EPiC: Elvis Presley in Concert: Movie Review

Cast: Elvis Presley

Director: Baz Luhrmann

There's no denying the electricity of Elvis Presley in director Baz Luhrmann's latest attempt to continue the King's legacy.

It's clear he's not left the building as Luhrmann mines some 50 hours worth of footage of Presley playing a series of concerts in Las Vegas in what feels like the perfect companion piece to the 2022 biopic which starred Austin Butler.

Cross-cutting performances, throwing together backstage rehearsals and just generally mining the 1970s popularity of Elvis works wonders - up to a point.

Beginning with a quick run-through of where the King came from, the energetic doco format seems to be the traditional winner at the start of this. Elvis is decried by those who believe he's Satan in a jumpsuit because of his dance moves, he narrates his own boredom at the tedium of his Hollywood career that became a cookie-cutter version of his first-ever success and he promises to shake up his career with his Vegas residency in the 1970s.

It's all very familiar fare - and yet, when Luhrmann simply lets the camera capture the sheer charisma and presence of Presley, it becomes something that's a singular concert experience - even if it does appear to want to be spliced together by modern technology, close-ups and cross-cutting between some 10 concerts that were recorded for posterity - and then lost.

Granted, there's a technical adeptness in the way Luhrmann switches effortlessly between appearances, and he even gives the backing band time to shine, but he can't help himself from some editorialising, which detracts from the overall feeling.

The first mention of Colonel Parker, Presley's handler, is a voiceover that stands atop footage of someone holding a gun to Elvis' head in a film; and footage of his wife Priscilla is set to a live rendition of Always On My Mind. There's a clear bias here, which isn't really needed.

And yet, cynicism aside, this is a very real, very impressive and just a joyous musical experience that seems in keeping with what the King would have wanted. Along with comedic asides and genuine banter backstage and on stage itself, Presley proves here why he still has the power and sway.

From the white-jumpsuit version of Suspicious Minds that's become infamous to the speeded-up Hound Dog and plenty of other hits like Burning Love, you'd have to be dead to not tap your toes to this.

EPiC is an enjoyable enough experience; and if you're a King fan, it's essential viewing. But Luhrmann's desire to be a little too clever occasionally takes you away from the spotlight of the King - and that's a crying shame.