Wednesday, 24 July 2019

2040: Film Review

2040: Film Review

Director: Damon Gameau

Idealism seeps through the veins of That Sugar Film's follow up.

Damon Gameau returns with a self-professed optimistic piece of what life could be like in 2040 that's squarely aimed at showing his 4-year-old daughter Velvet that there is hope among the doom and gloom of climate change reporting and global concerns over the planet's future.

The tone for this film is set in the opening moments as a title board reveals that carbon credits used in making this film have been offset.
2040: Film Review

It's genially put together, and should be commended for its eternal optimism, but despite Gameau deploying visual tactics such as shrinking down commentators and experts to wee tiny levels so they can be dwarfed on the screen, the film's really only interested in presenting a utopian side of the argument.

"We have everything we need right now to make it happen," Gameau intones at one point.

And as he demonstrates how farming can do its bit, how self-driving cars will provide transport peace and how energy can be shared with others, it's easy to buy into. But Gameau shies away from getting any of the critical answers why this isn't happening yet or won't in future - whether it's out of a desire to make the film so positive that it doesn't make you want to scream at politicians and their global politicking or whether it's through lack of trying, it's never really clear.

The end result is that frustrations bubble up - despite the cutesy use of kids' vox pops talking about what they want to see in 2040. Sure, it's amusing in parts, and is as hollow as a once over lightly global approach, but much like the director's predilection in That Sugar Film, it's all about shallow rushes to the head.

In truth, the narrative naivete cloys, and while it's understandable that Gameau's trying to inspire rather than put obstacles up, its occasional head in the sands' approach does nothing to dispel a nagging sense of frustration and a feeling that everyone in the film is living in Fantasyland.

Crowd-pleasing it may be; inspiring it may also be, but based on any kind of reality and giving any steps forward to making it a reality, it is not.

Don't let the politics get in the way of a good dream, eh.

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