Solo Mio: Movie Review
Cast:
Kevin James, Nicole Grimaudo, Alyson Hannigan, Kim Coates, Jonathan Roumie,
Julee Cerda, Julie Ann Emery, Alessandro Carbonara
Director:
Chuck Kinnane, Dan Kinnane
If
you’re expecting a goofy Kevin James to bust out the larrikin behaviour in Solo
Mio, you’ll be sorely disappointed.
In it, he plays sad-sack elementary school teacher Matt Taylor, who believes he’s found the one in Heather. After a pitch-perfect proposal in among the kids, he and his fiancée head to Italy for their wedding. But to Matt’s horror, he’s left at the altar, smiling and hopeful as his other half makes a run for it.
Deciding
to carry on with the honeymoon in the mistaken belief that she’ll return to
him, Matt becomes part of a travel group of other couples, all of which appear
to be having their own issues. From a bickering duo who’s on their third
go-around after divorcing each other twice to another who are both picking at
each other, Matt finds he’s not sure he fits in.
But
after a meet-cute with Gia at a local café, the pair strikes up an easy
friendship that follows the usual pattern of opposites attract. Will Matt mend his
broken heart and take up a new life?
Solo
Mio isn’t interested in presenting a film that deals with the emotional depth
and fallout of break-ups, unexpected or otherwise. It’s a strait-laced,
faith-based film that’s aiming for the feelgood factor and is more likely to
land with people untroubled by complications in life or in cinema.
That
said, with some beautiful scenery around Italy and a depth from Kevin James
that’s truly delightful and different, the film manages to balance some of the
more uneven edges of what plays out – including the male duo that befriend and
ill-advise him on his life journey.
Disappointingly,
Alyson Hannigan is massively underused in a film that’s more around the hijinks
of Matt and his buffoonish honeymooner buddies. Thankfully, the directors never
resort to sending James to the kind of depths he’s explored before in the likes
of Paul Blart: Mall Cop.
Solo Mio is a thoroughly pleasant film, the kind that grandparents would be happy to sit through – however, its lack of bite and emotional depth at times proves to be a major missed opportunity to provide a film with definite conflict and a hint more of investment.

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