-stopping moments and heartbreak in spades.
It's partly due to the impassive nature of the lions' faces, from the cubs through to the leaders via the insidious Scar - the lions themselves can do little to emote, reminding you the cartoon faces of the original were so expressive, so OTT in places and so helpful at searing the whole thing into your heart.
Consequently, iconic lines and story beats feel simply like they're read aloud at a cast reading, and lack the effects the original had. Scar, while looking slumped and emaciated compared to Mufasa, lacks the cartoon villainy that made Jeremy Irons' delivery so delicious. The hyenas fare better, their dead eyes and sneers helping bring the menace and darker edges vividly to life.
And there are odd moments when the creatures don't actually seem to interact with their surroundings too, as if placed on top rather than in environments. Gravel doesn't move under their feet in the Elephants' graveyard, and there's a rather curious relationship with grass.
These sound like minor niggles - and in fairness, they are; but given how superlative Favreau's crafted his FX team to deliver, it's the small things which stand out in Disney's latest revamp of their cartoon catalogue.
Thankfully, Timon and Pumbaa (Eichner and Rogen respectively) add much to proceedings and serve to enliven events after you begin to feel the scales falling away from your digitally-impressed eyes.
The problem is ultimately that the 2019 version of The Lion King, while overstuffed with animals, is never its own beast - there's hardly a moment within that doesn't remind you of the original.
It's not enough to be a fatal flaw for the Lion King, and certainly in terms of spectacle, the film overdelivers in a wonderful way; but is it likely to be as timeless as the original's more basic edges?
That seems distinctly unlikely, and while audiences will adore this version in the way Disney wants, you'd be hard pressed to say it's anything more than nostalgia that helps you feel the love tonight.
Imagine the Planet Earth team had been tasked with creating a photorealistic version of the Disney classic and ensuring your nostalgia rush was catered for as well, and you can encapsulate the goosebump moments of the Circle of Life as the sun rises above the plains.
It's an astounding feat that showcases what Favreau began with The Jungle Book and has once again raised the bar in terms of what visuals can offer - especially on the biggest screen available.
And yet the 2019 reimagining of The Lion King does little to tamper with the original's formula, other than dressing up the CGI and presenting the story as is.
Unfortunately as well, the emotion is somewhat lacking once the visual dazzle of the opening starts to fade, and you realise this is a spectacle above all else - whereas the original Lion King had heart, heart-stopping moments and heartbreak in spades.
It's partly due to the impassive nature of the lions' faces, from the cubs through to the leaders via the insidious Scar - the lions themselves can do little to emote, reminding you the cartoon faces of the original were so expressive, so OTT in places and so helpful at searing the whole thing into your heart.
Consequently, iconic lines and story beats feel simply like they're read aloud at a cast reading, and lack the effects the original had. Scar, while looking slumped and emaciated compared to Mufasa, lacks the cartoon villainy that made Jeremy Irons' delivery so delicious. The hyenas fare better, their dead eyes and sneers helping bring the menace and darker edges vividly to life.
And there are odd moments when the creatures don't actually seem to interact with their surroundings too, as if placed on top rather than in environments. Gravel doesn't move under their feet in the Elephants' graveyard, and there's a rather curious relationship with grass.
Thankfully, Timon and Pumbaa (Eichner and Rogen respectively) add much to proceedings and serve to enliven events after you begin to feel the scales falling away from your digitally-impressed eyes.
The problem is ultimately that the 2019 version of The Lion King, while overstuffed with animals, is never its own beast - there's hardly a moment within that doesn't remind you of the original.
It's not enough to be a fatal flaw for the Lion King, and certainly in terms of spectacle, the film overdelivers in a wonderful way; but is it likely to be as timeless as the original's more basic edges?
That seems distinctly unlikely, and while audiences will adore this version in the way Disney wants, you'd be hard pressed to say it's anything more than nostalgia that helps you feel the love tonight.
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