Sorry We Missed You: NZIFF Review

Sorry We Missed You: NZIFF Review

Ken Loach's latest piece of socially shocking miserabilism in the UK is a savage indictment of how the everyday family is being beaten down by those abusing the system.

And yet, in among the blood-boiling moments of Sorry We Missed You, Loach displays elements of everyday love and compassion along with humour that helps you along the 100 minutes of what plays out.

Kris Hitchen plays Rikki, the head of a family who is scrabbling day to day to make ends meet. Taking the chance to become a franchisee of a delivery company, Rikki finds himself part of a contract that serves the masters better than it does the servants.

Coupled with the fact his wife Abby (Debbie Honeywood) is working 14 hours a day as a carer, the pair is left hardly any time for their two children.

Stretched as thinly as it will go, something is likely to snap in Rikki and Abby's lives...

Clothed in savage condemnation of the zero hours' slavery, Loach's film promotes a growing sense of depression, as well as a sense of latent activism in the audience.

But it's the realism here, and the intimate relatability that gives Loach his power in this film - a growing sense of desperation from both Hitchen and Honeywood creates an aching, gnawing sense of disillusionment as events threaten to swallow them up.

There's nothing here that's played for easy drama, merely a growing sense of a maelstrom about to encompass the everyday family. And because of that it's even more horrifying to behold.

There's an anger in Sorry We Missed You, but Loach is restrained enough a director to realise that simply playing out events will get the required results in the audience. It's horrifically affective and affecting - ultimately, Sorry We Missed You is one social drama not ignore - both on screen and off it.