High Life: NZIFF Review

High Life: NZIFF Review

More of a frustration than an outright success, Claire Denis' High Life is an intriguing space odyssey which doesn't quite know what exactly it wants to say.

Equal parts mesmerising and equal parts confusing to its narrative, High Life focuses on Robert Pattinson's Monte as he tries to bring up his daughter in what appears to be the confines of outer space.

But as the film progresses, the reasons for his isolation play out, leaving you with more questions than perhaps answers.

And yet some of the visuals that Denis commits to the screen convey both the isolation of the void and the beauty of it. There's a feeling science is at play here, and an idea perhaps that this is the future we get not the one we aspire to in many ways.

Slow and moody, frustratingly paced, there are many arguments why High Life is not the full package, but a mesmerising turn from Robert Pattinson gives the film the life it needs. There's a feeling of redemption from his character, given his predicament, and a broodiness in the opening sequences that doesn't quite feel right.

Yet, as the elements combine toward the end of High Life, there's a desperation and a sadness which sets in that's hard to shake off. It may be arty, it may be moody, and it may fall short of what you'd expect, but there's no doubting that High Life will provoke some form of discussion long after it's done.