Thursday, 22 November 2018

The Nutcracker and the Four Realms: Film Review

The Nutcracker and the Four Realms: Film Review


Cast: Mackenzie Foy, Keira Knightley, Helen Mirren, Morgan Freeman, Matthew McFadyen, Jayden Fowora-Knight
Director: Lasse Hallstrom, Joe Johnston

Possibly the best-looking film of the year, The Nutcracker and the Four Realms' fairytale approach is the one thing strongly in its favour.
The Nutcracker and the Four Realms: Film Review

Foy plays Clara, whose life is staccato following the death of her mother; with her father trying to ensure Christmas still happens, even though nobody is interested, Clara's given a gift from her departed mother - a locked egg that says everything she seeks is within.

During attending an annual festive ball, Clara finds herself pulled into the magical world that's facing danger from Mother Ginger (Mirren). Recruited by Sugar Plum (Knightley in Marilyn Monroe squeaky voice territory) to help, Clara finds her loyalties torn as she tries to save the realms from falling into war.

The Nutcracker and the Four Realms's production aesthetic is second-to-none, and is Oscar-worthy in extremis.
The Nutcracker and the Four Realms: Film Review

Every sequence oozes with sumptuous details, with figures from fantasy tales standing out and with each scene dripping with colour and attention to detail. It's almost overwhelming, but does go some way to setting the fantasy tone needed for the film, whose plot sadly falls flat and feels uninspired and underwhelming at best.

The message is easy to decipher from early on, and even though Foy tries, she can't quite summon enough of the depth needed to sell the lighter story to an audience. Knightley's flouncy Sugar Plum is a joy to behold, although Mirren's baddie Mother Ginger feels underwritten and inconsequential.

Ultimately, The Nutcracker and the Four Realms feels more shallow than a tale as old as time should.
The Nutcracker and the Four Realms: Film Review

Its fantastical visual images may capture the audience of a younger generation, but in truth, they may get restless later on with the film as it ploughs a furrow between whimsy and empowerment message.

It may have some elements of visual pleasure, but The Nutcracker and the Four Realms is more a confectionary headrush than a nourishing lasting pleasure.

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